Wind With Sand Quotes & Sayings

This time of year, I live and breathe the beach. My cheeks feel raw with the wind throwing sand against them. My thighs sting from the friction of
the saddle. My arms ache from holding up two thousand pounds of horse. I have forgotten what it is like to be warm and what a full night's sleep feels like and what my name sounds like spoken instead of shouted across yards of sand.
I am so, so alive. — Maggie Stiefvater

I am pleased enough with the surfaces - in fact they alone seem to me to be of much importance. Such things for example as the grasp of a child's hand in your own, the flavor of an apple, the embrace of a friend or lover, the silk of a girl's thigh, the sunlight on the rock and leaves, the feel of music, the bark of a tree, the abrasion of granite and sand, the plunge of clear water into a pool, the face of the wind - what else is there? What else do we need? — Edward Abbey

Life is the bad
with all the good.
The deadly sharks
with the beautiful sea stars.
The gigantic waves
with the sand castles.
The licorice
with the lemon and lime.
The loud lyrics
with the rhythm of the music.
The liver disease
with the love of a father and son.
It's life.
Sweet, beautiful,
wind on your face,
air in your lungs,
kisses on your lips.
life. — Lisa Schroeder

The winds were blowing from west to east, pushing Abby's boat toward the rocks as Abby struggled with the autopilots below. If Wild Eyes reached those islands, she wouldn't run aground, keel in the sand. She would be smashed into pieces. — Abby Sunderland

Two free days like an open mouth. They drank beer all day in the sun and passed out, and when she woke, she was burnt all over, and it was sunset, and Lotto had started building something enormous with sand, already four feet high and ten feet long and pointing toward the sea. Woozy, standing, she asked what it was.
He said, 'spiral jetty.'
She said, 'In sand?'
He smiled and said, 'That's its beauty.'
A moment in her bursting open, expanding. She looked at him. She hand't seen it before, but there was something special here. She wanted to tunnel inside him to understand what it was. There was a light under the shyness and youth, a sweetness, a sudden surge of the old hunger in her to take a part of him into her and make him briefly hers.
Instead, she bent and helped, they all did. And deep into the morning, when it was done, they sat in silence, huddled against the cold wind and watched the tide swallow it whole. Everything had changed somehow — Lauren Groff

The nights now are full of wind and destruction; the trees plunge and bend and their leaves fly helter skelter until the lawn is plastered with them and they lie packed in gutters and choke rain pipes and scatter damp paths. Also the sea tosses itself and breaks itself, and should any sleeper fancying that he might find on the beach an answer to his doubts, a sharer of his solitude, throw off his bedclothes and go down by himself to walk on the sand, no image with semblance of serving and divine promptitude comes readily to hand bringing the night to order and making the world reflect the compass of the soul. The hand dwindles in his hand; the voice bellows in his ear. Almost it would appear that it is useless in such confusion to ask the night those questions as to what, and why, and wherefore, which tempt the sleeper from his bed to seek an answer. — Virginia Woolf

So when their campfire was nothing but embers and the horses were dozing behind them, Ansel and Celaena lay on their backs on the side of a dune and stared up at the stars.
Her hands tucked behind her head, Celaena took a long, deep breath, savoring the balmy night breeze, the exhaustion ebbing from her limbs. She rarely got to see stars so bright - not with the lights of Rifthold. The wind moved across the dunes, and the sand sighed. "That's the stag," Celaena breathed. "The Lord of the North." ... the smile faded when she stared at the familiar constellation. "Because the stag remains constant - no matter the season, he's always there. — Sarah J. Maas

It was a peaceful place, as was the case with most small communities situated on desert worlds. Despite the desolation that was apparent at first glance, it boasted its characteristic assortment of indigenous life-forms. Regardless of the absence of much in the way of visible vegetation, the distant isolated hoots and mewlings of nocturnal native animals indicated that life was present even where none could readily be seen. A single wind chime yodeling in the occasional breeze provided a tinkling counterpoint to the yelps of hidden sand-dwellers. — Alan Dean Foster

