Famous Quotes & Sayings

Woman Orange Quotes & Sayings

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Top Woman Orange Quotes

Kat happened to get a spot in the cafeteria line-up just behind the young woman lawyer who presented the case against her grandfather. She had removed her black robe too, and Kat found her much less threatening in her cream coloured jacket and trousers. The woman grabbed a carton of milk and then a tossed salad from behind the Plexiglas door. "Stay clear of the noodle soup," she said to Kat pleasantly. "It's vile."

Kat smiled back at her. How odd that this woman could be so nice. It must all be in a day's work for her to tear apart and impoverish families. Kat grabbed some red Jell-O and a carton of orange juice for herself. She didn't really feel like eating: she was just going through the motions. — Marsha Forchuk Skrypuch

After a while I understood that, talking this way, everything dissolves: justice, pine, hair, woman, you and I. There was a woman I made love to and I remembered how, holding her small shoulders in my hands sometimes, I felt a violent wonder at her presence like a thirst for salt, for my childhood river with its island willows, silly music from the pleasure boat, muddy places where we caught the little orange-silver fish called pumpkinseed. It hardly had to do with her. Longing, we say, because desire is full of endless distances. — Robert Hass

Darcy's hand suddenly rammed angrily into a bowl of fruit and grasped an innocent, unsuspecting orange. "Enough. The woman is demented. Our marriage is simply something to which she must become adjusted. She insulted Elizabeth and her family, and in so doing, she insulted me." With an expression as black as pitch, Darcy commenced to vivisecting the orange. By the time he finished with said orange, it was completely dead, thoroughly dead, with no semblance remaining of its prior orange existence. — Karen V. Wasylowski

You done with work?
Yep, at home waiting for you.
Now that's a nice visual ...
Prepare yourself, I'm taking bread out of the oven.
Don't tease me woman ... zucchini?
Cranberry orange. Mmmm ...
No woman has ever done breakfast bread foreplay the way you do.
Ha! When you coming?
Can't. Drive. Straight.
Can we have one conversation when you're not twelve?
Sorry, I'll be there in 30
Perfect, that will give me time to frost my buns.
Pardon me?
Oh, didn't I tell you? I also made cinnamon rolls.
Be there in 25. — Alice Clayton

She smoothed the long sleeve of her tight, orange t-shirt. "What? You've never seen a woman wear more than one shirt before?"
Odin's mouth closed and opened a few times before words finally came out. "She's like a fuckin' seven layer burrito someone forgot was in the back of the fridge for six months."
She had to laugh. How could she not with such vivid imagery coming from someone who dressed like he was going on an unholy crusade at any moment? — Jennifer Turner

It was all a mistake," he pleaded, standing out of his ship, his wife slumped behind him in the deeps of the hold, like a dead woman. "I came to Mars like any honest enterprising businessman. I took some surplus material from a rocket that crashed and I built me the finest little stand you ever saw right there on that land by the crossroads - you know where it is. You've got to admit it's a good job of building." Sam laughed, staring around. "And that Martian - I know he was a friend of yours - came. His death was an accident, I assure you. All I wanted to do was have a hot-dog stand, the only one on Mars, the first and most important one. You understand how it is? I was going to serve the best darned hot dogs there, with chili and onions and orange juice." The — Ray Bradbury

There was something fundamentally embarrassing about being a young woman ... [the] embarrassment of wanting to be more assured, more substantive, more whole, of moving to tap resources that simply weren't there. — Michelle Orange

But what is to be done? Is it possible to infect ourselves on purpose just in order to have the satisfaction of dying beautifully and tranquilly? No! What is to be done? We must live while we are alive, eat dry bread if there is no roast beef, know many women if it is not possible to love a woman, and, in general, we must not dream about orange trees and palms, when under foot are snowdrifts and the cold tundra. — Dmitry Pisarev

They were both lean and blond and weather-beaten, and one evening, as they were portaging gear from their respective Zodiacs, Libby unzipped her survival suit and tied the sleeves around her waist so she could move more freely. Nate said, "You look good in that."
No one, absolutely no one, looks good in a survival suit (unless a Day-Glo orange marshmallow man is your idea of a hot date), but Libby didn't even make the effort to roll her eyes. "I have vodka and a shower in my cabin," she said.
"I have a shower in my cabin, too," Nate said.
Libby just shook her head and trudged up the path to the lodge. Over her shoulder she called, "In five minutes, there's going to be a naked woman in my shower. You got one of those?"
"Oh," said Nate. — Christopher Moore

