Woman The Movie Quotes & Sayings
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Top Woman The Movie Quotes

In the past I'd always felt like 'the girl' in the show or the movie. On 'Friday Night Lights' there were a bunch of girls, and I was the woman. Initially there was a little struggle with my identity around that. But now there's a sense of ease. — Connie Britton

After that, things happened very quickly. She gave me a key to her house, and I gave her a key to my apartment. If we were in town, we spent every weekend together. She cooked for me - she was good in the kitchen, but then she was good everywhere. We watched the Friday night fights on TV, and on Saturday or Sunday afternoons we'd go for long walks in the mountains above Malibu. Occasionally we would go to a movie, slipping in after the lights went down. Whenever we went out, Barbara [Stanwyck] would wear a scarf over her head, or a kind of hat, so it would be hard to tell who she was. For the next four years, we became part of each other's lives. In a very real way, I think we still are. Barbara proved to be one of the most marvelous relationships of my life. I was twenty-two, she was forty-five, but our ages were beside the point. She was everything to me - a beautiful woman with a great sense of humor and enormous accomplishments to her name. — Robert Wagner

Jack: Rose, you're no picnic, all right? You're a spoiled little brat, even, but under that, you're the most amazingly, astounding, wonderful girl, woman that I've ever known ...
Rose: Jack, I ...
Jack: No, let me try and get this out. You're ama- I'm not an idiot, I know how the world works. I've got ten bucks in my pocket, I have no-nothing to offer you and I know that. I understand. But I'm too involved now. You jump, I jump remember? I can't turn away without knowing you'll be all right ... That's all that I want.
Rose: Well, I'm fine ... I'll be fine ... really.
Jack: Really? I don't think so. They've got you trapped, Rose. And you're gonna die if you don't break free. Maybe not right away because you're strong but ... sooner or later that fire that I love about you, Rose ... that fire's gonna burn out ...
Rose: It's not up to you to save me, Jack.
Jack: You're right ... only you can do that. — James Cameron

The pickings are pretty slim when you have to play the part of a housewife who doesn't go out of her apartment because she's afraid she's going to get mugged, or a woman who turns into her brother, who is a murderer. — Shirley Maclaine

I'm currently shooting 'Ava's Possessions,' which is a really fun movie about a woman who gets possessed by a demon. I call it 'Memento' meets 'The Exorcist.' — Alysia Reiner

There was a whole cut of the movie where Tom Holland decided to try a woman's voice for the voice of Chucky, proceeding from the logic that it worked with Mercedes McCambridge voicing the voice of Satan in "The Excorsist" so he thought he would give it a try. It didn't really work. Chucky just sounded kind of gay.We brought that back in Seed of Chucky. — David Kirschner

We often hear of a male director directing a great indie and immediately being offered the next huge comic book movie. Rarely, if ever, does this happen to a woman. — Lesli Linka Glatter

It was like when a midde-aged woman, happily married, found out that her favorite movie star was gay. It broke her heart just a litte to know that there wasn't even a chance in fantasyland for the two of them to ever touch. — Amy Lane

A woman, I always say, should be like a good suspense movie: The more left to the imagination, the more excitement there is. This should be her aim - to create suspense, to let a man discover things about her without her having to tell him. — Alfred Hitchcock

With 'Love & Basketball,' I played ball my whole life and did track at UCLA. So, I'm an athlete. And it was very important for me to get it right. I started with casting: As an athlete, there's nothing worse for me than watching a sports movie and the woman that they hire can't run or can't shoot. It sets women's sports back years. — Gina Prince-Bythewood

Nikolaj [Coster-Waldau] plays one of the ugliest villains. We had to create such a horrible guy, because he is the bad guy in the [The Other Woman] movie. We took him as far pathologically as possible. — Kate Upton

But I would say maybe just from an actress's perspective, probably 'Woman Under the Influence' is the best movie of all time. The style of filmmaking and the performances ... you don't feel like you're watching a film. — Olivia Thirlby

I think the role of the Bond woman has changed so much over the years that it now doesn't follow a typical archetypical view. Before, it was very much a beautiful woman who didn't contribute much and who usually ended up getting killed or was arm candy for Bond. But now the women in a Bond movie have so much more to offer. — Naomie Harris