We will live in this world, which for us has all the disquieting strangeness of the desert and of the simulacrum, with all the veracity of living phantoms, of wandering and simulating animals that capital, that the death of capital has made of us - because the desert of cities is equal to the desert of sand - the jungle of signs is equal to that of the forests - the vertigo of simulacra is equal to that of nature - only the vertiginous seduction of a dying system remains, in which work buries work, in which value buries value - leaving a virgin, sacred space without pathways, continuous as Bataille wished it, where only the wind lifts the sand, where only the wind watches over the sand. — Jean Baudrillard

His blue-and-white striped robe ballooning out in the wind, he rode directly to me and fell off the donkey. Gasping theatrically, he handed me a note and then collapsed face down in the sand. Since the donkey had been doing all the work, I ignored this demonstration. While John bent over the fallen man with expressions of concern I opened the note. — Elizabeth Peters

If I stay, it's going to be in your bed."
Her pounding heart relaxed, the fear that he'd reject her floating away like tiny grains of sand in the wind. "I know."
"And we're not going to sleep."
"I'm good with that, too. — Robin Bielman

Our group pressed west on what was left of Highway 93, toward the pass leading to Las Vegas. Sand covered the road in loose drifts so deep the horses' hooves sank into them. The metal highway signs were bent low by the strong wind, and above us, billboards that once screamed ads for the casinos were now stripped of their promises of penny slots and large jackpots. The raw boards underneath were exposed, like showgirls without their makeup. Some signs had been blown over completely and lay half-buried under mounds of sand, like sleeping animals.
Cars dotted the highway, their paint scoured off and dead tumbleweeds caught underneath them. Their windows were fogged with death, and despite my effort not to look, my eyes were drawn to the blurred images of the still forms inside. I tried to concentrate on the dark road ahead of us instead. — Kirby Howell

There can be no barrenness in full summer. The very sand will yield something. Rocks will have mosses, and every rift will have its wind-flower, and every crevice a leaf; while from the fertile soil will be reared a gorgeous troop of growths, that will carry their life in ten thousand forms, but all with praise to God. And so it is when the soul knows its summer. Love redeems its weakness, clothes its barrenness, enriches its poverty, and makes its very desert to bud and blossom as the rose. — Henry Ward Beecher

Every time a strong wind blows, every sand and dust yearns for being a solid rock and every solid rock longs for flying with the wind! — Mehmet Murat Ildan

This beach I voyage on leads me through the earth's immortal consistencies. Each form I encounter obeys the principles of perfection and trial, a timelessness in the making. The proportions of truth are at hand. Existence is celebrated in a splinter of driftwood, worn by wind-driven sand into the shape of an arrow. The onshore waves jostle each other, busy with their eternal changing, mixing crab shells, sand grains, and fish bones together. The trim little shorebirds feeding at the water's edge are acutely aware of one another, under the light and shadow leaning and drifting over all awareness. Wither own mysteries behind their beady eyes, their quick, advantageous movements, they follow the great, unifying sea." ~ John Hay. Bird of Light. — John Hay

A wind blew, and the sand around his drawing scattered. He wrapped his fingers inside his wife's, and Father Time rekindled a connection he had only ever had with her. He surrendered to that sensation and felt the final drops of their lives touch one another, like water in a cave, top meets bottom, Heaven meets Earth.
As their eyes closed, a different set of eyes opened, and they rose from the ground as a shared south, up and up, a sun and a moon in a single sky. — Mitch Albom

Sand choked the stainless steel gutters of concentric streets below dark skies full of stars like beds of cold jewels. And through it all, a dying wind of change blew, bringing with it the cinnamon smell of late October. — Stephen King

The wind was off shore, and only broke the sea's surface in to long, silvery ripples, and sent sheeny shadows flying out across it, from every point and headland, like transparent wings. The dusk was hanging a curtain of violet gloom over the sand-dunes and the headlands where gulls were huddling. The sky was faintly filmed over with scarfs of silken vapor. Cloud fleets rode at anchor along the horizons. An evening star was watching over the bar. — L.M. Montgomery

