Why Do I Like You So Much Quotes & Sayings

Caviar. How very nice of them," Carol said, looking inside a sandwich. "Do you like caviar?" "No. I wish I did." "Why?" Therese watched Carol take a small bite of the sandwich from which she had removed the top slice of bread, a bit where the most caviar was. "Because people always like caviar so much when they do like it," Therese said. Carol smiled, and went on nibbling, slowly. "It's an acquired taste. Acquired tastes are always more pleasant--an hard to get rid of. — Patricia Highsmith

You can learn so much from bad things. I feel boring. I feel like, Why is everything so easy for me? I can't wait for something crazy to f***ing happen to me. Just life. I want someone to f*** me over! Do you know what I mean? — Kristen Stewart

Why science? Many people, with the best intentions, like to give parents advice about raising a child, including parents, non-parents, health visitors, friends, celebrities, bloggers and next-door neighbours. Unfortunately, much of this advice can be completely wrong or based on archaic ideas and practices that have since been disproved or debunked. Some of this advice can even be damaging. In addition, some parents say that they advocate using 'common sense' or 'intuition' in raising their children, but what do those things mean? How is intuition classified, when it differs so greatly from one person to another? Some people do the 'common sense' thing only to find out it was wrong later in life, which is why it is altogether better to be guided by the latest scientific research. In order to learn how to filter the good advice from the bad, I believe that new parents need science-based evidence in their corner. You'll find it in this book. — Zion Lights

I'm really proud of Twilight. I think it's a good movie. It was hard to do, and I think it turned out pretty good. But I don't take much credit for it. So when you show up at these places, and there's literally like a thousand girls and they're all screaming your name, you're like, why? You don't feel like you deserve it. — Kristen Stewart

(fairy tale).
i wanna tell you a joke
but it will be like the frog finds the princess
says she's not enough
then jumps out of window
i wanna show you
a bit of snow on fingertips
so it will speak why the beauty is not for the ugly
and dwarves cannot run after white horse
i wanna tell you
how much a kiss costs
that sways both lives away
so that you may
remain us.
but you see, fairy tales start with curses
and so do we. — Zelda Gin

Why do you seem so annoyed at what I'm saying?"
"Because we're too much like each other. I loathe your face, which is a caricature of mine, I loathe your voice, which is a mockery of mine, I loathe your pathetic syntax, which is my own. — Jorge Luis Borges

He looked at me in a way that felt like being touched, like a blind man seeing with his fingers, mapping my bones and skin in his mind. I felt weirdly exposed. Seen.
"It's not what you think," he said.
"What do I think?"
"I'm not that good. I can't read minds."
Then read my body, I thought, but he only smiled.
"Tell me something." He leaned closer, his voice raspy at the edges, charred. "If you hate human connection so much, why come with us?"
Because I don't hate it. I hate how much I need it.
Because you're the ones I was waiting for. — Leah Raeder

The problem isn't that I'm uncomfortable with it, the problem is that I want it!" I yelled. It was official; I'd lost it. Oh well, I wasn't known for having a long fuse.
"Are you happy? Jesus. You say something like that and then expect me to just be whatever about it. That's like teasing someone with a giant red velvet cake and then putting it in one of those glass rotating desert thingies." I wasn't my most eloquent at the moment.
"Does this mean I'm the cake?"
"Shut up, it was a metaphor."
"So you want me?"
So much it hurt. "Yes," I whispered.
"Right now?"
"Yes."
"Oh." Now he was the one who sounded nervous.
"It's just... a surprise."
"I told you I would entertain the idea."
"I know. I just didn't think you'd be so enthusiastic so soon."
"Hunter, I'm a virgin. Not a nun."
He didn't talk for a moment.
"That was the sexiest thing you've ever said. God, why do you do this to me? — Chelsea M. Cameron

I don't know what I'd like to do. That's what hurts the most. That's why I can't quit the job. I really don't know what talents I may have. And I don't know where to go to find out. I've been fostered so long by school and didn't have time to think about it. My father's in watch repair. That's always interested me, working with my hands, and independent. I don't think I'd mind going back and learning something, taking a piece of furniture and refinishing it. The type of thing where you know what you're doing and you can create and you can fix something to make it function. At the switchboard you don't do much of anything. — Studs Terkel

That's what I was thinking about before you came. I was thinking about your mattering business. I feel like, like, how you matter is defined by the things that matter to you. You matter as much as the things that matter to you do. And I got so backwards, trying to make myself matter to him. All this time, there were real things to care about: real, good people who care about me, and this place. It's so easy to get stuck. You just get caught in being something, being special or cool or whatever, to the point where you don't even know why you need it; you just think you do."
"You don't even know why you need to be world-famous; you just think you do. — John Green

the girls on the track team do their thang, when I spot ass. See, when ya boy spots ass, I be on it. I leave Dre and Twan, my teammates, and head over to see what the face looks like that's connected to this ass. Oh yea, I'm Rashard Peterson, number 06, quarterback for UMA. This is my last year and I'll have my Bachelors in Business Management. I do my thang with Twan and Dre in these streets too. If you want some weed, I got you, but that's pretty much all I'll touch. I never keep enough on me to get a charge. The most I'll have on me is a blunt and shit, that's for recreational use. Ya boy ain't dumb by a long shot. That's why I got this degree in the works, so I can open up different businesses. Anyway, if you want pills then holla at Twan; my boy got opioids, tabs, Xanax — Linette King

I stand before her, meeting her eye to eye and nose to nose. My head takes a slight bow as I clench my fist. "I should have just killed you like any other bloodsucking vampire."
"So why didn't you?" She tiptoes, clenching her first as well. I have to admit. She is a much better version of the Snow White you see in a Disney movie. She's kind of kickass. I like it, but I will never let her know."Why do you care so much about me then? Ha?" She asks.
"I should have killed you before," I repeated while all I could do is wonder how I'd ever fallen in love with a monster girl. — Cameron Jace

Why retire from something if you're loving it so much and enjoying it so much, and you're blessed with another group of people to work with like the gang on 'Hot in Cleveland?' Why would I think of retiring? What would I do with myself? — Betty White

Why is it that the bad shit in our lives always seems to take up so much more mental space than the good stuff? I wrote. Is that part of being a person, or just part of being me?

I think about that question all the time.

Do you have an answer?

I don't think that questions like that have answers. An optimistic person would probably say that the bad things stick out because they're not as common as the good things.

Are you an optimistic person?

