Why We Write Quotes & Sayings
Enjoy reading and share 100 famous quotes about Why We Write with everyone.
Top Why We Write Quotes

Many of us served in the war, many died. We have written for Germany, we have died for Germany. We have spilled our blood for Germany in two ways: the blood that runs in our veins, and the blood with which we write. We have sung Germany, the real Germany! And that is why today we are being burned by Germany! — Joseph Roth

If you put it as 'complex nervous systems' it sounds pretty deflationary. What's so special about a complex nervous system? But of course, that complex nervous system allows you to do calculus. It allows you to do astrophysics ... to write poetry ... to fall in love. Put under that description, when asked 'What's so special about humans ... ?', I'm at a loss to know how to answer that question. If you don't see why we'd be special ... because we can do poetry [and] think philosophical thoughts [and] we can think about the morality of our behavior, I'm not sure what kind of answer could possibly satisfy you at that point.
... I could pose the same kinds of questions of you ... So God says, 'You are guys are really, really special.' How does his saying it make us special? 'But you see, he gave us a soul.' How does our having a soul make us special? Whatever answer you give, you could always say ... 'What's so special about that? — Shelly Kagan

I don't really want to write fiction at all. I don't see why fiction is necessary when we have real life already confusing enough. — Aaron Belz

The problem facing humanity today is not a political problem; it's not a financial problem; it's not a military problem. It's obviously a spiritual problem. That is, it has to do with what we believe to be true about who we are, where we are, why we are where we are, and what are we doing on the Earth. What is the purpose of life itself? What we need right now are leaders or models, people who will stand up and not only help to write a cultural story, but help to model it in the way that they interact with each other. — Neale Donald Walsch

What is literature, and why do I try to write about it? I don't know. Likewise, I don't know why I go on living, most of the time. But this not knowing is precisely what I want to preserve. As readers, the closest way we can engage with a literary work is to protect its indeterminacy; to return ourselves and it to a place that precludes complete recognition. Really, when I'm reading, all I want is to stand amazed in front of an unknown object at odds with the world. — M. John Harrison

I'd like to return to prose after a fifteen-year hiatus. An epistolary novella maybe. A man went into the mountains fifteen years ago to write the following letter to a woman: "Dear B., I'd like to strike you down with an iron rod. Maybe I love you. If you feel the same way and your wishes conform to mine, then please please get in touch with me posthaste. We'll discuss this matter together and make the necessary arrangements if everything works out. With warm wishes, Your Bernd." The letter is, however, never mailed and never written. In further letters to B. from Bernd, he pursues, among other things, the question: why? The last letter could be the one in which Bernd lets B. know that the matter has been settled since he has just been struck down by a group of women with iron rods. — Urs Allemann

We cannot all write like Lincoln or Shakespeare, but even the least gifted of us has the incredible instrument, our voice, to communicate the range of human emotions. Why would we deprive ourselves of that? — Sherry Turkle

Why do we have a brain in the first place? Not to write books, articles, or plays; not to do science or play music. Brains develop because they are an expedient way of managing life in a body. — Antonio Damasio

Despite all the cynical things writers have said about writing for money, the truth is we write for love. That is why it is so easy to exploit us. — Erica Jong

I think most people write from what they see in their own world, which is maybe why we so often see an African-American woman as the best friend, or the one you bring in when you need some sass. It's like we're put in a box. — Tika Sumpter

Why did Freud write a book about which he had such doubts? We can only conjecture. Peter Gay wrote that "it is highly plausible that some of the impulses guiding Freud's arguments in Totem and Taboo emerged from his hidden life; in some respects the book represents a round in his never finished wrestling bout with Jacob Freud." Gay also mentions that Freud realized he was "publishing scientific fantasies. — Armand M. Nicholi Jr.

Jesus was different. He didn't wink at sin, but he didn't write sinners off either. He offered faith, hope, and love. That's why time after time in the Bible we find hardcore sinners seated around a table with Jesus, just chilling. They would spend hours listening, asking questions, laughing, crying. They were captivated by his compassion and riveted by his practical explanations of how to do life. Jesus let them belong long before they believed or behaved. — Judah Smith

Charis sipped, smiling back. " ... I saw God everywhere."
Grif narrowed his eyes. "Really?"
She nodded and leaned close. "We were actually pen pals. I'd write Him letters in Latin and leave them in my closet."
"Why the closet?"
She shrugged. "Because He didn't appear after I set my front yard's bushes on fire, so I decided He was shy. — Vicki Pettersson