The worst kind of management seeks a single optimum, a one-scale index of efficiency, like the mindless scales of 1 to 10 for grading a woman's beauty or one to four stars for a movie's appeal. — James Fallows

I won't do this movie because I don't believe the love story," she told Selznick. "The heroine is an intellectual woman, and an intellectual woman simply can't fall in love so deeply. — Ingrid Bergman

I daydream - and get paid for it. I recall a scene from An Officer and a Gentleman. At the end of the movie Richard Gere, dressed in his naval whites, goes into a factory, picks up Debra Winger, and carries her out of that depressing place with all of those dirty machines.
I wish that would happen to me. Of course the whole time I'd be worried that the guy was trying to guess my weight or something. I realize how truly pathetic I am. Some guy in a uniform drags his woman out of the workplace to stick her in a house to cook and possibly even clip coupons, and I am staring to buy into it, into the anti-female propaganda disguised as romance. As soon as he picks her up, things have to head south from there, because at some point, he has to put her down. — Jill A. Davis

I drove to the doctor's office as if I was starring in a movie Phillip was watching
windows down, hair blowing, just one hand on the wheel. When I stopped at red lights, I kept my eyes mysteriously forward. Who is she? people might have been wondering. Who is that middle-aged woman in the blue Honda? — Miranda July

She had this way of just disappearing. He saw in whenever he asked her to do something she didn't wan to answer or asked her to do something she didn't want to do, like meeting his mother or father. She'd close her mouth, that she'd stuff her hands in the front pockets of her jeans and she'd turn into a wall. Colin never understood what she was running from. But he ran after her. He'd never met a woman who knew more about film. After he was with her for a while, though, he didn't care about that so much. He loved her mind; she was always making connections that startle and pleased him. He loved to stand behind her in movie lines and breathe her in, the softly sweaty odor of her. HE loved to make her laugh. He always felt as though he'd won a prize when he succeeded. He loved he. But he didn't tell her for the longest time. He though she might run away for good after that. — Martha Southgate

The attitude toward women in this industry is nauseating. There are all sorts of porcine executives who are uncomfortable with a woman doing anything subversive. They want the movie about the beautiful girl who trips and falls, the adorable klutz. — Diablo Cody

Each of our collections is like a movie. We write the script, and this Sicilian woman who has traveled around the world plays the lead role. — Domenico Dolce

I'd played a lot of best friends, and/or bad guys, which seems to be my lot in life. In romantic comedies there's always a best friend and the woman has a best friend and they always antagonise each other and then they end up together at the end of the movie. — Rob Corddry

Everybody needs love. There are a lot of guys that you think are hard-core gangsters, but all these guys' weaknesses are women. Look at the movie Scarface. At the end of the day, all he wanted to do was to have kids with his woman. — Master P

I suppose they call me a woman's director because there were all these movie queens in the old days, and I directed most of them. But I also directed Jack Barrymore and Ronald Colman and James Stewart, to name a few. — George Cukor

I'm not opposed to doing science fiction or comedy, but there has to be respect. I refuse to be the joke, the fat woman joke, in any movie. I've turned down roles. — Darlene Cates

I do this thing where I say
I love you, but it's more like a latch,
a finger movement, something I've tricked
into happening. Or a hotel pool
I've been crashing for years. I slather myself in lotion
watch a movie where a woman with tiny birds
on her dress stops talking, walks across the room.
This is always happening, then happening again.
Like an eclipse, or dark spot in my vision.
She stops eating and shines so bright
it's intoxicating, which is to say, it's terrifying. — Kristy Bowen

Constantine: "Bullocks. Anyone'll do anything."
Chas: "What? Come on, John, everyone's got a line they reach!"
Constantine: "Helen used to be the wildest woman I ever knew, Chas. A night out with her and you knew the reason we're all here, you knew what we could all be if we made the effort..She never drank or took anything and I knew she'd never need to and now look at the bleedin' state of her. No one has a line and no one has a soddin' moral code either, not outside a John Wayne movie — Garth Ennis

There wasn't any place on my body I could hide a gun not with that sleazy dress I had to wear. And that shoe had a spike on it. What the hell else is it good for?'
' Jesus, Redding.' Harrison laughed. 'Haven't you seen a movie, a magazine ad ... another woman in public? Stilettos are common among people with oestrogen.'
'Which explains why you know what they are, and I don't. Why don't you play the girl on the next mission? You're obviously better suited — Jana Deleon

