When Eyes Talk Quotes & Sayings

The heart will listen when the eyes are closed. The heart will hear when the mind is shut. The heart will move you when you feel you have nothing left. Stories talk to the heart. Our stories will rescue the heart of America. — Rob Kall

Watch for the people whose eyes light up when you talk about your dream. Those are the people you keep. — Elizabeth Gilbert

You should look at women's eyes most of the time before you approach and whenever you talk to them. It is perfectly okay to look at their breasts for a moment if you wish, and many males instinctively focus on a woman's chest before looking at her face, but make sure to return to her eyes when you talk to her or when she is talking to you. The fact that you admire her entire body is nothing but flattering to her, as long as she does not get the idea that you are inexperienced and have never seen a woman's body up close before or if you talk to her chest instead of her face. — W. Anton

And another thing - when you talk to that pompous ass on the phone, do not go all syrupy." He folded his arms across his chest and looked down at her from his superior height.
"Syrupy?" she echoed indignantly, outraged at the accusation. "I never sound syrupy." Her large eyes flashed a warning at him, daring him to pursue his point.
He dared to. "Oh yes, you do." He clasped his hands together and made a face, his voice rising an octave as he simpered. "Oh, Marie, the flowers are so beautiful. Thomas Ivan gave them to me." He rolled his eyes as he mimicked her. — Christine Feehan

This is the codicil of motherhood: Like it or not, you acquire a sixth sense when it comes to your children - viscerally feeling their joy, their frustration, and the sharp blow to the heart when someone causes them pain. "Fast." Mariah sighs. "And with my eyes wide open." As Millie opens her arms, Mariah moves into them, drawing close the comfort of childhood with a great rush of relief. She tells her mother of Ian, who was not following her when she thought he was, who was not the person he made himself out to be. She describes the way they would sit on the porch after Faith went to sleep, and how they would sometimes talk and sometimes just let the night settle over their shoulders. She does not tell Millie of Ian's brother, of what Faith might or might not have briefly done for him. She does not tell Millie how it felt to have Ian's body pressed against hers, heat from head to toe, how even during hours — Jodi Picoult

She was uncomfortable with what the professors called "participation," and did not see why it should be part of the final grade; it merely made students talk and talk, class time wasted on obvious words, hollow words, sometimes meaningless words. It had to be that Americans were taught, from elementary school, to always say something in class, no matter what. They never said, "I don't know." They said, instead, "I'm not sure," which did not give any information but still suggested the possibility of knowledge. They avoided giving direct instructions: they did not say "Ask somebody upstairs"; they said "You might want to ask somebody upstairs." When you tripped and fell, when you choked, when misfortune befell you, they did not say, "Sorry." They said "Are you okay?" when it was obvious that you were not. And when you said "Sorry" to them when they choked or tripped or encountered misfortune, they replied, eyes wide with surprise, "Oh, it's not your fault. — Chimamanda Ngozi Adichie

The annoying this was that their authority loomed larger by the hour. One is not aware of it, but these men are kings. Throwing open my rooms, they would say, "Everything here belongs to us." They would fall upon my scraps of thought: "This is ours." They would challenge my story, "Talk," and my story would put itself at their service. In haste, I would rid myself of myself. I distributed my blood, my innermost being among them, lent them the universe, gave them the day. Right before their eyes, though they were not at all startles, I became a drop of water, a spot of ink. I reduced myself to them. The whole presence of me passed in full view before them, and when at last nothing was present but my perfect nothingness and there was nothing more to see, they ceased to see me too. Very irritated, they stood up and cried out, "All right, where are you? Where are you hiding? Hiding is forbidden, it is an offense," etc. — Maurice Blanchot

Oh, my poor little hawthorns," I was assuring them through my sobs, "it isn't you who want me to be unhappy, to force me to leave you. You, you've never done me any harm. So I shall always love you." And, drying my eyes, I promised them that, when I grew up, I would never copy the foolish example of other men, but that even in Paris, on fine spring days, instead of paying calls and listening to silly talk, I would set off for the country to see the first hawthorn-trees in bloom. — Marcel Proust

But when Bethany came into class, her dark hair pulled back into a low ponytail, showing off her graceful neck, he may have stopped breathing again. A thousand charming words strung together in his head in a nanosecond, but he averted his eyes to his empty notebook. Notes? Who really took notes in class? Dawson wanted to see if she would talk to him first. God, he was like a teenage girl. He was so screwed. — Jennifer L. Armentrout

I was embarrassed when a businessman friend asked, 'What's the yearly budget of your talk show? What's the per-episode budget?' And I looked at him with these blank, typical-model eyes and said, 'I don't know.' I call myself a businesswoman, and I don't know that? — Tyra Banks

You're not a Black man. You're a human being in God's eyes. So when you sit down to talk to someone and you talk to them in really intelligent terms, you ask difficult questions, there's a militancy that's assigned to you without you asking for it, because you are simply judged by what you look like. If you're a white person asking the same questions, you'd be one of these CNN guys and say how brilliant he is. That doesn't work for you, because this is the world we live in. — James McBride

But common sense comes too late, because Logan is now moving away from the counter and marching in my direction.

"Hey, gorgeous." He slides in the seat across from me and places a chocolate-chip muffin on the table. "I got you a muffin."

Damn it, I guess he'd noticed me right when he'd walked in.

"Why?" I ask in suspicion, and without saying hi.

"'Cause I wanted to get you something, and you already have coffee. Ergo, muffin."

I raise one eyebrow. "Are you trying to buy your way into my good graces?"

"Yup. And excellent pun, by the way."

"I wasn't punning. My name just happens to be a homonym."

His blue eyes gleam as he downright smolders at me. "I love it when you talk homonyms to me."