Now she took a close look at me for the first time, puffing on her pipe while the old woman beside her sighed. I didnt feel I could look at Mother directly, but I had the impression of smoke seeping out of her face like steam from a crack in the earth. I was so curious about her that my eyes took on a life of their own and began to dart about. The more I saw of her, the more fascinated I became. Her kimono was yellow, with willowy branches bearing lovely green and orange leaves; it was made of silk gauze as delicate as a spiders web. Her obi was every bit as astonishing to me. It was a lovely gauzy texture too, but heavier-looking, in russet and brown with gold threads woven through. The more I looked at her clothing, the less I was aware of standing there in that dirt corridor, or of wondering what had become of my sister and my mother and father and what would become of me. — Arthur Golden

A middle-aged woman who looked like someone's cleaning lady, a shrieking adolescent lunatic and a talkshow host with an orange face ... It didn't add up. Suicide wasn't invented for people like this. It was invented for people like Virginia Woolf and Nick Drake. And Me. Suicide was supposed to be cool. — Nick Hornby

It took an entire month for Miranda's jaundice to clear up, and three more months for her skin to lighten from brownish orange to olive and for her black hair to fade to a softer brown. I will admit she did, indeed, appear to be Mexican. But that's no reason for a husband to accuse a woman of cheating. He ruined the birth. Up and ruined it. — Susan Reinhardt

This would be the worst birthday of his life. Vladimir's best friend Baobab was down in Florida covering his rent, doing unspeakable things with unmentionable people. Mother, roused by the meager achievements of Vladimir's first quarter-century, was officially on the warpath. And, in possibly the worst development yet, 1993 was the Year of the Girlfriend. A downcast, heavyset American girlfriend whose bright orange hair was strewn across his Alphabet City hovel as if cadre of Angora rabbits had visited. A girlfriend whose sickly-sweet incense and musky perfume coated Vladimir's unwashed skin, perhaps to remind him of what he could expect on this, the night of his birthday: Sex. Every week, once a week, they had to have sex, as both he and this large pale woman, this Challah, perceived that without weekly sex their relationship would fold up according to some unspecified law of relationships. — Gary Shteyngart

A man can be beautiful, I see that now. It's not just a woman's term, not a word reserved for romantic, virtuous, elegant things. I don't think beauty is neat anymore. It's unordered. It's unbrushed hair and a torn back pocket. It's bright and strange and lovely, and if I were to paint him, I'd use all the warm colours - ochre, gold, plum, terracotta, scarlet, burnt orange. I want him to see me as I saw him then, I want him to find me alone at the end of the day with the sun in my hair. I want his heart to buckle, too. I want him to stop someone out in the square and say, who's that? Do you know her? Where is she from?"

- from Eve Green's mother's account.
"It is written on a piece of thin, yellow paper, and is folded in half. I like this account. I like it because it's true, she's right. We all want out lovers to see us that way - unaware, natural, serene. We want to change their world with one glance, to stop their breath at the sight of us. — Susan Fletcher

Coralie Casey was the kind of woman calories were made for; that dewy peaches-and-cream complexion, glossy cherry lips, the succulence of her body beneath that orange, silky dress. A cornucopia of curves, you could say, except it was probably better not to think about horns of plenty. — Christine Stovell

The woman who presents herself to the spectator as a 'picture' forever arranged, is, for the contemplative mind, the chiefest danger. Sometimes one meets a woman who is beast turning human. Such a person's every movement will reduce to an image of a forgotten experience; a mirage of an eternal wedding cast on the racial memory; as insupportable a joy as would be the vision of an eland coming down an aisle of trees, chapleted with orange blossoms and bridal veil, a hoof raised in the economy of fear,stepping in the trepidation of flesh that will become myth; as the unicorn is neither man nor beast deprived, but human hunger pressing its breast to its prey.
Such a woman is the infected carrier of the past; before her the structure of our head and jaws ache -- we feel that we could eat her, she who is eaten death returning, for only then do we put our face close to the blood on the lips of our forefathers. — Djuna Barnes

