Famous Quotes & Sayings

Women In Horror Quotes & Sayings

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Top Women In Horror Quotes

The daily work you put into rearing your children is a kind of intimacy, tedious and invisible as mothering itself. There is another kind of intimacy in the conversations you may have with your children as they grow older, in which you confess to failings, reveal anxieties, share your bouts of creative struggle, regret, frustration. There is intimacy in your quarrels, your negotiations and running jokes. But above all, there is intimacy in your contact with their bodies, with their shit and piss, sweat and vomit, with their stubbled kneecaps and dimpled knuckles, with the rips in their underpants as you fold them, with their hair against your lips as you kiss the tops of their heads, with the bones of their shoulders and with the horror of their breath in the morning as they pursue the ancient art of forgetting to brush. Lucky me that I should be permitted the luxury of choosing to find the intimacy inherent in this work that is thrust upon so many women. Lucky me. — Michael Chabon

Every person killed or injured was a personal friend of mine; and you can imagine how grieved I am, and how glad I was to be of service in a special way - being a registered pharmacist. "I feel that I justified my entire thirty-one years as a pharmacist, by this one night of horror, and I should like to have you make a special appeal to young women whose parents have given their life to pharmacy, thus giving them proper background, to go on from there and study pharmacy. "Mrs. Margaret Strickler — John Finlayson

The most disgusting, appalling horror of our world that we live in, to me, is sex trafficking and the enslavement of men and women, boys and girls, in the sex industry. That is the most horrific, horrific thing that's happening and it's happening in all of our towns here in Los Angeles, in New York, in London, in Paris, all over the world, and I think that's really what has to be addressed. — Taylor Hackford

The next war will be a war in which people not armies will suffer, and our boasted, hard-earned civilization will do us no good. Cannot the women rise to this great opportunity and work now, and not have the double horror, if another war comes, of losing their loved ones, and knowing that they lifted no finger when they might have worked hard? — Eleanor Roosevelt

They told of dripping stone walls in uninhabited castles and of ivy-clad monastery ruins by moonlight, of locked inner rooms and secret dungeons, dank charnel houses and overgrown graveyards, of footsteps creaking upon staircases and fingers tapping at casements, of howlings and shriekings, groanings and scuttlings and the clanking of chains, of hooded monks and headless horseman, swirling mists and sudden winds, insubstantial specters and sheeted creatures, vampires and bloodhounds, bats and rats and spiders, of men found at dawn and women turned white-haired and raving lunatic, and of vanished corpses and curses upon heirs. — Susan Hill

The mother sings a hungry song
Of blood and cracking teeth
She dances in the dark below
wants to pull us underneath

Her claws, they rise, they sway in dance
to the melody of screams
Her lullaby will never end
till the world comes apart at the seams — Amy Lukavics

Did you know that when the baby starts moving that it's called the quickening?" Hope says.

I snicker. "So she's going to burst out of my stomach with a sword declaring there can be only one?"

"Possibly. Women have died in childbirth, right? The baby is essentially a parasite. It lives off your nutrients, saps your energy." She taps the bottom of a hanger against her lip. "So yeah, I think the Highlander motto could fit."

Carin and I look at her in horror. "Hopeless, you can shut up any time now," Carin orders.

"I was just saying, from a medical standpoint, it's a possible theory. Not here, but maybe in other less developed nations." She reaches over and pats my belly. "Don't worry. You're safe. You should've gotten more maternity clothes," she says, moving on to another topic while I'm still digesting that my baby is a parasite. — Elle Kennedy

What's happening here? What's going on? Then you hear yourself mumbling: "Dogs fucked the Pope, no fault of mine. Watch out! ... Why money? My name is Brinks; I was born ... born? Get sheep over side ... women and children to armored car ... orders from Captain Zeep." Ah, devil ether - a total body drug. The mind recoils in horror, unable to communicate with the spinal column. The hands flap crazily, unable to get money out of the pocket ... garbled laughter and hissing from the mouth ... always smiling. Ether is the perfect drug for Las Vegas. — Hunter S. Thompson

