Why Its Hard To Leave Quotes & Sayings

I hope to leave behind a few poems it will be hard to get rid of. — Robert Frost

My father then presented Honour with a cheque,

"This is from our family for you, only you. Put it in a bank and if my son ever treats you badly, use this to leave the idiot," he said.

I was laughing so hard I had tears in my eyes.

The haque mehr was traditionally given to the bride on the wedding day by the groom, it was an amount that would be hers for her lifetime to keep in case things went wrong and she needed to stand on her own two feet.

Dad had done his little trickery, and in his head and everyone else's, we had done all that was required from a nikah. — Ruth Ahmed

The fact that 'A Dirty Job' has comedy and supernatural horror in it, that both are woven in and out of it with a whimsical tone, despite the fact that it's about death, makes it hard to characterize with standard genre labels - but I have no problem with that. I'd call it a funny story about death, and leave it at that. — Christopher Moore

Afterward, he would leave her, and he would go to sleep in his own home. "It's hard to understand," he would tell Lila whenever she would press his gently on the subject, "but with us Arabs, a man can come and go, and his wife will not say a word. She'll notice the length of his absences, but she won't press him or ask for explanations. For his part, so long as he acts modestly and doesn't show off his lover in plain view, then he will not bring shame on his family. — Anat Talshir

Some knowledge is too heavy for children. When you are older and stronger, you can bear it. For now you must trust me to carry it for you.
And I was satisfied. More than satisfied
wonderfully at peace. There were answers to mmy hard questions
for now, I was content to leave them in my father's keeping. — Corrie Ten Boom

The civilization of ancient Greece was nurtured within city walls. In fact, all the modern civilizations have their cradles of brick and mortar.
These walls leave their mark deep in the minds of men. They set up a principle of "divide and rule" in our mental outlook, which begets in us a habit of securing all our conquests by fortifying them and separating them from one another. We divide nation and nation, knowledge and knowledge, man and nature. It breeds in us a strong suspicion of whatever is beyond the barriers we have built, and everything has to fight hard for its entrance into our recognition. — Rabindranath Tagore

Be hard but fair. Shoot straight. Never cheat, in sports or at work. Show up to your job early and do the best you can at it. Kill anyone that tries to blackmail you, ever. Refuse anyone who gives you an ultimatum, they're never worth it. Leave a fair tip when you eat somewhere, and take your hat off in someone's home. And always, always, keep your word. — Russell Zimmerman

I was coming so hard I literally saw stars. My orgasm seemed to go on forever, blacking out my vision and tearing through my body so violently I felt it had to leave a scar - and God, I'd wear that scar with pride. — J.L. Merrow

You think of killing him
on the spot
but discard that thought and
leave,
down into the urine-stinking
elevator,
they have you crucified too,
America at work,
where they rip out your intestines
and your brain and your
will and your spirit.
They suck you dry, then throw
you away.
The capitalist system.
The work ethic.
The profit motive.
The memory of your father's words,
"work hard and you'll be
appreciated."
of course, only if you make
much more for them than they pay
you. — Charles Bukowski

You're joking." "No, actually I'm not," my boss said and slapped the folder into my hands. "You leave tomorrow morning and I don't want to see your hairy ass till this is solved." I looked wildly around her office for something to lob at her head. It occurred to me that might not be the best of ideas, but desperate times led to stupid measures. She could not do this to me. I'd worked too hard and I wasn't going back. Ever. "First of all, my ass is not hairy except on a full moon and you're smoking crack if you think I'm going back to Georgia." Angela crossed her arms over her ample chest and narrowed her eyes at me. "Am I your boss?" she asked. "Is this a trick question? — Robyn Peterman

We all have scars, Kere. Inside and out. Wounds that go so deep, they leave a permanent mark on us. But that doesn't make them ugly or revolting. They were hard lessons learned and for better or worse,
they changed us. No matter how hard you try to hide them, they will always be there. And I think your scars are beautiful because they are what have made you the man I care about. - Zarya Starska — Sherrilyn Kenyon