But Elise eclipses the woman from Jamey's future, the lady in tennis whites flashing her diamond as she drinks orange juice fresh-squeezed by a maid. A woman Jamey never quite believed in anyway. — Jardine Libaire

Maternal love, like an orange tree, buds and blossoms and bears at once. When a woman puts her finger for the first time into the tiny hand of her baby and feels that helpless clutch which tightens her very heartstrings, she is born again with her newborn child. — Kate Douglas Wiggin

APPROACH
Rain is falling. Winter approaches. I drive towards it. In the slow rain. In the semi-darkness. Cello music is playing in the car. The deep sad sound of the cello. It almost swamps me. Routine endeavours to swamp me. The everyday paying of bills.
But I paint men walking in a city of icebergs and crystal. Some of the icebergs are red. I paint a woman swimming in green wavy water. Surrounded by desert mesas. Bright orange in the sunlight. With darker orange for shadows. I paint two people. With purple and pink and yellow and blue circles overlapping the boundaries of their bodies. Dancing.
Life is not ordinary. When I see you tonight I will press my lips to your eyelids. Each one in turn. I will rub my fingertips over the skin on the back of your hands and around your wrists. I will sigh. I will growl. I will whinny. I will gallop into your smile. One sharp foot after the other. — Jay Woodman

The echoes of my knock were still ringing when the door swung open, revealing a short, cheerfully curvy woman with spiky brown hair streaked with bleach-white lines that looked more accidental than anything else. She was wearing an electric orange T-shirt that read DO NOT TAUNT THE OCTOPUS, jeans, and a lab coat, and was pointing a hunting rifle at the middle of my chest. — Mira Grant

Talk - half-talk, phrases that had no need to be finished, abstractions, Chinese bells played on with cotton-tipped sticks, mock orange blossoms painted on porcelain. The muffled, close, half-talk of soft-fleshed women. The men she had embraced, and the women, all washing against the resonance of my memory. Sound within sound, scene within scene, woman within woman - like acid revealing an invisible script. One woman within another eternally, in a far-reaching procession, shattering my mind into fragments, into quarter tones which no orchestral baton can ever make whole again. — Anais Nin

Both the five-year-olds looked at me with bewilderment and a bit of fearful uncertainty. I had a sudden horrifying image of the woman I might become if I'm not careful: Crazy Aunt Liz. The divorcee in the muumuu with the dyed orange hair who doesn't eat dairy but smokes menthols, who's always just coming back from her astrology cruise or breaking up with her aroma-therapist boyfriend, who reads the Tarot cards of kindergarteners and says things like, Bring Aunty Liz another wine cooler, baby, and I'll let you wear my mood ring ... — Elizabeth Gilbert

Devin was the most gorgeous, unique creature Kate had ever known. She'd come out of the womb an individual, refusing to be defined by anyone. She didn't even look like anyone on either side of their families. Matt's family was so proud of their dark hair, a blue-black that had been the envy of generations, the way it caught the sun like a spiderweb. From Kate's own side of the family, there was a gene that made their eyes so green that they could trick people into thinking that even the most unattractive Morris woman was pretty. And yet here was Devin, with fine cotton-yellow hair and light blue eyes, the left of which was a lazy eye. She'd had to wear an eye patch when she was three. And she'd loved it. She loved her knotted yellow hair. She loved wearing stripes with polka dots, and tutus, and pink and green socks with orange patent-leather shoes. Devin could care less what other people thought about her. — Sarah Addison Allen

The coming together of a man and woman was a holy thing, after all. God had chosen this way of replenishing the earth. God did everything so elegantly, with such an exquisite attention to detail. She knew this from studying the flowers in the garden and watching the morning sky, all mauve and pink and orange. So beautiful. But God had looked at all this, His ideas, His wonderful sense of color and design put into action, and had said merely that it was good. Not great. Not fantastic. Just good. But when He had looked at man and woman together, He had said it was "very good". — Naomi Ragen

In fact, she realized when they finally found their table and sat down, every single woman at the banquet was dressed in some variation of back. Black silk, black chiffon, black with beads, black with rhinestones, short black cocktail dresses, black evening dresses, and even black pantsuits. All black. There was no way she was going to get lost in this crowd, not in her pink-and-orange poppy print — Leslie Meier