You probably think I'm just a hysterical woman who would be better off home doing woman's work."
"We're in the state that was the first to give women the right to vote. I'm not about to tell you what a woman's work should be," I said... — Hunter Shea

- Who dares, in front of Love, to mention Hell?
Curbed forever be that useless dreamer
Who first imagined, in his brutish mind,
Of sheer futility the fatuous schemer,
Honour with Love could ever be combined.
He who in mystic union would enmesh
Shadow with warmth, and daytime with the night,
Will never warm his paralytic flesh
At the red sun of amorous delight.
Go, if you wish, and seek some boorish lover:
Offer your virgin heart to his crude hold,
Full of remorse and horror you'll recover,
And bring me your scarred breast to be consoled ...
Down here, a soul can only serve one master.
(Damned Women) — Charles Baudelaire

I spent years working in low-budget horror films. When you've done 'Cannibal Women in the Avocado Jungle of Death,' you can handle anything! — Adrienne Barbeau

Allegra's Austen wrote about the impact of financial need on the intimate lives of women. If she'd worked in a bookstore, Allegra would have shelved Austen in the horror section. — Karen Joy Fowler

Oh, what can you do with a man like that? What can you do? How can you dissuade his eye in a crowd from seeking out the cheek with acne, the infirm hand; how can you teach him to respond to the inestimable greatness of the race, the harsh surface beauty of life; how can you put his finger for him on the obdurate truths before which fear and horror are powerless? The sea that morning was iridescent and dark. My wife and my sister were swimming
Diana and Helen
and I saw their uncovered heads, black and gold in the dark water. I saw them come out and I saw that they were naked, unshy, beautiful, and full of grace, and I watched the naked women walk out of the sea. — John Cheever

It is women who bear the race in bloody agony. Suffering is a kind of horror. Blood is a kind of horror. Women are born with horror in their very bloodstream. It is a biological thing. — Bela Lugosi

I was more at home in my father's world. People like Mr. Heck Tate did not trap you with innocent questions to make fun of you; even Jem was not highly critical unless you said something stupid. Ladies seemed to live in faint horror of men, seemed unwilling to approve wholeheartedly of them. But I liked them. There was something about them, no matter how much they cussed and drank and gambled and chewed; no matter how undelectable they were, there was something about them that I instinctively liked ... they weren't
"Hypocrites, Mrs. Perkins, born hypocrites," Mrs. Merriweather was saying. — Harper Lee

I read a lot of articles about young women in the resistance. All of a sudden, I felt that if I go too much into this horror, then I won't be able to start as a fresh character. — Carice Van Houten

Except two breeds - the stupid and the narrowly feline - all women have a touch of the Lesbian: an assertion all good non-analytic creatures refute with horror, but quite true: there is always the poignant intensive personal taste, the flair of inner-sex, in the tenderest friendships of women. — Mary MacLane

The picture to my left, that's me. My name is Stephanie M. Wytovich, and yes, I am a female horror writer. But am I? No, of course not. I mean, if you want to bring my vagina into the conversation, then yes, I guess that's technically true, but seeing that I don't write with it, I'm not sure why that would be appropriate. — Stephanie M. Wytovich

Just before the Hathaways had arrived, Captain Swansea, who had spent four years serving in India, had been regaling some of the guests with an account of a tiger hunt in Vishnupur. The tiger had stalked the spotted deer, brought it down with a pounce, and clamped the back of its neck in its jaws. Women and even a few men had grimaced and exclaimed in horror as Swansea described how the tiger had proceeded to eat the chital while it was still alive. "The vicious beast!" one of the women had gasped.
But as soon as Amelia Hathaway entered the room, Cam had found himself entirely in sympathy with the tiger. There was nothing he wanted more than to bite the tender back of her neck and drag her to some private place where he could feast on her for hours. — Lisa Kleypas

We know - more from the faces immortalized on a handful of photographs than from the words of survivors - that the women and men who experienced that moment in Hiroshima believed they had encountered the beginning of the end of the world. There will never be enough future to prove them wrong. — Hans Ulrich Gumbrecht