Writers - particularly storytellers like myself - write about people. That is ironic, since we actually know nothing about them. Think about it. Why does someone become a writer? Is it because they like people? Of course not. Why else would we seek out a job where we get to spend all day, every day, cooped up in our basement with no company besides paper, a pencil, and our imaginary friends? Writers hate people. If you've ever met a writer, you know that they're generally awkward, slovenly individuals who live beneath stairwells, hiss at those who pass, and forget to bathe for weeklong periods. And those are the socially competent ones. — Brandon Sanderson

When people say to me, 'Why are you so good at writing at women?' I say, 'Why isn't everybody?' Obviously there are differences between men and women - that's what makes it all fun. But we're all people. There's a lot of good writers who are very humanist, but still manage to kind of skip fifty-five per cent of the race. And I just don't get that. Not to be able to write an entire gender? To me, the question isn't how do you do it? It's how can you possibly avoid doing it? — Joss Whedon

Why do we write fiction? Professor Piper asked.
Cath looked down at her notebook.
To disappear. — Rainbow Rowell

I have finally figured out the meaning of life: there's no such thing. And that's a beautiful thing, because that means that WE get to choose it ourselves. Life has no meaning besides the meaning you give it. You are indeed the author of your destiny. So why not write a book worth reading? — Dean Bokhari

We who make stories know that we tell lies for a living. But they are good lies that say true things, and we owe it to our readers to build them as best we can. Because somewhere out there is someone who needs that story. Someone who will grow up with a different landscape, who without that story will be a different person. And who with that story may have hope, or wisdom, or kindness, or comfort. And that is why we write. — Neil Gaiman

Why should we, the brains of the military, have so much anxiety about our contribution to the war that we feel we have to ape Special Forces guys?
To Fitzgerald commandos were just glorified jocks - pitchers and quarterbacks from suburban high schools who traded baseballs for bullets. There's no doubt they had skills. They could slither right up to the enemy on their stomachs survive on worms for days and plunk a target with a piece of lead from a mile away. All very impressive. But they couldn't speak Arabic or juggle a million intelligence requirements and 703 follow-up questions from the community while sitting three feet away from some Islamic firebrand who has no reason to talk.
"Do you think those Special Forces guys are wracked with Interrogator envy?" Fitzgerald would say. "You think they're over there in their special sunglasses polishing their special weapons saying 'man if only I could do some hot-shit interrogations and write some hot-shit reports? — Chris Mackey

It's a juicy thing to say we're building a phone, which is why people want to write about it. But it's so clearly the wrong strategy for us. — Mark Zuckerberg

Why, why in the blue-green world write this sort of thing? Funny written culture, I guess; we pass things on. — Annie Dillard

I want to write about people I love, and put them into a fictional world spun out of my own mind, not the world we actually have, because the world we actually have does not meet my standards. Okay, so I should revise my standards; I'm out of step. I should yield to reality. I have never yielded to reality. That's what SF is all about. If you wish to yield to reality, go read Philip Roth; read the New York literary establishment mainstream bestselling writers ... .This is why I love SF. I love to read it; I love to write it. The SF writer sees not just possibilities but wild possibilities. It's not just 'What if' - it's 'My God; what if' - in frenzy and hysteria. The Martians are always coming. — Philip K. Dick

A question I've thought about a great deal is why it is so much easier to write about the things we dislike/hate/acknowledge to be flawed than the things we love. — Gabrielle Zevin

Why did God do it? or is there really a Devil who led to the Fall? Souls in Heaven said "We want to try mortal existence, O God, Lucifer said it's great!" - Bang, down we fall, to this, to concentration camps, gas ovens, barbed wire, atom bombs, television murders, Bolivian starvation, thieves in silk, thieves in neckties, thieves in office, paper shufflers, bureaucrats, insult, rage, dismay, horror, terrified nightmares, secret death of hangovers, cancer, ulcers, strangulation, pus, old age, old age homes, canes, puffed flesh, dropped teeth, stink, tears, and goodbye. Somebody else write it, I dont know how. — Jack Kerouac

My challenge is to make sure the things I say and the things I do remain consistent for as often and as long as possible. My why is to inspire people to do the things that inspire them so that together we can change our world. That's why I wake up every single day. I'm agnostic to the form it takes: I teach, I write, I speak, I advise. — Simon Sinek

Why do we write?
"To make suffering endurable
To make evil intelligible
To make justice desirable
and . . . to make love possible — Roger Rosenblatt