"Uh-huh. — Elle Kennedy

But how can you be Peter Pan? You? The Boy Who Never Grew Up? That's not you. You have egg on your collar. You can't fly. You're not Alice. Alice was a blond little girl, I know it. You're lying to me.' And then they remember. What growing up really is: when they learned that boys can't fly and mermaids don't exist and White Rabbits don't talk and all boys grow old, even Peter Pan, as you've grown old. They've been deceived. As if you've somehow been lying to them. So following hard on the smile of remembrance is the pain in the eyes, which you've caused, everytime you meet someone. — John Logan

We lauhed together for a long time. When we
had first met, her eyes were dull with pain-killing drugs and if she
tried to talk, her face would controt with agonizing pain. I thought
how radiantly beautiful she now looked. She stood up to leave and went
to the door but then came back and kissed me.
'I hope I never see you again,' she said.
'I quite understand,' I replied. — Henry Marsh

I dream of you. And I don't like it when I can't talk to you or see you or touch you." His eyes found mine again. "That's love. — Amber L. Johnson

A game: say something. Close your eyes and say something. Anything, a number, a name. Like this (she closes her eyes): Two, two what? Two women. What do they look like? Wearing black. Where are they? In a park ... And then, what are they doing? Try it, it's so easy, why don't you want to play? You know, that's how I talk to myself when I'm alone, I tell myself all kinds of stories. And not only silly stories: actually, I live this way altogether. — Andre Breton

Newsflash: it's not the guy who determines whether you're a sports fisher or a keeper-it's you. (Don't hate the player, hate the game.) When a man approaches you you're the one with total control over the situation-whether he can talk to you, buy you a drink, dance with you, get your number, take you home, see you again, all of that. We certainly want these things from you; that's why we talked to you in the first place. But it's you who decides if you're going to give us any of the things we want, and how, exactly, we're going to get them. Where you stand in our eyes is dictated by YOUR control over the situation. Every word you say, every move you make, every signal you give to a man will help him determine whether he should try to play you, be straight with you, or move on to the next woman to do a little more sport fishing. — Steve Harvey

You probably know why I'm here. If you could hear me, talk to me, you'd probably ask me what the hell took me so long. Then you'd tell me what's been in my heart for months now. I know you'd want me to be happy, and I am. When you left, I thought you'd taken everything I had with you. Dex helped me see how wrong I was. You left everything there for me to give to someone else crazy enough to love me. I'll never forget you, Gabe." He reached into his pocket and pulled out a long chain, the small dog tags clinking together. Sloane didn't bother to hide the tears in his eyes. He smiled and let out a shaky breath before placing the dog tags on the tombstone. He put his fingers to his lips for a kiss before moving them to the black marble. "Good bye, sweetheart. Thank you for everything." Sloane — Charlie Cochet

Kyle blinked. I don't think I've ever seen him quite so ... neutral.
"You can talk to Adam when he's not in the room, and you don't have a phone?" he asked.
I nodded.
He closed his eyes, and I could read his expression when he opened them again. "Thank you, dear Lord," he said with relief. "I thought I was going crazy. — Patricia Briggs

Did you talk to Terry Wilcox?"
"Yes."
"How'd that go?"
I had lifted my hand up to shield my eyes from the sun so I could look at him. During my questioning, Lee was looking beyond me to the alley and into the backyards of my neighbors. When he answered, his eyes shifted to me.
"I gave him your excuses for missing dinner on Wednesday."
"What were those?"
"You'd be with me and I'd be fucking your brains out."
My vagina went into spasm and my knees went week.
"How'd he take that?" I asked, trying to pretend I wasn't about to collapse.
"He wasn't pleased. — Kristen Ashley

His caressing palm on her butt almost had her lulled into la-la land when he murmured, "You're mom's got a nice ass. "Willow's eyes popped open. "Excuse me?" "What?" he defended. "You always like pillow talk after sex. — Linda Kage

There are times when it seems as if God watches to see if we will give Him even small gifts of surrender, just to show how genuine our love is for Him. To be surrendered to God is of more value than our personal holiness. Concern over our personal holiness causes us to focus our eyes on ourselves, and we become overly concerned about the way we walk and talk and look, out of fear of offending God. " ... but perfect love casts out fear ... " once we are surrendered to God (1 John 4:18). We should quit asking ourselves, "Am I of any use?" and accept the truth that we really are not of much use to Him. The issue is never of being of use, but of being of value to God Himself. Once we are totally surrendered to God, He will work through us all the time. — Oswald Chambers

I knew," he continued, "you would do me good in some way, at some time; - I saw it in your eyes when I first beheld you: their expression and smile did not" - (again he stopped) - "did not" (he proceeded hastily) "strike delight to my very inmost heart so for nothing. People talk of natural sympathies; I have heard of good genii: there are grains of truth in the wildest fable. My cherished preserver, goodnight! — Charlotte Bronte

I love you, Susie."
"She rolled her eyes. "Save it."
"I haven't given you much reason to believe it, but it's true. I love you. I've loved you for so long I can't imagine ever not loving you. When I saw you struggling to breathe yesterday, I was reminded again that a life without you is no life at all. So you don't have to be civil.
You don't even have to talk to me, but I'm going to talk to you. I hope you'll listen. — Marie Force

What kind of a world do we live in, when the good are taken advantage of by the bad, while the bad have platforms to talk about good things. Bad people are never bad in their own eyes, while good people are never good enough in their own eyes. This is the kind of world that we live in. — C. JoyBell C.