I think of you, Melanie. I see your face in every woman. I flew here just to see you. Communication. Relationships. Those aren't things I'm good at. There are other attributes I have that are far better. Like I see I'm good at making you pant. I see your pupils are dilated, you keep looking at my mouth instead of your favorite movie, and it's taking all of my self-control not to give us exactly what it is we both need right now. It's been a week, but as far as I'm concerned" - he cups the back of my head and nibbles on my lower lip - "I've been waiting a lifetime to sink myself in you. — Katy Evans

I like old movies on television where a man lights a woman's cigarette. That's all they seemed to do in those old movies, the men and women. I'm normally so totally disregardless. But every time I see an old movie on television, I keep a sharp eye out for a man lighting a woman's cigarette. — Don DeLillo

I know this is weird ... I am a Black woman and I am not mixed with any Asian blood or Chinese blood at all, but for some reason, as a child, the movie, The Last Emperor, had a serious affect on me. I can't understand why. But there's something that the movie did to me. — Tyra Banks

Such arguments remind me of a scene from Woody Allen's movie Manhattan, where a group of people is talking about sex at a cocktail party and one woman says that her doctor told her she had been having the wrong kind of orgasm. Woody Allen's character responds by saying, "Did you have the wrong kind? Really? I've never had the wrong kind. Never, ever. My worst one was right on the money."
Grace works the same way. It is what it is and it's always right on the money. You can call it what you like, categorize it, vivisect it, qualify, quantify, or dismiss it, and none of it will make grace anything other than precisely what grace is: audacious, unwarranted, and unlimited. — Cathleen Falsani

As slavery died for the greater good of America, and the movement for equality sputtered to life, the white woman was on the cover of every American magazine. She was the dazzling jewel on every movie screen, the glory of every commercial and television show. — Jill Scott

There are only seven movie stars in the world whose name alone will induce American bankers to lend money for movie productions, and the only woman on the list is Ingrid Bergman. — Cary Grant

I know some of you must be thinking, This is a preposterous and thinly veiled attempt to obscure the use of relaxers, weaves, and lace fronts. Trust me on this one: Unless she tells you otherwise herself, every black woman's hair, though it may change dramatically from day to day in ways that defy nature, is absolutely her God-given, though possibly magically altered, hair. White people: Do not broach this topic. It doesn't matter that you've seen the Chris Rock documentary Good Hair. Like your favorite movie Frozen suggests, "Let It Go. — Justin Simien

People save their strong opinions for women. Why don't they look at men? If I have to read another book or see another movie about a woman being courageous, I'll throw up. Where are the books and movies about the men who do this stuff? But no, it's always about the women. They not only have to get through it, they're supposed to stand up, become a symbol, allow their whole lives to become derailed and defined by it. What if you don't want to? People bang on about women having the right to make choices - well, they need to realise women have the right to choose in these matters, too. — Kirsty Eagar

People are not used to seeing an older woman on screen, unless she's playing a character role. Why can't they make a movie about a woman who's forty-five who's falling in love or getting divorced? Why does the leading role always have to be a woman who's twenty-three or twenty-eight? — Melanie Griffith

If you're a woman, just make a freaking good movie. I don't believe in the women who say, 'It's too hard, I'm getting shot down.' — Katie Aselton

I want to play Wonder Woman really badly. I want them to make the movie of 'Wonder Woman', and I want to play Wonder Woman so bad. That'd be really fun. — Jennifer Love Hewitt

I don't believe in making movies to cater to a foreign audience. You never know what the reaction is going to be anyhow. At the time I made Maborosi, the Japanese movies getting any foreign attention were all period dramas and seemed to be about some representative element of Japanese life, and my movie was contemporary movie about one specific woman trying to understand her husband's suicide. — Hirokazu Koreeda

I've tried the female thing. I was in a movie called Dinner for Schmucks a couple of years ago with Steve Carell and I created a female character for that movie. And after a few months of trying her out on the road it just didn't work. I mean, I can think like a terrorist, I can think like a white trash guy, I can even try and think like an African American, but I can't figure out how a woman. — Jeff Dunham