I will not dream anymore, you said. I will not set myself up for the pain. But then your team made the playoffs, or you saw a movie, or a billboard glowing dusky orange and advertising Aruba, or a girl who bore more than a passing resemblance to a woman you'd dated in high school - a woman you'd loved and lost - danced above you with shimmering eyes, and you said, fuck it, let's dream just one more time. — Dennis Lehane

Maybe love was a woman feeding him pancakes. Maybe it was someone sitting across from him sipping orange juice just to please him. — Christine Feehan

Amid this social intercourse, however, he avoided sedulously a meeting with Mrs. Annice; he had decided not to see her for a while. Indeed, it was not till an evening late in February, after dinner, that he took a cab to her house near Washington Square. He found her at home, and had not waited a minute before she came into the room. She was a tall woman, and wonderfully handsome by gaslight; but she had that tiresome habit, which many women have, of talking intensely
in italics, as it were: a habit found generally in women ill brought up-women without control of their feelings, or command of the expression of them.
("The Bargain of Rupert Orange") — Vincent O'Sullivan

Prepare yourself, I'm taking bread out of the oven.
Don't tease me, woman ... zucchini? Cranberry orange.
Mmmm ... No woman has ever done breakfast bread foreplay the way you do. — Alice Clayton

The fate of peoples is made like this, two men in small rooms. Forget the coronations, the conclaves of cardinals, the pomp and processions. This is how the world changes: a counter pushed across a table, a pen stroke that alters the force of a phrase, a woman's sigh as she passes and leaves on the air a trail of orange flower or rose water; her hand pulling close the bed curtain, the discreet sigh of flesh against flesh. — Hilary Mantel

Somewhere in the city, an orange cat finished chewing on a marjoram plant next to his studio apartment's door and leapt purring onto the shoulder of his owner, home early from work. Somewhere in the city, a young Chinese pianist sat down at a rehearsal hall and let his fingers play the first opening notes of the Emperor Concerto, notes that would envelop the small girl in row D of the Philharmonic that night in a shimmering cloud. A boy in Staten Island touched his finger to the lower back of the girl who had been just a friend until then. A woman in Hell's Kitchen stood in her dark attic garret, her paintbrush in hand, and stepped back from the painting of chartreuse highway and forest-green sky that had taken her two years to complete. A clerk in a Brooklyn bodega tapped her crimson fingernail on a box of gripe water, reassuring the new mother holding a wailing baby, and the mother's grateful smile almost made both of them cry themselves. — Stephanie Clifford

In Oakland, he saw two slum children sword fighting on a slag heap. In Palo Alto, a puffy fop in bursting jodhpurs shouted from the door of a luxurious stable, "My horse is soiled!" While one chilly evening in Union Square he listened to a wild-eyed young woman declaim that she had seen delicate grandmothers raped by Kiwanis zombies, that she had seen Rotarian blackguards bludgeoning Easter bunnies in a coal cellar, that she had seen Irving Berlin buying an Orange Julius in Queens. — Thomas McGuane

They watch her when she comes to City Hall, they watch her at the social events, they watch the way she walks, hips rolling with no suggestion of provocation but with every sense that she knows more than any of the rest. A woman like that, they seem to be thinking, a woman like that has lived.
Their wives from Orange County, they come from Minnesota or Dallas or St.Louis. They come from places with families, with sagging mothers and fathers with dead eyes and heavy-hanging brows. They carry their own promise of future slackness and clipped lips and demands. They have sisters, sisther with more babies, babies with sweet saliva hanging and more appliance and with husbands with better salaries and two cars and club membership. They iron in housedresses in front of the television set or by the radio, steam rising, matting their faces, as the children with the damp necks cling on them, sticky-handed. They are this. And Alice ... and Alice ... — Megan Abbott

The desert is an unpredictable place. One day you're sweating, the next you're freezing. One moment the air is damp and cloudy like when the tide is coming in, the next the entire world is orange and dusty. The desert must be a woman. — Dianna Skowera

The woman had told the truth. The flowers were the color of sunset. And not the yellowish tinge of a lazy sun either, but the intense orange of a sun refusing to set on anyone else's terms. — Dolen Perkins-Valdez