I have seen many cases like N. during the five years I've been in practice. I sometimes picture these unfortunates as men and women being pecked to death by predatory birds. The birds are invisible - at least until a psychiatrist who is good, or lucky, or both, sprays them with his version of Luminol and shines the right light on them - but they are nevertheless very real. The wonder is that so many OCDs manage to live productive lives, just the same. They work, they eat (often not enough or too much, it's true), they go to movies, they make love to their girlfriends and boyfriends, their wives and husbands ... and all the time those birds are there, clinging to them and pecking away little bits of flesh. — Stephen King

I've always been fascinated by Asian culture, and I love that women can play the lead in a horror film. — Sarah Michelle Gellar

Later, Nima told us that the son of one of his friends, a ten-year-old, had awakened his parents in horror telling them he had been having an "illegal dream." He had been dreaming that he was at the seaside with some men and women who were kissing, and he did not know what to do. He kept repeating to his parents that he was having illegal dreams. — Azar Nafisi

In all the horror films that I have done, all of those women were strong women. I don't feel I ever played the victim, although I was always in jeopardy. — Adrienne Barbeau

After all, the butt of Fashion's dirtiest jokes is the public. The present American boast, that all women can be beautifully dressed if they choose, has been so clearly stated in so many ways for so long a time, that a large number of American women believe themselves to be beautifully dressed who are actually horrors to behold. Take those $10.75 copies of the dresses worn by the Duchess of Windsor in the summer of 1937. You could tell by the look on the faces of the American girls who wore them that they really felt beguiling enough to snatch off a Duke because they had a modified silhouette corresponding to that of a Duchess. The actual dress, stinted on material, cheaply imitated as to print design, bad in color and ill-fitting, was a horror to behold. You may say, if the girl feels like a Duchess, what more do you ask? I say, she looks to me like the worst mass-pro- duced imitation of a Duchess I can imagine, and it just isn't pretty. — Elizabeth Hawes

Many veterans feel guilty because they lived while others died. Some feel ashamed because they didn't bring all their men home and wonder what they could have done differently to save them. When they get home they wonder if there's something wrong with them because they find war repugnant but also thrilling. They hate it and miss it.Many of their self-judgments go to extremes. A comrade died because he stepped on an improvised explosive device and his commander feels unrelenting guilt because he didn't go down a different street. Insurgents used women and children as shields, and soldiers and Marines feel a totalistic black stain on themselves because of an innocent child's face, killed in the firefight. The self-condemnation can be crippling.
The Moral Injury, New York Times. Feb 17, 2015 — David Brooks

Yes. I think I'll name my next horse Charlotte. She had tits a man could die between."
Teta like to name his horses after special women in his life. I'd noticed how he never mentioned naming a horse after his wife. — Hunter Shea

In the closed world of the gynaeceum, despite the gardens and parkland extending beyong the horizon, despite the insurmountable walls separating pavillions and palaces, the tangled web of our fate was inescapable. Why did these women love each other to the point of madness? Why did they loathe one another so vehemently, and why did sworn enemies feel such horror and fascination for one another? Why should furious hate become obsession, then intoxication and the very reason to live?
Because love and hate were the two heads of the demon. — Shan Sa

What do you think of Poe?"
"He's awful. He was obviously ... what's the term ... 'disappointed in love' at some point. He probably never smiled again. The pages are just bursting with his longing for women to suffer. If he ever met me he'd probably punch me on the nose."
"I think Poe's quite good, actually. The whole casual horror thing. Like someone standing next to you and screaming their head off and you asking them what the fuck and them stopping for a moment to say 'Oh you know, I'm just afraid of death' and then they keep on with the screaming. — Helen Oyeyemi

Jim walked into the kitchen. He was wearing a white towel around his hips and nothing else. His skin glistened with dampness - he had obviously just taken a shower. I stared at him in horror. He nodded to my aunt, my mother, and the two other women. "Ladies." Then he walked to my silverware drawer, got a fork, took a plate out of my cabinet, walked to the breadbox, speared the steak with his fork, put it on the plate, turned around and walked out. This did not just happen. It did not happen. Aulia looked at me with eyes as big as dessert plates and mouthed, "Wow." All four of them stared at me. — Nalini Singh