Buffalo is a long way from New York City; but apart from a dreamlike, feverish stop in Syracuse, where I walked and watered Popper and bought us a couple of cheese danishes because there wasn't anything else - I managed to sleep almost the whole way, through Batavia and Rochester and Syracuse and Binghamton, with my cheek against the window and cold air coming through at the crack, the vibration taking me back to Wind, Sand and Stars and a lonely cockpit high above the desert. — Donna Tartt

Morpheus is not his true name. He is glory and deprecation - sunlight and shadows - the scuttle of a scorpion and the melody of a nightingale. The breath of the sea and the cannonade of a storm. Can you relay birdsong, or the sound of wind, or the scurry of a creature across the sand? For the proper names of netherlings are made up of the life forces defining them. Can you speak these things with your tongue? — A.G. Howard

The afternoon sun was bright above the cloud, lending to the scene a silvery glow that leached the sea of colour and picked out points of white light in the sand. The very raindrops seemed to shimmer in the air; the wind, blowing chill from the ocean, carried with it a pleasant, rusty smell. All this did much to dispel Devlin's torpor, and in very little time at all he was red-cheeked and smiling, his white brimmed hat clamped tight to his head with the palm of his hand. He decided to make the most of his perambulation, and return to Hokitika via the high terrace of Seaview: the site of the future Hokitika Gaol, and Devlin's own future residence. — Eleanor Catton

A name with a gently exotic ring to it, like birdsong, like a grain of sand in the far-off Gobi Desert or the northern steppes, whipped up by the wind, carried by storms, swirling through the sky, travelling, crossing whole countries without knowing quite how, and ending up in the crook of my ear. — Dai Sijie

Wood is an endlessly adaptive material. You can plane, chisel, saw, carve, sand, and bend it, and when the pieces are the shape you want you can use dovetail joints, tenpenny nails, pegs or glue; you can use lamination or inlay or marquetry; and then you can beautify it with French polish or plain linseed oil or subtle stains. And when you go to dinner at a friend's house, the candlelight will pick out the contours of grain and line, and when you take your seat you will be reminded that what you are sitting on grew from the dirt, stretched towards the sun, weathered rain and wind, and sheltered animals; it was not extruded by faceless machines lined on a cold cement floor and fed from metal vats. Wood reminds us where we come from. — Nicola Griffith

The sand was smooth. The damp morning fog had hardened its top layer and the heat of the day had set it so that with every footstep the surface cracked, the crunch almost audible. The heels and balls of their shoes made a path of shallow divots, but it was far easier to walk on than the usual loose and gritty beach.
In minutes, the wind worked to sweep their footprints clean and offer a flat, clear expanse all the way to the ocean where the sand became wet and sparkled invitingly with seawater. — Victoria Kahler

When I go down by the sandy shore
I can think of nothing I want more
Than to live by the booming sea
As the seagulls flutter round about me
I can run about
when the tide is out
With the wind and the sand and the sea all about
And the seagulls are swirling and diving for fish
Oh-to live by the sea is my only wish. — Jacqueline Kennedy Onassis

A Note Life is the only way to get covered in leaves, catch your breath on the sand, rise on wings; to be a dog, or stroke its warm fur; to tell pain from everything it's not; to squeeze inside events, dawdle in views, to seek the least of all possible mistakes. An extraordinary chance to remember for a moment a conversation held with the lamp switched off; and if only once to stumble upon a stone, end up soaked in one downpour or another, mislay your keys in the grass; and to follow a spark on the wind with your eyes; and to keep on not knowing something important. — Wislawa Szymborska