Seeing a big scratch on Andy's cheek, he tried again. "You win this fight?" he
touched the little boy's cheek lightly.
Andy's eyes filled with tears. "I fallded down."
"Fell," Jordan corrected automatically.
"DADDY!! COME HERE!!" JD commanded furiously. He stomped off to
behind the sofa. Jordan rolled his eyes and followed.
Leaning down, Jordan whispered, "What?"
JD had on his 'frog face'. The one he wore when grownups have been bad.
Brows wrinkled, mouth all scrunched and frowny, hands on hips, all 33 inches
of righteous indignation, he hissed, "He be's just a baby. He dunna talk good
yet."
Jordan cocked his eyebrow at his son.
"I'm a big boy, Daddy. I know this stuff. — Grasshopper

Greet everyone you meet with a warm smile. No matter how busy you are, don't rush encounters with coworkers, family, and friends. Speak softly. Listen attentively. Act as if every conversation you have is the most important thing on your mind today. Look your children and your partner in the eyes when they talk to you. Stroke the cat, caress the dog. Lavish love on every living being you meet. See how different you feel at the end of the day ... — Sarah Ban Breathnach

In fact, their eyes sort of roll around and they kind of go, 'Hmm'- like there's something there and they don't want to talk about it. But they're not that kind when they are speaking in public. — Dwight Schultz

Will there ever come a day when you put yourself first?"
"No, that day will never come."
"You're crazy, my old man."
"It will never come because I've finally realized that I want you by my side, now and forever. That I can no longer be just myself, standing alone. I need more."
Angelica's eyes filled with tears. She looked like she was fighting to hold them back.
"You really are crazy."

-Conversation between Mathias Munster and Angelica Zanon — Riccardo Bruni

I desecrated my own house?" Chance snorted in disbelief. "Then swam out to Fort Sumter and played paint-by-numbers on the walls, all to make Benjamin Blue like me? Don't flatter yourself, kid."
Ben's eyes cut like diamonds. "You act like such a big shot. But you don't fool me. Do you have any friends, Chance? Is there a single person who cares where you are right now?"
"Ben!" I blurted, horrified. "That's not - "
"You're one to talk." Chance stepped closer to Ben and matched him glare for glare. "I've never betrayed my friends. Not like you, eh, Benjamin?"
Ben's whole body went still. "What did you say?"
"Guys, guys!" Hi half rose, palms up. "There's no need for anyone to get upset. I've got Go-Gurt in the mini-fridge. I know when I get hungry, my manners can - "
"Shut up, Hi." Ben and Chance, in unison. — Kathy Reichs

Alec: So you met jace. What did you think?
Kit: Of Jace?
Alec: Just making small talk.
Kit: Jace isn't much like you.
Alec: That's an understatement. But it doesn't matter. Parabatai don't need to be like each other. They just need to complement each other. To work well together.
Kit: And you and Jace complement each other?
Alec: I remember when I met him. He walked out of a Portal from Idiris. He was skinny and he had bruises and he had these big eyes. He was arrogant, too. He and Isabelle used to fight ... But to me everything aobut him said "Love me, because nobody else has". It was all over him, like fingerprints. — Cassandra Clare

You will close your eyes. And listen carefully . . . . You must learn to listen carefully when people talk to you about their death. We each carry our own death within us, and we feel when it is there. — Celeste Albaret

No one wants to say they hate their own body. Many are scared that if they confide in others then people will look down on them. This is wrong. It's not weak to talk about it. On the contrary. It's the same with alcoholics and drug addicts - you have to be honest with yourself first. When you have accepted the negatives you can then focus on the positives, like, I have nice hair, nice eyes, great cheekbones. — Crystal Renn

She was around two. She and Laura went down in a shipwreck. I heard Henry didn't eat or sleep for days. He searched for them for weeks, but there was never any sign of them. There were no survivors." "How sad," she whispered. He touched her chin and turned her liquid eyes toward him. "Don't cry. It happened a long time ago. I'm sure Henry is over it all by now." "Love like that never dies." He smiled. "Such romanticism. No wonder you read poetry." "Does he ever talk about them?" He released her chin and shook his head. "Clara would be in tears if he did. The servants tell how he raved like a madman when he heard the news. Molly said she'd never heard a grown man cry like that. — Colleen Coble

She closed her eyes, silently continuing the pleas that she be given words that might soothe, words that would begin the healing of bereaved parents. She had seen, when she entered the kitchen, the chasm of sorrow that divided man and wife already, each deep in their own wretched suffering, neither knowing what to say to the other. She knew that to begin to talk about what had happened was a key to acknowledging their loss, and that such acceptance would in turn be a means to enduring the days and months ahead. — Jacqueline Winspear

Let me know when you're ready to talk." She stopped and glanced at them both over her shoulder. "Maybe then I'd be ready to discuss your sexual twists and my own little abnormal desires. You never know what we all might learn that we haven't already."
With that, she turned and moved back into the house, closing the door behind her and disappearing out of sight. And Cam found his back slammed against the side of Ian's Hummer, his brother in his face.
Lust and irritation flared in his brother's eyes. "You better start talking," he grated. "Because you know what she just did?"
"She just dared us, Cam. And I don't know about you, but the thought of 'abnormal desires' dancing through her mind is going to drive me fucking crazy. Now, fix it. — Lora Leigh

I think that maybe, if human beings have souls, that maybe their souls are in their eyes. That maybe that's what the color is. Their souls."
"Well, they say the eyes are the windows to the soul."
"No, that's not what I mean. I mean, the actual color is kind of like your spirit, like your soul. And the black space, maybe the black space is the tunnel that people talk about when they die. Do you know what I mean? Like when you die, you go into the eyes of the person you're looking at and walk through their eyes and, at the other end, that's where heaven is. — Brent Runyon

Mountain lions are psychological animals, preying on the mind with secret eyes. They know that they still dominate, that they cannot be cornered without ripping their way out. They know that they are still the heart of firceness. Being pack animals ourselves, we humans have some alliance with other pack animals, like wolves or coyotes. When I see a free wolf, I feel as if we could sit down and talk, given that the details have been worked out. Not so with the cat. The cat speaks in symbols. — Craig Childs

In the beginning, when Adam was first created, he spent whole days rubbing his face in the grass. He picked his ear until it bled, tried to fit his fist in his mouth and yanked out tufts of his own hair. At one point he tried to pinch out his own eyes in order to examine them and God had to step in.
Looking down at Adam, God must have felt a bit weird about the whole thing. It must have been something like eating at a cafeteria table all by yourself when a stranger suddenly sits down opposite you, but it is a stranger you have created, and he is eating a macaroni salad that you have also created, and you have been sitting at the table all by yourself for over a hundred billion years; and yet still, you have nothing to talk about.
It was pitiful the way Adam looked up into the sky and squinted.
Before He created Adam, God must have been lonely; now he was still lonely, and so was Adam. — Jonathan Goldstein