For a moment everything was clear, and when that happens you see that the world is barely there at all. Don't we all secretly know this? It's a perfectly balanced mechanism of shouts and echoes pretending to be wheels and cogs, a dreamclock chiming beneath a mystery-glass we call life. Behind it? Below it and around it? Chaos, storms. Men with hammers, men with knives, men with guns. Women who twist what they cannot dominate and belittle what they cannot understand. A universe of horror and loss surrounding a single lighted stage where mortals dance in defiance of the dark. — Stephen King

Franklin Fletcher dreamed of luxury in the form of tiger-skins and beautiful women. He was prepared, at a pinch, to forgo the tiger-skins. Unfortunately the beautiful women seemed equally rare and inaccessible. At his office and at his boarding-house the girls were mere mice, or cattish, or kittenish, or had insufficiently read the advertisements. — John Collier

The dark is settling in. The sky glows yellow- pale- anemic from the city lights. The Tenderloin at night is a real horror show. Every 3 feet someone is accosting you with a plea for a handout or the offer of drug or sex. The men and women wander the streets and alleys with a threatening, violont want. Takers looking to take, hustlers looking to hustle, all trying to satisfy a craving that is parpatually unsatisfiable. And tonight I'm one of them. — Nic Sheff

Weakness is stereotypically expected in women but also despised. — Mercedes M. Yardley

I stare in horror at the tweezers. "I don't know how you women manage to put up with having your legs done. or even, you know, your other bits". Joanna smiles. "You should ask your friend Dan,"she says. 'He'll tell you how it feels'. For a moment I just stare back at her,thinking she's joking, before I cotton on. You're kidding? Dan? I point to my crotch. 'Down there?' Joanna nods. Its very popular nowadays. 'I think the guys believe it makes them look, you know, bigger.' And for the rest of the afternoon, I can't get the phrase 'last turkey in the shop' out of my mind. — Matt Dunn

What bizarre things does not one find in a great city when one knows how to walk about and how to look! Life swarms with innocent monsters. Oh Lord my God, Thou Creator, Thou Master, Thou who hast made law and liberty, Thou the Sovereign who dost allow, Thou the Judge who dost pardon, Thou who art full of Motives and of Causes, Thou who hast (it may be) placed within my soul the love of horror in order to turn my hear to Thee, like the cure which follows the knife; Oh Lord, have pity, have pity upon the mad men and women that we are! Oh Creator, is it possible that monsters should exist in the eyes of Him alone who knoweth why they exist, how they have made themselves, and how they would have made themselves, and could not? — Charles Baudelaire

I want to tell the rebels that I am alive. That I'm right here in District Eight, where the Capitol has just bombed a hospital full of unarmed men, women and children. There will be no survivors." The shock I've been feeling begins to give way to fury. "I want to tell people that if you think for one second the Capitol will treat us fairly if there's a cease-fire, you're deluding yourself. Because you know who they are and what they do." My hands go out automatically, as if to indicate the whole horror around me. "This is what they do and we must fight back!"
"President Snow says he's sending a message. Well I have one for him. You can torture us and bomb and burn our districts to the ground, but do you see that?" One of the cameras follows where I point to the planes burning on the roof of a warehouse across from us. "Fire is catching!" I am shouting now, determined he will not miss a word of it, "And if we burn, you burn with us! — Suzanne Collins

Many of my readers are women and some of them email me their thoughts about the stories I've written. Almost all of them find a delicious pleasure in being totally frightened by the strange and dark side of life. Perhaps it's because horror books are an escape from our sometimes-mundane lives? Or could it be that many of us actually do have a private darker side that we like to explore secretly through books, movies and music? — Sara Brooke

I remember, around age ten, beholding the scene in The Shining in which the hot young woman whom Jack Nicholson is lewdly embracing in the haunted hotel bathroom ages rapidly in his arms, screeching from nubile chick to putrefying corpse within seconds. I understood that the scene was supposed to represent some kind of primal horror. This was The Shining, after all. But the image of that decaying, cackling crone, her arms outstretched in desire toward the man who is backing away, has stayed with me for three decades, as a type of friend. She's part baths-ghost, part mad-Naomi. She didn't get the memo about being beyond wanting or being wanted. Or perhaps she just means to scare the shit out of him, which she does. — Maggie Nelson