Vivian Bloodmark, a philosophical friend of mine, in later years, used to say that while the scientist sees everything that happens in one point in space, the poet sees everything that happens in one point in time. Lost in thought, he taps his knee with his wandlike pencil, and at the same instant a car (New York license plate) passes along the road, a child bangs the screen door of a neighbouring porch, an old man yawns in a misty Turkestan orchard, a granule of cinder-grey sand is rolled by the wind on Venus, a Docteur Jacques Hirsch in Grenoble puts on his reading glasses, and trillions of other such trifles occur - all forming an instantaneous and transparent organism of events, of which the poet (sitting in a lawn chair in Ithaca, N.Y.) is the nucleus. — Vladimir Nabokov

Some Promised Land. The honey was there, but the milk we brought in with our goats. To people in California, God gives a magnificent coastline, a movie industry, and Beverly Hills. To us He gives sand. To Cannes He gives a plush film festival. We get the PLO. Our winters are rainy, our summers hot. To people who didn't know how to wind a wristwatch He gives underground oceans of oil. To us He gives hernia, piles, and anti-Semitism. — Joseph Heller

But Michael was out of sight. She waited. Were it not for the ballast of her big belly, she would casually stand, stretch a bit, casually stretch her neck until she got a glimpse of him. Casually because her husband said she worried too much, fretted too much, and would eventually infect their boys with her fearfulness - had, perhaps, already, in Jacob's case, infected them with her fearfulness. So she waited, trusting, but feeling, too, the pins-and-needles prick of blown sand on her cheek and her forearm (was the wind changing?) until, sure enough, there was the top of his head, the tip of his plastic machine gun, just over the next dune. — Alice McDermott

Our father Blue Bones was much the same and we brothers cowered before his fury when TRACKED-IN SAND was detected on the carpets of the VAUXHALL CRESTA and then there were such threats of whippings with razor strops, electric flex, greenhide belts, God save us, he had that mouth, cruel as a cut across his skin. As a boy I could never understand why nice clean sand would cause such terror in my dad's bloodshot eyes, but I had never seen an hourglass and did not know that I would die. None shall be spared, and when my father's hour was come then the eternal sand-filled wind blew inside his guts and ripped him raw, God forgive him for his sins. He could never know peace in life or even death, never understood what it might be to become a grain of sand, falling whispering with the grace of multitudes, through the fingers of the Lord. — Peter Carey

Even so long after sunset, the sky in the west was touched with feather-strokes of crimson and black. The wind was blowing from the east, which meant that even in the middle of the city you could breathe in desert: sand and grit, cactus and coyotes, the burning scent of sage. — Cassandra Clare

Out of the clouds I hear a faint bark, as of a faraway dog. It is strange how the world cocks its ear to that sound, wondering. Soon it is louder: the honk of geese, invisible, but coming on.
The flock emerges from the low clouds, a tattered banner of birds, dipping and rising, blown up and blown down, blown together and blown apart, but advancing, the wind wrestling lovingly with each winnowing wing. When the flock is a blur in the far sky I hear the last honk, sounding taps for summer.
It is warm behind the driftwood now, for the wind has gone with the geese. So would I
if I were the wind. — Aldo Leopold

The sun is rising through a yellow, howling wind. Time for breakfast. Inside the trailer now, broiling bacon and frying eggs with good appetite, I hear the sand patter like rain against the metal walls and brush across the windowpanes. A fine silt accumulates beneath the door and on the window ledge. The trailer shakes in a sudden gust. All one to me
sandstorm or sunshine I am content, so long as I have something to eat, good health, the earth to take my stand on, and light behind the eyes to see by. — Edward Abbey

I Name you Echthroi. I Name you Meg.
I Name you Calvin.
I Name you Mr. Jenkins.
I Name you Proginoskes.
I fill you with Naming.
Be!
Be, butterfly and behemoth,
be galaxy and grasshopper,
star and sparrow,
you matter,
you are,
be!
Be caterpillar and comet,
Be porcupine and planet,
sea sand and solar system,
sing with us,
dance with us,
rejoice with us,
for the glory of creation,
seagulls and seraphim
angle worms and angel host,
chrysanthemum and cherubim.
(O cherubim.)
Be!
Sing for the glory
of the living and the loving
the flaming of creation
sing with us
dance with us
be with us.
Be!"
- Madeleine L'Engle, A Wind in the Door — Madeleine L'Engle

