Quotes & Sayings About White Walls

The prompt Paris morning struck its cheerful notes - in a soft breeze and a sprinkled smell, in the light flit, over the garden-floor, of bareheaded girls with the buckled strap of oblong boxes, in the type of ancient thrifty persons basking betimes where terrace-walls were warm, in the blue-frocked brass-labelled officialism of humble rakers and scrapers, in the deep references of a straight-pacing priest or the sharp ones of a white-gaitered red-legged soldier. He watched little brisk figures, figures whose movement was as the tick of the great Paris clock, take their smooth diagonal from point to point; the air had a taste as of something mixed with art, something that presented nature as a white-capped master-chef. The — Henry James

But, along with the street lamp, everything breathes deceit. It lies all the time, this Nevsky Prospect, but most of all at the time when night heaves its dense mass upon it and sets off the white and pale yellow walls of the houses, when the whole city turns into a rumbling and brilliance, myriads of carriages tumble from the bridges, postillions shout and bounce on their horses, and the devil himself lights the lamps only so as to show everything not as it really looks. — Nikolai Gogol

I am learning peacefulness, lying by myself quietly, as the light lies on these white walls, this bed, these hands. I am nobody; I have nothing to do with explosions. — Sylvia Plath

Now the deer moved through snow, snow that blew sideways, frosting the perfectly upright walls of Detroit's dead and monumental heart, vast black tines of brick reaching up to vanish in the white sky.
They made a lot of nature shows there. — William Gibson

I lean back into your body - memory is a shade of the color blue.
Painted the walls white, the clocks went back an hour and who knew you'd be the one?
I am okay with chopsticks, you know how to please just about any man. Your cheeks a hot air balloon lifting up into the sky, a kind of yellow vibrant, tastes like the milkshakes in Pulp Fiction.
The McDonald's lobby is now open 24 hours in case you really want a big mac or some french fries and do not have a car. It might make you fat but it might be worth it. The ones who will love you regardless. — Eric Shaw

He saw her draw closer in the mirror. Her black hair was an ink splash against the white tile walls. She paused behind him. "You protected me, Kaz."
"The fact that you're bleeding through your bandages tells me otherwise."
She glanced down. A red blossom of blood had spread on the bandage tied around her shoulder. She tugged awkwardly at the strip of towel. "I need Nina to fix this one."
He didn't mean to say it. He meant to let her go. "I can help you."
Her gaze snapped to his in the mirror, wary as if gauging an opponent. I can help you. They were the first words she'd spoken to him, standing in the parlor of the Menagerie, draped in purple silk, eyes lined in kohl. She had helped him. And she'd nearly destroyed him. Maybe he should let her finish the job. — Leigh Bardugo

How can I tell McDermott that this is a very disjointed time of my life and that I notice the walls have been painted a bright, almost painful white and under the glare of the fluorescent lights they seem to pulse and glow. — Bret Easton Ellis

The walls were hung with rich tapestries representing the Triumph of Beauty. A large press, inlaid with agate and lapis-lazuli, filled one corner, and facing the window stood a curiously wrought cabinet with lacquer panels of powdered and mosaiced gold, on which were placed some delicate goblets of Venetian glass, and a cup of dark-veined onyx. Pale poppies were broidered on the silk coverlet of the bed, as though they had fallen from the tired hands of sleep, and tall reeds of fluted ivory bare up the velvet canopy, from which great tufts of ostrich plumes sprang, like white foam, to the pallid silver of the fretted ceiling. A laughing Narcissus in green bronze held a polished mirror above its head. On the table stood a flat bowl of amethyst. — Oscar Wilde

Once there was a queen in a palace of bread.
Sing blue, sing white, stay up all night.
She nibbled on the walls and gobbled up her bed.
Sing white, sing blue, sing ballyhoo.
The people begged a crumb from their robust queen.
Sing blue, sing white, she ate all night.
She would not share a thing until it turned green.
So white, so blue, the mold it grew. — Shannon Hale

The monster tested her, pulling at her soul and rending her spirit. She clung to life, and in the clinging she might have become a monster too, except she chose the path her story would take. She chose white stone walls and a golden crown. She chose to debate words of law, and to never grind her own grain. She chose to fight men every day, and then fight their sons, who thought they knew better than their fathers. If you listen long enough to the whispers, you will hear the truth. Until then, I will tell you this: the world is made safe by a woman. — E.K. Johnston

She falls back like a dead weight. The red hair loosens from the hair band and spreads in the colorful surface of the pillows, her white body is in sharp contrast, the gleam in her bloodshot eyes becomes intense and shines. My aunt, lying like this, looks like a goddess in an orgasm, only that, inside, she is suffering. I close my eyes and breathe deeply. The same is happening to us, we're really disappearing. I think of the matter of our bodies, changeable, disappearing in the particles of the air while we breathe. In this room, everywhere, we are printed on the walls, in the air that settles on things. I breathe and look at her. I'm stuck in her. — Pat R