There is a pain you can't think your way out of. You can't talk it away. If there was someone to talk to. You can walk. One foot the other foot. Breathe in breathe out. Drink from the stream. Piss. Eat the venison strips. And. You can't metabolize the loss. It is in the cells of your face, your chest, behind the eyes, in the twists of the gut. Muscles, sinew, bone. It is all of you.
When you walk you propel it forward. When you let the sled and sit on a fallen log and. You imagine him curling in the one patch of sun maybe lying over your feet. Then it sits with you, the Pain puts its arm over your shoulders. It is your closest friend. Steadfast. And at night you can't bear to hear your own breath unaccompanied by another and underneath the big stillness like a score is the roaring of the cataract of everything being and being torn away. Then. The Pain is lying beside your side, close. Does not bother you with sound even of breathing. — Peter Heller

I know you want to think Dad's fine with me being gay, but he's not."
"But if you don't tell me when people say things like that to you, or do things that hurt you, then how can I help you?" Simon could feel Isabelle's agitation vibrating through her body. "How can I-"
"Iz," Alec said tiredly. "It's not like it's one big bad things. It's a lot of little invisible things. When Magnus and I were traveling, and I'd call from the road, Dad never asked how he was. When I get up to talk in Clave meetings, no one listens, and I don't know if it's because I'm young or if it's something else. I saw Mom talking to a friend about her grandchildren and the second I walked into the room they shut up. Irina Cartwright told me it was a pity no one would ever inherit my blue eyes now ... It's not like a stab wound you can protect me from. It's a million little paper cuts every day."
( City of Lost Souls- Cassandra Clare) — Cassandra Clare

When you ate her tuna casserole, you didn't talk or flip through a National Geographic. Your eyes and ears stayed inside your mouth. Your whole world kept inside your mouth, feeling and careful for the little balled-up tinfoils Irene Casey would hide in the tuna parts. A side effect of eating slow was, you naturally, genuinely tasted, and the food tasted better. Could be other ladies were better cooks, but you'd never notice. — Chuck Palahniuk

Melanie still grieves for Jared," she stated.
I felt my head nod without willing the action.
"You grieve for him."
I closed my eyes.
"The dreams continue?"
"Every night," I mumbled.
"Tell me about then." Her voice was soft, persuasive.
"I don't like to talk about them."
"I know. Try. It might help."
"How? How will it help to tell you that I see his face every time I close my eyes? That I wake up and cry when he's not there? That the memories are so strong I can't separate hers from mine anymore? — Stephenie Meyer

And when I am in a new place, because I see everything, it is like when a computer is doing too many things at the same time and the central processor unit is blocked up and there isn't any space left to think about other things. And when I am in a new place and there are lots of people there it is even harder because people are not like cows and flowers and grass and they can talk to you and do things that you don't expect, so you have to notice everything that is in the place, and also you have to notice things that might happen as well. And sometimes when I am in a new place and there are lots of people there it is like a computer crashing and I have to close my eyes and put my hands over my ears and groan, which is like pressing CTRL + ALT + DEL and shutting down programs and turning the computer off and rebooting so that I can remember what I am doing and where I am meant to be going. — Mark Haddon

I love you." She was almost angry. "Do you get it? You. These kids. This life. It is my world."
He nodded. She knew he felt the same way, but this Blake didn't talk, he proved. He found the spot on her body that made her see white and held her until she was desperate for more. Then he reached behind her and turned on the washer.
Dirty. Filthy for her. He kissed her and added tongue, bit her neck gently while the vibrations from the machine increased.
She would come for him like this. He pushed up her shirt and pulled down her panties so he could be inside her when she was lost in the ecstasy of it, of him.
He came right after she did, and she locked him close with her legs, dragging her nails down his back as he bit his lip to stay quiet.
He kissed the top of her head in between gasps for air. He looked in her eyes before responding, "I get it. — Debra Anastasia

I want to be a woman who lives totally abandoned to the first commandment: to love my Lord, my God, with all my heart. I don't want the reputation that I love God, I don't want to write songs about loving God, I don't want to talk about loving God. I want to actually love God. When I close my eyes, I want my heart to move. When I close my eyes and I look at Him, I want to feel alive on the inside. I want to look at Him with a fire in my heart and it's real. — Misty Edwards

How nice for you. Now I want you to promise me that if I move, you won't do something stupid." Macey was just starting to protest when Hale stopped and brought his hand to his ear. "Besides, there's someone who wants to talk to you." He held out the extra earbud, whispering softly in the too quiet room. "It goes in your ear and
"
But before he could finish, Macey rolled her eyes and placed the bud in her ear. "This is peacock," she whispered.
She watched Hale's eyes go wide as she heard a very familiar voice say, "You're not getting extra credit for this. Now"
Macey's teacher took a long, easy breath
"whats going on in there? — Ally Carter

Once a King in Narnia, always a King in Narnia. But don't go trying to use the same route twice. Indeed, don't try to get there at all. It'll happen when you're not looking for it. And don't talk too much about it even among yourselves. And don't mention it to anyone else unless you find that they've had adventures of the same sort themselves. What's that? How will you know? Oh, you'll know all right. Odd things, they say-even their looks-will let the secret out. Keep your eyes open. Bless me, what do they teach them at these schools.
-The Professor — C.S. Lewis

You own a dress that won't make my dick get hard?"
Her eyes got squinty, but her mouth stayed closed.
"Can I take that as a no?" he pushed.
"FYI, women don't like it when men talk like that, Benny Bianchi."
"Bullshit, Francesca Concetti. They fuckin' love that shit. — Kristen Ashley

You've got it wrong." His voice was harsh.