When I opened my eyes I saw nothing but the pool of nocturnal sky, for I was lying on my back with out-stretched arms, face to face with that hatchery of stars. Only half awake, still unaware that those depths were sky, having no roof between those depths and me, no branches to screen them, no root to cling to, I was seized with vertigo and felt myself as if flung forth and plunging downward like a diver. — Antoine De Saint-Exupery

What she knew was sand and wind and innumerable stars. The rumble in a camel's throat as it swayed over shifting dunes, its trappings jingling in time with its steps beneath her. She knew the sting of thirst and the taste of dried fruit, the glare of sun and the frigid, bone-numbing cold of the air when the sun gave her throne over to the moon. She knew that, to survive, one must often revise one's caliber, and one must completely depend upon Jesus Christ. — V.S. Carnes

She didn't drink a lot, but she drank me into wonderland where we spent the time giggling and laughing. However, know this if you are able or leave while you still can. Love is unstable when built on what must come and go with the wind and sand.
After awhile, I heard the increasing activity from the hall as the campus was starting to come alive and I said to Penny, "I think we need to get to the bistro" and she responded by slipping one brown shoe delicately over her white nylon socking. — Joseph Persia

They seem to keep a specially cutting east wind, waiting for me, when I go to bathe in the early morning; and they pick out all the three-cornered stones, and put them on the top, and they sharpen up the rocks and cover the points over with a bit of sand so that I can't see them, and they take the sea and put it two miles out, so that I have to huddle myself up in my arms and hop, shivering, through six inches of water. And when I do get to the sea, it is rough and quite insulting. — Jerome K. Jerome

The gunslinger turned his eyes up to the faces in the leaves. A play was being enacted there for his amusement Worlds rose and fell before him. Empires were built across shining sands where forever machines toiled in abstract electronic frenzies. Empires declined and fell. Wheels that had spun like silent liquid moved more slowly, began to squeak, began to scream, stopped. Sand choked the stainless steel gutters of concentric streets below dark skies full of stars like beds of cold jewels. And through it all, a dying wind of change blew, bringing with it the cinnamon smell of late October. The gunslinger watched as the world moved on. — Stephen King

But I enjoyed the feeling of wind in my hair, and I knew my father liked to see it blow straight out when we stood on the quay and watched the boats come in. And after all it was my only pride.
The train waited behind us, puffing and hissing through its valves, and even though it was only an hour's journey to Skagen, I had never been there.
'Can't we go to Skagen one day?' I asked. Being with Jesper and his friends had made me realize the world was far bigger than the town I lived in, and the fields around it, and I wanted to go travelling and see it.
'There's nothing but sand at Skagen,' my father said, 'you don't want to go there my lass. And because it was Sunday and he seldom said my lass, he took a cigar from his waistcoat pocket with a pleased expression, lit it, and blew out smoke into the wind. The smoke flew back in our faces and scorched them, but I pretended not to notice and so did he. — Per Petterson

It did not occur to me that absence of human companionship does not assure solitude. It may, on the contrary, plunge one into an environment compared with which New York or London would appear deserts. For we take memory and imagination with us. The seabirds that scream overhead or waddle along the margins of the surf; the grotesque forms of twisted cedars; the rustle of sea-grass in the wind; the interminable percussion of the breakers; the dead infinity of the sand itself - there can be no solitude, in the sense of freedom from disturbances of thought, in the presence of such things. They draw us back into the maelstrom. ("Absolute Evil") — Julian Hawthorne

Everything is connected. The wing of the corn beetle affects the direction of the wind, the way the sand drifts, the way the light reflects into the eye of man beholding his reality. All is part of totality, and in this totality man finds his hozro, his way of walking in harmony, with beauty all around him. — Tony Hillerman