People listen to music for different reasons. Some people, -its background music - but other people need it to survive. Other people need music to get things out and maybe that's just where I'm coming from, you know, when things weren't easy for me, growing up. You know, music, I felt, saved my life. Pete Townshend, wherever you are, Pete, you saved my life. You know, whether he knows it or not. I wouldn't be here. And I had absolutely nothing else besides music. And so that's still, you know, that's in me, and so if we're gonna play, if we're gonna get up and play, or write a song, you know, write about something that means something. You know, why write about, you know, 'Oh, pretty day', or, 'Pretty girl' or 'Pretty people', there's nothing ... people have different reasons for listening and playing. I need to - for me-, it's much more.. religious! — Eddie Vedder

I hear what many of you are saying: We don't have the time, we are busy. Well Nobody Has Time, Everyone Is Busy. In the time it took you to read this post, your life just got a minute shorter. That is precisely why we read (and why some of us write): because life is short and finite, we want more, and literature is the distillation of all those lives we will not lead. — Jessica Zafra

I was full of doubts, of course, not a particularly bad way to be, but I didn't know that. Doubting so much made me suffer, but I could have saved myself the anxiety and simply doubted, without any problem. I was unaware that to doubt is to write. Marguerite Duras would say so in 1995, toward the end of her days: I can say what I like, but I shall never know why people write and how it is people don't write. In life, there comes a time, and I think it is total, that we cannot escape, where we doubt everything: that doubt is writing. — Enrique Vila-Matas

They must talk to each other directly, Ender, mind to mind. What one thinks, another can also think; what one remembers, another can also re-member. Why would they ever develop language? Why would they ever learn to read and write? How would they know what reading and writing were if they saw them? Or signals? Or numbers? Or anything that we use to communicate? This isn't just a matter of translating from one language to another. They don't have a language at all. We used every means we could think of to communicate with them, but they don't even have the machinery to know we're signaling. And maybe they've been trying to think to us, and they can't understand why we don't respond. — Orson Scott Card

All we really have when we pretend to write about the future is the moment in which we are writing. That's why every imagined future obsoletes like an ice cream melting on the way back from the corner store. — William Gibson

I don't think we have ever had real democracy in this country. Anyone who studies adoption of the constitution will understand quite clearly that; democracy - as we understand that on today; was the last thing the founding fathers had in mind when they wrote the constitution ....it was: to establish strong central authority responding the elitist interests in United States. That's private property. And those men who wrote the constitution were representatives of the elites. They were the lawyers, bankers, merchants, the land owners, slave owners and so forth. And they write the constitution for their own private interest$. That is how government has served ever since. And that is why we have so little democracy in United States. — Philip Agee

I write books because I have always been fascinated by stories and language, and because I love thinking about what makes people tick. Writing a story ... 'The Giver' or any other ... is simply an exploration of the nature of behavior: why people do what they do, how it affects others, how we change and grow, and what decisions we make along the way. — Lois Lowry

Guys hate anticipation. That's why we all write about satisfaction. Why we never wrap presents. I notice you wrapped mine."
"I thought it was because you're all too cheap to buy wrapping paper. Or too clueless to find it in the store."
"There's that. But honestly, you go to the trouble of getting someone a present, something you think they'd like - why hide it and make them work for it? It's coy. — Huntley Fitzpatrick

Friends will write me letters. They run out of room on the front of the letter. They write 'over' on the bottom of the letter. Like I'm that much of a moron. Like I need that there. Because if it wasn't there, I'd get to the bottom of the page: 'And so Kathy and I went shopping and we
' That's the craziest thing! I don't know why she would just end it that way. — Ellen DeGeneres

I write because, as wonderful as life is - and it is truly wonderful - it isn't enough. It does not, for example, contain dragons. I find this unsatisfactory. So I read. And I write. — Laini Taylor

Why my interest in writers? Well, I'm one, and many of my friends are writers. I know what it's like to write. I'm interested in the creative process. I'm fascinated by the disparity between who we are on the outside, and what we have bubbling away inside us. — Eric Brown

They are all very serious people with stern expressions on their faces. They discuss nothing but important matters and like to philosophize a great deal, while at the same time everyone can see that the workers are detestably fed, sleep without suitable bedding, thirty to forty in a room with bedbugs everywhere, the stench, the dampness, and the moral corruption ... Obviously all our fine talk has gone on simply to hoodwink ourselves and other people as well. Show me the day nurseries that they're talking about so much about. And where are the libraries? Why, they just write about nurseries and libraries in novels, while in fact not a single one even exists. What does exist is nothing but dirt, vulgarity, and a barbarian way of life ... I dislike these terribly serious faces, they frighten me, and I'm afraid of serious conversations, too. We'd be better off if we all would just shut up for a while! — Anton Chekhov