I wonder if the children of movie stars get this weird sense of disconnect I have now. The person on-screen looks like the woman who makes lemonade in our kitchen, but the words coming out of her mouth are alien. — Huntley Fitzpatrick

I kept interrupting the movie by asking a lot of questions that Xavier managed to answer with endless patience.
"How old do you think Bell is supposed to be?"
"I don't know, probably our age."
"I think the beast is sweet, don't you?"
"Do I have to answer that?"
"Why does the crockery talk?"
"Because they're really the prince's servants that the beggar woman put a spell on." Xavier frowned suddenly and looked mortified. "I can't believe I know that. — Alexandra Adornetto

I was in a store in Halifax, Nova Scotia that I love, sort of like an environmental friendly sort of store. But they had a great book section. So I went in there all the time. The woman who worked there - which I feel so bad; I've forgotten her name - she handed me the book and she said, "Hey, you should read this. I think it would make a good movie." I remember reading the back of it and I was like, "Huh." Then I just devoured the book and I was so moved by it and said, "Why don't we start developing this into a film?" So that's how it [Into the Forest] all started. — Ellen Page

A tall, fragile woman with pale blond hair and a face of such beauty that it seemed veiled by distance, as if the artist had been merely able to suggest it, not to make it quite real ... she was Kay Ludlow, the movie star who, once seen, could never be forgotten; the star who had retired and vanished five years ago, to be replaced by girls of indistinguishable names and interchangeable faces ... she felt that the glass cafeteria was a cleaner use for Kay Ludlow's beauty than a role in a picture glorifying the commonplace for possessing no glory. — Ayn Rand

For a woman to direct a movie in Hollywood, she has to go through so many layers of rejection by the powers that be - I suppose including myself - that it is harder to get to that point. So you can't just create something. And I think there is a whole unconscious mountain. — Amy Pascal

Jessica: 'This is a chick flick. You're either trying too hard or gay.'
Wade: 'One: I was brought up to be polite. That means to think of the other person first. I thought you would enjoy this movie. Two: Most of the other movies are abou tkillings, bombings, explosions, resulting fires, and have big body counts before the opening credits are run. I don't like those movies. If that makes me a girl, okay. Three: I do like movies about sports. Of any kind. I think that makes me less of a girl. But none are playing tonight. Four: The woman in this movie is hot. Let's cross gay off your list. Five: I gave up trying too hard awhile back. Didn't work for me. — Gail Giles

I've heard people say that 'The Blair Witch Project' is a feminist movie because there's a woman in charge and I've heard it called a completely anti-feminist movie because this woman screws everything up. Who cares really? It's just a movie. — Heather Donahue

I have wrinkles here, which are very evident. And I will particularly say when I look at movie posters, 'You guys have airbrushed my forehead. Please can you change it back?' I'd rather be the woman they're saying 'She's looking older' about than 'She's looking stoned.' — Kate Winslet

A lot of the content that goes directly to the internet, or is web-created content, is very hand-held video where you can watch this woman fall off the coffee table, or see a funny little gag, or is interview-style stuff, which is great. I love that. I consume it like crazy. But, this is designed to be reminiscent of what you would see during primetime, and reminiscent of what you would see in a movie theater, on any given weekend, and in that regard, it's brand new. — Joseph McGinty Nichol

McReynolds emphatically shook his head. "No way. Legal's all over that deal. It's squeaky clean. Even the woman signed off. Trammel. I could make her a three-hundred-pound whore who likes black dick in the movie and she couldn't do a thing about it. That deal is perfect." "Yeah, well, what Legal's missed is the part about neither one of them having the rights to the story to sell you in the first place. Those rights happen to reside here with me. Trammel signed them over to me before Dahl came along and took second position. He thought he could move up one by stealing the original contracts out of my files. Only that's not going to work. I've got a witness to the theft and Dahl's fingerprints. He's going to go down on fraud and theft charges and your choice here is to decide whether you want to go down — Michael Connelly

I got a script sent to me at this office and I got a call from a woman - Universal's doing a snowboarding movie. I'm not in it yet, but I'm supposed to meet with the director in New York soon. I'm waiting to hear back from them. — Jason Mewes