You think you cannot live anymore. You think that the light of your soul has been put out and that you will stay in the dark forever. But when you are engulfed by such solid darkness, when you have both eyes closed to the world, a third eye opens in your heart. And only then do you come to realize that eyesight conflicts with inner knowledge. No eye sees so clear and sharp as the eye of love. After grief comes another season, another valley, another you. And the lover who is nowhere to be found, you start to see everywhere.
You see him in the drop of water that falls into the ocean, in the high tide that follows the waxing of the moon, or in the morning wind that spreads its fresh smell; you see him in the geomancy symbols in the sand, in the tiny particles of rock glittering under the sun, in the smile of a newborn baby, or in your throbbing vein. How can you say Shams is gone when he is everywhere and in everything? — Elif Shafak

A pilot's business is with the wind, and with the stars, with night, with sand, with the sea. He strives to outwit the forces of nature. He stares with expectancy for the coming of the dawn the way a gardener awaits the coming of spring. He looks forward to port as a promised land, and truth for him is what lives in the stars. — Antoine De Saint-Exupery

The sound of the wind stretches its limbs.
The jazz music witholds some of its ruckus.
Hands move something in the dark.
I say: just an old romanticism...
No matter, the place will fit everything.

Vision descends upon flaccid pathways
and rides them on cheap metal.
Dried out trees and others take their water
from the drowned sand by force.
I say: a passing depression.
No matter, the place will fit everything.
During the day the sun approaches the mountain,
places its hand upon it,
its cold hand of lovers,
strikes stone with stone.
Mountain scrub dances behind the stone.
The sun does not see it.
Only the moon shines upon it all the way beyond the bend
and the guardian stones watch from afar.
I say: a passing coincidence.
No matter, the place will fit everything. — Ashur Etwebi

The blue of winter, the brown of spring, the red of summer, and the fall of green. I seek the place of treasures past. I seek the truth of sand and glass. I call to the wind of seasons past. I bring with me the best of summer. I am the one with whom you bask. Deliver me and complete your task. — H.D. Smith

The sand squeaked underfoot as she toed it. She looked more closely: dark grains of basalt, mixed with minute seashell fragments, and a variety of colorful pebbles, some of them no doubt brecciated fragments of the Hellas impact itself. She lifted her eyes to the hills west of the sea, black under the sun. The bones of things stuck out everywhere. Waves broke in swift lines on the beach, and she walked over the sand toward her friends, in the wind, on Mars, on Mars, on Mars, on Mars, on Mars. — Kim Stanley Robinson

It was as if there were no names here, as if there were no words. The desert cleansed everything in its wind, wiped everything away. The men had the freedom of the open spaces in their eyes, their skin was like metal. Sunlight blazed everywhere. The ochre, yellow, gray, white sand, the fine sand shifted, showing the direction of the wind. It covered all traces, all bones. It repelled light, drove away water, life, far from a center that no one could recognize. The men knew perfectly well that the desert wanted nothing to do with them: so they walked on without stopping, following the paths that other feet had already traveled in search of something else. — Jean-Marie G. Le Clezio

I should like to take the wind and water and sand as a motif and work with them, but it has to be simplified in most cases to colour and force lines, just as music has done with sound. — Arthur Dove

I am grains of sand in a storm made of Alec, scattering in his fierce wind and spinning back. Out to my limits and then retracted. Billow and fall. But the wind gusts into something even stronger, something more, and with one final, unstoppable spiral out, I dissolve into absolutely nothing but a leftover pulse of a girl that used to exist. And an exhausted Cheshire smile. — Riley Edgewood

A lone maple leaf resting on sand Have you ever been out for a late autumn walk in the closing part of the afternoon, and suddenly looked up to realize that the leaves have practically all gone? And the sun has set and the day gone before you knew it, and with that a cold wind blows across the landscape? That's retirement. — Stephen Leacock

Everything, including your set of hand-blown green glass dishes with the tiny bubbles and imperfections, little bits of sand, proof they were crafted by the honest, simple, hard-working indigenous aboriginal people of wherever, well, these dishes all get blown out by the blast. Picture floor-to-ceiling drapes blown out and flaming to shreds in the hot wind. — Chuck Palahniuk