We write for the same reason that we walk, talk, climb mountains or swim the oceans - because we can. We have some impulse within us that makes us want to explain ourselves to other human beings. That's why we paint, that's why we dare to love someone- because we have the impulse to explain who we are. Not just how tall we are, or thin ... but who we are internally ... perhaps even spiritually. There's something, which impels us to show our inner-souls. The more courageous we are, the more we succeed in explaining what we know. — Maya Angelou

I write because it's a way of puzzling out answers to situations in the world that I don't understand. The act of writing a book gives me the same experience that I hope reading it gives readers. It forces me to sort through the various points of view on a given issue or situation and ultimately come to a conclusion. Doing that might not change my mind, but it almost always gives me a stronger sense of why my opinion is what it is - a question we rarely ask ourselves. — Jodi Picoult

I'm unsure why one trifling incident this afternoon has moved me to write to you. But since we've been separated, I may most miss coming home to deliver the narrative curiosities of my day, the way a cat might lay mice at your feet: the small, humble offerings that couples proffer after foraging in separate backyards. Were you still installed in my kitchen, slathering crunchy peanut butter on Branola though it was almost time for dinner, I'd no sooner have put down the bags, one leaking a clear vicious drool, than this little story would come tumbling out, even before I chided that we're having pasta tonight so would you please not eat that whole sandwich. — Lionel Shriver

When we read, another person thinks for us: we merely repeat his mental process. In learning to write, the pupil goes over with his pen what the teacher has outlined in pencil: so in reading; the greater part of the work of thought is already done for us. This is why it relieves us to take up a book after being occupied with our own thoughts. And in reading, the mind is, in fact, only the playground of another's thoughts. So it comes about that if anyone spends almost the whole day in reading, and by way of relaxation devotes the intervals to some thoughtless pastime, he gradually loses the capacity for thinking; just as the man who always rides, at last forgets how to walk. This is the case with many learned persons: they have read themselves stupid. — Arthur Schopenhauer

What is literary tradition? What is a classic? What is a canonical view of tradition? How are canons of accepted classics formed,and how are they unformed? I think that all these quite traditional questions can take one simplistic but still dialectical question as their summing up: do we choose tradition or does it choose us, and why is it necessary that a choosing take place, or a being chosen? What happens if one tries to write, or to teach, or to think, or even to read without the sense of a tradition? Why, nothing at all happens, just nothing. — Harold Bloom

This is the war where we change. This is the trickster war. It's where we disappear, just like they desire us disappear. I spoke it you before: They wish us blank," he said, gesturing without thinking at Dr. Trefusis, who was the nearest exemplar of the white race. "They want us with no history and no memory. They want us empty as paper so they can write on us, so we ain't nothing but a price and an owner's name and a list of tasks. And that's what we'll give them. We'll give them your Nothing. We'll give them my William Williams and Henry Henry. We'll slip through and we'll change to who we must needs be and I will be all sly and have my delightful picaresque japes. But at the end of it, when it's over, I shall be one thing. I shall be one man, fixed, and not have to take no other name. I shall be one person steadily for some years."
"This is why we got to win ... If we ever wish to be one person, we got to win. — M T Anderson

My buddies and I, we all went to law school together, and once we started working in different cities, we all did crazy stuff, and we'd write e-mails to each other about the stuff we would do. And my friends thought my e-mails were really funny and they said, "Dude, why don't you put this up on a Web site. You know people would love to read this." — Tucker Max

The whole point to New Years is not just to have a new year. But that we should be new, better and different people. That is why we exercise to RE-NEW our bodies. That is why we write GOALS to get a Renewed sense of our potential. That is why we make RE-SOLUTIONS because we resolve that there are solutions inside of us that we have not tapped into. So don't waste each New Years season. Maximize it! Start fresh using a new perspective for it will enable you to tap into a new season with greater capacity. — Stella Payton

So, who's going to tell Mrs Beale she's got a month to plan a wedding feast ?"
Hell's fire. Mrs Beale was a marvelous cook. She also had what he considered an unnatural relationship with her meat cleaver. Since he'd inherited SaDiablo Hall, he had gained a finer appreciation of why his father had stayed away from anything to do with the kitchen unless cornered. The woman was downright scary at times.
The fact that she and Beale, the Hall's butler, were happily married was something he tried not to think about because it made him wonder things about Beale he'd rather not wonder.
"If we both went to Amdarh, we could just write her a note," Jaenelle said.
He looked at Jaenelle. She looked at him.
"Good idea," he said. — Anne Bishop

I do not know what you are supposed to do with memories likes these. It feels wrong to want to forget. Perhaps this is why we write these things down, so we can move on. — Lloyd Jones

