Woman Dark Side Quotes & Sayings

Watch," he rasped, fluttering his mouth along her neck.
"Watch what?"
"Us. In the mirror."
Julia opened her eyes and saw the mirror mounted on the wall on the other side of the room. Somehow, it was perfectly positioned to reflect her husband's magnificent and naked back and the dark-haired woman who was hidden by his body. ( ... ) She'd never seen what they looked like together. His body long and lean, hers smaller and softer. Their skin had different tones - he was darker while she was fair. — Sylvain Reynard

The day was gone, the twilight was gone, and the snow was invisible as I came down to the side of the lake. Only the moon, white and shining, was in the sky, like a woman glorying in her own loveliness as she loiters superbly to the gaze of all the world, looking sometimes through the fringe of dark olive leaves, sometimes looking at her own superb, quivering body, wholly naked in the water of the lake. — D.H. Lawrence

...he did not dare to play forbidden games with a woman who had proven too many times that she knew the dark side of the moon — Gabriel Garcia Marquez

The woman's perspective is like the dark side of the moon: it always exists, but it is never exposed, at least not in my culture. — Ang Lee

Now," she said when all was ready and lit the silver sconces on either side of the mirror. What woman would not have kindled to see what Orlando saw then burning in the snow
for all about the looking glass were snowy lawns, and she was like a fire, a burning bush, and the candle flames about her head were silver leaves; or again, the glass was green water, and she a mermaid, slung with pearls, a siren in a cave, singing so that oarsmen leant from their boats and fell down, down to embrace her; so dark, so bright, so hard, so soft, was she, so astonishingly seductive that it was a thousand pities that there was no one there to pt it in plain English, and say outright "Damn it Madam, you are loveliness incarnate," which was the truth. — Virginia Woolf

I scurry out to the three-way mirror. With an extra-large sweatshirt over the top, you can hardly tell that they are Effert's jeans. Still no Mom. I adjust the mirror so I can see reflections of reflections, miles and miles of me and my new jeans. I hook my hair behind my ears. I should have washed it. My face is dirty. I lean into the mirror. Eyes after eyes after eyes stare back at me. Am I in there somewhere? A thousand eyes blink. No makeup. Dark circles. I pull the side flaps of the mirror in closer, folding myself into the looking glass and blocking out the rest of the store. My face becomes a Picasso sketch, my body slicing into dissecting cubes. I saw a movie once where a woman was burned over eighty percent of her body and they had to wash all the dead skin off. They wrapped her in bandages, kept her drugged, and waited for skin grafts. They actually sewed her into a new skin. — Laurie Halse Anderson

And she swung the old oar at him with all her strength.
It hit with a great thwack, splintering in two, and he went over the side, into the dark, cold waters of the lake, sinking like a stone.
It took her two seconds. And then she let out a scream for help, tossing the broken oar away from her, and jumped into the water after him.
It was very cold, numbingly so, and as it closed over her head she grabbed for
him, wrapping her arms around his body, ready to sink to the bottom with him.
Instead he kicked, pushing them up so that they broke the surface, his arm
clamped around hers as she struggled. "Jesus, woman!" he snapped. "When did we have to become Romeo and Juliet? — Anne Stuart

Faith leaned closer, inches from his face, her loips a hands breadth from his. She shook her head side to side a bit faster than the average metronome and waggled a finger back and forth. "They not going to find out though, are they?
He stared into merry eyes almost as dark as his coffee. The devil was a woman and Faith one of her most beautiful minions. — Chris Karlsen

These stories have a dark side. Outsiders and eccentrics are regarded with suspicion, tortured, even killed. The major theme that emerges is of families diminished by conflict; almost a generation of adult males appears to be missing. Their absence is balanced by a number of strong female presences. This also reflects the dominance of women in the Acehnese household.

Azhari is a master of suspense. He wastes no words; his narration is sparse. The overall atmosphere of the stories in Nutmeg Woman is tense and anxious. If there is a message, it is a plea for peace and tolerance and an end to bloodshed and oppression. — Heather Curnow

THE ART OF DRAWING YOU
In a bed by the Gulf of Corinth, a woman contemplates by firelight the profile of her sleeping lover.
On the wall, his shadow flickers.
The lover, who lies by her side, will leave. At dawn he will leave to war, to death. And his shadow, his traveling companion, will leave with him and with him will die.
It is still dark. The woman takes coal out of the embers and draws on the wall the outline of his shadow.
Those lines will not leave.
They will not embrace her, and she knows it. But they will not leave. — Eduardo Galeano

Drink this."
"Um, how 'bout no," I replied, staring at the dark green contents. Whatever the liquid was, it smelled like pine trees and dirt, and seeing how this woman was Izzy's mom, I figured it was poisoned.
But Aislinn just shrugged. "Don't, then. No skin off my nose if your head hurts."
"It's okay," Mom said, never taking her eyes off Aislinn. "It'll make you feel better."
"By making me dead?" I asked. "I mean, I'm sure that would make my headache go away, but that's a heck of a side effect."
"Sophie," Mom murmured, a warning tone in her voice.
But Aislinn just regarded me shrewdly, a tiny smile playing on her lips. "She's got a mouth on her, that's for sure," she said. Her eyes flicked to Mom. "Must've gotten that from him. You were always quiet. — Rachel Hawkins

Devin was the most gorgeous, unique creature Kate had ever known. She'd come out of the womb an individual, refusing to be defined by anyone. She didn't even look like anyone on either side of their families. Matt's family was so proud of their dark hair, a blue-black that had been the envy of generations, the way it caught the sun like a spiderweb. From Kate's own side of the family, there was a gene that made their eyes so green that they could trick people into thinking that even the most unattractive Morris woman was pretty. And yet here was Devin, with fine cotton-yellow hair and light blue eyes, the left of which was a lazy eye. She'd had to wear an eye patch when she was three. And she'd loved it. She loved her knotted yellow hair. She loved wearing stripes with polka dots, and tutus, and pink and green socks with orange patent-leather shoes. Devin could care less what other people thought about her. — Sarah Addison Allen

The rake himself lived up to Amy's expectations, however, when he came out to greet his guests. Tall, dark, handsome, and dressed with devastating informality in an open-necked shirt, sleeves rolled up to expose his arms like a laborer. No one could fair to be aware of a lithe body beneath the slight amount of clothing, and there was a wicked gleam in his eye even if he was supposed to have been tamed by matrimony.
Amy found it difficult to believe that the very ordinary woman by his side had achieved such a miracle. Lady Templemore was short and her gown was a simple green muslin. Her face was close to plain and her brown hair was gathered into a simple knot at the back.
But then she smiled at her guests and was beautiful. When she turned to her husband with a comment, she was dazzling, and the look in his eye showed he was tamed indeed, if devotion so heated could be called tame at all. — Jo Beverley

They all turned to the dark-haired woman standing quietly to the side and slightly behind Aunt Charlotte. She was, in a word, gorgeous. Everything about her was perfection, from her shiny hair to her milky-white skin. Her face was heart-shaped, her lips full and pink, and her eyelashes were so long that Honoria thought they must
touch her brows if she opened her eyes too wide.
"Well," Honoria murmured to Iris, "at least no one will be looking at us. — Julia Quinn

Hallorann saw a grave sort of beauty there that had been missing on the day he had first met her, some nine months ago. Then she had still been mostly girl. Now she was a woman, a human being who had been dragged around to the dark side of the moon and had come back able to put the pieces back together. But those pieces, Hallorann thought, they never fit just the same way again. Never in this world. — Stephen King