We gazed back over the fields to the farmhouse. Its white walls, faded wooden shutters and terra-cotta tiled roof peeped sleepily over the deep green domes of the orange trees, while the mountains looked benignly on - secure, solid and serene. Without exchanging a word, we both knew that this was going to be our new home. — Peter Kerr

Then he kissed me.
Which is a bit like saying, Then the sun exploded and the walls started melting. — Cecily White

Relationships are like walls painted off-white and every time you'll hurt me, it will be like resting dirty shoes on them, like bashing holes in the walls, one after the other. And then there will come a day, where the walls will be filled with so many holes, that there wouldn't be any place left for you to place the tiniest kiss. Only then will I walk away for good. — Malak El Halabi

Grip's favorite painting didn't contain a single figure. 'Seven A.M.' showed distant trees on one side, and on the other a storefront that time had passed by. So still. Some kind of story could probably be told, but one refrained from asking questions. The light and shadows convinced the viewer to exist in the moment. Hopper had drawn sharp lines where the sun cast shadows on the white walls inside the window, while outside the ground gleamed like warm sand. The hands of an old wall clock suggested that the time was seven. Someone who should have been there was somewhere else. Yet nothing was missing. With the morning light streaming down on the ground and in through the window, time might as well have stopped - so the clock always stood at seven.
Just like that, a place where nothing ever changes. — Robert Karjel

There was no part of this house that felt inviting. Paul's cold, calculating hand could be seen behind every choice. The concrete on the entryway floor was polished to a dark mirror straight out of Snow White. The spiral stairs looked like a robot's asshole. The endless white walls made Lydia feel like she was trapped inside a straightjacket. The sooner she was out of here the better. — Karin Slaughter

Hands grab me, steady me. I jerk back, but they are surprisingly gentle. He doesn't smile as I turn to see his face. He just stands there, letting me inspect him. He's tall with a wide forehead and dark blond hair that's cut short. His green eyes are deeply set beneath that forehead. His lips are wide and rugged like the rest of him. His hands have huge knuckles like he's a boxer or arthritic or hits walls. He looks like he did when he pulled me out of the car, but stronger, taller somehow. He must be completely healed. He looks my age and he looks good, like the guy in high school that everyone, even the teachers, fall in love with. — Carrie Jones

They found the Infirmary of Justice much as they had left it: white institutional walls, too-bright floors, and a reassuring smell of antiseptic. Reassuring at least to Tara, because the smell signalled that the people running this infirmary knew about antiseptic. — Max Gladstone

I liked the taste of beer, its live, white lather, its brass-bright depths, the sudden world through the wet-brown walls of the glass, the tilted rush to the lips and the slow swallowing down to the lapping belly, the salt on the tongue, the foam at the corners. — Dylan Thomas

It's crazy how intelligent kids can be at a very young age and how they know what they know. I came out of the womb drawing on everything; I used to draw on my mother's white furniture and her white walls with her red lipstick and my pencils. Little did she know that would later materialize into me doing what I do now - I'm a painter as well and a micromechanical engineer. — Aldis Hodge

Gen. George S. Patton Jr. fears no one. But now he sleeps flat on his back in a hospital bed. His upper body is encased in plaster, the result of a car accident twelve days ago. Room 110 is a former utility closet, just fourteen feet by sixteen feet. There are no decorations, pictures on the walls, or elaborate furnishings - just the narrow bed, white walls, and a single high window. A chair has been brought in for Patton's wife, Beatrice, who endured a long, white-knuckle flight over the North Atlantic from the family home in Boston to be at his bedside. She sits there now, crochet hook moving silently back and forth, raising her eyes every few moments to see if her husband has awakened. — Bill O'Reilly

Hannah kept her eyes forward, trained on two rows of rusted showerheads stuck in facing walls. Sixteen in all. The room was paved with white tile, chipped and discolored by age and use. — Rebecca Forster

Love.

Because of you, in gardens of blossoming
Flowers I ache from the perfumes of spring.
I have forgotten your face, I no longer
Remember your hands; how did your lips
Feel on mine?

Because of you, I love the white statues
Drowsing in the parks, the white statues that
Have neither voice nor sight.

I have forgotten your voice, your happy voice;
I have forgotten your eyes.

Like a flower to its perfume, I am bound to
My vague memory of you. I live with pain
That is like a wound; if you touch me, you will
Make to me an irreperable harm.

Your caresses enfold me, like climbing
Vines on melancholy walls.

I have forgotten your love, yet I seem to
Glimpse you in every window.

