White Lamps Quotes & Sayings

But, along with the street lamp, everything breathes deceit. It lies all the time, this Nevsky Prospect, but most of all at the time when night heaves its dense mass upon it and sets off the white and pale yellow walls of the houses, when the whole city turns into a rumbling and brilliance, myriads of carriages tumble from the bridges, postillions shout and bounce on their horses, and the devil himself lights the lamps only so as to show everything not as it really looks. — Nikolai Gogol

Darkness. The door into the neighboring room is not quite shut. A strip of light stretches through the crack in the door across the ceiling. People are walking about by lamplight. Something has happened. The strip moves faster and faster and the dark walls move further and further apart, into infinity. This room is London and there are thousands of doors. The lamps dart about and the strips dart across the ceiling. And perhaps it is all delirium ...
Something had happened. The black sky above London burst into fragments: white triangles, squares and lines - the silent geometric delirium of searchlights. The blinded elephant buses rushed somewhere headlong with their lights extinguished. The distinct patter along the asphalt of belated couples, like a feverish pulse, died away. Everywhere doors slammed and lights were put out. And the city lay deserted, hollow, geometric, swept clean by a sudden plague: silent domes, pyramids, circles, arches, towers, battlements. — Yevgeny Zamyatin

I find it very difficult to relax. I find it increasingly difficult to find outlets for my frustration. — Judd Nelson

The fact that we are now crusaders needn't blind us to the fact that for a very long time we have been, as Badger would say, echidnas. I can think of a hundred ways already in which the war has "brought us to our senses." But it oughtn't to need a war to make a nation paint its kerbstones white, carry rear-lamps on its bicycles, and give all its slum children a holiday in the country. And it oughtn't to need a war to make us talk to each other in buses, and invent our own amusements in the evenings, and live simply, and eat sparingly, and recover the use of our legs, and get up early enough to see the sun rise. However, it has needed one: which is about the severest criticism our civilization could have. — Jan Struther

I like movies I can relate to. — Kim Cattrall

Wolf's fur was speckled with drops of blood that had beaded on it like rain. The gravel in the alley shone in the half-light from the distant street lamps. The wolf's muzzle, a little shorter and broader than I had seen on Wild Kingdom, was drawn back, black lips from fangs striped white and red like peppermints. Its eyes were blue, rather than any proper lupine shade, and gleamed with a sort of demented awareness. — Jim Butcher

You could be a Hemlock, as I could be an Ironwood; or you could sign your name with Linden, as I might sign mine with Hall. Or perhaps you are Miss Spencer, and always will be," he told her, his thumb skating over her cheek. "Or you could choose, one day, to be a Carter. Or we might be nothing beyond you and I, and be done with this business of names once and for all, for they have never once had a true bearing on who we are or who we intend to be. — Alexandra Bracken

How wonderful to find in living creatures the same substance as those which make up minerals. Nevertheless they felt a sort of humiliation at the idea that their persons contained phosphorous like matches, albumen like white of egg, hydrogen gas like street lamps. — Gustave Flaubert

A sea-green sky: lamps blossoming white. This is marginal land: fields of strung wire, of treadless tyres in ditches, fridges dead on their backs, and starving ponies cropping the mud. It is a landscape running with outcasts and escapees, with Afghans, Turks and Kurds: with scapegoats, scarred with bottle and burn marks, limping from the cities with broken ribs. The life forms here are rejects, or anomalies: the cats tipped from speeding cars, and the Heathrow sheep, their fleece clotted with the stench of aviation fuel. — Hilary Mantel

The GH50L is a monster of an amp. It's refreshing to play an amplifier that is loaded with tone but without unnecessary bells and whistles. Raw and powerful. — Ben Weinman

We're coming near to the end of the bridge, and the road is once more bathed in the neon light of the street lamps so his face is intermittently in the light and the dark. And it's such a fitting metaphor. This man, whom I once thought of as a romantic hero, a brave shining white knight - or the dark knight, as he said. He's not a hero; he's a man with serious, deep emotional flaws, and he's dragging me into the dark. Can I not guide him into the light? — E.L. James

Look, I get it. I'm a white, heterosexual man. It's really easy for me to say, 'Oh, wow, wasn't the nineteenth century terrific?' But try this. Imagine the scene: It's pouring rain against a thick window. Outside, on Baker Street, the light from the gas lamps is so weak that it barely reaches the pavement. A fog swirls in the air, and the gas gives it a pale yellow glow. Mystery brews in every darkened corner, in every darkened room. And a man steps out into that dim, foggy world, and he can tell you the story of your life by the cut of your shirtsleeves. He can shine a light into the dimness, with only his intellect and his tobacco smoke to help him. Now. Tell me that's not awfully romantic? — Graham Moore

My wife is a sex object - every time I ask for sex, she objects. — Les Dawson

Spanish was weird that way: two words for monkeys, and esposas meant both wives and handcuffs. That said a lot. — Ann Aguirre

One of the things I get amused by is when my opponent talks about the middle class. — Scott Walker

Clothes were scattered across the floor in piles, a duffel bag open on the floor as if it had exploded. Isabelle's bright silver-gold whip hung from one bedpost, a lacy white bra from another. Simon averted his eyes. The curtains were drawn, the lamps extinguished.
Isabelle flopped down on the edge of the bed and looked at him with bitter amusement. A blushing vampire. Who would have guessed. — Cassandra Clare

