Quotes & Sayings About Why You Should Write

You talk books away," he said; "why don't you write one?" "I am too fond of reading books to care to write them, Mr. Erskine. I should like to write a novel certainly, a novel that would be as lovely as a Persian carpet and as unreal. — Oscar Wilde

Well, sometimes everybody tells you something because it is true."
"Sometimes," Nina clarified, "everybody tells you something because they are everybody. But why should one listen to everybody? Did everybody write the Odyssey? Did everybody write the Aeneid? — Amor Towles

For grief has always been so dear to you that you would make me writhing in pain in the brothel of your imaginations than to be playing with a bunch of balloons in the yard where I should have been."
"And may be that's why, you'd rather talk to me about this, than to write a story about me where I could live happily. — Sanhita Baruah

I try to be outraged by things that other people are just very accepting of, as though they're normal and can't be changed. A lot of what I write about is, 'Hey, you know, this stuff is really awful, and it doesn't need to be, and that's why it's so offensive.' Things should be better. — Matt Taibbi

She had been to her Great-Aunt Willoughby's before, and she knew exactly what to expect. She would be asked about her lessons, and how many marks she had, and whether she had been a good girl. I can't think why grownup people don't see how impertinent these questions are. Suppose you were to answer:
"I'm the top of my class, auntie, thank you, and I am very good. And now let us have a little talk about you, aunt, dear. How much money have you got, and have you been scolding the servants again, or have you tried to be good and patient, as a properly brought up aunt should be, eh, dear?"
Try this method with one of your aunts next time she begins asking you questions, and write and tell me what she says. — E. Nesbit

My memory is certainly in my hands. I can remember things only if I have a pencil and I can write with it and I can play with it ... I think your hand concentrates for you. I don't know why it should be so. — Rebecca West

Why is it that, in creative writing courses today, the very first thing we teach students is write what you know? Perhaps that's not the right way to start at all. Imaginative literature is not necessarily about writing who we are or what we know or what our identity is about. We should teach young people and ourselves to expand our hearts and write what we can feel. We should get out of our cultural ghetto and go visit the next one and the next. — Elif Shafak

All writing problems are psychological problems. Blocks usually stem from the fear of being judged. If you imagine the world listening, you'll never write a line. That's why privacy is so important. You should write first drafts as if they will never be shown to anyone. — Erica Jong

Why should we, the brains of the military, have so much anxiety about our contribution to the war that we feel we have to ape Special Forces guys?
To Fitzgerald commandos were just glorified jocks - pitchers and quarterbacks from suburban high schools who traded baseballs for bullets. There's no doubt they had skills. They could slither right up to the enemy on their stomachs survive on worms for days and plunk a target with a piece of lead from a mile away. All very impressive. But they couldn't speak Arabic or juggle a million intelligence requirements and 703 follow-up questions from the community while sitting three feet away from some Islamic firebrand who has no reason to talk.
"Do you think those Special Forces guys are wracked with Interrogator envy?" Fitzgerald would say. "You think they're over there in their special sunglasses polishing their special weapons saying 'man if only I could do some hot-shit interrogations and write some hot-shit reports? — Chris Mackey

I want to write about people I love, and put them into a fictional world spun out of my own mind, not the world we actually have, because the world we actually have does not meet my standards. Okay, so I should revise my standards; I'm out of step. I should yield to reality. I have never yielded to reality. That's what SF is all about. If you wish to yield to reality, go read Philip Roth; read the New York literary establishment mainstream bestselling writers ... .This is why I love SF. I love to read it; I love to write it. The SF writer sees not just possibilities but wild possibilities. It's not just 'What if' - it's 'My God; what if' - in frenzy and hysteria. The Martians are always coming. — Philip K. Dick

Bono: But you write. Why do you write?
Michka: well, because I'm unable to express things in another way. I often believe that the words that come out of my mouth are not the ones I should be using. I can't cut things loose unless I'm really sure about them.
It's good, but sometimes it's an excuse.
Bono: That's often an excuse. You have to dare to fail. I think that's the big one: fear of failure. I've never had a fear of failure. Isn't that mad?
Michka: that's the maddest thing, but at the same time I think that's the secret. Because you've never been afraid of making a fool of yourself, you've never been afraid of looking ridiculous. — Michka Assayas

If someone who is agitated comes to visit you, wanting to discuss their agitation and weigh the pros and cons of what action he should take, my suggestion is to give him the mantram album and say, "why don't you just write Rama, Rama, Rama a thousand times? — Eknath Easwaran

Sometimes," Nina clarified, "everybody tells you something because they are everybody. But why should one listen to everybody? Did everybody write the Odyssey? Did everybody write the Aeneid?" She — Amor Towles

I know what you're thinking - that anybody with proper sensitive feelings would rather scrub floors for a living. But I should scrub floors very badly, and I write detective stories rather well. I don't see why proper feelings should prevent me from doing my proper job. — Dorothy L. Sayers

