White Claws Quotes & Sayings

My gaze crept to where Sadi stood only a few feet from her, breathing heavily. Her white blouse was torn. Buttons popped and missing. Her normally coiffed hair looked like she'd been inside a wind tunnel, but the best part? Fingernail marks were etched down the side of Sadi's face and reddish-blue blood had been drawn. A disturbing level of pride rippled through me. Kitten got claws and then some. "She doesn't play nice with others," Sadi huffed out. "So I'm in the process of adjusting her attitude." "And I'm in the process of getting ready to cut out your heart, bitch." In spite of everything that was so damn messed up, my lips twitched into a small smile. "Get out. — Jennifer L. Armentrout

In Sing Sing Prison, in a ghastly white room stands a chair. Its parts are heavy joinings of oak, riveted and screwed together; its strong legs fastened to the floor with teeth and claws of steel. It bites into the marrow of men with fangs of fire. For this is the faldstool of bloody human justice, the prayer-chair of man's vengeance upon man. Into it are strapped ... men who have killed other men. In it, for a high moral purpose, erring human lives are shocked across the barrier into night and the grave. - Edward H. Smith (1918) — Yasmin Tirado-Chiodini

Nothing is ever black and white, kitten," he reminded her, allowing his claws to slice out to touch her skin. "I can use my claws to protect, but I can use the same claws to rip out an enemy's throat. — Nalini Singh

sometimes it's easier to search for treasure than to find it, because finding it forces you to make decisions about what to do with it, and it makes you fear the reality of how hard it may be to keep it without becoming a slave to it! — The Urban Griot

SPRING Somewhere a black bear has just risen from sleep and is staring down the mountain. All night in the brisk and shallow restlessness of early spring I think of her, her four black fists flicking the gravel, her tongue like a red fire touching the grass, the cold water. There is only one question: how to love this world. I think of her rising like a black and leafy ledge to sharpen her claws against the silence of the trees. Whatever else my life is with its poems and its music and its glass cities, it is also this dazzling darkness coming down the mountain, breathing and tasting; all day I think of her - her white teeth, her wordlessness, her perfect love. — Mary Oliver

In the Queen's dream she ran hazily through an emerald mist. Behind her trailed caricatures of elves. Their bodies were shadows, long and twisted. Just one of their strides covered two of hers. They were like harlequins, and their smiles gleamed white as they fired arrows that left bare trails in the Nixus. She looked over her shoulder just as an arrow sliced at her face and severed locks of her scarlet hair. Her bones made an unpleasant jolt as the Queen hit what felt like a wall. A great shadow towered over her, its face a porcelain white mask. Unlike the elves, however, the figure did not smile. Claws plucked her from the fog as if she were a child's toy, and the shadow's mask flipped open, revealing a familiar face. — Plague Jack

The badger had paused on the edge of the shadows that filled the back of the cave. Its powerful shoulders were hunched and its claws scraped on rock. Its head swung to and fro, the white stripe glimmering, as if it were deciding which of them to attack first. Then it spoke. "Midnight has come." Brambleclaw's mouth fell open, and for a moment he felt as if the ground had given way beneath him again. That a badger could speak, could say words he understood, words that actually meant something . . . He stared in disbelief, his heart pounding. "I am Midnight." The badger's voice was deep and rasping, like the sound of the pebbles turning under the waves. "With you I must speak. — Erin Hunter

A long, white banner spread out, lifting on the air. Rand could only stare. The whole thing seemed of a piece, neither woven, nor dyed, nor painted. A figure like a serpent, scaled in scarlet and gold, ran the entire length, but it had scaled legs, and feet with five long, golden claws on each, and a great head with a golden mane and eyes like the sun. The stirring of the banner made it seem to move, scales glittering like precious metals and gems, alive, and he almost thought he could hear it roar defiance. — Robert Jordan

In the Twoleg nests around them, lights began to appear in the dark holes in the walls. Lionblaze heard a Twoleg shouting angrily, but the dogs went on barking and pounding at the fence. His belly lurched when he saw that the small brown-and-white dog had stuck its head through the gap and the wood around it was starting to splinter. The dark tabby she-cat darted forward and slashed her claws at the dog's nose. Yelping, it pulled back. — Erin Hunter

The small gargoyle had gone entirely white to match the ceiling, and only the rims of his ears, his long clawlike nails, and a thick stripe down his whip-like tail were still gray. He was crawling along the ceiling like a bat, wings held to make sharp angles and claws extended. It just about broke my creepy meter. — Kim Harrison

You're mugging old ladies every bit as much if you pinch their pension fund — Ben Elton