No. — Tommy Wallach

He thought here you are Joe Bonham lying like a side of beef all the rest of your life and for what? Somebody tapped you on the shoulder and said come along son we're going to war. So you went. But why? In any other deal even like buying a car or running an errand you had the right to say what's there in it for me? Otherwise you'd be buying bad cars for too much money or running errands for fools and starving to death. It was a kind of duty you owed yourself that when anybody said come on son do this or do that you should stand up and say look mister why should I do this for who am I doing it and what am I going to get out of it in the end? But when a guy comes along and says here come with me and risk your life and maybe die or be crippled why then you've got no rights. You haven't even the right to say yes or no or I'll think it over. There are plenty of laws to protect guys' money even in war time but there's nothing on the books says a man's life's his own. Of — Dalton Trumbo

Bugs like these we've got here, you aren't going to find those unless you slow down and hunt really hard. Live nearby for a while and look. At which point it's too late, if you get a bad result. You're out of luck then." Long silence as he walked south along the beach. Then: "It's too bad. It really is a very pretty world." Later: "What's funny is anyone thinking it would work in the first place. I mean it's obvious any new place is going to be either alive or dead. If it's alive it's going to be poisonous, if it's dead you're going to have to work it up from scratch. I suppose that could work, but it might take about as long as it took Earth. Even if you've got the right bugs, even if you put machines to work, it would take thousands of years. So what's the point? Why do it at all? Why not be content with what you've got? Who were they, that they were so discontent? Who the fuck were they?" This sounded much like Devi, and Freya put her head — Kim Stanley Robinson

But I knew the way the people in the town thought about things. They always had some time left over from their life to bother about other people and what they did. They thought they had to get together to help other people out, like the time they got together about the woman who let a colored man borrow her car and told her the best place for her was up north with all the other nigger lovers, and the time they got the veterans with overseas wives out. If you were different from anybody in town, you had to get out. That's why everybody was so much alike. The way they talked, what they did, what they liked, what they hated. If somebody got to hate something and he was the right person, everybody had to hate it too, or people began to hate the ones who didn't hate it. They used to tell us in school to think for yourself, but you couldn't do that in the town. You had to think what your father thought all his life, and that was what everybody thought. — John Kennedy Toole

I really do think how we frame things determines so much of our experience, and I've been talking to a lot of oncologists, like, why don't we call them transformation suites and give people transformation juice and have guides that support people when they're going through chemo so you could actually burn away what needs to be burned away, as opposed to this dread, terror, horror, which is a very different experience. — Eve Ensler

You know me better than anyone, and you're my best friend. I don't think there's anything you could say to me that would lead me to believe that you're doing it just to hurt me. If there's one thing I've come to know about you, it's that you're not even capable of something like that. Why do you think I like spending time with you so much? Because you're a good guy. A nice guy. — Nicholas Sparks

Mika: Sometimes I just feel like you don't want to be like this with me.

Letti: Like what with you? You have no idea how much I want to be with you Mika.

Mika: So, why don't I feel it?

Letti: :( What do you want me to do? You want me to tell everyone online that I'm with you? You want everyone to know how much I love you?

Mika: I don't care about what people know, I just care about you. I want you in my life now and in the future, but how can I continue if you don't even "belong" to me... — Shanice Williams

Why do you always talk like that? With a hand in front of your mouth?" "Because it's too large." And I could not remember to think of peas and prunes and prisms. "Who told you that?" "My aunt." "And what else has she told you?" "That I'm much too tall." "Has she?" "Yes." I said it in a whisper because Harry had come so very close and his lips were hovering just above mine. "I'm afraid that . . . I might just . . . kiss you. If that's all right." "Oh, Harry . . ." What a strange sensation, to feel Harry's lips upon mine. So warm and gentle and giving. Especially when Franklin's had been so hard and urgent and demanding. He broke away with a sigh. Placed a hand to either side of my neck and stared at me for a long moment . . . just stood there looking deeply into my eyes. And then he slid his hands down to my shoulders and clasped me to himself. "It seems just fine to me." The words were whispered into my ear. "What does?" "Your mouth. And you. You're perfect just the way you are. — Siri Mitchell

Why are the cute ones always such sociopaths?"
"Win doesn't seem like so much of a sociopath," I replied without thinking.
"Oh, really? So, you think he's cute, do you? At least you're admitting it now."
I shook my head. Scarlet was incorrigible.
"Admitting it is the first step, Annie. — Gabrielle Zevin

You can hire your advisor and then just apply a windage factor, like I used to do when I was a rifle shooter. I'd just adjust for so many miles an hour wind. Or you can learn the basic elements of your advisor's trade. You don't have to learn very much, by the way, because if you learn just a little then you can make him explain why he's right. — Charlie Munger

'We really shouldn't look like a church.' I've heard that so much I want to vomit. 'Why?' I ask. 'Do you want your bank to look like a bank? Do you want your doctor's office to look like a doctor's office, or would you prefer your doctor to dress like a clown?' — Charles R. Swindoll

I don't know if you can empathize, but it hurts when someone you love dumps you."
"You're joking, right?" said Chuck. "How do you think I wound up in the pound? At least grid boy didn't try to have you gassed. I still don't know what I did to those people. Or why you like that grid asshole so much."
"He's not only an asshole," I said, sorry to have to defend him. "At first he was smart and sexy and fun."
"How was he fun?" said Chuck. "Did he play ball? No. Did he bring meaty snacks? No. And he made such a big fucking deal when I drooled on his pants. How much fun was that? — Merrill Markoe

What I've got here are my own constraints. I'm challenging myself, using found objects and making stuff that throws all this computational capacity at, you know, these trivial problems, like car-driving Elmo clusters and seashell toaster-robots. We have so much capacity that the trivia expands to fill it. And all that capacity is junk-capacity, it's leftovers. There's enough computational capacity in a junkyard to launch a space-program, and that's by design. Remember the iPod? Why do you think it was so prone to scratching and going all gunky after a year in your pocket? Why would Apple build a handheld technology out of materials that turned to shit if you looked at them cross-eyed? It's because the iPod was only meant to last a year! — Cory Doctorow

Lee went on, That's why I include myself. We all have that heritage, no matter what old land our fathers left. All colors and blends of Americans have somewhat the same tendencies. It's a breed - selected out by accident. And so we're overbrave and overfearful - we're kind and cruel as children. We're overfriendly and at the same time frightened of strangers. We boast and are impressed. We're oversentimental and realistic. We are mundane and materialistic - and do you know of any other nation that acts for ideals? We eat too much. We have no taste, no sense of proportion. We throw our energy about like waste. In the old lands they say of us that we go from barbarism to decadence without an intervening culture. Can it be that our critics have not the key or the language of our culture? That's what we are, Cal - all of us. You aren't very different. — John Steinbeck