Because of you, the heady perfumes of
Summer pain me; because of you, I again
Seek out the signs that precipitate desires:
Shooting stars, falling objects. — Pablo Neruda

Someone who has seen a house collapse knows only too clearly what frail things little vases of flowers and pictures and white walls are. He knows only too well what a house is made of. — Natalia Ginzburg

All the pictures on the walls, they all white as lilies and smiling like alligators. — Charlaine Harris

I'm not sure whether that had to do with the humor, or with the unfashionable fairy-tale ending, which is very different from much of what I read in The New Yorker, where short stories seem to end with someone staring off at the white walls of a white room, and you think that something's happened but you're not quite sure what. — Jennifer Weiner

It was said that [Vetinari] would tolerate absolutely anything apart from anything that threatened the city* ... [Footnote] And mime artists. It was a strange aversion, but there you are. Anyone in baggy trousers and a white face who tried to ply their art anywhere within Ankh's crumbling walls would very quickly find themselves in a a scorpion pit, on one wall of which was painted the advice: Learn The Words. — Terry Pratchett

Holy isn't always a church or open meadow. It can be a zone of profound change, where sexuality, the mythic realms, dreams, and the opening of soul can all occur. Those sculptural images on the temple walls are telling us this, warning us of major potencies at play. If you want to keep everything just so, nice and white, go no further. — Martin Shaw

The Tide Rises, The Tide Falls
The tide rises, the tide falls,
The twilight darkens, the curlew calls;
Along the sea-sands damp and brown
The traveller hastens toward the town,
And the tide rises, the tide falls.
Darkness settles on roofs and walls,
But the sea, the sea in the darkness calls;
The little waves, with their soft, white hands,
Efface the footprints in the sands,
And the tide rises, the tide falls.
The morning breaks; the steeds in their stalls
Stamp and neigh, as the hostler calls;
The day returns, but nevermore
Returns the traveller to the shore,
And the tide rises, the tide falls. — Henry Wadsworth Longfellow

Northern San Diego. The white stucco walls rose, interrupted by huge windows. The whole structure nearly floated off the pavement, sleek, modern, and somehow light, almost delicate. The salt-spiced wind blowing from the coast less than a mile away only strengthened the illusion. He'd — Ilona Andrews

So Captain Jack's come a-courtin'." Her hands stilled on the basket. "Who?" "The tall Shawnee who come by your cabin." The tall one. Lael felt a small surge of triumph at learning his name. Captain Jack. Oddly, she felt no embarrassment. Lifting her shoulders in a slight shrug, she continued pulling the vines into a tight circle. "He come by, but I don't know why." "Best take a long look in the mirror, then." Lael's eyes roamed the dark walls. Ma Horn didn't own one. "Beads and a blanket, was it?" She nodded and looked back down. "I still can't figure out why some Shawnee would pay any mind to a white girl like me." Ma Horn chuckled, her face alight in the dimness. "Why, Captain Jack's as white as you are." "What?" she blurted, eyes wide as a child's. Ma Horn's smile turned sober. "He's no Indian, Shawnee or otherwise, so your pa says. He was took as a child from some-wheres in North Carolina. All he can remember of his past life is his white name - Jack. — Laura Frantz

Now had the sun to that horizon reach'd,
That covers, with the most exalted point
Of its meridian circle, Salem's walls;
And night, that opposite to him her orb
Rounds, from the stream of Ganges issued forth,
Holding the scales, that from her hands are dropt
When she reigns highest: so that where I was,
Aurora's white and vermeil - tinctured cheek
To orange turn'd as she in age increased. — Dante Alighieri

Rather than sleeping myself, I practiced. I practiced taking everything I'd seen in the last few days-every horror, every drop of blood-and locking it away, so deep in my mind that I could pretend that nothing had happened.
And then I practiced letting it out.
This time, I didn't start with a specific memory. I didn't walk myself step by step through a scene. Instead, I built a room inside my head-a tiny room with white walls and no windows and no doors. No way out.
In that room, I put the sound of screams, tearing flesh, and heavy breathing, the smell of rancid blood. Everything I'd been holding back, everything threatening to devour me whole was there-in the ceiling of that room, the corners, the floor. — Jennifer Lynn Barnes

Melissa popped open the clattery little Rotring tin. Pencils, putty rubber, scalpel. She sharpened a 3B, letting the curly shavings fall into the wicker bin, then paused for a few seconds, finding a little place of stillness before starting to draw the flowers. Art didn't count at school because it didn't get you into law or banking or medicine. It was just a fluffy thing stuck to the side of Design and Technology, a free A level for kids who could do it, like a second language, but she loved charcoal and really good gouache, she loved rolling sticky black ink on to a lino plate and heaving on the big black arm of the Cope press, the quiet and those big white walls. — Mark Haddon

The castled crag of Drachenfels, Frowns o'er the wide and winding Rhine, Whose breast of waters broadly swells Between the banks which bear the vine, And hills all rich with blossom'd trees, And fields which promise corn and wine, And scatter'd cities crowning these, Whose far white walls along them shine. — Lord Byron

One of the many horrible things about dying the way we died was the way it robbed us of the outdoor world and trapped us in the indoor world. For every one of us who was able to die peacefully on a deck chair, blanket pulled high, as the wind stirred his hair and the sun warmed his face, there were hundreds of us whose last glimpse of the world was white walls and metal machinery, the tease of a window, the inadequate flowers in a vase, elected representatives from the wilds we had lost. Our last breaths were of climate-controlled air. We died under ceilings. Either the wallpaper goes, or I do. It makes us more grateful now for rivers, more grateful for sky. — David Levithan