I spent as much time as I could with Ghosh. I wanted every bit of wisdom he could impart to me. All sons should write down every word of what their fathers have to say to them. I tried. Why did it take an illness for me to recognize the value of time with him? It seems we humans never learn. And so we relearn the lesson every generation and then want to write epistles. We proselytize to our friends and shake them by the shoulders and tell them, "Seize the day! What matters is THIS moment!" Most of us can't go back and make restitution. We can't do a thing about our should haves and our could haves. But a few lucky men like Ghosh never have such worries; there was no restitution he needed to make, no moment he failed to seize.
Now and then Ghosh would grin and wink at me across the room. He was teaching me how to die, just as he'd taught me how to live. — Abraham Verghese

Part of the reason why I want to write these books is to make everybody realize that we're all fantastic.
Sara Alexi in interview with Dario Ciriello — Sara Alexi

I did exactly what you told me to do, Nick. Didn't you tell me to just write the stupid book already? And that even doing the worst thing on the planet had to count for something? Well I can't think of anything worse than what I'm about to do, which is why I think you deserve an explanation. And maybe after you read it you'll realize why I don't have the hope that you have. The truth is this: We begin and end alone. — Matthew J. Hefti

Love is the bridge that leads from the I sense to the We, and there is a paradox about personal love. Love of another individual opens a new relation between the personality and the world. The lover responds in a new way to nature and may even write poetry. Love is affirmation; it motivates the yes responses and the sense of wider communication. Love casts out fear, and in the security of this togetherness we find contentment, courage. We no longer fear the age-old haunting questions: "Who am I?" "Why am I?" "Where am I going?" - and having cast out fear, we can be honest and charitable. — Carson McCullers

In sixth grade, we all had to write this opinion paper. Most wrote about things like why we should be able to chew gum in class - I wrote about why women should receive equal pay. — Gillian Jacobs

Write every day. Don't ever stop. If you are unpublished, enjoy the act of writing - and if you are published, keep enjoying the act of writing. Don't become self-satisfied, don't stop moving ahead, growing, making it new. The stakes are high. Why else would we write? — Rick Bass

I wasn't perfect, and I made mistakes; but I learned from them and became a better person for it. I always followed my heart. And most of all, I loved - with every ounce of my being. I guess you could say the greatest love story ever written isn't confined to the pages of a book. It's in our lives; and we're the ones who write it. So that's what life's all about, isn't it? Why we're here. It has nothing to do with dollars. In fact, it's totally free. Life's greatest gift. And the best part is, the best part, this gift we give to others ... we get it back. It's what makes the journey so worthwhile ... it's LOVE. — Sebastian Cole

There was a nodding of heads in the kitchen, and only Tom sat rocklike and brooding.
"Tom, wouldn't you be willing to take over the ranch?" George asked.
"Oh, that's nothing," said Tom. "It's no trouble to run the ranch because the ranch doesn't run
never has."
"Then why don't you agree?"
"I'd find a reluctance to insult my father," Tom said. "He'd know."
"But where's the harm in suggesting it?"
Tom rubbed his ears until he forced the blood out of them and for a moment they were white. "I don't forbid you," he said. "But I can't do it."
George said, "We could write it in a letter - a kind of invitation, full of jokes. And when he got tired of one of us, why, he could go to another. There's years of visiting among the lot of us." And that was how they left it. — John Steinbeck

At times I feel as if I had lived all this before and that I have already written these very words, but I know it was not I: it was another woman, who kept her notebooks so that one day I could use them. I write, she wrote, that memory is fragile and the space of a single life is brief, passing so quickly that we never get a chance to see the relationship between events; we cannot gauge the consequences of our acts, and we believe in the fiction of past, present, and future, but it may also be true that everything happens simultaneously ... That's why my Grandmother Clara wrote in her notebooks, in order to see things in their true dimension and to defy her own poor memory. — Isabel Allende

My wife is also particularly fond of vampire romance." Zoltan swallowed so hard that his eyes watered. "Are you serious? Do people really write those? And read them?" "I'm afraid so, my lord. They appear to be quite popular." "Why?" Zoltan set the glass down. "We're dead half the time. And until recently, we couldn't father children." Domokos's mouth twitched. "I believe the writers are focusing on your other attributes, my lord. — Kerrelyn Sparks

I am not of the opinion that one can ever lack the power to express perfectly what one wants to write or say. Observations on the weakness of language, and comparisons between the limitations of words and the infinity of feelings, are quite fallacious. The infinite feeling continues to be as infinite in words as it was in the heart. What is clear within is bound to become so in words as well. This is why one need never worry about language, but at sight of words may often worry about oneself. After all, who knows within himself how things really are with him? This tempestuous or floundering or morasslike inner self is what we really are, but by the secret process by which words are forced out of us, our self-knowledge is brought to light, and though it may still be veiled, yet it is there before us, wonderful or terrible to behold. — Franz Kafka