I don't know what game you and geek boy are playing, Gautier. But you get in my way as I leave and I'll wipe my boots on your balls. (Brett)
Before he realized what was happening, Simi had taken Brett's hand and squeezed it so hard Nick heard the bones break.)
Nick is a friend of the Simi's. You threaten him and you make the Simi really unhappy and want to eat your head. Trust me, not something you want me to think about. Now go away mean person or the Simi will tell akri she don't know what happened to you and your masticated form. Not that I like to lie, but there are deceptions to every rule. And you're about to become one. Now get in there and be quiet. (Simi) — Sherrilyn Kenyon

It is comparatively easy to leave a mistress, but very hard to be left by one. — William Makepeace Thackeray

Some things can't be explained. They just are. And after a while they disappear, usually forever, or become interesting in another way. Literature's consolations are always temporary, while life is quick to begin again. It is better not even to look so hard, to leave off explaining. Nothing makes me more queasy than to spend time with people who don't know that and who can't forget, and for whom such knowledge isn't a cornerstone of life. — Richard Ford

Why?" I shrieked, hitting him again and again, and again, the sound of the blows thudding against his chest. "Why, why why!".
Because I was afraid!" He got hold of my wrists and threw me backward so I fell across the bed. He stood over me, fists clenched, breathing hard.
I am a coward, damn you! I couldna tell ye, for fear ye would leave
me, and unmanly thing that I am, I thought I couldna bear that!"
~~~~~~~~~
You should have told me!"
And if I had?, You'd have turned on your heel and gone without a word. And having seen ye again--I tell ye, I would ha' done far worse than lie to keep you!"
Voyager — Diana Gabaldon

Simons, as restrained as Bradlee could be hard-charging and obstreperous, liked to tell of watching Bradlee grind his cigarrettes out in a demitasse cup during a formal dinner party. Bradlee was one of the few persons who could pull that kind of thing off and leave the hostess saying how charming he was.
Carl Bernstein, Bob Woodward — Carl Bernstein

But, while Starkfield is modeled on a fairly specific place (New England), we can also think of it as any place that a person gets stuck in, any place where it seems impossible to stay, and impossible to leave. This can be a geographical location, a state of mind, a building or a city, or tiny kitchen on a broken down farm.

When we notice that there is also a "Springfield" in the story, we realize that Starkfield (stark meaning, hard, bare, difficult) really is supposed to be the place of eternal hardship. Springfield is the place Zeena goes to visit doctors and get medicine. This is perhaps to emphasize that Starkfield has the absolute worst kind of winters you can imagine. This also emphasizes that spring (and health) is always a false promise for the characters — Unknown

Why not worship money? At least its rewards are obvious and immediate . But no, that was simplistic. Letherii worship was more subtle, its ethics bound to those traits and habits that well served the acquisition of wealth. Diligence, discipline, hard work, optimism, the personalization of glory. And the corresponding evils: sloth, despair and the anonymity of failure. The world was brutal enough to winnow one from the other and leave no room for doubt or mealy equivocation. — Steven Erikson

We wake up to be alive and to revive our lives; we don't wake up to keep sleeping! We wake up not just to be alive, but also to keep our works alive and mind the business of the day! When you wake up, revive your work! Sometimes you may just feel reluctant to do something when day breaks, but you must remember that there is always something that needs to be done when day breaks, for each day we meet as we journey in life comes with its own agenda! He who fails to know the real reasons why day breaks shall always abuse the real and true essence of each day, knowingly or unknowingly! Be alive when you wake up and do something with all your might when day breaks for you surely leave a footprint each day you wake up! When you wake up, wake up! — Ernest Agyemang Yeboah

am; but a man mun speak out for the truth, and when I see the world going all wrong at this time o' day, bothering itself wi' things it knows nought about, and leaving undone all the things that lie in disorder close at its hand - why, I say, leave a' this talk about religion alone, and set to work on what yo' see and know. That's my creed. It's simple, and not far to fetch, nor hard to work. — Elizabeth Gaskell