"Jackson - "

He cut her off. "No, it's my turn to talk. You've given your speech. And I get it, Mollie, I do. Madison is your sister, and she made you PB&J as a kid when your parents checked out, and that's fine. But open your eyes. You don't owe her anything anymore. You are your own woman, and you are a woman, Mollie. You're not a kid. You're not a girl. And if I've been a complete asshole lately, it's because I'm having a hell of a time coming to grips with the fact that I want you. And fuck, Mollie, I want you. I want you so bad, I'm dying."

Mollie had never made the first move on a man in her life. She was old-fashioned like that. But she made the first move now.

She took a step forward, placed a hand at the back of his head, and pulled his mouth to hers. — Lauren Layne

Breathe," he ordered gently. "Once more time. Now, reassure me that's not panic." "Not really. No." "Talk to me, Eva." "I just ... " I blurted it out in a rush. "I want you to ask when I can say yes."
Tension gripped his body. He leaned back, his eyes wounded beneath his frown. "You couldn't say yes no?"
I shook my head.
His mouth thinned into a determined line. "Lay out what you need from me to make that happen. — Sylvia Day

Saying Goodbye to Very Young Children
They will not be the same next time. The sayings
so cute, just slightly off, will be corrected.
Their eyes will be more skeptical, plugged in
the more securely to the worldly buzz
of television, alphabet, and street talk,
culture polluting their gazes' dawn blue.
It makes you see at last the value of
those boring aunts and neighbors (their smells
of summer sweat and cigarettes, their faces
like shapes of sky between shade-giving leaves)
who knew you from the start, when you were zero,
cooing their nothings before you could be bored
or knew a name, not even you own, or how
this world brave with hellos turns all goodbye. — John Updike

The people who run the circus kidnapped us from our parents. Since we got here, we have all been working in the circus.
We can't see any of our mummies or kiss them OR cuddle up to them. said Adrian.
His tears flowing in his big blue eyes that were the colour of the sky.
We didn't want to listen to our parents when they told us: 'Never, Ever!" talk to strangers.
We all disobeyed and spoke to strangers, and then the strangers stole us away from our parents. — Magda M. Olchawska

He closed his eyes. "Holy shit, Mollie, if I wanted to talk in circles with a woman, I'd have stayed married."

When he opened his eyes, she was chewing her lip, looking adorably confused, although about what, he had no idea. He did not get women. He was more sure of that these days than ever. — Lauren Layne

- I don't know how I'll be as a shaman. I'll find out when I try it. You both know me. You've known me since before we even had names. I can't travel in my dreams, or above the sky. There aren't any spirits that talk to me or through me. I can't sing the songs. I can't help people who are sick. But I'll tell you this, and he raised his right forefinger before them and seized them with his eyes: - I can paint that fucking cave. — Kim Stanley Robinson

You talk more when you're nervous," he said, still standing close to her.
"No i don't. That's absurd. I'm just trying to explain to you-"
"Do i make you nervous?"
"No. I'm not nervous."
"You're trembling."
"I'm cold. I'm wearing practically zero clothes."
His glance went to her lips, then back to her eyes. "I noticed. — Michele Jaffe

I loved these books, but talk about impossible standards. Adults were never charmed by me. They scolded me or ignored me. When my eyes got starry, I was never told that I had an expressive face, a smile that lit up the room, or a special quality that made others happy. This was a lucky thing, I think now. Unable to imitate or compete with these heroines, I was left to forge my own way. — Nancy McCabe

From the time we open our eyes, we live in a Steadicam form, and the only editing is when we talk about our lives or remember things. — Alejandro Gonzalez Inarritu

I'm so sorry I have this. I can't stand the thought of how much worse this is going to get. I can't stand the thought of looking at you someday, and this face I love, and not knowing who you are."
She traced the outline of his jaw and chin and the creases of his sorely out of practice laugh lines with her hands. She wiped the sweat from his forehead and the tears from his eyes.
"I can barely breathe when I think about it. But we have to think about it. I don't know how much longer I have to know you. We need to talk about what's going to happen."
He tipped his glass back, swallowed until there was nothing left, and then sucked a little more from the ice. Then he looked at her with a scared and profound sorrow in his eyes that she'd never seen there before.
"I don't know if I can. — Lisa Genova

When she brought Mira up, Eve gave Roarke another glance. "Don't talk to him," she warned. "He can get bitchy when he's in this deep. I don't know if we have any of that tea stuff."
"I had it stocked, and I don't get bitchy. Bloody, buggering HELL."
Eve just rolled her eyes and got the tea. — J.D. Robb

He meets me where I am, and because of the downward tilt of the driveway, we are toe to toe, nose to nose. "Willowdean Opal Dickson, you are beautiful. Fuck anyone who's ever made you feel anything less." His chest heaves. "When I close my eyes, I see you. I can talk to you. In a way I never have with anyone else. — Julie Murphy

When the Kerner Commission told white America what black America has always known, that prejudice and hatred built the nation's slums, maintains them and profits by them, white America could not believe it. But it is true. Unless we start to fight and defeat the enemies in our own country, poverty and racism, and make our talk of equality and opportunity ring true, we are exposed in the eyes of the world as hypocrites when we talk about making people free - (Chapter 9). — Shirley Chisholm

You think you know horror, Irnakk? Horror is looking into the eyes of the Shadowed One, knowing you are about to die ... and then being forced to live. Horror is waking each day to see every part of your body moving on its own - a shifting mass of Protodites where once was solid metal and living tissue. Horror is what is in the eyes of your partners when they look at you ... and in the cries of your enemies when your swarm engulfs them. Don't talk to me about fear, creature - I am fear!
-Zaktan — Greg Farshtey

To be associated with a film that just flat-out makes people happy is such a blessing and a tremendous privilege, and I'll always be grateful for it. People's eyes light up when they talk about it. I've been in Asia, Africa, Europe and even Bhutan; people know the movie there. It's just an amazing thing. — Michael J. Fox

Oh Freddy don't talk like that! she said, and her big eyes filled with tears. When Mrs. Wiggins cried, she made almost as much racket as when she laughed. You could hear her for miles. — Walter R. Brooks