I don't know how you hear music. I imagine that if you like music at all then it has, in your head, some kind of third dimension to it, a dimension suggesting space as well as surface, depth of field as well as texture.
Speaking for myself, I used to hear "buildings" ... three-dimensional forms of architectural substance and tension. I did not "see" these buildings in the classic synaesthetic way so much as sense them. These forms had "floors", "walls", "roofs", "windows", "cellars". They expressed volume. Music to me has always been a handsome three-dimensional container, a vessel, as real in its way as a Scout hut or a cathedral or a ship, with an inside and an outside and subdivided internal spaces.
I'm absolutely certain that this "architecture" had everything to do with why music has always exerted such a hold over me. I think music was the structure in which I learned to contain and then examine emotion. — Nick Coleman

Remind me again-why do you hate me so much?"
I don't hate you."
Could've fooled me."
She folded her cap of invisibility. "Look ... we're just not supposed to get along, okay? Our parents are rivals."
Why?"
She sighed. "How many reasons do you want? One time my mom caught Poseidon with his girlfriend in Athena's temple, which is hugely disrespectful. Another time, Athena and Poseidon competed to be the patron god for the city of Athens. Your dad created some stupid saltwater spring for his gift. My mom created the olive tree. The people saw that her gift was better, so they named the city after her."
They must really like olives."
Oh, forget it."
Now, if she'd invented pizza-that I could understand. — Rick Riordan

Most Christians are like a man who was toiling along the road, bending under a heavy burden, when a wagon overtook him. The driver kindly offered to help him on his journey. He joyfully accepted the offer but, when he was seated, continued to bend beneath his burden, which he still kept on his shoulders. "Why do you not lay down your burden?" asked the kind-hearted driver. "Oh!" replied the man, "I feel that it is almost too much to ask you to carry me, and I could not think of letting you carry my burden too." And so Christian who have given themselves into the care and keeping of the Lord Jesus still continue to bend beneath the weight of their burdens and often go weary and heavy-laden throughout the whole length of their journey. — Hannah Whitall Smith

You see her as this broken little thing that needs you to take care of her. She doesn't need that. She might have been broken at one time, but she's not fucking broken now. She's put it all back together. She's made a life for herself, and you're trying to change it. It's kind of like she's built this fortress around herself, brick by fucking brick, and you might think a fortress is too much, but it's not. Do you know why?"
I can only sit and stare at him.
"Do you want to know why?" he asks.
I nod. My heart is in my fucking throat.
"Because she fucking lives there, Paul. It's home for her. It's safe and it's secure and it's hers. And she built it with her own two hands. So for you to swoop in and not only try to move her out of her fortress but also to tear it down, you're fucking up everything she's worked for. — Tammy Falkner

He looked at Chloe "Come over to the table. Sit with your aunt. I will clear away the mess and ... I will achieve pancakes."
Grace's lovely, tired face wobbled with looked suspiciously like mirth, but she had been under so much stress he decided his first impression could not be correct.
"You'll achieve pancakes?"
"I do not see why not" he said
"Have you ever achieved them before?" she said
"That question is irrelevant," he told her, while his eyes narrowed in suspicion on her tired face. On a Djinn, her expression would definitely be laughter. "I will achieve pancakes now. — Thea Harrison

I'd done table reads for my own screenplays, and I always thought they were so much fun. Why couldn't we do these for other classic screenplays and bring them to life? You can experience live theater, where you get to see plays produced by different directors and different casts, but there's really nothing like that for movie scripts. — Jason Reitman

- Do they know? That you're gay?
- Why waste their time with it? It's not like it'll ever be an issue anyway.
- Yeah, but, it's who you are, right?
- I guess so, - he said. - I don't really know how to be any way else.
- When did you know?
- I was twelve, maybe. Something I just knew one day, even though I hadn't known it the day before.
- So it's like that, huh? A feeling? Not just being into other dudes?
- Oh no, it's that too. Of course it's that. But it's more, I think. Not so much a feeling as a fact, like having blue eyes or brown hair. It's just maybe something you don't discover until you're ready to understand it better.
- Like being straight, - she said. Only we don't have to deal with all that closet bullshit.
- Bingo, - he said. — John Corey Whaley

What is it with you and the caveman thing? she asked. And why, oh why, do I like it so much? — Jill Shalvis

I am a Christian - but sometimes I feel very removed from Christianity. The Jesus Christ that I believe in was the man who turned over the tables in the temple and threw the money-changers out - substitute T.V. evangelists if you like ... why in the West, do we spend so much money on extending the arms race instead of wiping out malaria, which could be eradicated given ten minutes worth of the world's arm budget? To me, we are living in the most un-Christian times. When I see these racketeers, the snake-oil salesmen on these right-winged television stations, asking for not your $20.00, or your $50.00, but your $100.00 in the name of Jesus Christ, I just want to throw up!! — Bono

I'm," he swallowed thickly, unsure of why he wanted-no needed to explain his
behavior to her. "I am not comfortable amongst the ton. I'm a solitary person, I keep my own counsel, and prefer to do so."
"You're lonely."
He stopped then, shocked by her words, by her perception of him. He'd made
himself vulnerable, let himself weaken as her soft body melded with his. She saw too much, knew too much.
"This," he said, his voice cracking with desire, with the pain of what he knew he must do. "I can't ... ."
"Just let me in," she whispered.
"I'm afraid you would not like what you see."
"Trust me," she said, her tempting mouth only inches away from his.
-Blaine and Madeline. — Charlotte Featherstone

I must be a little crazy." She said it in a husky and quiet tone. "I must be, I have to admit. But I thought if I could get through to one other person I could get through to more. So people wouldn't tire me, and so I wouldn't be afraid of them. Because my feeling can't be people's fault, so much. They don't make it. Well, I believed it must be you who could do this for me. And you could. I was so happy to find you. I thought you knew all about what you could do and you were so lucky and so special. That's why it's not just jealousy. I didn't want you to come back. I'm sorry you're here now. You're not special. You're like everybody else. You get tired easily. I don't want to see you any more. — Saul Bellow

Without realizing what she was doing and more on an impulse than anything else, she leaned forward and kissed him. It was a simple, yet firm kiss and she pulled back after only a moment. But it sent a thrill through her.
He leaned down for another. But she put her finger on his lips to stop him.
"That was my reward to you," she said as they danced. "Don't squander it."
"Reward? he asked still seeming both surprised and delighted at this unexpected attention. "What for?"
"Why for living, Vaelros. And for doing so much else to help me. I will have you rewarded in state as well. But that was just from me."
She saw Vaelros flush and she gave him a brilliant smile. "You don't like my reward?" she asked.
"I do!" he replied. "I want only to learn how to earn more."
The music was fading. The song was ending. Luthiel stepped back and let her hands drop.
"A mysterious thing, my heart," she said. — Robert Fanney