I chose the specialty of surgery because of Matron, that steady presence during my boyhood and adolescence. 'What is the hardest thing you can possibly do?' she said when I went to her for advice on the darkest day of the first half of my life.
I squirmed. How easily Matron probed the gap between ambition and expediency. 'Why must I do what is hardest?'
'Because, Marion, you are an instrument of God. Don't leave the instrument sitting in its case my son. Play! Leave no part of your instrument unexplored. Why settle for 'Three Blind Mice' when you can play the 'Gloria'?
'But, Matron, I can't dream of playing Bach ... I couldn't read music.
'No, Marion,' she said her gaze soft ... 'No, not Bach's 'Gloria'. Yours! Your 'Gloria' lives within you. The greatest sin is not finding it, ignoring what God made possible in you. — Abraham Verghese

It says something about our country that people around the world are willing to leave their homes and leave their families and risk everything to come to America. Their talent and hard work and love of freedom have helped make America the leader of the world. And our generation will ensure that America remains a beacon of liberty and the most hope fill society this world has ever known. — George W. Bush

Emily sighed and looked to Simon. "Your brother is a hard man." Draven choked on his wine. She frowned. "Milord, are you all right?" she asked, pounding her hand on his back. "Fine," Draven said, then shrugged off her touch. "Your choice of words just caught me off guard." Once more Simon burst into laughter. "What?" she asked. Simon shook his head. "I'll leave it to my brother to explain to you just how hard a man he is." "Simon," he warned. "Don't growl at me when you instigated it."
-Emily, Draven & Simon — Kinley MacGregor

They just change. Their body changes. Their abilities - the things they do that make them who they are - leave, sometimes temporarily, sometimes forever. Every day they wake up with that big what if?
And nothing is scarier than a life filled with what ifs - living by day without predictability and control. Some people end up losing feeling. Some have uncontrollable spasms. Some can't function. Some end up blind or in a wheelchair. Some end up bedridden and paralyzed.
It's hard to know who "some people" will be. — Lindsey Leavitt

It is difficult to undo our own damage, and to recall to our presence that which we have asked to leave. It is hard to desecrate a grove and change your mind. The very holy mountains are keeping mum. We doused the burning bush and cannot rekindle it; we are lighting matches in vain under every green tree. — Annie Dillard

I love hanging out at home with my kid. It's hard to get me to leave the house. — Angela Kinsey

One day Mom came to my hospital room and sat down on the edge of the bed, facing me. I could already see tears forming in the corners of her eye. She said she had something to tell me. Whatever she was about to say was hard for her to get out. Her voice was noticeably shaky and her chin quivered as she spoke.
"Noah, I've got to leave and get back to work. And besides, I am helping you too much. You need to be doing more on your own." She couldn't hold it back at all and by the time she finished the second sentence the tears were streaming down her rosy cheeks.
After a few deep breaths, she continued, "But your dad is here, and you know Dad, he's not that helpful." We both laughed at that as she leaned forward on the bed and grabbed my hand. I told her that I understood and that yes, it was probably best because Dad would help but not too much. — Noah Galloway

If you're John Muir you want trees to
live among. If you're Emily, a garden
will do.
Try to find the right place for yourself.
If you can't find it, at least dream of it.
When one is alone and lonely, the body
gladly lingers in the wind or the rain,
or splashes into the cold river, or
pushes through the ice-crusted snow.
Anything that touches.
God, or the gods, are invisible, quite
understandable. But holiness is visible,
entirely.
Some words will never leave God's mouth,
no matter how hard you listen. — Mary Oliver

I bet all I had on a thing called love; guess in the end it wasn't enough. And it's hard to watch you leave right now; I'm gonna have to learn to let you go somehow. — Carrie Underwood

Life is so bloody hard. I don't want the whole struggle to be pointless. If I'm going to get crap thrown at me from great heights my whole life, well, I want to damn well make sure I leave a mark on this world in exchange for all the misery. — Holly Bourne