Balloons
Since Christmas they have lived with us, Guileless and clear, Oval soul-animals, Taking up half the space, Moving and rubbing on the silk Invisible air drifts, Giving a shriek and pop When attacked, then scooting to rest, barely trembling. Yellow cathead, blue fish
Such queer moons we live with Instead of dead furniture! Straw mats, white walls And these traveling Globes of thin air, red, green, Delighting The heart like wishes or free Peacocks blessing Old ground with a feather Beaten in starry metals. Your small Brother is making His balloon squeak like a cat. Seeming to see A funny pink world he might eat on the other side of it, He bites, Then sits Back, fat jug Contemplating a world clear as water. A red Shred in his little fist. — Sylvia Plath

I wake up in Satan's butthole. Everything is white - white walls, white beds, white light. Or Narnia. It could be Narnia. Did I die and go to Narnia? Because that would be rad. — Sara Wolf

We have been happily borne - or perhaps have unhappily dragged our weary way - down the long and crooked streets of our lives, past all kinds of walls and fences made of rotting wood, rammed earth, brick, concrete, iron railings. We have never given a thought to what lies behind them. We have never tried to penetrate them with our vision or our understanding. But there is where the Gulag country begins, right next to us, two yards away from us. In addition, we have failed to notice an enormous number of closely fitted, well-disguised doors and gates in these fences. All those gates were prepared for us, every last one! And all of a sudden the fateful gate swings quickly open, and four white male hands, unaccustomed to physical labor but nonetheless strong and tenacious, grab us by the leg, arm, collar, cap, ear, and drag us in like a sack, and the gate behind us, the gate to our past life, is slammed shut once and for all.
That's all there is to it! You are arrested! — Aleksandr Solzhenitsyn

Those who cannot conquer must bend the knee. They must find strength, or serve those of us who have. You are my generals. I will send you out: my hunting dogs, my wolves with iron teeth. When a city closes its gates in fear, you will destroy it. When they make roads and walls, you will cut them, pull down the stones. When a man raises a sword or bow against your men, you will hang him from a tree. Keep Karakorum in your minds as you go. This white city is the heart of the nation, but you are the right arm, the burning brand. Find me new lands, gentlemen. Cut a new path. Let their women weep a sea of tears and I will drink it all. — Conn Iggulden

Ever since I was a girl, I have written about one to five pages every day - on napkins, on scrap paper, in notebooks and tablets, on the walls in my room as a teenager, and in orange paint on the cheap white plastic blinds in my room. — Roseanne Barr

The palace was beautiful and cold. Each room was different, displaying one rich color after another. Wide pillars and reliefs decorated each room, quartz giving way to marble, marble giving way to onyx, malachite, and granite. While the memory of Mount Olympus from her one childhood visit was hazy, she most clearly remembered the stark white walls and absence of color. The Palace of Hades was its opposite and spoke to its master's dominion over everything that lay within the earth. — Rachel Alexander

Do I seem like the white-picket-fence sort of girl to you, Carl?" "No, you seem like the blood-soaked-walls kind of girl to me. — Vicki Pettersson

Mountains. They stand at every view, like a mother offering a blanket in which to wrap everyday life and shelter it from useless. dreads. In june they are walls of white rhodendron blossom. In autumn the forests set themselves afflame with color. Even winter has its icy charms. — Barbara Kingsolver

If you have white walls, human beings look better in a room than if you have red walls. — Minoru Yamasaki

I never expected the White House to be warm, and the artwork on the walls was extraordinary. I am a fan of the Louvre, but being there it was almost just as good. — Jill Scott

There's pathos in this familiar routine, in the sounds of homely objects touching surfaces. And in the little sigh she makes when she turns or slightly bends our unwieldy form. It's already clear to me how much of life is forgotten even as it happens. Most of it. The unregarded present spooling away from us, the soft tumble of unremarkable thoughts, the long-neglected miracle of existence. When she's no longer twenty-eight and pregnant and beautiful, or even free, she won't remember the way she set down the spoon and the sound it made on slate, the frock she wore today, the touch of her sandal's thong between her toes, the summer's warmth, the white noise of the city beyond the house walls, a short burst of birdsong by a closed window. All gone, already. — Ian McEwan

The walls shrugged themselves loose from their foundations and slid towards the centre of the room, as if attracted by the struggle. The ceiling, a massive rectangular slab of concrete furrowed with fluorescent white, also shuddered loose and loomed down on her. — Michel Faber

The shooting and killing weren't as black-and-white as most people think. The actions live in that hazy area of blown-apart stone walls and hesitations. Sometimes I shot when I shouldn't have; other times I didn't shoot when I should have. There was no way to explain why I did either. Everything happened so fast. Decisions had to be made. After I got home I began to see things in slow motion, see the actions that might've been mistakes. — Clint Van Winkle