I found something for you." He ignored the pangs of hunger and lowered himself to one knee before her. Her eyes widened. He swung his hand around from behind his back and held out a lone orchid the same shade as the moon overhead. And once again, he wished he knew what to say, how to talk to her, how to be more sophisticated. Instead, he thrust it before her. She tentatively took it from him and lifted questioning eyes. "For your collection of specimens," he offered. Her fingers caressed the drooping petals. "I think it's a yellow lady's slipper." He didn't know nor did he care. He only knew that he wanted one of her rare smiles. For a long intense moment, he held his breath. Finally her lips curved into a smile. "Thank you." His pulse jolted forward and he swallowed hard. "You're welcome." What was happening to him? Why did he want to make her happy? When she lifted the flower to her nose and took a deep breath, her smile moved to her eyes . . . And to his heart. — Jody Hedlund

You will feel him in the breeze on your cheek when you walk next to the lake. You will see him in J's eyes. He will be here, Elle. You won't be able to see him, but you can always talk to him. — Peggy M. McAloon

From "Lady In Waiting" in the anthology The Morgue :

Now I have yet to meet the corpse could hold up its end of a conversation, so at most I might whistle while fixin' one up 'stead of engagin' myself in any small talk that's goin' to be so one-sided anyways. But Cindy Flowers' corpse weren't no ordinary body when it walked upright, and it sure weren't ordinary just because it was lyin' before me in a pine wood box. So for the first time I felt the need to get a few things said to one of our visitors, and I leaned down to get myself real close to her face. Her eyes was closed 'cause Pa had already sewed her lids shut. — Kenneth C. Goldman

What I find about wedding plans is that everyone wants to talk about when I don't. As soon as I do feel like talking about my wedding plans, their eyes glaze over and I can see them wishing they were dead — Suzanne Finnamore

I wanted to tell a dream-come-true story about going from a closeted gay kid who loved pop culture to an out adult man making pop culture. I went from being told when I was 21 that I should never go on TV because of my crossed eyes to winding up being a 'Housewives' whisperer and talk-show host. — Andy Cohen

Perhaps you don't see yourself in animation," he said with a smile. "It's true your features are quite ordinary, but they become lively when you talk and you have what are called 'speaking eyes.' They shine with the light of your quick mind. — Jo Beverley

That I have no idea what good old Dr. Ha-ha-so-fucking-funny Bradley is thinking when he touches your back? When he kisses your hand, pretending it's just a joke, you think I don't know what he's thinking? When he stands close to you, looks into your nice red lips as you talk, when his eyes shimmer at the mention of your name? He's gone soft in the head, you think I don't know? I was the one with the hat in my hands, standing for hours waiting for you to get out of Kirov. What, said Alexander. — Paullina Simons

Travis is a fucking wreck! He won't talk to us, he's trashed the apartment, threw the stereo across the room ... Shep can't talk any sense into him!"
"He took a swing at Shep when he found out we helped you leave. Abby! Please tell me!" she pleaded, her eyes glossing over. "It's scaring me!"
"It's something else, Abby. He's gone fucking nuts! I heard him call your name, and then he stomped all over the apartment looking for you. He barged into Shep's room, demanding to know where you were. Then he tried to call you. Over, and over and over," she sighed. "His face was ... Jesus, Abby. I've never seen him like that. — Jamie McGuire

So this is what you do when it all slows down and the minutes that tick by feel a little longer than before. You take your time. You breathe slowly. You open your eyes a little wider and look at everything. Take it all in. Rehash stories of old, remember people, times, and occasions gone by. Allow everything you see to remind you of something. Talk about those things. Find out the answers you didn't know to yesterday's crosswords. Slow down. Stop trying to do everything now, now, now. Hold up the people behind you for all you care, feel them kicking at your heels but maintain your pace. Don't let anybody else dictate your speed. — Cecelia Ahern

Al Gore, best described by CNN sound tech Mark A. as "amazingly lifelike"; Steve Forbes, with his wet forehead and loony giggle; G.W. Bush's patrician smirk and mangled cant; even Clinton himself, with his big red fake-friendly face and "I feel your pain." Men who aren't enough like human beings even to hate-what one feels when they loom into view is just an overwhelming lack of interest, the sort of deep disengagement that is often a defense against pain. Against sadness. In fact, the likeliest reason why so many of us care so little about politics is that modern politicians make us sad, hurt us deep down in ways that are hard even to name, much less talk about. It's way easier to roll your eyes and not give a shit. You probably don't want to hear about all this, even. — David Foster Wallace

When I talk to people about what makes us human, some people say it's our tears. Because we are the only ones who weep, only we can feel true sorrow. When I hear this, I remember Isiro's face, her anguished eyes as she cried for Mikeno, how she screamed at the keepers with her teeth bared and pushed at the poles. How she dashed back to his body and dug her fingers into his chest as if the strength of her grip could bring him back. There is sorrow without tears. Of course there is. — Vanessa Woods

I had a good time that night, too," Michael said, "but I kept thinking, This is forever. This is forever. You will have this good time again and again, a million times over, until it will be like a play in which you and Laura and a few fugitive lives sit around an imaginary fire and talk and sing songs and love each other and sometimes throw imaginary brands at the eyes blinking beyond the circle of imaginary firelight. And then I thought - and this is where I sounded just like a real philosopher - And even when you admit that you know every line in the play and every song that will be sung, even when you know that this evening spent with friends is pleasant and joyful because you remember it as pleasant and joyful and wouldn't change it for the world, even when you know that anything you feel for these good friends has no more reality than a dream faithfully remembered every night for a thousand years - even then it goes on. Even then it has just begun. — Peter S. Beagle

Independence is the luxury of all those people who are too confident, and busy, and popular, and attractive to be just plain old lonely. And make no mistake, lonely is absolutely the worst thing to be. Tell someone that you've got a drink problem, or an eating disorder, or your dad died when you were a kid even, and you can almost see their eyes light up with the sheer fascinating drama and pathos of it all, because you've got an issue, something for them to get involved in, to talk about and analyse and discuss and maybe even cure. But tell someone you're lonely and of course they'll seem sympathetic, but look very carefully and you'll see one hand snaking behind their back, groping for the door handle, ready to make a run for it, as if loneliness itself were contagious. Because being lonely is just so banal, so shaming, so plain and dull and ugly. — David Nicholls