I leave the genre labeling to other people. I really do. If I were to think too hard about it, that would stifle you creatively. If you think too hard about who other people want you to be as an artist, it stops you from being who you want to be as an artist. — Taylor Swift

Keesha looked at me for a long time. "I did leave you alone. We all did. But you didn't get better. You didn't stop. You're still doin' all your weird shit. And I think it's time to stop."
"You think it's time to stop!" I exploded, and lunged at her with my hands outstretched. I pushed her real hard. She almost fell down. "I don't care what time you think it is!" I screamed. "Do you think I want to do this! Do you think I like it?"
"You pushed me!"
"Yeah. So what?"
"You're so afraid of being interrupted that you pushed me!"
"I'm not scared of being interrupted, you jerk! I'm ... I'm scared ... I'm scared of being." I crumpled into a ball and sat down where I was standing. I sat on a crack. Unevenly.
"Who are you anymore, Tara?"
Tears spilled over my frozen lashes and disappeared across my cheekbones. I had never felt so defeated. "I don't know. — Terry Spencer Hesser

People have a hard time reading my comics. I think I leave things out, but I feel you should. — Brian Chippendale

Come let us mock at the great
That had such burdens on the mind
And toiled so hard and late
To leave some monument behind,
Nor thought of the levelling wind.
Come let us mock at the wise;
With all those calendars whereon
They fixed old aching eyes,
They never saw how seasons run,
And now but gape at the sun.
Come let us mock at the good
That fancied goodness might be gay,
And sick of solitude
Might proclaim a holiday:
Wind shrieked -- and where are they?
Mock mockers after that
That would not lift a hand maybe
To help good, wise or great
To bar that foul storm out, for we
Traffic in mockery. — W.B.Yeats

I'm sorry."
"For what?" She stood.
"I had no intention of letting that go so far."
"I had no intention of stopping until it did."
He laughed and shook his head. "You're making it hard to leave, you know."
That was her plan. Ally cocked a brow. "Am I? Sorry ... " She wasn't sorry one little bit. — Cat Johnson

Luisa was on her knees on the bed, naked, my 9mm in her hands and aimed right at me. I automatically had my gun pointed back at her. The sexiest Mexican standoff I'd ever been involved in. "What are you doing?" I asked, taking a cautious step toward her, not lowering my gun for a second. "Leaving," she answered, her eyes hard. She was distracting as all hell, her tits and pussy and that gun. I don't think I'd ever been so turned on so quick and in such an untimely situation. "It doesn't look like it." "I'm going to ask you nicely to let me leave, and if you don't, I'll shoot you." A grin broke out across my face. My god, she couldn't be more perfect. "If you shot me, you'd kill me," I said, taking another step. "Then who would make you come all the time? — Karina Halle

I knew that Clara kept Carax's book in a glass cabinet by the arch of the balcony. I crept up to it. My plan, or my lack of it, was to lay my hands on the book, take it out of there, give it to that lunatic, and lose sight of him forever after. Nobody would notice the book's absence, except me. Carax's book was waiting for me, as it always did, its spine just visible at the end of a shelf. I took it in my hands and pressed it against my chest, as if embracing an old friend whom I was about to betray. Judas, I thought. I decided to leave the place without making Clara aware of my presence. I would take the book and disappear from Clara's life forever. Quietly, I stepped out of the library. The door of her bedroom was just visible at the end of the corridor ... I walked slowly up to the door. I put my fingers on the doorknob. My fingers trembled. I had arrived too late. I swallowed hard and opened the door. — Carlos Ruiz Zafon

For me, the present agony of departure, the silent terror of leaving a place known to me if hated, the well-nigh impossible task of conquering the fear that possessed me. Not the fear of that hasty look round, the sudden plunge headlong and the giddy shock of hard, cold water, the river itself entering my lungs, rising in my throat, tossing me upon my back with my arms outflung - I could hear the sob strangled in my chest and the blood leave me - but fear of the certain knowledge that there was no returning, no possible means of escape, and no other thing beyond. — Daphne Du Maurier