Women In Shakespeare S Plays Quotes & Sayings

A good deal of our politics is physiological. — Ralph Waldo Emerson

I'm mainly an airport author, and if you're trying to take your mind off the journey, you're not going to read 'King Lear.' — Maeve Binchy

father's best friends, and Dax had known him all his life. Dax and his father had hunted with Herne in the forests north and east of Tazzelton, and — William L. Culbertson

Would you mind finding Eileen and asking her why she's late? It doesn't normally take her this long to terminate an employee. — Charles Stross

Working with big actors and realising that they were just normal people who've got an incredible talent was just a great experience. — Tom Felton

As writers we need to crack open language. — Natalie Goldberg

But like I told you guys years ago: this demigod gig is dangerous. Don't say I didn't warn you. — Rick Riordan

[Talking about Rosalind in As You Like It] She disguises herself as a boy, drops all the covering inhibitions of "femininity", and really searches for her true self (...) Her disguise gives her the ability to find out about herself, what she really thinks and feels (...). And she can do all this freely, without having anyone in power tell her how women should or should not behave.(...) — Tina Packer

Men and women in their very essence -in their souls if you wish- have natural parity. (...) This was a relatively new idea at the time [of Shakespeare]. It ran counter to the teaching in the Bible -Eve's being made out of Adam's rib to be his helpmate -which was the basis for the idea, held for so long, that women do not have souls of their own but are dependent on their fathers' and husbands' . — Tina Packer

I thought of that old gentleman, who is dead now, but was a bishop, I think, who declared that it was impossible for any woman, past, present, or to come, to have the genius of Shakespeare. He also told a lady who applied to him for information that cats do not as a matter of fact go to heaven, though they have, he added, souls of a sort. How much thinking those old gentlemen used to save one! How the borders of ignorance shrank back at their approach! Cats do not go to heaven. Women cannot write the plays of Shakespeare. — Virginia Woolf

Why do the impulsive notions of a would-be do-gooder always translate into the ideals of the next civilization? — Chuck Palahniuk

Young women ... you are, in my opinion, disgracefully ignorant. You have never made a discovery of any sort of importance. You have never shaken an empire or led an army into battle. The plays by Shakespeare are not by you, and you have never introduced a barbarous race to the blessings of civilization. What is your excuse? — Virginia Woolf

[Talking about ancient Greece](...) the great institutions (...) were created by older males who then trained younger males. They all had a strong homoerotic element. (...) This thereby increased the "rightness" of masculinity, never mind that half the world was feminine. That other half was also interested in philosophy, the arts, the law, religion, and athletics, but they had this other task -bringing children to term and nurturing them through the early years of their lives. And doing it again and again. Not that this gave status to women. On the contrary, the man's seed made the child. A woman was simply the receptacle provided by nature to carry the child until it was ready to come out. (...) — Tina Packer

She [Cressida] knows it is men's sexual desire that makes women "angels" before they have been able to possess them; once possessed, women are "things" [Troilus and Cressida I.2, 225-28, 233-34]. — Tina Packer

He [Shakespeare] was a wordsmith who loved to act and to see things from many points of view.(...) His genius lay in being able to see all sides of an argument. — Tina Packer

Layering in different patterns will keep things from appearing too studied. — Nate Berkus

He [Hamlet] sees ghosts and listens to dreams. And when his ghost father tells him that he (Hamlet Senior) was killed by his brother and asks Hamlet Junior to avenge his death, in the right, honorable way, Hamlet says yes, yes, yes, he'll do it.
But somehow he never gets round to it. Not like the other two young men in the play. The Norwegian Prince Fortinbras(...) has made his life [!!] pursuing the honor that his father lost when Hamlet Senior beat him in single combat. (...). When the lord chamberlain,Polonius, is killed, his son, Laertes, returns to the court immediately, demanding restitution, (...).
So there is no shortage of examples of how young men are expected to and do act in this world where honor demands an eye for an eye, a tooth for a tooth, a life for a life. But Hamlet doesn't do it. Instead, he beats up on his girlfriend and he's cruel to his mother. — Tina Packer

I'm constantly moving and constantly travelling, and so it's really hard to maintain a relationship in that kind of environment. — Rebel Wilson

If we divide human attributes into "masculine" and "feminine" and strengthen only those attributes that "belong" to that sex, we cut off half of ourselves from ourselves as human beings, condemned forever to search for our other half. The world is in desperate need of multilayered human beings with the voices, stamina, and insight to break through our current calcified ways of doing things, (...) The patriarchal structures of honor, shame, violence, and might is right, do as much harm to Hamlet, Edgar, Lear, and Coriolanus as they do to Ophelia, Desdemona, Lady Macduff (...)
(...) To have feelings, intuitive flights of understanding, a desire to have knowledge of what is happening below the surface, to serve. These are often called "feminine" attributes, and it is true that many women in the plays possess them. But they also belong to Kent, Ferdinand, Florizel, Camillo, as well as the women. So they are not "feminine" attributes: they are human attributes. — Tina Packer

Suppose, for instance, that men were only represented in literature as the lovers of women, and were never the friends of men, soldiers, thinkers, dreamers; how few parts in the plays of Shakespeare could be allotted to them; how literature would suffer! We might perhaps have most of Othello; and a good deal of Antony; but no Caesar, no Brutus, no Hamlet, no Lear, no Jaques
literature would be incredibly impoverished, as indeed literature is impoverished beyond our counting by the doors that have been shut upon women. — Virginia Woolf

I think of inspiration as desire infused with spirit and topped with an almost reckless optimism. — Fred White

When I started in the theater, I'd do plays by Shakespeare or Ibsen or Chekhov, and they all created great women's roles. — Annette Bening

Therefore, we propose a rediscovery of Christology that includes a preoccupation with the example and teaching of Jesus for the purposes of emulation by his followers. — Michael Frost

I sort of understood that when I first started: that you shouldn't repeat a success. Very often you're going to, and maybe the first time you do, it works. And you love it. But then you're trapped. — Jack Nicholson

[Shakespeare realized that] Women are able to understand themselves better on a personal level and survive in the world if they dress in men's clothing, thus living underground, safe (...). The presence of women disguising themselves as men dictates that the play be a comedy; women remaining in their frocks, a tragedy. In four great tragedies -Julius Caesar, Hamlet, Othello, and King Lear- almost all the women die (...).
How much the women have to adhere to the rules and regulations of their enviroment makes a large difference. Once Rosalind [disguised as a man in As You Like It] has run away from the court, she has no institutional structures to deal with. Ophelia [in her frocks] is surrounded tightly by institutional structures of family, court, and politics; only by going mad can be get out of it all. — Tina Packer

Because women are such potent ingredients of men's imaginations, we see how much power men feel women have over them, and how women must be suppressed, defanged, or idealized in one way or another. How, with Eve, they are often thought to be the root of the evil in the world -which says more about the man or men who wrote that story than about Eve herself. Eve is curious and wants knowledge, not power over others. [...] Both onstage and offstage, women have two levels of understanding concerning how to behave -one, to behave the way men want them to behave and forget that what they want might be different; two, to find out how they really feel and decide whether or not they are going to act on it! — Tina Packer