I was very young and lived with my grandparents in a villa with white walls in the Calle Ocharan, in Miraflores. — Mario Vargas-Llosa

I gave Clive a sock full of catnip and a bowlful of tuna. My hope was to get him wasted and passed out before the action started. The treats had the opposite effect. My boy was ready to party down when the first strains of Purina came shrieking through the walls about one fifteen in the morning. If Clive could have put on a mini smoking jacket, he would have. He stalked the room, pacing back and forth in front of the wall, playing it cool. When Purina began her meows, though, he couldn't contain himself. He once again launched toward the wall. He jumped from nightstand to dresser to shelf, scaling pillows and even a lamp to get closer to his beloved. When he realized he would never be able to burrow under the plaster, he serenaded her with some weird kind of kitty Barry White, his yowls matching hers in intensity. — Alice Clayton

Dharma companions filling mountains, a sangha forms of itself: chanting, sitting ch'an stillness. Looking out from distant city walls, people see only white clouds. — David Hinton

I look down at the picture in my hand. It's home, the image slightly dog-eared after two years in various grab bags and holdalls. There's the house, white walls covered in the blue flowers she loves, red poppies stretching away in the background. There's my mother, small and fair, hair falling out of its bun as usual, glasses - one of her many eccentricities - perched on her nose. — Amie Kaufman

I come from down south, where vegetation does not know its place. Honeysuckle can work through cracks in your walls and strangle you while you sleep. Kudzu can completely shroud a house and a car parked in the yard in one growing season. Wisteria can lift a building off its foundation, and certain terrifying mints spread so rapidly that just the thought of them on a summer night can make your hair stand on end. — Bailey White

I stayed with you inside the room, as the warm white walls became a womb. — Dana Goodyear

The light struck upon the trees in the garden, making one leaf transparent and then another. One bird chirped high up; there was a pause; another chirped lower down. The sun sharpended the walls of the house, and rested like the tip of a fan upon a white blind and made a fingerprint of a shadow under the leaf by the bedroom window. The blind stirred slightly, but all within was dim and unsubstantial. The birds sang their blank melody outside. — Virginia Woolf

The Beautiful is everywhere; perhaps more in the arrangement of your saucepans on the white walls of your kitchen than in your eighteenth-century living room or in the official museums. — Fernand Leger

School is a terrible place, I have decided. There is nothing good about it except for math class. Everything else is a total waste of time. As I mentioned before I have done a lot of reading about prisons, and I notice that they always describe them as painted in very dull colors, and my school is also painted in these kinds of colors, with greenish lockers and brownish walls and grayish floors. Actually they recently fixed up one wing of the school, and now that part of the school is just the opposite - all the colors are really bright, with bright red and yellow lockers and blue doors and shiny white floors that are already all scuffed up. It's funny because I thought the other colors were terrible but these are much worse, because they make it seem like it's normal to be happy there when it isn't. — Dara Horn

On Fifth Avenue I went into the Trump Tower, a new skyscraper. A guy named Donald Trump, a developer, is slowly taking over New York, building skyscrapers all over town with his name on them, so I went in and had a look around. The building had the most tasteless lobby I had ever seen
all brass and chrome and blotchy red and white marble that looked like the sort of thing that if you saw it on the sidewalk you would walk around it. Here it was everywhere
on the floors, up the walls , on the ceiling. It was like being inside somebody's stomach after he'd eaten pizza. — Bill Bryson

To avoid being mistaken for a sellout, I chose my friends carefully. The more politically active black students. The foreign students. The Chicanos. The Marxist professors and structural feminists and punk-rock performance poets. We smoked cigarettes and wore leather jackets. At night, in the dorms, we discussed neocolonialism, Franz Fanon, Eurocentrism, and patriarchy. When we ground out our cigarettes in the hallway carpet or set our stereos so loud that the walls began to shake, we were resisting bourgeois society's stifling conventions. We weren't indifferent or careless or insecure. We were alienated.
But this strategy alone couldn't provide the distance I wanted, from Joyce or my past. After all, there were thousands of so-called campus radicals, most of them white and tenured and happily tolerant. No, it remained necessary to prove which side you were on, to show your loyalty to the black masses, to strike out and name names. — Barack Obama

Beyond this point on the river Cambridge became a kind of miniature Venice, its river water lapping up against the ancient stone of college walls, here mottled and reddened brick, there white stone. Stained, lichened, softened by water light. Here the river became a great north-south tunnel, a gothic castle from the river, flanked by locked iron gates, steps leading nowhere, labyrinths, trapdoors, landing stages where barges had unloaded their freight: crates of fine wines, flour, oats, candles, fine meats carried into the damp darkness of college cellars. — Rebecca Stott