Loretta folded her arms. She felt like a heroine in a movie, confronted by a jealous husband in a kitchen while outside the camera is aching to draw back and show a wonderland of adventures waiting for her - long, frantic rides on trains, landscapes of wounded soldiers, a lovely white desert across which a camel caravan draped voluptuously in veils moves slowly with a kind of mincing melancholy, the steamy jungles of India opening before British officers in white, young officers, the mysteries of English drawing-rooms cracking before the quick, humorless smirk of a wise young woman from America ... — Joyce Carol Oates

Great men speak secrets about themselves with nods and gestures, walking away from jokes about women rather than condemn the jokester; if with a woman, the turning of their head during a nude scene in a movie speaking volumes about their character without ever saying a word. It is a language foreign to women, but those that take the time to learn it find themselves knowing more about their man than by any other means. — Lee Goff

When I am cast in a movie where I feel that the woman's part is more interesting, I usually start thinking about Spencer Tracy and Fred Astaire. They seem to be the most clear actors when working with women. — Jack Nicholson

Stahl trailed him upstairs, across a mezzanine, and out into the darkness of the sloping balcony. Tom gave the aisle his torch so his guest could see. On the screen below a woman's head was wavering, two or three times larger than life. A metallic voice clanged out, echoing sepulchrally all over the house, like a modern Delphic Oracle. 'Go back, go back!' she said. 'This is no place for you!'
Her big luminous eyes seemed to be looking right at Lew Stahl as she spoke. Her finger came out and pointed, and it seemed to aim straight at him and him alone. It was weird; he almost stopped in his tracks, then went on again. He hadn't eaten all day; he figured he must be woozy, to think things like that. ("Dusk To Dawn") — Cornell Woolrich

I don't know if any of you feel this way, but it's like eventually, you see a woman come on screen and you go, "Oh, thank God!" You just sort of need a break from all this testosterone, which happened, I think, in one of my films, The Hurt Locker. I was in it for like five minutes, and people were like, "You were in that movie!" And I was like, "Well, kind of." And they were like, "No, you were!" 'Cause they needed a woman! — Evangeline Lilly

Well, when Kathy Kennedy, who is the president of Lucasfilm, came to me to ask if I'd be interested in working on this "Star Wars" movie, we talked about a young woman at the center of the story from the outset. And it was something that was always an important part of this movie. — J.J. Abrams

I will take the subway and look at certain women and think 'God, that woman's story will never be told. How come that lady doesn't get a movie about her?' — Natasha Lyonne

I've never set out to write a funny movie or be a funny comedian as a woman. I am a woman. I don't really have a choice in the matter. My goal is just to be funny. — Maya Rudolph

In general, I hate films that are overtly either very masculine or very feminine, you know? The same way that I don't like a war movie about soldiers smashing people's heads. But a chick flick I like would be Cassavetes' movies. 'A Woman Under the Influence,' 'Husbands.' — Gael Garcia Bernal

I was naturally a loner, content just to live with a woman, eat with her, sleep with her, walk down the street with her. I didn't want conversation, or to go anywhere except the racetrack or the boxing matches. I didn't understand t.v. I felt foolish paying money to go into a movie theatre and sit with other people to share their emotions. Parties sickened me. I hated the game-playing, the dirty play, the flirting, the amateur drunks, the bores. — Charles Bukowski

Even a trashy movie can make you cry. There were deep emotional reactions that ducked the censure of the higher reasoning processes and forced us to enact, however vestigially, our roles - me, the indignant secret lover revealed; Clarissa the woman cruelly betrayed. — Ian McEwan

My wife Kimora once told me while we were watching "The Texas Chainsaw Massacre" that it's a vegetarian movie because the way that the woman was screaming, "Aaaahhh," and trying to run away is how every animal you eat reacted at the slaughterhouse. — Russell Simmons

What I loved about [The Other Woman] movie was the same thing. It was three women who would never have come together for any other reason except that they had something in common which was this common cause, and that's really the feeling that I wanted this movie to have. It was a huge influence for it. — Leslie Mann

The biggest challenges are always getting into the rooms that you need to get into and having people open to the types of stories that I want to tell. And I feel that just being a female director and doing that is a big deal in this country. On my third movie I worked with a French DP. I asked him has he ever worked with a woman director before? He said in France a third of directors are women; so you can't avoid them. So I realized that the US is behind. — Kasi Lemmons