My only passions were books and music. As you might guess, I led a lonely life ... Not that I knew what I wanted in life - I didn't. I loved reading novels to distraction, but didn't write well enough to be a novelist; being an editor or a critic was out, too, since my tastes ran to the extremes. Novels should be for pure personal enjoyment, I decided, not part of your work or study. That's why I didn't study literature — Haruki Murakami

Your whole life, you had to fit it onto one sheet of paper. There was a black line around the edge of the sheet, a border, and if you wrote outside the line then your application would not be valid. They only gave you enough space to write down the very saddest things that had happened to you. That was the worst part. Because if you cannot read the beautiful things that have happened in someone's life, why should you care about their sadness? — Chris Cleave

Obviously as a writer you have to reflect on why your work is provoking such hostility, because all you want to do is write your stories as best you can. You're forced to reflect on, why is my work so upsetting for people? The agenda behind it is clear. They don't want to see these people in literature. These areas of human experience [I write about] should not appear in public; we don't want to know. We know that people are in the street, that they have no money and are maybe begging, but we don't want to see them in literature. They should be swept under the carpet. — James Kelman

They [candidates] say, "I don't want to say anything controversial." And so nobody covers them. Then they blame the journalists, saying "Why don't they write down what I said?" In congressional races, 90 percent of the time the answer is, "Because you are boring and you don't have anything that makes me interested in listening to you. Why the heck should somebody write it down? There's nothing here worth hearing." — Roger Ailes

Dostoevsky does not exist for me. Virginia Woolf does not exist for me. Her essays are quite good, but her novels are not of much interest for me. And Joyce. His stories are wonderful, but his novels are too artificial, even pompous. I have heard some writers say, When I read Kafka or Flaubert or Dostoevsky, I think, why should I write? He is so good. For me, writers like Kafka are so closed they don't allow you to follow them, whereas someone like Shakespeare leaves many paths unexplored, many things just announced, strong images unexplained - these invite you not to follow him but to be inspired. He inspires me. — Javier Marias

You are the best of us. We are the best of you. What becomes of us will, inevitably, become of you. That is why you should care. That is why I write.
I end this chapter, then, with broken silence, broken vows, broken trust. Our secrets are yours now; I pray you use them well. — Donna Boyd

This was a really amazing part of your adventure, Hamlet. You're sure that, should you ever one day write a book about this story or perhaps a stage production, you'd DEFINITELY include this scene. Why, you'd have to be literally crazy to write a story where you journey to England, get attacked by pirates - actual pirates! - but then just sum up that whole adventure in a single sentence. Hah! That'd be the worst. Who puts a pirate-attack scene in their story and doesn't show it to the audience? Hopefully nobody, that's who! Even from a purely structural viewpoint, you've got to give the audience something awesome to make up for all the introspection you've been doing; that just seems pretty obvious is all. — Ryan North

MAYBE YOU SHOULD BE AN ENGLISH MAJOR. AT LEAST, YOU GET TO READ STUFF THAT'S WRITTEN BY PEOPLE WHO CAN WRITE! YOU DON'T HAVE TO DO ANYTHING TO BE AN ENGLISH MAJOR, YOU DON'T NEED ANY SPECIAL TALENT, YOU JUST HAVE TO PAY ATTENTION TO WHAT SOMEONE WANTS YOU TO SEE - TO WHAT MAKES SOMEONE ANGRIEST, OR THE MOST EXCITED IN SOME OTHER WAY. IT'S SO EASY!; I THINK THAT'S WHY THERE ARE SO MANY ENGLISH MAJORS! — John Irving

The whole point to New Years is not just to have a new year. But that we should be new, better and different people. That is why we exercise to RE-NEW our bodies. That is why we write GOALS to get a Renewed sense of our potential. That is why we make RE-SOLUTIONS because we resolve that there are solutions inside of us that we have not tapped into. So don't waste each New Years season. Maximize it! Start fresh using a new perspective for it will enable you to tap into a new season with greater capacity. — Stella Payton

Should you care to write (and only the saints know why you should) you must needs have knowledge and art and magic - the knowledge of the music of words, the art of being artless, and the magic of loving your readers. — Kahil Gibran

I'm not telling you to make the world better, because I don't think that progress is necessarily part of the package. I'm just telling you to live in it. Not just to endure it, not just to suffer it, not just to pass through it, but to live in it. To look at it. To try to get the picture. To live recklessly. To take chances. To make your own work and take pride in it. To seize the moment. And if you ask me why you should bother to do that, I could tell you that the grave's a fine and private place, but none I think do there embrace. Nor do they sing there, or write, or argue, or see the tidal bore on the Amazon, or touch their children. And that's what there is to do and get it while you can and good luck at it. — Joan Didion

You don't need to know the purpose as you write, but when you read over something you've written, you should be able to point to any given element - be that a line of dialogue, a descriptive phrase, a plot point - and say why it's there. — Diana Gabaldon