I pressed my forehead to Mal's and heard him whisper, "I'll meet you in the meadow." Something inside me gave way, in fury, in hopelessness, in the certainty of my own death. I felt Mal's blood beneath my palms, saw the pain in his beloved face. A volcra screeched in triumph as its talons sank into my shoulder. Pain shot through my body. And the world went white. I closed my eyes as a sudden, piercing flood of light exploded across my vision. It seemed to fill my head, blinding me, drowning me. From somewhere above, I heard a horrible shriek. I felt the volcra's claws loosen their grip, felt the thud as I fell forward and my head connected with the deck, and then I felt nothing at all. — Leigh Bardugo

I thought you said something about a wolf' I began.
'Yes. That black beast that gnaws at my bones whenever he gets a chance. He loiters in corners and behind doors most of the time, because he's afraid of these.' She indicated the white pills on the table beside her. 'But they don't last forever. It's nearly twelve and they are wearing off. He is sniffing at my neck. By half past he will be digging his teeth and claws in. Until one, when I can take another tablet and he will have to return to his corner. We are always clockwatching, he and I. He pounces five minutes earlier every day. But I cannot take my tablets five minutes early. That stays the same. — Diane Setterfield

They cowered in a corner as far away as they could from the sound of ripping, tearing and banging. The creature above was frantically trying to find a way through the floor to them.
The terrifying scraping noise signaled that the thing had torn its way through the clean, white woolen carpet that had neatly covered the hard wood floorboards. Now it scraped its claws along the wood trying to find a hold.
In frustration, and after many attempts, it thumped the floor in anger. Screaming a long high-pitched whistle, it smashed itself hard and heavily against the floor.
Dust drifted towards them as they looked to each other for any suggestions to the one impending question upon all of their minds.
How are we going to get out of here alive? — Robert E. Kreig

Not but wut abstract war is horrid, I sign to thet with all my heart, But civilysation doos git forrid Sometimes, upon a powder-cart. — James Russell Lowell

We know that Rangi can at least mutter because Digger Gibson says he used to talk to the bear. In his group home for orphaned Moa boys, Rangi had a pet cinnamon bear. I saw her once. She was just a wet-nosed cub, a cuff of pure white around her neck. Rangi found her on the banks of the Waitiki River and walked her around on a leash. He filed her claws and fed her tiny, smelly fishes. They shot her the day his new father, Digger, came to pick him up.
"Burying that bear," I overheard Digger tell Mr. Oamaru once. "The first thing we ever did together as father and son."
Rangi's given us this global silent treatment ever since, a silence he extends to people, animals, ice. — Karen Russell

Winters are a desolate time where all senses are wiped away, and here in Canada, this is especially true. All smells are sucked clean from the air, leaving only a harsh, icy crispness. Colours are stripped away, leaving a stark white landscape, a sky which stays black at night and gray in the day, a world of only three shades. Stay outside too long, and your hands will get so cold that they'll go numb and turn red, like the claws of a lobster. During a whiteout, even sight itself is reduced to nothingness. — Rebecca McNutt

Like Breccan was known to do, he pushed the angry Gwarda a bit more. "It's settled then. She's mine." He cleared his throat and braced himself for the punch he knew would come.
Darius's fist came fast, landing hard against Breccan's jaw. — Madison Thorne Grey

I get accused of having a haughty smugness. I have a lopsided mouth. I can't help it. I was born with it. It looks as if I am smirking. I have had my publicist tell me, 'Don't do that smile on the red carpet.' I'm, like, 'That's my smile.' — Natalie Dormer

The white hands of the tenebrous belle deal the hand of destiny. Her fingernails are longer than those of the mandarins of ancient China and each is pared to a fine point. These and teeth as fine and white as spikes of spun sugar are the visible signs of the destiny she wistfully attempts to evade via the arcana; her claws and teeth have been sharpened on centuries of corpses, she is the last bud of the poison tree that sprang from the loins of Vlad the Impaler who picnicked on corpses in the forests of Transylvania.
The walls of her bedroom are hung with black satin, embroidered with tears of pearl. At the rooms four corners are funerary urns and bowls which emit slumbrous, pungent fumes of incense. In the centre is an elaborate catafalque, in ebony, surrounded by long candles in enormous silver candlesticks. In a white lace negligee stained a little with blood, the Countess climbs up on her catafalque at dawn each morning and lies down in an open coffin. — Angela Carter

White people found that freedom was indeed indivisible. We had kept saying in the dark days of apartheid's oppression that white South Africans would never be truly free until we blacks were free as well. Many thought it was just another Tutu slogan, irresponsible as all his others had been. Today they were experiencing it as a reality. I used to refer to an intriguing old film The Defiant Ones, in which Sidney Poitier was one of the stars. Two convicts escape from a chain gang. They are manacled together, the one white, the other black. They fall into a ditch with slippery sides. The one convict claws his way nearly to the top and out of the ditch but cannot make it because he is bound to his mate, who has been left at the bottom in the ditch. The only way they can make it is together as they strive up and up and up together and eventually make their way over the side wall and out. — Desmond Tutu