I'd love to do a movie with females in it, and not necessarily the female version of 'The Hangover,' but I'd love to. If I did it it'd star Juliette Lewis, because she's the funniest woman in the world. She's my favorite actress on the planet. If we did a character-based comedy about women, I don't see it out of my range. — Todd Phillips

Immortals is without doubt the best-looking awful movie you will ever see. Eiko Ishioka's costume designs alone deserve an Oscar nomination. "They weren't at all historically accurate," grumbled a woman in the elevator after the sneak preview, as if lots of documentation exists about the wardrobes of the gods. She added: "I guess that's what we deserve for using free tickets we got at a Blackhawks game. — Roger Ebert

I don't think I've ever seen him in a movie theater! I've only seen him on TV. Wow, that's so silly of me! We only saw one of his films together, it was with a group of people, and when he kissed Deborah Kerr, I jumped off the couch and I ran up and I slapped the screen. I was so upset that my father was kissing this woman I didn't even know! — Jennifer Grant

I really love acting. I really do. I really just think of myself like a working woman. And I just go from set to set and work. You have to promote a movie; you have to work. People are going to have opinions and it's weirdly very easy to kind of block out the world because you have your own. — Jennifer Lawrence

There's nothing in [The Other Woman] movie that feels like an R to us. — Leslie Mann

She'd never really existed to him. She was of no consequence in his life. He was married to a beautiful woman. Jane was pornography. Jane was the adult movie that didn't appear on his hotel bill. Jane was Internet porn, where every fetish can be fulfilled. You have a fetish for humiliating fat girls? Enter your credit card number and click right here. — Liane Moriarty

I'm a mean mother-hmmnhmmnh man of God," she informed me. "Except that I'm a woman, of course."
"You just quoted something, didn't you?" I asked.
"Yes, I did," Molly agreed. She seemed calm but her heart was beating fat. "From Dusk Till Dawn. Its a vampire movie with George Clooney."
"Is it too late to get a different priest?" Choo wondered. "Like maybe one who quotes The Bible? — Elliott James

My head rested on his shoulder, my heart rested entirely in his hands And in a whisper, my words escaped: "I love you." He probably hadn't heard them. He was too focused on the movie. But he heard me; I could tell. His arms enveloped me even further; his embrace tightened. He breathed in and sighed, and his hand played with my hair. "Good," he said softly, and his gentle lips found mine. — Ree Drummond

But even with a character like Cary who is relatively outlandish, at the end of the movie he's in a place where I wouldn't have expected him to be - taking on the responsibility of a woman who is pregnant and who used to be his best friend's wife. — Neil LaBute

Julie Christie was absolutely amazing in Away From Her. Brilliant movie. It was the moving story of a woman who forgets her own husband. Hillary Clinton calls it the feel good movie of the year. — Jon Stewart

It's not just that," Chief Porter said. "A guy who once would have raped and killed a woman, now a lot of times he also has to cut off her lips and mail them to us or take her eyes for a souvenir and keep them in his freezer at home. There's more flamboyant craziness these days." Giving the buttered cinnamon roll a reprieve, Ozzie said, "Maybe it's all these superhero movies with all their supervillains. Some psychopath who used to be satisfied raping and murdering, these days he thinks that he should be in a Batman movie, he wants to be the Joker or the Penguin." "No real-life bad guy wants to be the Penguin," I assured him. "Norman Bates was happy just dressing up like his mother and stabbing people," Chief Porter said, "but Hannibal Lecter has to cut off their faces and eat their livers with fava beans. The role models have become more intense. — Dean Koontz

Suspense is like a woman. The more left to the imagination, the more the excitement. ... The conventional big-bosomed blonde is not mysterious. And what could be more obvious than the old black velvet and pearls type? The perfect 'woman of mystery' is one who is blonde, subtle and Nordic. ... Although I do not profess to be an authority on women, I fear that the perfect title [for a movie], like the perfect woman is difficult to find. — Alfred Hitchcock

Hairspray is the only movie I made that's subversive, because they're doing it in every high school in America. A man's playing a woman, and two men sing a love song to each other. — John Waters