I never asked Tolstoy to write for me, a little colored girl in Lorain, Ohio. I never asked [James] Joyce not to mention Catholicism or the world of Dublin. Never. And I don't know why I should be asked to explain your life to you. We have splendid writers to do that, but I am not one of them. It is that business of being universal, a word hopelessly stripped of meaning for me. Faulkner wrote what I suppose could be called regional literature and had it published all over the world. That's what I wish to do. If I tried to write a universal novel, it would be water. Behind this question is the suggestion that to write for black people is somehow to diminish the writing. From my perspective there are only black people. When I say 'people,' that's what I mean. — Toni Morrison

Why
should I, who have no need to work for food, spin? ' may be the question
asked. Because I am eating what does not belong to me. I am living on the
spoliation of my countrymen. Trace the source of every coin that finds its way
into your pocket, and you will realise the truth of what I write. Every one
must spin. — Mahatma Gandhi

And begin to write real fiction. Why shouldn't you? Why should you fear? Carpenters don't build monsters, after all; they build houses, stores, and banks. They build some of wood a plank at a time and some of brick a brick at a time. You will build a paragraph at a time, constructing these of your vocabulary and your knowledge of grammar and basic style. As long as you stay level-on-the-level and shave even every door, you can build whatever you like - whole mansions, if you have the energy. — Stephen King

So, I was always frustrated having to write and having to cut things. Why should you have to cut anything? — Ted Nelson

I had just prayed, Oh God, please help me! I want to serve you, but I don't know how. I don't know what to do? ------ "WRITE A BOOK!" I was in shock. So, I stood silent, in wonderment. I was surprised that I had received an answer to my prayer. I didn't really expect to hear from God. Why should I? I was nobody, only a little dot on the earth. Why should the Great God of the universe speak to me? — Helen Goldie

Storytelling is a business of unique snowflakes. Every writer is different; every book is different; every reader is different. This is why it's so hard to give writing advice, because what works for me might be poison to someone else. But if I could make one absolute assertion, it would be this: If you are not enjoying your writing, you're doing it wrong. A book is not a battle, nor is it a conquest. A book is a story, and telling it should be an enjoyable exercise. So the next time you don't want to write, don't waste time beating yourself up. Instead, stop and ask yourself why. Why do you not want to do this fundamentally enjoyable thing? What's really going on? — Rachel Aaron

want you, it's their loss," Grandma said. "Why don't we just wait and see what they say?" Ms. Donatello told me. "I have to go to the bathroom," Georgia said. I didn't want to talk anymore, so I just made like Leonardo the Silent and kept my mouth shut after that. Finally, the office door opened, and Mr. Crawley, the director of the school, came over to talk to us. I tried not to look like I wanted to disappear. Or self-destruct. Or both. "First of all, Rafe," he said, "you should know there are three things we look for in an applicant. One of those is experience. A lot of the students at Cathedral have been studying art since before they could write." "Sure," I said. "I get it. No problem." But he wasn't done yet. "The other two things we look for are talent and persistence," he said. "Not only is that portfolio of yours full of artistic promise, it's also just full. When I see that, I see a boy who would probably keep drawing whether anyone was paying attention or not. — James Patterson

She explained why all the normal acts of life had become small acts of rebellion and political insubordination to her and to other young people like her. All her life she was shielded. She was never let out of sight; she never had a private corner in which to think, to feel, to dream, to write. She was not allowed to meet any young men on her own. Her family not only instructed her on how to behave around men - they seemed to think they could tell her how she should feel about them as well. What seems natural to someone like you, she said, is so strange and unfamiliar to me. — Azar Nafisi

I shan't be a minute," said Pridmore. Matilda knew better. She settled herself to wait, and swung her legs miserably. She had been to her Great-Aunt Willoughby's before, and she knew exactly what to expect. She would be asked about her lessons, and how many marks she had, and whether she had been a good girl. I can't think why grown-up people don't see how impertinent these questions are. Suppose you were to answer: "I'm the top of my class, auntie, thank you, and I am very good. And now let us have a little talk about you, aunt, dear. How much money have you got, and have you been scolding the servants again, or have you tried to be good and patient, as a properly brought up aunt should be, eh, dear?" Try this method with one of your aunts next time she begins asking you questions, and write and tell me what she says. Matilda — Neil Gaiman

Your intention is for readers to benefit from your experiences and avoid the costly and time consuming mistakes you may have made. You want to help your readers know the short cuts and what you would have avoided, and why. As you write, keep a clear sense of why writing this is important to you, but also share your why within the body of the book. Why do your readers need to take the steps you describe? Are you saving them time, money, resources? Why did you start your journey to begin with? Did you want to change the world or get from point "A" to point "B"? Why did you keep going even when it was difficult? Was there a light at the end of the tunnel, a reward at the end? Why should they hang in there? All of these things will work magically if implemented correctly and consistently. — Kytka Hilmar-Jezek