How should anything be sacred to an advertiser?" demanded Ingleby, helping himself to four lumps of sugar. "We spend our whole time asking intimate questions of perfect strangers and it naturally blunts our finer feelings. 'Mother! Has your Child Learnt Regular Habits?' 'Are you Troubled with Fullness after Eating?' 'Are you satisfied about your Drains?' 'Are you Sure that your Toilet-Paper is Germ-free?' 'Your most Intimate Friends dare not Ask you this question.' 'Do you Suffer from Superfluous Hair?' 'Do you Like them to Look at your Hands?' 'Do you ever ask yourself about Body-Odour?' 'If anything Happened to You, would your Loved Ones be Safe?' 'Why Spend so much Time in the Kitchen?' 'You think that Carpet is Clean - but is it?' 'Are you a Martyr to Dandruff?' Upon my soul, I sometimes wonder why the long-suffering public doesn't rise up and slay us. — Dorothy L. Sayers

Are you in the bath?" Luke demanded.
Heat suffused her face. "Yeah. Why?"
"So you're naked."
Olivia couldn't help but laugh. "That's what usually happens in a bathtub. Or do you keep your clothes on when you bathe?"
"No, I don't keep my clothes on." He sounded frazzled. "And I don't do baths. I shower. "Baths take too long."
"And you're the kind of guy who can't waste time, right? You need the action."
"Pretty much." There was a suggestive pause. "You don't like action?"
She grinned to herself. "You're incorrigible. — Elle Kennedy

Krista asks,"What is it about society that disappoints you so much?"

Elliot thinks, "Oh I don't know, is it that we collectively thought Steve Jobs was a great man even when we knew he made billions off the backs of children?

Or maybe it's that it feels like all our heroes are counterfeit; the world itself's just one big hoax. Spamming each other with our burning commentary of bullshit masquerading as insight, our social media faking as intimacy.

Or is it that we voted for this? Not with our rigged elections, but with our things, our property, our money.
I'm not saying anything new. We all know why we do this, not because Hunger Games books makes us happy but because we wanna be sedated. Because it's painful not to pretend, because we're cowards.

Fuck Society."

"Mr. Robot" season 1 episode 1, 'ohellofriend.mov — Sam Esmail

Has anyone by fussing before the mirror ever gotten taller by so much as an inch? If fussing can't even do that, why fuss at all? Walk into the fields and look at the wildflowers. They don't fuss with their appearance - but have you ever seen color and design quite like it? The ten best-dressed men and women in the country look shabby alongside them. If God gives such attention to the wildflowers, most of them never even seen, don't you think he'll attend to you, take pride in you, do his best for you? 29-32 What I'm trying to do here is get you to relax, not be so preoccupied with getting so you can respond to God's giving. People who don't know God and the way he works fuss over these things, but you know both God and how he works. Steep yourself in God-reality, God-initiative, God-provisions. You'll find all your everyday human concerns will be met. Don't be afraid of missing out. You're my dearest friends! The Father wants to give you the very kingdom itself. — Eugene H. Peterson

Yeah, I will. Why do you
care so much all of a sudden?"
Cade shrugged. "I don't have anything else to do. And like I said ... you and Lark and this ranch
are all I have. Makes you cling to things tighter when you realize how easy it is to lose them. — Maisey Yates

I know. It's all wrong. By rights we shouldn't even be here. But we are. It's like in the great stories. The ones that really mattered. Full of darkness and danger, they were. And sometimes you didn't want to know the end. Because how could the end be happy? How could the world go back to the way it was when so much bad had happened? But in the end, it's only a passing thing, this shadow. Even darkness must pass. A new day will come. And when the sun shines it will shine out the clearer. Those were the stories that stayed with you. That meant something, even if you were too small to understand why. But I think I do understand. I know now. Folk in those stories had lots of chances of turning back, only they didn't. They kept going. Because they were holding on to something. — Peter Jackson

Well, what am I supposed to do?"
"Well, you can take a nap, read a little of my book, or close your eyes. Or you could stare
get the thrill of your life."
"She put her hands on her hips. "You really wouldn't care, would you?"
"Not really. A bath is a serious business when it's that much trouble. And it's pretty quick in winter." He started to chuckle.
"What's so funny?" she asked, a little irritated.
"I was just thinking. It's cold enough in here, you might not see that much."
Her cheeks went hot, so she pretended not to understand. "But in summer, you can lay in the tub all afternoon?"
"In summer, I wash in the creek." He grinned at her. "Why don't you comb the snarls out of your hair? You look like a wild banshee."
She stared at him a minute, then said, "Don't flirt with me. It won't do you any good."
-Marcie and Ian — Robyn Carr

I almost feel like we do live in a world like 'Caprica.' The fact that it's so close to home is why it appeals to me so much. You're making statements about what's going on right now. You take Facebook and Wii and add it together, and that's what the virtual world in 'Caprica' is. — Magda Apanowicz

So ... It's just that I have a problem with voltage. I don't know how to explain it ... I often get the feeling I've got a button missing, you know, some knob for adjusting the volume. I always go too far to one extreme or the other. I can never find the right balance and whatever I take a fancy to - well, it always ends badly." She was surprised at herself. Why was she confiding in him like this? Slightly tipsy, maybe? "When I drink, I drink too much, when I smoke, I fuck myself up, when I love, I go out of my mind and when I work, it's into the ground. Dead. I don't know how to do things normally, quietly, I - — Anna Gavalda

Sorry," I said ...
"Sorry for what?" He glanced over at me.
"For whatever I did wrong," I said.
"Did you do something?"
I shrugged, "Why are you not talking to me?"
"I'm just driving." He moved his hand from the gearshift onto my leg. "Do you like snowmobiling?"
"I love it," I said.
He shot me a look. "Have you ever gone snowmobiling before?"
"No," I said.
He smiled. God, I hate his smile, I love it so much. — Rachel Vail

I never understood why anyone would do magazines. Like, why would someone put their face out there so much? It's because those people reading magazines will go see the movie, so you do it. — Elizabeth Olsen