Half an hour into the movie, Margot started giggling, but it wasn't a funny part or anything. When Quinn looked over at her, she was covering her mouth and nose with one hand while waving the other in front of her. He couldn't hide his shock. No fucking way!
"Margot! You did not just fart!" Quinn exclaimed. He was absolutely dumbfounded. No woman has ever farted in front of him, not even his mom.
"I am sorry!" She laughed. "You would have never known if it did not smell!"
Quinn burst out laughing. He caught a whiff and laughed harder as he clapped a hand over his nose. It wasn't that bad, but he decided to play along. He was laughing so hard that he had tears running down his face. He couldn't remember the last time he laughed until he cried. Margot too was laughing so hard that she had tears running down her face. She gave him a playful shove, which only made it harder for him to breathe. — Andria Large

I show elements of the set in my pictures because it's not real. When I see movies, I often love the 'making of' more than the movie itself. It's not so final. When you have a woman just standing there, it doesn't mean much. — Peter Lindbergh

Maybe I would get the chance to be financed for a small romantic comedy, but a war movie by a 28-year-old woman about Japanese soldiers? No one was going to go for that. It's easy to just steal an idea because it's very safe. — Julie Delpy

If I have a male protagonist, it's a studio movie, and if it's a female protagonist, it's an indie movie. That's just how it is. It's not about the studios. It's about America and who goes to see movies. Women are interested in men and women, and men aren't interested in the woman's story. They just aren't. — Mike White

When you see a white woman and a white man eating dinner together, watching a movie, or drinking at a bar you probably think they are a couple. Not so fast! White people often engage in something called a "platonic friendship." These arrangements feature a white male who is in love with a white female who needs companionship or access to someone with a car. The relationship is symbiotic for a long time as the white male believes he is making "progress" in his efforts to sleep with the white woman. The white female is in turn rewarded with companionship, someone to help her move, and an excellent "backup" plan in case she is unable to date the male of her choice. — Anonymous

I will not dream anymore, you said. I will not set myself up for the pain. But then your team made the playoffs, or you saw a movie, or a billboard glowing dusky orange and advertising Aruba, or a girl who bore more than a passing resemblance to a woman you'd dated in high school - a woman you'd loved and lost - danced above you with shimmering eyes, and you said, fuck it, let's dream just one more time. — Dennis Lehane

I got a role in this movie called Freeway playing this really angry, aggressive, violent young woman who believed wholeheartedly in the truth. I had such satisfaction afterward, and I thought, That's what I want to do. — Reese Witherspoon

We're in a world where every single movie, if it has a woman in it, is usually wrapped around the woman wanting to be liked in some way, either in her life, or she's young, she's an ingenue, she's a hero, she's the lover of somebody, she's the grandmother, she's a chef. — Anne Heche

When you're an older woman [in a movie], you are the brunt of the joke. — Jane Fonda

Marriage, after all, was the known, not the unknown: the dull dinner party, not the madcap masquerade. It was a set of issues and events that audiences knew all too well offscreen. Unlike the wide-open frontier of the western, offering freedom and adventure, or the lyrical musical, with its fantasy of release through singing and dancing, or the woman's film, with its placing of a marginalized social figure (the woman) at the center of the universe, or the gangster movie, with its violent excitement and obvious sexual freedom, the marriage film had to reflect what moviegoers already had experienced: marriage, in all its boredom and daily responsibilities. — Jeanine Basinger

She considered him further and decided he could definitely pass for a pirate. No, she thought, correcting herself. More like a sea captain, a younger version of the captain from that old movie where the pretty woman rents an old sea captain's house only to find the place haunted by the sea captain himself.
She let out a heavy breath. Man, she loved that movie. — Madison Thorne Grey

It was reported that Guy Ritchie has cast his wife Madonna in a small walk-on role in his new movie, Revolver. Madonna will play the part of the woman who ruins the film. — Tina Fey

I think it worked two ways. One, a lot of people writing about the movie used that as shorthand and it could either be a good thing or they could use it to dismiss the movie like we were a copycat movie or something like that. It's very much its own story. It is a young woman in a post-apocalyptic society, but after that it's just a whole different kind of story and a different journey that she goes through. — Neil Burger