Ahh! Lady Pillows. So much fluffier than mine." He took a giant whiff. "Why does everything girlie smell so delightful?" "Because we acknowledge the importance of basic hygiene. And periodically clean our bathrooms." "Brilliant. I should write that down. After all, it takes a village. — Kathy Reichs

I've never known a writer who didn't feel ill at ease in the world. We all feel unhoused in some sense. That's part of why we write. We feel we don't fit in, that this world is not our world, that though we may move in it, we're not of it. You don't need to write a novel if you feel at home in the world. — Andrea Barrett

When we see the human race, we must see before all else environment and food. Historians write about social change without taking these factors into account. This is why it is difficult for them to see the reasons decline and prosperity in society. — Michio Kushi

Why do I write? Out of fear. Out of fear that the memory of the people I write about might go lost. Out of fear that the memory of myself might get lost. Or even just to be shielded by a story, to slip inside a story and stop being recognizable, controllable, subject to blackmail. — Fabrizio De Andre

Quoting from Neil Kinnock, running against Thatcher in 1987:
Why am I the first Kinnock in a thousand generations to be able to get to university? Why is Glenys the first woman in her family in a thousand generations to be able to get to university? Is it because all our predecessors were thick? Did they lack talent? Those people who could sing, and play, and recite, and write poetry, those people who could make wonderful things with their hands? Those people who could dream dreams, see visions? Why didn't they get it? Was it because they were weak? Those people who could work eight hours underground and then come up and play football? Weak? Those women who could survive eleven childbearings? Were they weak? Anybody really think that they didn't get what we have because they didn't have the talent, or the strength, or the endurance, or the commitment? Of course not. It was because there was no platform on which they could stand. — Joe Biden

Writers, naturally, dream of becoming authors. Authors dream of writing a bestseller. Bestselling authors want to write more bestsellers. And everyone hopes for big prizes. Why? Because we believe in magic. Publisher's Weekly magazine, Dec. 12, 2011 — Amy Hill Hearth

I don't know why, but I always feel a kind of necessity to write things that are beyond acceptance, that are too offensive or something. For people to read them and say, Ha-ha-ha, very funny. No, we can't print that. — Terry Southern

What Stieg Larsson was up to - it was the Swedish guilt over World War II. All of our neighbors had the most terrible experiences with the bad forces, but Sweden didn't. I think we use the thrillers in a different way. We never write a thriller like 'Who is the murderer?' The big question in most of our thrillers is ... 'Why?' — Michael Nyqvist

We can't all leave this country, Bijan had told me-this is our home. The world is a large place, my magician had said when I went to him with my woes. You can write and teach wherever you are. You will be read more and heard better, in fact, once you are over there. To go or not to go? In the long run, it's all very personal, my magician reasoned. I always admired your former colleague's honesty, he said. Which former colleague? Dr. A, the one who said his only reason for leaving was because he liked to drink beer freely. I am getting sick of people who cloak their personal flaws and desires in the guise of patriotic fervor. They stay because they have no means of living anywhere else, because if they leave, they won't be the big shots they are over here; but they talk about sacrifice for the homeland. And then those who do leave claim they've gone in order to criticize and expose the regime. Why all these justifications? — Azar Nafisi

Oracle, why did you write The Grasshopper Lies Heavy? What are we supposed to learn? — Philip K. Dick

Writing is a mixed blessing. We, who are addicted, berate ourselves and feel guilty when we don't write and at the same time put it off and hunt for diversions. Why? Because the this that makes us the happiest is also tedious, hard and frustrating. Writing makes us crazy; not writing even crazier. — Marcia Preston

I read things that male relationship experts write about women and I read things that female relationship experts write about men, then I feel a true sadness in my heart. Why can't there be a simple, pure, direct openness? Why can't there be a simple, real, open trust? The truth is that male or female, gay or straight - we are all people - we have all been broken and put back together in so many different ways ... it's really just about learning how to recognize the sound of the other one's cracks. And that's what it's really about, just that. — C. JoyBell C.