The Lord was in a den with a pack of wolves. You really are so intelligent, the Lord said, and have such glorious eyes. Why do you think you're hounded so? It's like they want to exterminate you, it's awful. Well, sometimes it's the calves and the cows, the wolves said. Oh those maddening cows, the Lord said. I have a suggestion. What if I caused you not to have a taste for them anymore? It wouldn't matter. Then it would be the deer or the elk. Have you seen the bumper stickers on the hunters' trucks - DID A WOLF GET YOUR ELK? I guess I missed that, the Lord said. Sentiment is very much against us down here, the wolves said. I'm so awfully sorry, the Lord said. Thank you for inviting us to participate in your plan anyway, the wolves said politely. The Lord did not want to appear addled, but what was the plan His sons were referring to exactly? FATHERS AND SONS — Joy Williams

Why can't I find you? I know you're out there.
Why am I forced to live a life of despair?
I want to find you and hold your hand.
My heart beats for you it's all I can stand.
I know I will find you and hope someday soon.
Until then I will think of you and stare at the moon.
I know my heart beats for you and you alone.
Until then it's heavy and feels like stone.
I want to hold you in my arms and whisper a soft word.
The feeling of your touch would make my soul be stirred.
For this is a dream and it will never be.
If only you knew I'm out here and could see.
For I am lonesome for you and want this so much.
To feel your skin on mine as we touch.
I long for the day we meet and you're part of my life.
For until you do this solitude cuts me like a knife.
John A Miller — John A. Miller

What about her? Does she have a name? Not that I care really, but it would be rude to call her 'new girl' once Mike and I are dating."
"I have an idea," Jay suggested, leaning toward Chelsea from across the table. "Why don't you put together a list of questions, in order of importance, and I'll have him fill out the answers? Kind of like new-kid homework." He smiled innocently. "You don't have to do it now, of course; just try to get it to me before the end of the day."
"Ha-ha." Chelsea made a face. "You're freakin' hilari-ous, Jay." And then she turned to Violet. "That must be why you like him so much. 'Cause other than that, I just don't get it. — Kimberly Derting

Why do you like jellyfish so much?" I asked.
"I don't know. I guess I think they're cute," she said. "But one thing did occur to me when I was really focused on them. What we see before us is just one tiny part of the world. We get into the habit of thinking, This is the world, but that's not true at all. The real world is in a much darker and deeper place than this, and most of it is occupied by jellyfish and things. We just happen to forget all that. Don't you agree? Two thirds of the earth's surface is ocean, and all we can see of it with the naked eye is the surface: the skin. We hardly know anything about what's beneath the skin. — Haruki Murakami

Rhett, do you really
is it to protect me that you
"
"Yes, my dear, it is my much advertised chivalry that makes me protect you." The mocking light began to dance in his black eyes and all signs of earnestness fled from his face. "And why? Because of my deep love for you, Mrs. Kennedy. Yes, I have silently hungered and thirsted for you and worshipped you from afar; but being an honorable man, like Mr. Ashley Wilkes, I have concealed it from you. You are, alas, Frank's wife and honor has forbidden my telling this to you. But even as Mr. Wilkes' honor cracks occasionally, so mine is cracking now and I reveal my secret passion and my
"
"Oh, for God's sake, hush!" interrupted Scarlett, annoyed as usual when he made her look like a conceited fool, and not caring to have Ashley and his honor become the subject of further conversation. "What was the other thing you wanted to tell me?"
"What! You change the subject when I am baring a loving but lacerated heart? — Margaret Mitchell

Why do people...we...why do we drag around like life is so awful?' Why did they forget that there was so much to love? He took off his glasses and rubbed his eyes. 'I guess...because there's a lot that is awful. That's the struggle of getting old. To make sure you don't let what's hard or painful or whatever obscure the beauty. — Sara Zarr

I can't explain why I love him so much. Maybe because he's the only person who understands what it's like to be manipulated by Jonathan for his gain. Or maybe because I know deep down there's a soul that needs love more than anyone else, and I can't help but reciprocate to the fullest degree. I put my arm around his shoulder again and say, "Maybe one day you'll be able to outrun me." He lets out a dry, bitter laugh. "Maybe if I break both your legs." I grin. "Would you even be fucking fast enough to do that?" "Give me a lacrosse stick and we'll see." "Not fucking happening, little brother. — Krista Ritchie

One sort of optional thing you might do is to realize there are six seasons instead of four. The poetry of four seasons is all wrong for this part of the planet, and this may explain why we are so depressed so much of the time. I mean, Spring doesn't feel like Spring a lot of the time, and November is all wrong for Fall and so on. Here is the truth about the seasons: Spring is May and June! What could be springier than May and June? Summer is July and August. Really hot, right? Autumn is September and October. See the pumpkins? Smell those burning leaves. Next comes the season called "Locking." That is when Nature shuts everything down. November and December aren't Winter. They're Locking. Next comes Winter, January and February. Boy! Are they ever cold! What comes next? Not Spring. Unlocking comes next. What else could April be? — Kurt Vonnegut

Told you I had some flavours," she said. "You like?"
Ross just gaped, and possibly trembled a little.
"You, er, made that yourself?"
"Yeah. That's what pisses me off about this place. You could be any incarnation of womanhood you an think of - so why do so many choose to conform to some fifteen-year-old dork's idea of it? Even in a world like Calastria, they'll still choose an appearance that's defined by sexuality. Do they think the guys try to look sexy when they're suiting up to fight dragons?"
"Er, not so much," Ross agreed, but her last remark had inadvertently channelled his inner fifteen-year-old dork. "There's going to be dragons?" he asked. — Christopher Brookmyre

No matter how far they traveled, they always had this house to welcome them home." "True. Did you ever wonder why they altered it so often?" "Miss Everleigh says they were innovators. Visionaries." He glanced at her, the firelight shadowing his face. "They kept knocking down the walls. Expanding them, making new routes for egress. Not much innovation in that. As visions go, it's the dream of claustrophobics." The notion unsettled her. "What do you mean to say?" "I mean, they traveled to escape this place." He reached for the bottle, splashed more liquor into his glass. Set down the bottle and stared at it. "Came back very reluctantly, already itching to leave again." She did not like that idea. "It was their home. They were a famously loving family - " "It's a house," he said. "That doesn't make it a home. And family - yes, family is important. But it can trap you more neatly than four walls and a locked door." Her — Meredith Duran

And this might sound strange but part of why I love her so much is that I don't take it for granted. I don't like to admit it but whenever I put my hand out a part of me worries that maybe she's not going to be there this time, that she's finally sick of all my selfishness and drama...' Sarah squeezes my hand tightly and presses her temple on my shoulder. '...and that's why I freaked out, but then she's always there for me and I'm so goddamn grateful I wonder what I could have possibly done to deserve her. If you want to know what a soul mate is, Marissa, that's it. Sarah's my soul mate. I would stand in front of a train for her, and I love her because she'd do it for me too. — Eric Lindstrom