What's happened? screamed Mrs. Twit. They stood in the middle of the room, looking up. All the furniture, the big table, the chairs, the sofa, the lamps, the little side tables, the cabinet with bottles of beer in it, the ornaments, the electric heater, the carpet, everything was stuck upside down to the ceiling. The pictures were upside down on the walls. And the floor they were standing on was absolutely bare. What's more, it had been painted white to look like the ceiling. — Roald Dahl

Time is a gift. Something to be treasured and never taken for granted. — Lauren Hammond

On moonlight nights the long, straight street and dirty white walls, nowhere darkened by the shadow of a tree, their peace untroubled by footsteps or a dog's bark, glimmered in the pale recession. The silent city was no more than an assemblage of huge, inert cubes, between which only the mute effigies of great men, carapaced in bronze, with their blank stone or metal faces, conjured up a sorry semblance of what the man had been. In lifeless squares and avenues these tawdry idols lorded it under the lowering sky; stolid monsters that might have personified the rule of immobility imposed on us, or, anyhow, its final aspect, that of a defunct city in which plague, stone, and darkness had effectively silenced every voice. — Albert Camus

The walls are white, the track is grey, the grass is green, and the sky is blue ... your job is to keep them all where they belong. — Johnny Rutherford

Your house has two colors," she said,
while looking up at a corner
of my ceiling and walls.
"Yes," I replied.
"Why is that rainbow beach blanket on the couch?"
I replied, "Color."
She bent over and ripped
the beach towel off my white couch.
Maybe she thought I was trying to hide something.
"You talk a lot," she said sarcastically.
I looked back at her.
Maybe I raised an eyebrow,
but I didn't say anything.
She's right, of course.
I don't talk much.
I am a simple man.
I speak from my heart.
Sometimes, I write poetry. — Jeffrey A. White

One morning in April, I woke up a little sick. I lay there looking at shadows on the white plaster ceiling. I remembered a long time ago, when I lay in bed beside my mother, watching lights from the street move across the ceiling and down the walls. I felt the sharp nostalgia of train whistles, piano music down a city street, burning leaves. A mild degree of junk sickness always brought me the magic of childhood. It never fails, I thought, just like a shot; I wonder if all junkies score for this wonderful stuff. — William S. Burroughs

looked around, trying to imagine what it'd be like to work there. The furniture was trendy but functional, and plants gave the area a personal touch. The walls were painted a warm off-white, and they were decorated with framed ads that Elle recognized immediately. Geometric-patterned rugs covered much of the floor. Taken individually, none of it was really her — Cleo Peitsche

The white hands of the tenebrous belle deal the hand of destiny. Her fingernails are longer than those of the mandarins of ancient China and each is pared to a fine point. These and teeth as fine and white as spikes of spun sugar are the visible signs of the destiny she wistfully attempts to evade via the arcana; her claws and teeth have been sharpened on centuries of corpses, she is the last bud of the poison tree that sprang from the loins of Vlad the Impaler who picnicked on corpses in the forests of Transylvania.
The walls of her bedroom are hung with black satin, embroidered with tears of pearl. At the rooms four corners are funerary urns and bowls which emit slumbrous, pungent fumes of incense. In the centre is an elaborate catafalque, in ebony, surrounded by long candles in enormous silver candlesticks. In a white lace negligee stained a little with blood, the Countess climbs up on her catafalque at dawn each morning and lies down in an open coffin. — Angela Carter

Yes, when I get big and have my own home, no plush chairs and lace curtains for me. And no rubber plants. I'll have a desk like this in my parlor and white walls and a clean green blotter every Sunday night and a row of shining yellow pencils always sharpened for writing and a golden-brown bowl with a flower or some leaves or berries always in it and books ... books..books. — Betty Smith

I want a life that sizzles and pops and makes me laugh out loud. And I don't want to get to the end, or to tomorrow, even, and realize that my life is a collection of meetings and pop cans and errands and receipts and dirty dishes. I want to eat cold tangerines and sing out loud in the car with the windows open and wear pink shoes and stay up all night laughing and paint my walls the exact color of the sky right now. I want to sleep hard on clean white sheets and throw parties and eat ripe tomatoes and read books so good they make me jump up and down, and I want my everyday to make God belly laugh, glad that he gave life to someone who loves the gift. — Shauna Niequist

Every period had its style: why was it that our period was the only one to be denied a style? By "style" was meant ornament. I said, "weep not. Behold! What makes our period so important is that it is incapable of producing new ornament. We have out-grown ornament, we have struggled through to a state without ornament. Behold, the time is at hand, fulfilment awaits us. Soon the streets of the cities will glow like white walls! Like Zion, the Holy City, the capital of heaven. It is then that fulfilment will have come. — Adolf Loos

When I'm standing in the middle of the salt flats, where you swear that the pupils of your eyes have turned white because of the searing heat that is rising from the desert, I think of my childhood, I think of my mother, my father, my grandparents; I think of the history that we hold there and it is beautiful to me. But it is both a blessing and a burden to be rooted in place. It's recognizing the pattern of things, almost feeling a place before you even see it. In Southern Utah, on the Colorado plateau where canyon walls rise upward like praying hands, that is a holy place to me. — Terry Tempest Williams