I love writing poetry because it's pretty. I love writing pretty. — Richelle E. Goodrich

Finally I had made that necessary imaginative leap - which is a real necessity, since most of us writers can't be out there living like crazy all the time. These days, very few are the writers whose book jackets list things like bush pilot, big game hunter, or exotic dancer. No, more often we are English teachers. We have children, we have mortgages, we have bills to pay. So we have to stop writing strictly about what we know, which is what they always told us to do in creative writing classes. Instead, we have to write about what we can learn, and what we can imagine, and thus we come to experience that great pleasure Anne Tyler noted when somebody asked her why she writes, and she answered, I write because I want more than one life. — Lee Smith

And to use something as elegant as a tree? Imagine this design assignment: Design something that makes oxygen, sequesters carbon, fixes nitrogen, distills water, makes complex sugars and foods, changes colors with the seasons, and self-replicates. and then why don't we knock that down and write on it? — William McDonough

In the final exam in the Chaucer course we were asked why he used certain verbal devices, certain adjectives, why he had certain characters behave in certain ways. And I wrote, 'I don't think Chaucer had any idea why he did any of these things. That isn't the way people write.'
I believe this as strongly now as I did then. Most of what is best in writing isn't done deliberately. — Madeleine L'Engle

Why do writers write? Why do actors act? Why do painters paint? It doesn't pay much, unless you're very successful. It's who we are. — Lori Lesko

Why hasn't someone lassoed a few teenagers and had them sit down and write out all the supposed answers they have so we can solve the world's problems already? — Richelle E. Goodrich

I write all these remarks with exactly the same feeling as if I were writing a letter to post into the distant past: I am so sure that everything we now take for granted is going to be utterly swept away in the next decade.
(So why write novels? Indeed, why! I suppose we have to go on living as if ... ) — Doris Lessing

I have to do this, as long as it is at all possible; for if those who are obliged to look after commas had always made sure they were in the right place, then Shanghai would not be burning. — Karl Kraus

Why do I write? I write because I have to, because it is all I know, because it is my truth, because I am compelled, because I am driven to make the world acknowledge that women like me exist, and we possess a dangerous wisdom. — Patrick Califia-Rice

Most of her contemporaries simply don't understand why she has all these paper books, or indeed all this paper.
It's a hands-on craving. I can't remember anything unless I write it down or draw it. Many of our words for cognition are tactile words. We speak of "handling" a problem, "turning it over" in our minds, "grasping" an idea.
A keyboard just doesn't do it for all of us. — Carla Speed McNeil

It is human nature to look away from illness. We don't enjoy a reminder of our own fragile mortality. That's why writing on the Internet has become a life-saver for me. My ability to think and write have not been affected. And on the Web, my real voice finds expression. — Roger Ebert

When I write a novel, I want it to be completely different from a screenplay. I'm very conscious of the difference, and I want novels to work purely as novels. Otherwise I don't see how they'll survive - why don't we just all go to the movies or watch television. — Kazuo Ishiguro

'American Playhouse' is very supportive of writers. That's really why writers like to write for 'American Playhouse' for very little money. They care about making your play, your script, not some network production. We're treated like playwrights, not like fodder for some machine. — Terrence McNally

WRITE EVERYTHING YOU know about dying. Just go. Don't think, "What does she mean by that?" Dive in. We die in all kinds of ways. Who died? When did they die? how? why? — Natalie Goldberg

The legend of our times, it has been suggested, might be "The Revenge of Failure". This is what Envy has done for us. If we cannot paint well, we will destroy the canons of painting and pass ourselves off as painters. If we will not take the trouble to write poetry, we will destroy the rules of prosody and pass ourselves off as poets. If we are not inclined to the rigors of an academic discipline, we will destroy the standards of that discipline and pass ourselves off as graduates. If we cannot or will not read, we will say that "linear thought" is now irrelevant and so dispense with reading. If we cannot make music, we will simply make a noise and persuade others that it is music. If we can do nothing at all, why! we will strum a guitar all day, and call it self-expression. As long as no talent is required, no apprenticeship to a skill, everyone can do it, and we are all magically made equal. Envy has at least momentarily been appeased,and failure has had its revenge. — Henry Fairlie

With this book I hope what I always hope - that readers will nod their heads (not constantly, you know, but at the odd juncture) and think, "Yes, that's exactly right." This is why we write, and this is why we read. It's an act of communication, and if what you're communicating is true - if you haven't screwed it up (and there are so many ways to do that) - the response of your ideal reader isn't "Wow! What a fabulous sentence!" or "Wow! I did not know that!" It's "Yes. Exactly. I felt that too once, and I forgot it until now, and I thought I was the only one. — Jincy Willett

I never asked Tolstoy to write for me, a little colored girl in Lorain, Ohio. I never asked [James] Joyce not to mention Catholicism or the world of Dublin. Never. And I don't know why I should be asked to explain your life to you. We have splendid writers to do that, but I am not one of them. It is that business of being universal, a word hopelessly stripped of meaning for me. Faulkner wrote what I suppose could be called regional literature and had it published all over the world. That's what I wish to do. If I tried to write a universal novel, it would be water. Behind this question is the suggestion that to write for black people is somehow to diminish the writing. From my perspective there are only black people. When I say 'people,' that's what I mean. — Toni Morrison