You remember how he used to be girl on either arm? You really don't see that guy too much anymore. Why do you think that is? He's waiting for you. I know you're dealing with stuff but you cannot ask him to wait forever! Unless of course, you're okay with him pulling away."
"What if it doesn't work out? What if it ends up like you and Javier?"
"Well at least we gave it a shot. And so it didn't work out, so what? Now, we can move on give or take the occasional booty call."
"I just don't wanna lose what we have, you know?"
"Girl please! What exactly do you have, really?"
"A friendship."
"No. What you and I have is a friendship. What you and castle have is a holding pattern. How long can you circle before the fuel runs out? — Richard Castle

The baby was warm against my chest. I knew I was broken too. I wasn't like other people. I was scared and weird and anxious and sad lots of the time, and I didn't know why. My parents thought I was abnormal, I was pretty sure. They said I wasn't, but you don't get sent to a therapist if you're normal.
Sometimes we really aren't supposed to be the way we are. It's not good for us. And people don't like it. You've got to change. You've got to try harder and do deep breathing and maybe one day take pills and learn tricks so you can pretend to be more like other people. Normal people. But maybe Vanessa was right, and all those other people were broken too in their own ways. Maybe we all spent too much time pretending we weren't. — Kenneth Oppel

I've had the same editor since 1967. Many times he has said to me over the years or asked me, Why would you use a semicolon instead of a colon? And many times over the years I have said to him things like: I will never speak to you again. Forever. Goodbye. That is it. Thank you very much. And I leave. Then I read the piece and I think of his suggestions. I send him a telegram that says, OK, so you're right. So what? Don't ever mention this to me again. If you do, I will never speak to you again — Maya Angelou

I learned how difficult it is to be an artist. There are always compromises. The record company wants you to do this, your fans want you to do this, your family, you can't concentrate on your work. It's a hard thing to be an artist and not give up. That's why I have so much respect for people like Dylan and Neil Young and Tom Waits, because they keep at it. I have a new respect for a true artist. — Robert Hilburn

Everybody asks why I started at the end and worked back to the beginning, the reason is simple, I couldn't understand the beginning until I had reached the end. There were too many pieces of the puzzle missing, too much you would never tell. I could sell these things. People want to buy them, but I'd set all this on fire first. She'd like that, that's what she would do. She'd make it just to burn it. I couldn't afford this one, but the beginning deserves something special. But how do I show that nothing, not a taste, not a smell, not even the color of the sky, has ever been as clear and sharp as it was when I belonged to her. I don't know how to express the being with someone so dangerous is the last time I felt safe ... (White Oleander) — Janet Fitch

I know this sounds like quite a pile. I know, too, that some of you will wonder why I don't just buy a Kindle. I see your point, but the trouble is that to do so would be to forgo the pleasure of the moment when, years in the future, sand falls from the pages of an old book, and you suddenly remember the Isle of Wight and A Passage to India, a Greek island and The Map of Love, or whatever. For me, a ghostly trace of Ambre Solaire rising from the pages of a sun-bleached paperback is a way back to the past: to favourite stories as much as to favourite beaches. — Rachel Cooke

Q: Why do you like chocolate so much?
A: The answer, clearly, is because I've tasted chocolate. — Pseudonymous Bosch

It always does seem to me that I am doing more work than I should do. It is not that I object to the work, mind you; I like work: it fascinates me. I can sit and look at it for hours. I love to keep it by me: the idea of getting rid of it nearly breaks my heart.
You cannot give me too much work; to accumulate work has almost become a passion with me: my study is so full of it now, that there is hardly an inch of room for any more. I shall have to throw out a wing soon.
And I am careful of my work, too. Why, some of the work that I have by me now has been in my possession for years and years, and there isn't a finger-mark on it. I take a great pride in my work; I take it down now and then and dust it. No man keeps his work in a better state of preservation than I do.
But, though I crave for work, I still like to be fair. I do not ask for more than my proper share. — Jerome K. Jerome

And then we met you, and it was like he woke up. You couldn't see it, because you'd never known him any different. But I saw it. Hodge saw it. Alec saw it -why do you think he hated you so much? It was like that form the second we met you. You thought it was amazing that you could see us, and it was, but what was amazing to me was that Jace could see you too. — Cassandra Clare

That's a big responsibility, and the details obsess me. And, also, I no longer feel I have to do the Tonight Show every time I open my mouth. Twenty years ago, I told myself I'd rather direct than act, and it's taken me this long. You lose your passion in acting. You make too many mistakes. Maybe that's why I make so many movies; if you don't like this one, another one's opening on Tuesday. But then I spent six months of my life on 'At Long Last Love,' a picture nobody saw. I enjoyed making it, I learned from it, I grew, but that's too much time out of my life. — Burt Reynolds

You teach me now how cruel you've been - cruel and false. Why did you despise me? Why did you betray your own heart, Cathy? I have not one word of comfort. You deserve this. You have killed yourself. Yes, you may kiss me, and cry; and wring out my kisses and tears: they'll blight you - they'll damn you. You loved me - what right had you to leave me? What right - answer me - for the poor fancy you felt for Linton? Because misery, and degradation, and death, and nothing that God or Satan could inflict would have parted us, you, of your own will did it. I have no broken your heart - you have broken it; and in breaking it, you have broken mine. So much the worse for me that I am strong. Do I want to live? What kind of living will it be when you - Oh, God! would you like to lie with your soul in the grave? — Emily Bronte

Alan: "I had terrible stage fright."
Sin: "I'm not familiar with the concept of 'stage fright.'"
A: "It's pretty awful. You end up having to picture the entire audience in their underwear. Phyllis was in that audience, you know."
S: "Why, Alan, I had no idea your tastes ran that way."
A: "Phyllis is a very nice lady. And I do not consider her so much aged as matured, like a fine wine. But I still think you owe me an archery lesson. — Sarah Rees Brennan

Much to my chagrin, I think that cinema has gone the wrong way in America because in many ways, I pioneered the use of video which eventually became digital video. Everyone can do it; it's Pop Art time: "Everything is art, why should you take it so seriously, after all it's kind of like a clambake." I don't buy that. — Rob Nilsson

I love you."
"Why?" I ask, eyes drifting closed already.
"Because I can't picture a life without you," he whispers so low I barely catch it. "I don't want to."
I smile as much as I can with how sleepy I am. He didn't even rehearse that one.
His lips graze my forehead. "Why do you love me?"
"Because you say things like that."
"Wow. My answer was so much better than yours. — Cassie Mae