Did Morris put anybody on Coltraine, specifically?"
"Clipper."
"Die-For-Ty? Talk about the sex. How come so many death doctors are wholly iced?"
"A mystery I've pondered throughout my career."
"No, seriously. Clipper's like ummm. He's gay and has a partner, but a yummy treat for the eyes. His partner's an artist. He paints people, literally I mean. Body painting. They've been together about six years."
"How do you know all this stuff?"
"Unlike you, I enjoy hearing about people's personal lives, especially when it involves sex."
"At least since Clipper's not into women, you won't be troubled by sexual fantasies."
Peabody pursed her lips in thought. "I can work with it. Two naked guys, body paints, me. Oh yeah, endless possibilities. — J.D. Robb

Oliver couldn't walk away. Not when the wallflower needed rescuing. His goddamn Achilles heel, no matter how disastrous the outcome tended to be. He just wished his heroics would work out for once.
He kept his eyes trained on the pretty black-haired American, every muscle tensed for action. An eternity ticked by. No one approached her. She had no one to dance with, to talk to. She looked... lost. Hauntingly lonely. Frightened and defiant all at the same time.
'Twould be better for them both if he turned around right now. Never met her eye. Never exchanged a single word. Left her to her fate and him to his.
It was already too late. — Erica Ridley

I looked him up and down. Once before I'd seen Jericho Barrons wearing jeans and a T-shirt. It's like sheet-metaling a W16 Bugatti Veyron engine - all 1,001 horsepower of it - with the body of a '65 Shelby. The height of sophisticated power sporting in-your-face, fuck-you muscle. The effect is disturbing.
He had more tattoos now than he'd had a few days ago.when I'd last seen him wearing nothing but a sheen of sweat, his arms were unmarked. They were now sleeved in intricate crimson and black designs, from bicep to hand. A silver cuff gleamed in his wrist. There were chains on his boots.
"Slumming, huh?" I'd said
You should talk, said those dark eyes, as they swept my black leather ensemble. — Karen Marie Moning

I roll my eyes. "So when did I become so special? When they carted me off to the Capitol?"
"No, about six months before that. Right after New Year's. We were in the Hob, eating some slop of Greasy Sae's. And Darius was teasing you about trading a rabbit for one of his kisses. And I realized ... I minded. — Suzanne Collins

I know you're not here, I can see it in your eyes when we talk. Where ever you are, come back soon — Iain Thomas

Nas looked at Vik from across the room, and when he felt her eyes on him and lifted his head, she lowered her glance. It wasn't the first time in the past two weeks that I saw them do this. It also didn't escape Lev's notice that Viktor had stopped coming around. They hadn't spoke in that time.
Something had happened between them, and Nas was not opening up, probably because it was still too painful to talk about.
All I knew was that Nas was miserable and Vik had developed the temper of a T-Rex with itchy balls.
Relationships were collapsing around us, but Lev and I were going stronger than ever. — Belle Aurora

At a dinner party in north London, I listened to friends bragging about buying Porsches with their bonuses and sending out from their offices for pizzas and clean shirts because they were clinching a deal and could not leave their desks. I wanted to tell them of a place where every family had lost a son or a husband or had a leg blown off, almost every child seen someone die in a rocket attack and where a small boy had told me his dream was to have a brightly coloured ball. But, when I began to talk about Afghanistan, I watched eyes glaze and felt as if I was trying to have a conversation about a movie no one else had seen. — Christina Lamb

Very soon she'll join all the others who know the secret and will not tell it. Or cannot. Or try and fail because they do not know enough. They can be recognized. White faces, dazed eyes, aimless gestures, high-pitched laughter. The way they walk and talk and scream or try to kill (themselves or you) if you laugh back at them. Yes, they've got to be watched. For the time comes when they try to kill, then disappear. But others are waiting to take their places, it's a long, long line. She's one of them. I too can wait - for the day when she is only a memory to be avoided, locked away, and like all memories a legend. Or a lie ... — Jean Rhys

Sometimes, when I'm teaching, when I interject a comment without anyone calling on me, without caring that I just spoke a moment before, or when I interrupt someone to redirect the conversation away from an eddy I personally find fruitless, I feel high on the knowledge that I can talk as much as I want to, as quickly as I want to, in any direction that I want to, without anyone overtly rolling her eyes at me or suggesting I go to speech therapy. I'm not saying this is good pedagogy. I am saying that its pleasures are deep. It's — Maggie Nelson

A lot of times when people meet me, theyll definitely try to make me feel young or inexperienced. Like, Its all taken care of. Teenagers are such a discerning group of people. Theyll immediately sniff out anything that feels contrived. Im, like, constantly scanning myself to see if Im some corporate executive version of a teenager. Ive developed something of a fearsome reputation. People know that if you talk down to me, I will roll my eyes or whatever. — Lorde

I think you people are just marvelous," she said in a dramatic manner, closing her eyes for a moment.

"You know, sometimes I hear the Great Spirit calling to me. Perhaps I was a squaw in my last life. My family would never talk about it when I was growing up, but I'm pretty sure my great-grandmother was a real Cherokee princess. Are you Cherokee, by any chance?"

"Cherokee to the bone, ma'am," Luther replied, giving Jimmy a wink.

"Oh, I knew it when I laid eyes on you," she responded and turned to Jimmy. "Are you also Cherokee?"

"No, ma'am. I wanted to be but I didn't have the grades to get in."