Outside the school's walls the Swinging Sixties are in full cry, but inside them the band of Empire plays on. Twice-daily chapel services praise the school's war dead to the detriment of its living, value the white man above lesser breeds, and preach chastity to boys who can find sexual stimulation in a Times editorial. — John Le Carre

Jobs described Mike Markkula's maxim that a good company must "impute"- it must convey its values and importance in everything it does, from packaging to marketing. Johnson loved it. It definitely applied to a company's stores. " The store will become the most powerful physical expression of the brand," he predicted. He said that when he was young he had gone to the wood-paneled, art-filled mansion-like store that Ralph Lauren had created at Seventy-second and Madison in Manhattan. " Whenever I buy a polo shirt, I think of that mansion, which was a physical expression of Ralph's ideals," Johnson said. " Mickey Drexler did that with the Gap. You couldn't think of a Gap product without thinking of the Great Gap store with the clean space and wood floors and white walls and folded merchandise. — Walter Isaacson

What Waringa tried hard to avoid was looking at the pictures of the walls and windows of the church. Many of the pictures showed Jesus in the arms of the virgin Mary or on the cross. But others depicted the devil, with two cow-like horns and a tail like a monkey's, raising one leg in a dance of evil, while his angels, armed with burning pitchforks, turned over human beings on a bonfire. The Virgin Mary, Jesus and God's angels were white, like European, but the devil and his angels were black. — Ngugi Wa Thiong'o

They were exiles, but Hob provided a type of protection once they settled in. By playing up their strangeness, the way a slave simpered and acted childlike to escape a beating, they evaded the entanglements of the quarter. The walls of Hob made a fortress some nights, rescuing them from the feuds and conspiracies. White men eat you up, but sometimes colored folk eat you up, too. She — Colson Whitehead

As I descend the stairs, I can't help brushing my fingers along the unblemished white marble walls. So cold and beautiful. Even in the Capitol, there's nothing to match the magnificence of this old building. But there is no give to the surface - only my flesh yields, my warmth taken. Stone conquers people every time. — Suzanne Collins

I'm sick of white walls and endings. The only thing that doesn't end in this place is me. I don't end. I just go on, and on, swinging that scythe glued to my hand. There's no rhythm to the strokes. Few see death coming, and even those who do see death don't see me. Because there is no me. Not anymore. Always the reaper, never the reaped. Soon that won't bother me. Soon I won't care. Emotional death follows physical death at a different pace for each reaper. I've put it off for more than two years, but it's inevitable. — Rachel Vincent

O'Shaughnessy is hitting Denholt on the side of his head with his free arm, great, walloping, pile-driver blows. The two of them stagger together, like partners in a crazy dance. Glass is breaking all around them. Gray smoke from the six shots, pink-and-white dust from the chipped brick-and-plaster walls, swirl around them in a rainbow haze. Something vividly green flares up from one of the overturned retorts, goes right out again. O'Shaughnessy tears the emptied gun away, flings it off somewhere. More breaking glass, and this time a tart pungent smell that makes the nostrils sting. The crunch of pulverized tube glass underfoot makes it sound as if they were scuffling in sand or hard-packed snow. ("Jane Brown's Body") — Cornell Woolrich

Beauty is only skin deep but evil cuts straight through the soul. — Lauren Hammond

The afternoon had passed to a ghostly gray. She was struck by the immensity of things, so much water and sky and forest, and after a time it occurred to her that she'd lived a life almost entirely indoors. Her memories were indoor memories, fixed by ceilings and plastered white walls. Her whole life had been locked to geometries: suburban rectangles, city squares. First the house she'd grown up in, then dorms and apartments. The open air had been nothing but a medium of transit, a place for rooms to exist. — Tim O'Brien

The master of ceremonies asked people to say what they thought the function of the novel might be in modern society, and one critic said, "To provide touches of color in rooms with all-white walls." Another one said, "To describe blow-jobs artistically. — Kurt Vonnegut

automated voices and the bells from the row of testing machines in the back. The walls were white cinder block, the floors speckled linoleum. At the front desk were four large black ladies. Leigh Anne handed all the documents over to one of them, who took one look at them and said in a slow drawl, "Uh-uh. This school — Michael Lewis

When, one otherwise ordinary day, she tentatively stepped back into the world, she left behind, deep within the walls of that ancient monastery, more than the simple white habit the Sisters had made for her. — Mary Ann D'Alto

The tulips are too excitable; it is winter here
Look at how white everything is, how quiet, how snowed in
I am learning peacefulness, lying by myself quietly
As light lies on these white walls, this bed, these hands
I am nobody, I have nothing to do with explosions
I have given my name and my dayclothes to the nurses, and my history to the anesthetist, and my body to the surgeons — Sylvia Plath