Don't test God and make some tests for him. That doesn't make any sense. Besides that he can do anything, above everything you could ask. He wants your heart to be real. He wants a volunteering lover. That's why he gives you a choice. He can tell a tree to grow and it will grow. But it's up to you to decide whether you obey him or not, he gave you a will. Even though he didn't give a tree a will, he gave you a will. And he says: "I want you to grow, will you grow? I want you to love me, will you love me? Like I love you, I love you so much." — Lacey Mosley

I don't hate you, Jace."
"I don't hate you, either."
She looked up at him, relieved. "I'm glad to hear that - "
"I wish I could hate you," he said. His voice was light, his mouth curved in an unconcerned half smile, his eyes sick with misery. "I want to hate you. I try to hate you. It would be so much easier if I did hate you. Sometimes I think I do hate you and then I see you and I - "
Her hands had grown numb with their grip on the blanket. "And you what?"
"What do you think?" Jace shook his head. "Why should I tell you everything
about how I feel when you never tell me anything? It's like banging my head on a
wall, except at least if I were banging my head on a wall, I'd be able to make myself stop."
Clary's lips were trembling so violently that she found it hard to speak. "Do you think it's easy for me?" she demanded. — Cassandra Clare

Don't make me out to be something worth saving. We both know I'm a waste." His voice was so quiet. "I wish I was better at telling you why you have to stay here. I wish I could put into words the part of my heart that has your name written on it. That part hurts right now. You have to be here. You love life too much. You're so important. I wish I could make you understand this." He tried to smile at her valiant efforts. "I would keep you if I could. You can sleep here, right on this couch. Beckett, I will let you hold this baby when it comes." She touched her stomach. "Does that tell you how much you mean to me? It's the only thing I can come up with." He shrugged. "Mouse would be disappointed. He'd feel like he didn't do his job if you died ... Eve loves you. Wherever she is - in this strip club - is that what you've been wishing for?" Beckett shook his head. "No, right? She loves you. You can't kill someone she loves. You just can't. — Debra Anastasia

Every year the aspiring photographer brought a stack of his best prints to an old, honored photographer, seeking his judgment. Every year the old man studied the prints and painstakingly ordered them into two piles, bad and good. Every year the old man moved a certain landscape print into the bad stack. At length he turned to the young man: "You submit this same landscape every year, and every year I put it on the bad stack. Why do you like it so much?" The young photographer said, "Because I had to climb a mountain to get it." A — Annie Dillard

There is much asked and only so much I think I can or should answer, and so, in this post I would like to give a few thoughts on what seemed to be the overwhelming question: "WHY?"
And here is the best answer I can give: Because.
Because sometimes, life is damned unfair.
Because sometimes, we lose people we love and it hurts deeply.
Because sometimes, as the writer, you have to put your characters in harm's way and be willing to go there if it is the right thing for your book, even if it grieves you to do it.
Because sometimes there aren't really answers to our questions except for what we discover, the meaning we assign them over time.
Because acceptance is yet another of life's "here's a side of hurt" lessons and it is never truly acceptance unless it has cost us something to arrive there.
Why, you ask? Because, I answer.
Inadequate yet true. — Libba Bray

Something like the alleyway scene, where it's like a mini one-act play and you run the whole 18 pages of it, it's so much easier to get lost in it. That's why actors love doing theater so much, I guarantee you. It's refreshing to be able to do something where you don't have to be stopped every two seconds, and you can just play it out and it's done. — Dylan O'Brien

There's so much interference, so much static and people's voices talking about what you do and why you do it that I've learned to be like, 'No, no.' It's actually simple. I just do this. — Jenny Slate

Reading, for me, is like this: consumptive, pleasing, calming, as much as edifying. It's how I feel after a good dinner. That's why I do it so often: It feels wonderful. The book is mind and I insert myself into it, cover it entire, ear my way through every last slash and dot. That's something you can do with a book, unlike television or movies or the Internet. You can eat it, or mark it, like a dog does on a hydrant. — Tara Bray Smith

Why do I need TV when I have forty-eight apartment windows to watch across the vacant lot, and a sliver of Lake Erie? I've seen history out this window. So much. I was four when we moved here in 1919. The fruit-sellers' carts and coal wagons were pulled down the street by horses back then. I used to stand just here and watch the coal brought up by the handsome lad from Groza, the village my parents were born in. Gibb Street was mainly Rumanians back then. It was "Adio" - "Good-bye"- in all the shops when you left. Then the Rumanians started leaving. They weren't the first, or the last. This has always been a working-class neighborhood. It's like a cheap hotel - you stay until you've got enough money to leave. — Paul Fleischman

I still don't understand why the pages must be done in the morning. I write so much better at night. Let me be clear: good writing is not the point. Think of your pages like a whisk broom. You stick the broom into all the corners of your consciousness. If you do this first thing in the morning, you are laying out your track for the day. Pages tell you of your priorities. With the pages in place first thing, you are much less likely to fall in with others' agendas. Your day is your own to spend. You've claimed it. If you wait to write pages at night, you are reviewing a day that has already happened and that you are powerless to change. — Julia Cameron

Do you need me to carry you?" The words were said softly but with a definite edge. He looked so angry, I wasn't sure if he was mad or trying to help.
"No." The last thing I wanted was to be carried out of there. I turned in my seat and tried to get a read on him. An idiot would have known he was pissed, but beyond that, I got nothing. Why was he the only person in my life I had so much trouble reading. He started to lean down and I realized I was out of time.
"Don't you dare," I said, trying to delay whatever action he was preparing to take. Looks like my stall quota had been all used up. If I'd had any delusions of him cutting me any slack because of what had happened between us, I was quickly realizing how wrong I'd been. He seemed even worse. — Donna Augustine

If you ever have to give a speech, start with a joke, if you know one. For years I've been looking for the best joke in the world. I think I know what it is. I will tell it to you, but you have to help me. You have to say, "No," when I hold up my hand like this. All right? Don't let me down.
Do you know why cream is so much more expensive than milk?
AUDIENCE: No.
It is because the cows hate to squat on those bottles. — Kurt Vonnegut Jr.