So.....you're the guy Maggie's got the hots for." Maggie rolled her eyes and dropped her head into her hands. Leave it to Shad to just come right out with it. From her dejected position, she couldn't see Johnny's response, but she felt his interest pique like a blow torch aimed right at her face. Her neck and cheeks flamed hot.
"Johnny Kinross - in the flesh," Shad was warming up to the subject now, his lines right out of a poorly-written made-for-TV movie. "You are Johnny Kinross, right? I mean...I never saw you. But I think we had a pretty good relationship." Maggie sputtered, a laugh erupting from her chest. Shad swiveled his head and gave her his "Shut-up-woman!" lips and his "domineering male" chin thrust. He was talking again before Maggie could give him her "you've-got-ten-seconds-to-vacate-the-premises-before-I-cut-you" glare in response. — Amy Harmon

If you were to take a plastic bag and place it inside a large bowl, and then, using a wooden spoon, stir the bag around and around the bowl, you could use the expression 'a mixed bag' to describe what you had in front of you, but you would not be using the expression in the same way I am about to use it now. Although 'a mixed bag' sometimes refers to a plastic bag that has been stirred in a bowl, more often it is used to describe a situation that has both good parts and bad parts. An afternoon at a movie theater, for instance, would be a mixed bag if you favourite movie were showing but if you had to eat gravel instead of popcorn. A trip to the zoo would be a very mixed bag if the weather were beautiful, but all the man- and woman-eating lions were running around loose. — Lemony Snicket

I think to this day, 'Superman/Wonder Woman' is probably one of the trickiest things I've been working on. It's like being asked to write a 'Star Wars' movie or something like that. You don't know how you're going to handle it; you don't know if you can. You don't know if you should be the guy. — Charles Soule

The phenomenon of the woman who's asked what movie she wants to see, and she says, "I don't know. What do you want to see?" It's a tiny version of a big tendency. Women need to say, "This is what I want." — Gloria Steinem

A guy's calling to say he's failing algebra II.
Just as a point of practice, I say, Kill yourself.
A woman calls and says her kids won't behave.
Without missing a beat, I tell her, Kill yourself.
A man calls to say his car won't start.
Kill yourself.
A woman calls to ask what time the late movie starts.
Kill yourself.
She asks, Isn't this 555-1327? Is this the Moorehouse CinePlex?
I say, Kill yourself. Kill yourself. Kill yourself. — Chuck Palahniuk

Rapunzel is a bit more relatable than the other princesses, especially because she doesn't even know that she's a princess until the very end of the movie. I like to think of her as the bohemian Disney princess. She's barefoot and living in a tower. She paints and reads ... She's a Renaissance woman. — Mandy Moore

In 'The Next Three Days,' even though it was a prison breakout movie, I was asking myself, 'What would I do? How far would I go for the woman I loved? How far would I go, and what would I do when the person then told me that they were guilty? Could I still believe in them?' So it was very personal. — Paul Haggis

I scurry out to the three-way mirror. With an extra-large sweatshirt over the top, you can hardly tell that they are Effert's jeans. Still no Mom. I adjust the mirror so I can see reflections of reflections, miles and miles of me and my new jeans. I hook my hair behind my ears. I should have washed it. My face is dirty. I lean into the mirror. Eyes after eyes after eyes stare back at me. Am I in there somewhere? A thousand eyes blink. No makeup. Dark circles. I pull the side flaps of the mirror in closer, folding myself into the looking glass and blocking out the rest of the store. My face becomes a Picasso sketch, my body slicing into dissecting cubes. I saw a movie once where a woman was burned over eighty percent of her body and they had to wash all the dead skin off. They wrapped her in bandages, kept her drugged, and waited for skin grafts. They actually sewed her into a new skin. — Laurie Halse Anderson

On the first of July, while Ariel sat on their blanket, gazing out at the sun-spangled water, Chyna tried to read a newspaper, but every story distressed her. War, rape, murder, robbery, politicians spewing hatred from all ends of the political spectrum. She read a movie review full of vicious ipse dixit criticism of the director and screenwriter, questioning their very right to create, and then turned to a woman columnist's equally vitriolic attack on a novelist, none of it genuine criticism, merely venom, and she threw the paper in a trash can. — Dean Koontz