I didn't know it would get this hot," she said. "It's hot as hell."
"Hell is hotter."
"Sounds like you've been there."
"I've heard it from someone. They make it hotter and hotter till you think you'll go crazy; then they move you someplace cooler for a while. Then when you're recovered a little they move you back again."
"So hell it's like a sauna."
"Yeah, more or less. But a few can't recover and go totally bonkers."
"So what happens to them?"
"They get sent up to heaven, where they're forced to paint the walls. You see, the walls in heaven have to be kept a perfect white. As a result, they have to keep painting from dawn till dusk every day. It messes up their respiratory systems big time. — Haruki Murakami

The Rising was mainly a piece of streat theatre designed by poets for dramatic effect. For better or worse, it became part of the founding myth which states need - but which they should move on from after a time. Major John MacBride, in a cameo performance in which he left Jacobs Mill, as he had entered it, immaculately dressed down to the white spats, told his colleagues Next time lads, don't shut yourself up behind four walls. It was good advice. — Maurice Hayes

When you think about it, we're strapping strange planks of wood to our feet and launching off of giant snow walls. It's pretty intense. — Shaun White

On the warm stone walls, climbing roses were just coming into bloom and great twisted branches of honeysuckle and clematis wrestled each other as they tumbled up and over the top of the wall. Against another wall were white apple blossoms on branches cut into sharp crucifixes and forced to lie flat against the stone. Below, the huge frilled lips of giant tulips in shades of white and cream nodded in their beds. They were almost finished now, spread open too far, splayed, exposing obscene black centers. I've never had my own garden but I suddenly recognized something in the tangle of this one that wasn't beauty. Passion, maybe. And something else. Rage. — Meg Rosoff

If there was anything she had learned from her mother, it was the painful understanding that cages come in all sizes - some even have white picket fences, four walls, and a front door. — Jamie Ford

Today, we could only look and try to believe the sight of our eyes. We pulled the heavy curtains from the windows and we saw that the rooms were small, and we thought that not more than twelve men could have lived here. We thought it strange that men had been permitted to build a house for only twelve.
Never had we seen rooms so full of light. The sunrays danced upon colors, colors, more colors than we thought possible, we who had seen no houses save the white ones, the brown ones and the grey. There were great pieces of glass on the walls, but it was not glass, for when we looked upon it we saw our own bodies and all the things behind us, as on the face of a lake. There were strange things which we had never seen and the use of which we do not know. — Ayn Rand

The world may not like to see these ideas dissevered, for it has been accustomed to blend them; finding it convenient to make external show pass for sterling worth - to let white-washed walls vouch for clean shrines. — Charlotte Bronte

Leave me in Granada in the middle of paradise where my soul wells with poetry;
Leave me until my time comes and I may intone a fitting song.
Yes, I want my memorial stone in this land.
Granada! Holy place of the glory of Spain,
Your mountains are the white tents of pavilions,
Your walls are the circle of a vase of flowers,
Your plain a Moorish shawl embroidered with colour,
Your towers are palm trees that imprison you — Jose Zorrilla

Behold those times re-created by
the brutal power of sunlit images,
the light of life's tragedy.
The walls of the trial, the field
of the firing squad; and the distant
ghost of Rome's suburbs in a ring,
gleaming white in naked light.
Gunshots: our death, our survival. — Pier Paolo Pasolini

Does being forced to sit in time-out ever make little kids stop putting cats in the dishwasher or drawing on white walls with purple marker? Of course not. It teaches them to be sneaky and guarantees that when they get to high school they'll love detention because it's a great place to sleep. — Laurie Halse Anderson

The true professional makes art when he is not feeling good, if the studio is too cold or too warm or the walls are falling down. We are painters and we paint. If I were a sculptor, I'd sculpt. — Jack White

Now,' [her father] barked.
She stiffly followed, still fully dressed in the elaborate navy-and-white gown she had worn all evening. It was hard not to feel as if the bare walls and surfaces she passed had been bled, leeched, into the cloth encasing her. Stripped paint and sacrificed heirlooms clinging to her, demanding she make everything right once more. — Anne Mallory

Nobody's going to save you. No one's going to cut you down, cut the thorns thick around you. No one's going to storm the castle walls nor kiss awake your birth, climb down your hair, nor mount you onto the white steed. There is no one who will feed the yearning. Face it. You will have to do, do it yourself. — Gloria E. Anzaldua

you're the fly on the wall hearing all, seeing all

ears of a wall hearing all the secrets

perhaps you're the vines creeping over

the old abandoned mansion walls

dusty, soulless and dead

bringing a certain curious life to rubble

and I think you're the jewel-eyed gecko

sneaking around the warm summer walls

between jasmine and olive branches

sticky pad toes, clinging to the walls

peeking in at lonely summer spicy love-making

through silk curtains from the bright orient

breathing in incense and tasting decadence

climbing the sharply barbed walls

the smooth cemented white-washed walls

because walls breathe too — Moonshine Noire