"Oh, you poor dear," the woman said, reaching over to pat him on the arm. — Robert Owings

To hell with your money
No no come on I belong to the family now see I know how it is with a young fellow he has lots of private affairs it's always pretty hard to get the old man to stump up for I know haven't I been there and not so long ago either but now I'm getting married and all specially up there come on don't be a fool listen when we get a chance for a real talk I want to tell you about a little widow over in town
I've heard that too keep your damned money
Call it a loan then just shut your eyes a minute and you'll be fifty
Keep your hands off of me you'd better get that cigar off the mantel — William Faulkner

Ricco will take care of you," he said. "Ricco thinks you are beautiful-he blushes when your name is mentioned."
Ricco took their order and blushed when he put a glass of wine in front of Lauren. Mary's eyes twinkled, but when he left she looked directly at Lauren and said without preamble, "Would you like to talk about Nick?"
Lauren choked on her wine. "Please,let's not ruin a lovely lunch. I already know more than enough about him."
"What,for example?" Mary persisted gently.
"I know that he's an egotistical, arrogant, bad-tempered, dictatorial tyrant!"
"And you love him." It wasn't a question, it was a statement.
"Yes," Lauren said angrily.
Mary was struggling obviously to hide her amusement at Lauren's tone. "I was certain that you did. I also suspect that he loves you. — Judith McNaught

Because even more than wanting to hold her or kiss her, he simply ached to see her again. To spend time with her. To talk to her. He wanted to watch her roll her eyes when he said something ridiculous, he wanted to feel her hand on his arms like the day before. he wanted to watch her nervously tuck strands of hair behind her ear,and listen as she told him about her childhood. he wanted to ask her about her dreams and hopes for the future, to know her secrets. — Nicholas Sparks

When I talk to a man, I can always tell what he's thinking by where he is looking. If he is looking at my eyes, he is looking for intelligence. If he is looking at my mouth, he is looking for wisdom. But if he is looking anywhere else except my chest he's looking for another man. — Dolly Parton

She wore a tan robe and headscarf, the clothes of a local... but didn't feel like a market regular. She moved slowly and gazed at everything with a child's wonder. Her eyes were large and clear, her hair as black as midnight. She had a warm smile on her pretty lips and was obviously murmuring 'hellos' and 'excuse mes' to people who really didn't care or want to talk. She walked with the grace of a cloud in the wind, like her body weighed nothing at all, and held her head high with easy dignity. Easy.
Aladdin felt his heart contract. He had never seen her- or anyone like her- before.
When the girl adjusted her scarf, she revealed an intricate diadem in her hair that had a ridiculously sized emerald in it.
'Ah, a rich girl, out for a day of shopping in the market without her servants. Living dangerously, playing hooky. — Liz Braswell

You don't think I know that?" Puck was shouting now, green eyes feverish. "You don't think I regret what I did, every single day? You lost Ariella, but I lost you both! Believe it or not, I was kind of a mess, too, Ash. It got to a point where I actually looked forward to our random duels, because that was the only time I could talk to you. When you were freaking trying to kill me!"
"Don't compare your loss to mine," I snarled. "You have no idea what I went through, what you caused."
"You think I don't know pain?" Puck shook his head at me. "Or loss? I've been around a lot longer than you, prince! I know what love is, and I've lost my fair share, too. Just because we have a different way of handling it, doesn't mean I don't have scars of my own."
"Name one," I scoffed. "Give me one instance where you haven't - "
"Meghan Chase!" Puck roared, startling me into silence. — Julie Kagawa

Oh, I know that. Or at least I think I know that," she stammers. "I mean, you seem like a decent guy, but then again, lots of serial killers probably seem decent too when you first meet them. Did you know that Ted Bundy was actually really charming?" Her eyes widen. "How messed up is that? Imagine you're walking along one day and you meet this really cute, charming guy, and you're like, oh my God, he's perfect, and then you're over at his place and you find a trophy dungeon in the basement with skin suits and Barbie dolls with the eyes ripped out and - "
"Jesus," I cut in. "Did anyone ever tell you that you talk a lot? — Elle Kennedy

Jalil has this habit of not turning his head much, just moving his eyes, skeptical, appraising, not impressed by much. It takes him a while to talk and you might think he's slow. But when you get to know him, you realize he's slow to talk because his brain has already jumped ahead three spaces and he has to back up to deal with you. — Katherine Applegate

She opened her eyes slowly and saw that a pale lavender moth had come to a rest on the back of her hand. She watched it from her pillow, wondering if it was real. It reminded her of her husband Matt's favorite T-shirt, which she'd hidden in a bag of sewing, unable to throw it away. It had a large faded moth on the front, the logo of a cover band out of Athens called the Mothballs.
That T-shirt, that moth, always brought back a strange memory of when she was a child. She used to draw tattoos of butterflies on her arms with Magic Markers. She would give them names, talk to them, carefully fill in their colors when they started to fade. When the time came that they wanted to be set free, she would blow on them and they would come to life, peeling away from her skin and flying away. — Sarah Addison Allen

When bodies talk, a hand brushing across a face declares love the tongue never speaks. When bodies talk, eyes make promises and lips keep them in the silent transfer of vows of the heart.
When bodies talk, a steady stare and firm glance becomes a rod of correction.
When bodies talk, they speak to us all in quiet whispers, heart-to-heart, and soul-to-soul, in soundless conversations. — Stella Payton

Well, you've got the growling part down pat already. Probaly all those years of practice."
He began to rise, his legs wobbly.
"All right, I'm coming back. I just didn't want to be in your way."
A grunt. Your not. Or that's what I hoped he meant.
"You can understand me, can't you?" I said as I returned to sit on his discarded sweatshirt. "You know what I'm saying."
He tried to nod, then snarled at the awkwardness of it.
"Not easy when you can't talk, is it?" I grinned. "Well, not easy for you. I could get used to it."
He grumbled, but I coulld see the relief in his eyes, like he was glad to see me smile.
"So I was right, wasn't I? It's still you even if wolf form."
He grunted.
"No sudden urges to go kill something?"
He rolled his eyes.
"Hey, you're the one who was worried." I paused. "And I don't smell like dinner, right?"
I got a real good look for that one.
"Just covering my bases. — Kelley Armstrong