For that matter," said Toussaint, "it's true. We would be assassinated before we'd have time to say Boo!
And then, since Monsieur doesn't sleep in the house. But don't be afraid, mademoiselle, I fasten the windows like
Bastilles. Women alone ! I'm sure that's enough to make us shudder! Just imagine! To see men come into the room
at night and say Hush ! to you and set themselves about cutting your throat. It isn't so much the dying, people
die, that's all right, we know very well that we have to die, but it is the horror of having such people touch yhaving such people touch you. And then their knives, they must cut badly ! 0 God ! — Victor Hugo

I feel a tug in the air. The magic. When I look over, Felicity has her eyes closed in concentration, and a faint smile curves those full lips. Suddenly, Lady Denby breaks wind with an enormous crackling sound. There is no hiding the shock and horror on her face as she realizes what she's done. She breaks wind again, and several women clear their throats and look away as if they can pretend no to notice the offense. — Libba Bray

She was a predator - a creature of the night who rejoiced in the thrill of the hunt. — Alan Kinross

Millions and Millions, he whispered to himself: and the enormity of the evil seemed to grow with every repetition of the word. All over the world, millions of men and women lying in pain; millions dying, at this very moment; millions more grieving over them, their faces distorted, like that poor old hag's,the tears running down their cheeks. Ad millions starving, millions frightened, and sick and anxious. Millions being cursed and kicked and beaten by other brutal millions. And everywhere the stink of garbage and drink and unwashed bodies, everywhere the blight of stupidity and ugliness. The horror was always there, even when one happened to be feeling well and happy
always there, just around the corner and behind almost every door. — Aldous Huxley

Can I just say here how much I hate the word 'pamper'? While pretending to celebrate and indulge women, it actually implies that their bodies are so revolting that even their 'me time' must be dedicated to turning them into living dolls if potential suitors are to be prevented from running screaming in horror. — Julie Burchill

I'm in a band. I don't go to church every Sunday. I love punk rock music. Sometimes I use swear words a lot. I respect and admire gay men and women. I'm obsessed with horror films. I know what shame feels like. And guess what old man? Jesus is still my Savior. — Hayley Williams

No, I'm done! I'm tired, I'm sweaty, I'm in agony, and why do I feel like I need to shit?"
"It's totally natural to feel that way," said Grace in a placatory, calming voice. "Some women even have one during labor."
"What?" The word dripped with horror. "Women can shit when they're in labor? Tell me that won't happen to me! Don't you let me shit, Grace! — Suzanne Wrightt

Marie's eyes slammed the furthest wall after a back-forth, back-forth swinging from horror to horror, from skull to skull, beating from rib to rib, staring with hypnotic fascination at paralyzed, loveless, fleshless loins, at men made into women by evaporation, of women made into dugged swine. the fearful ricochet of vision, growing, growing, taking impetus from swollen breast to raving mouth, wall to wall, again, again, like a ball hurled in a game, caught in the incredible teeth, spat in a scream across the corridor to be caught in the claws, lodged between thin teats, the whole standing chorus invisibly chanting the game on, on, the wild game of sight recoiling, rebounding, re-shuttling on down the inconceivable procession, through a montage of erected horrors that ended finally and for all time when vision crashed against the corridor ending with one last scream from all present. — Ray Bradbury

When they played, it wasn't music. It was the sound of chaos. I knew it was the sound of chaos because you could hear pigs being slaughtered. Women were weeping and men were gnashing their teeth, and there were sounds so horrible that I cannot repeat them to you, or you would flee from this room in horror! — Lewis Black

Great artistic works are often based on solving several psychological problems simultaneously. In literature this is often accomplished by splitting apart the conflict and assigning each aspect to a different character. Marjie Rynearson, for instance, wrote an award-winning play, Jenny, about the meeting and reconciliation of two women: the mother of a murder victim and the mother of the murderer. Within the dialogue between the two characters she sought to resolve two sets of problems: the rage and grief of the victim's mother, and the horror, guilt, and grief of the murderer's mother. She worked on the play for several years, and only when it was finished did she realize that through it she was struggling to resolve her feelings about the suicide of her best friend. Rynearson had simultaneously been, in effect, both the friend of the victim and the friend of the perpetrator of the killing. The power of the work lay in its simultaneous resolution of conflicting problems. — Linda Austin