Overhead; before her was another long passage, and the White Rabbit was still in sight, hurrying down it. There was not a moment to be lost: away went Alice like the wind, and was just in time to hear it say, as it turned a corner, 'Oh my ears and whiskers, how late it's getting!' She was close behind it when she turned the corner, but the Rabbit was no longer to be seen: she found herself in a long, low hall, which was lit up by a row of lamps — Lewis Carroll

She turned back to her sandwich. And here, of all things, was desire again. (She could have put the palm of her hand to the front of his white shirt.) Here was her chicken sandwich and her tea and the waitress with a hard life in her eyes and a pretty face disappearing into pale flesh asking if there's anything else for now, dear. Here was the boudoir air of respectable Schrafft's with its marble counters and pretty lamps and lunchtime bustle (ten minutes until she should be back at her desk), perfume and smoke, with the war over and another life begun and mad April whipping through the streets again. And here she was at thirty, just out of church (a candle lit every lunch hour, still, although the war was over), and yearning now with every inch of herself to put her hand to the worn buckle at a stranger's waist, a palm to his smooth belly. A man she'd never see again. Good luck. — Alice McDermott

Our Garrick 's a salad; for in him we see Oil, vinegar, sugar, and saltness agree! — Oliver Goldsmith

Parasols with miniature electric gas lamps atop them were all the rage. Hers had a pink light in it, which meant she belonged to a family that allowed its children to follow the quaint old practice of dating. White indicated that a girl's family would arrange a courtship for her, and blue identified a married woman. Green stood for a woman who wasn't keen on men at all, but whose head could be turned by the sight of a pretty skirt. — Lia Habel

The street lamps and illuminated signs were all extinguished, and on impulse everybody looked into the sky. The frogs and crickets fell quiet to the count of five before they began to sing again. The smaller stars were spread across the darkness in a fine white powder, and the brighter ones pierced the air like nail points. In Andrew Brady's yearbook she wrote: The thing I will always remember about you is the time we were watching the film strip in Miss Applebome's class, and the lights were out, and you sat behind me scratching my back with your fingers. — Kevin Brockmeier

On westminster Bridge, Arthur was struck by the brightness of the streetlamps running across like a formation of stars. They shone white against the black coats of the marching gentlefold and fuller than the moon against the fractal spires of Westminster. They were, Arthur quickly realized, the new electric lights, which the city government was installing, avenue by avenue, square by square, in place of the dirty gas lamps that had lit London's public spaces for a century. These new electric ones were brighter. They were cheaper. They required less maintenance. And they shone farther into the dime evening, exposing every crack in the pavement, every plump turtle sheel of stone underfoot. So long to the faint chiaroscuro of London, to the ladies and gentlemen in black-on-black relief. So long to the era of mist and carbonized Newcastle coal, to the stench of the Blackfriars foundry. Welcome to the cleasing glare of the twentieth century. — Graham Moore

Another dawn flung itself across the river; a belated taxi hurried along the street, its lamps still shining like burning eyes in a face white from a nights' carouse. — F Scott Fitzgerald

What's happened? screamed Mrs. Twit. They stood in the middle of the room, looking up. All the furniture, the big table, the chairs, the sofa, the lamps, the little side tables, the cabinet with bottles of beer in it, the ornaments, the electric heater, the carpet, everything was stuck upside down to the ceiling. The pictures were upside down on the walls. And the floor they were standing on was absolutely bare. What's more, it had been painted white to look like the ceiling. — Roald Dahl

The toads bellowed mournfully, and the twilight was enrobing the professor. Here it was ... the night. Moscow ... white lamps turning on somewhere outside ... Lost and miserable, Pankrat stood fearfully at attention, arms at his sides ... — Mikhail Bulgakov

Better beware of the newly dead

Of the white-handed ghost

And the brightness of these lamps . . .

wrote Luc Berimont in 1940, in Reign of Darkness.

I've always felt the greatest reluctance to go anywhere near, to touch, a fresh corpse. For me, it's an unseemly thing. Useless. Hostile. Cunning. Dangerous. The 'presence' is much stronger, more perceptible one hour after death than one hour before. By my observation, this was not the case with Heisserer.

He was entirely absent from his head, his hands,his quivering body. He was gone instantly, unburdened of his absurd life, released. — Jacques Yonnet

He liked however the open shutters; he opened everywhere those Mrs. Muldoon had closed, closing them as carefully afterwards, so that she shouldn't notice: he liked
oh this he did like, and above all in the upper rooms!
the sense of the hard silver of the autumn stars through the window-panes, and scarcely less the flare of the street-lamps below, the white electric lustre which it would have taken curtains to keep out. This was human actual social; this was of the world he had lived in, and he was more at his ease certainly for the countenance, coldly general and impersonal, that all the while and in spite of his detachment it seemed to give him. — Henry James

I built the solenoid and with great expectations late one evening I pressed the switch which sent a current of 40 amperes through the coil. The result was spectacular-a deafening explosion, the apparatus disappeared, all windows were blown in or out, a wall caved in, and thus ended my pioneering experiment on liquid hydrogen cooled coils! — Nicholas Kurti