Story always tells us more than the mere words, and that is why we love to write it, and to read it. — Madeleine L'Engle

Altogether, I think we ought to read only books that bite and sting us. If the book we are reading doesn't shake us awake like a blow to the skull, why bother reading it in the first place? So that it can make us happy, as you put it? Good God, we'd be just as happy if we had no books at all; books that make us happy we could, in a pinch, also write ourselves. What we need are books that hit us like a most painful misfortune, like the death of someone we loved more than we love ourselves, that make us feel as though we had been banished to the woods, far from any human presence, like suicide. A book must be the ax for the frozen sea within us. That is what I believe. — Franz Kafka

Sydney: Can I ask you a question? Me: As long as you promise never again to start a question off with whether or not you can propose a question. Sydney: Okay, asshole. I know I shouldn't be thinking about him at all, but I'm curious. What did he wrote on that paper when we went to get my purse? And what did you write back that made hit you? Me: I agree that you shouldn't be thinking about him at all, but I'm honestly shocked it's taken you this long to ask me about it. Sydney: Well? Ugh. I hate writing it verbatim, but she wants to know, so ... Me: He wrote "Are you fucking her?" Sydney: OMG! What a prick! Me: Yep. Sydney: So what did you say back to him that made him punch you? Me: I write, "Why do you think I'm here for her purse? I gave her a hundred for tonight, and now she owes me change." I reread the text, and I'm not so sure it sounds as funny as I thought it did. — Colleen Hoover

When I decided to write about my brother and friends, I was attempting to answer the question why. Why did they all die like that? Why so many of them? Why so close together? Why were they all so young? Why, especially, in the kinds of places where we are from? Why would they all die back to back to back to back? I feel like I was writing my way towards an answer in the memoir. — Jesmyn Ward

But for the rest of us, we should be regularly reassessing why we write. When we know what we're going for (human impact? fame? education? hope? all? other?), we can get innovative about how to achieve it. Otherwise, we'll just blindly follow Writer Procedure - and we'll end up doing more instead of better. — Tasha Golden

You may think novelists always have fixed plans to which they work, so that the future predicted by Chapter One is always inexorably the actuality of Chapter Thirteen. But novelists write for countless different reasons: for money, for fame, for reviewers, for parents, for friends, for loved ones; for vanity, for pride, for curiosity, for amusement: as skilled furniture makers enjoy making furniture, as drunkards like drinking, as judges like judging, as Sicilians like emptying a shotgun into an enemy's back. I could fill a book with reasons, and they would all be true, though not true of all. Only one same reason is shared by all of us: we wish to create worlds as real as, but other than the world that is. Or was. This is why we cannot plan. We know a world is an organism, not a machine. — John Fowles

Twice a year, I have lunch with Dr. George Will and Dr. Charles Krauthammer, who write and speak about important issues in the world, such as politics and war and gay marriage. But at lunch, all we talk about is baseball, which is good because I can't talk fluently about anything else, especially with two guys that, when it comes to intelligence, make me feel like Fred Flintstone.
At lunch one day, Charles said, without apology, "I read the front page for ninety seconds every day, then I go straight to the box scores." To which, George said, "Why do you waste the ninety seconds? — Tim Kurkjian

Why did I decide to write cyber thrillers? Because we've gone from the Cold War to the Code War. — Thomas Waite

want you, it's their loss," Grandma said. "Why don't we just wait and see what they say?" Ms. Donatello told me. "I have to go to the bathroom," Georgia said. I didn't want to talk anymore, so I just made like Leonardo the Silent and kept my mouth shut after that. Finally, the office door opened, and Mr. Crawley, the director of the school, came over to talk to us. I tried not to look like I wanted to disappear. Or self-destruct. Or both. "First of all, Rafe," he said, "you should know there are three things we look for in an applicant. One of those is experience. A lot of the students at Cathedral have been studying art since before they could write." "Sure," I said. "I get it. No problem." But he wasn't done yet. "The other two things we look for are talent and persistence," he said. "Not only is that portfolio of yours full of artistic promise, it's also just full. When I see that, I see a boy who would probably keep drawing whether anyone was paying attention or not. — James Patterson

Why do they put pictures of criminals up in the Post Office? What are we supposed to do, write to them? Why don't they just put their pictures on the postage stamps so the postmen can look for them while they deliver the mail? — Steven Wright