I felt so much more than horror. I was so afraid, shocked by what I saw. There were hundreds of men, women and children hanging from the trees ... there was blood everywhere! We all saw that every person had been gutted, like a fish. My instinct was to run, but where to ... I was on a train. As I watched those around me on the train, so many others also looked like they had explosions in their eyes and they too wanted to flee. — Alfred Nestor

We didn't-?" I whisper, my mouth drying in mortified horror as I can't complete the question. I stare at my hands.
"Anastasia, you were comatose. Necrophilia is not my thing. I like my women sentient and receptive," he says dryly. — E.L. James

The horror that grand people have for the snobs who strive so hard to make their acquaintance is also felt by masculine men for inverts, and by women for every man who is too much in love with them. — Marcel Proust

Addicts don't like when you tell them they are all the same. Of course not. Who would? But to me, addicts are like actresses, who all audition for the same role in a horror movie. It doesn't matter how they got to the audition. It doesn't matter how or where they grew up, once they get to the audition, all the actresses act in the same way and read the same lines. They all become the same character. — Oliver Markus

Chapter 4,'Organised abuse and the pleasures of disbelief', uses Zizek's (1991) insights into cite political role of enjoyment to analyse the hyperbole and scorn that has characterised the sceptical account of organised and ritualistic abuse. The central argument of this chapter is that organised abuse has come to public attention primarily as a subject of ridicule within the highly partisan writings of journalists, academics and activists aligned with advocacy groups for people accused of sexual abuse. Whilst highlighting the pervasive misrepresentations that characterise these accounts, the chapter also implicates media consumers in the production of ignorance and disdain in relation to organised abuse and women's and children's accounts of sexual abuse more generally. — Michael Salter

It's all of a piece, I thought. It's an echo so close to perfect you can't tell which one is the living voice and which is the ghost-voice returning. For a moment everything was clear, and when that happens you see that the world is barely there at all. Don't we all secretly know this? It's a perfectly balanced mechanism of shouts and echoes pretending to be wheels and cogs, a dreamclock chiming beneath a mystery-glass we call life. Behind it? Below it and around it? Chaos, storms. Men with hammers, men with knives, men with guns. Women who twist what they cannot dominate and belittle what they cannot understand. A universe of horror and loss surrounding a single lighted stage where mortals dance in defiance of the dark. Mike — Stephen King

When I want to render these fine nuances, I do not find them in the subject, but in the nature of women in real life who seek unhealthy emotions and are too stupid even to understand the horror in the most appalling situations. — Gustave Moreau

She waited the eternal instant that women wait when a horror jumps out at them. It is an instant that men do not use for waiting, an instant that opens a door to life or death. Women look through the opening because something might be alive in there. — Kathleen Winter

back in the middle ages
they burned unruly women at the stake
and out of the ashes of their bones and flesh
rose the Enlightenment and Reason fresh
and the white men declared
there's no such thing as witches
they're just crazy psycho-bitches
but we certainly can't let them run free
lock 'em up and throw away the key
yeah they said: lock 'em up and throw away the key

cause there's nothing scarier than a woman mad and/or
aware of her own magic
tragic how much violence is done
in the name of science
to ensure our silence

in Victorian times they located suffering in our uterus
in the blood in the soft internal organs
took our pain our righteous rage
they called it 'hysteria'
and then Dr. Freud ignored women's horror stories
herstories of abuse and rape and
took a justified hatred of the penis and called it
envy (he sold more books that way) — Leah Harris

now I'm blinking in a new gloaming
and all I see as I'm stretched low down here
is a world of women flat on their frozen
faces. we are the ground itself, corporeal
carpet of cells, softness calloused hard
beneath the pebbled soles of the fathers
and husbands and brothers and priests

and it's a horror if you could see it,
a world of women ruined
by man's fear. — Beth Morey