If the whole world seems like it's against you, it helps to know that you've still got home. A safe place. It just takes one person - a teacher, a friend, a parent. If I didn't have you and Dad, if you hadn't made it so clear you loved me as much as you did, or if you'd said, 'yeah, why don't you do it, and put yourself out of our misery, just shut up,' I would have killed myself. I really would have. I spent most of those days wishing I were dead anyway, and what always stopped me was the fact that doing so would destroy the lives of the only people who ever cared about me. — Nenia Campbell

Do you know why people like me are shy about being capitalists? Well, its because we, for as long as we have known you, were capital, like bales of cotton and sacks of sugar, and you were commanding, cruel capitalists, and the memory of this so strong, the experience so recent, that we can't quite bring ourselves to embrace this idea that you think so much of. As for hat we were like before we met you, I no longer care. No periods of time over which my ancestors held sway, no documentation of complex civilisations, is any comfort to me. Even if I really came from people who were living like monkeys in trees, it was better to be that than what happened to me, what I became after I met you. — Jamaica Kincaid

There was this girl," I said. "l mean-" All of a sudden I felt flustered, and added, "We were just friends."
"No such thing."
"We were."
"Look. Despite what you may have heard, people have sex all the time with people they don't love, or particulary care about, or sometimes can't even stand. So why in the world do people say that it's just friends, like it doesn't mean as much, if you're not having sex? Real friendship is true and forever and with all your heart. It's not Relationship Lite. — Emily Horner

In any case, though, I believe that I have no been fair to you and that, as a result, I must have led you around in circles and hurt you deeply. In doing so, however, I have led myself around in circles and hurt myself just as deeply. I say this not as an excuse or means of self-justification but because it's true. If I have left a wound inside you, it is not just your wound, but mine as well. So please try not to hate me. I am a flawed human being - a far more flawed human being than you realize. Which is precisely why I do not want you to hate me. Because if you were to do that I would really go to pieces. I can't do what you can do: I can't slip inside my shell and wait for things to pass. I don't know for a fact that you are really like that, but sometimes you give me that impression. I often envy that in you, which may be why I led you around in circles so much. — Haruki Murakami

Why me?' he said. 'That's how all men answer. And all men have a knot on their shoes, something they don't know how to do; an inability that binds them to others. Society depends on this asymmetry between people these days: a dovetailing of skills and competence. But the Flood? If the Flood came and one needed a Noah? Not so much a just man as a man able to bring along the few things it would take to start again. You see, you don't know how to tie your shoes, somebody else doesn't know how to plane wood, someone else again has never read Tolstoy, someone else doesn't know how to sow grain and so on. I've been looking for him for years, and, believe me, it's hard, really hard; it seems people have to hold each other by the hand like the blind man and the lame who can't go anywhere without each other, but argue just the same. It means if the Flood comes we'll all die together. — Italo Calvino

The Seanchan in the room seemed stunned that Mat had suddenly stripped to the waist. He did not see why, They had servants that wore much less. Light, but they did.
"I'm tempted to do the same as you," Min muttered, grabbing the front of her dress.
Mat Froze, then sputtered. He must have swallowed a fly or something. "Burn me," he said, throwing on the shirt he dug out of the bundle. "I'll give you a hundred Tar Valon marks if you do it, just so I can tell the story."
That earned him a glare, through he did not know why. She was the one talking about striding about like a bloody Aiel Maiden on her way to the sweat tent.
Min did not do it, and he was almost sad. Almost. He had to be careful around Min. He was certain that a smile in the wrong place would earn him a knifing not only from her, but from Tuon, and Mat was much happier with only one knife stuck on him at a time. — Robert Jordan

How much do you love me, Bella?"
"Why?"
She stared at me with pleading eyes, her long black eyebrows slanting up in the middle and pulling together, her lips trembling at the corners. It was a heart-breaking expression.
"Please, please, please," she whispered. "Please, Bella, please - if you really love me ... Please let me do your wedding."
"Aw, Alice!" I groaned, pulling away and standing up. "No! Don't do this to me."
"If you really, truly love me, Bella."
I folded my arms across my chest. "That is so unfair. And Edward kind of already used that one on me."
"I'll bet Edward would like it better if you did this traditionally, though he'd never tell you that. And Esme - think what it would mean to her!"
I groaned. "I'd rather face the newborns alone."
"I'll owe you for a decade."
"You'd owe me for a century! — Stephenie Meyer

Are you free to be anything more than a friend to me? If," and she stressed the if heavily, "I ever decided to live in Avalon and wanted to be with you, would you be free enough to do that?"
He looked away, and Laurel could tell he'd been avoiding a conversation like this.
"Well?" she insisted.
"If you wanted it," he finally said.
"If I wanted it?"
He nodded. "I'm not allowed to ask. You would have to ask me."
Her breath caught in her chest, and Tamani looked at her.
"Why do you think David bothers me so much?"
Laurel looked down at her lap.
"I can't just storm in and proclaim my intentions. I can't 'steal' you away. I just have to wait and hope that, someday, you'll ask."
"And if I don't?" Laurel said, her voice barley above a whisper.
"Then I guess I'll wait forever. — Aprilynne Pike

You're serious? You want me to go to school?"
"Why not?" he challenged. "So long as you take care of shit around here, I'm fine with it. Might want to move on that whole divorce thing too while you're at it. Club's got a lawyer, I'll set up an appointment for you. I can pretty much guarantee your ex won't put up a fight."
He smiled when he said it - not a nice smile.
"Okay, I'll go check it out," I said slowly. "This is weird, you get that? You kidnapping me, holding me hostage and then sending me to school? This isn't how things like this usually work."
Horse grinned at me, eyes lazy and satisfied.
"Just roll with it," he whispered. "And keep doing whatever exercises you do to make your cunt squeeze like that. They got a college degree for that? — Joanna Wylde

His touch was like an electric current that ran through his fingers into my cheek and down the back of my neck.
I took another step back, away from him. "Don't do that," I whispered and hated the part of myself that died for his soft touch. "Why? Why do you do things like that if you agree we shouldn't be involved? It's confusing and ... and you make it so much worse." My words tumbled over each other as they poured from my mouth.
He didn't reach for me again. His blue eyes were sad. — Kirby Howell

Mom, why do I find myself trying to be nice to that awful girl Rachel, who has been nasty to me every time I've seen her?"

"Maybe you've spent so much time with horses you've picked up their habits. You know---like how they sense things in people....
Keep following your instincts. You can't go wrong being kind to people, even if they are unkind people themselves. — Valerie Ormond

I used to wonder why Lucy liked those songs so much. You know what I mean? She sits in the dark and listens and cries. Music does that to her ... I didn't understand for a long time. But I do now. The sad songs are a safe hurt. It's a diversion. It's controlled. And maybe it helps you imagine that real pain will be like that. But it's not. Lucy knows that, of course. You can't prepare for real pain. You just have to let it rip you apart. — Harlan Coben

I do not diminish his love for me,' Imogen said. 'I would never do that. I know precisely how much he loved me: as much as he was capable of loving any woman, probably. He loved me somewhat ... after his stables, perhaps more than his mother.'
'Oh, Imogen,' Annabel said. 'Why dwell on such a-'
'Grief is like that!' Imogen snapped. 'You can only fool yourself so far. — Eloisa James