What Words Can Do Quotes & Sayings

Do you hear it?" Samuel asked, his eyes penetrating.
"I don't hear it ... but I know it's there." I struggled to express something that I'd never put into words. "Sometimes I think if I could just SEE without my eyes, the way I FEEL without my hands, I would be able to HEAR the music. I don't use my hands to feel love or joy or heartache - but I still feel them all the same. My eyes let me see incredibly beautiful things, but sometimes I think that what I SEE gets in the way of what's ... what's just beyond the beauty. Almost like the beauty I can SEE is just a very lovely curtain, distracting me from what's on the other side ... and if I just knew how to push that curtain aside, there the music would be." I threw up my hands in frustration. "I can't really explain it. — Amy Harmon

My most ardent wish is that you, and everyone like you, will look up. That you'll do so and never be beaten into the ground again. I write handbills because I can write those words without fear of reprisal - because if I am discovered, the House of Lords will never prosecute me. I write because those words must be written. I write because to not write, to not speak, would be to waste what I have been given. — Courtney Milan

You can't tell me what to do anymore, Travis! I don't belong to you!"
Her words ignited a deep anger inside me. I stomped to the bed, planted my hands on the mattress on each side of her thighs, and leaned into her face.
"Well, I belong to you!" I screamed. I put so much force behind my words, I could feel all the blood rush to my face. Abby met my glare, refusing to even flinch. I looked at her lips, panting. "I belong you," I whispered, my anger fading as desire took over. — Jamie McGuire

He raises his hand to my face again and I allow the touch. His fingers slide along my jawline and the warmth of his caresses radiates past my skin and into my bloodstream. Pleasing goose bumps rise on my neck.
"Do you think you'll come back sometime?" he asks. "And let me help you with your car?"
My ears ring with the staccato thrum, thrum, thrum of my heart. Holy crap, I can't believe this is happening to me.
"I'll make it work. I swear." The words tumble out of my mouth without thought. That's not true. Actually, they tumble out with a lot of thought of how my parents won't approve, of how my brothers will kill Isaiah, then possibly kill me. But in this moment, I don't care what any of them think. — Katie McGarry

In another corner Nathaniel murmured to Maura, "You must know, Miss O'Connell, I ... I loved you even before I saw you. It was your father's way of talking."
Maura shook her head. "You mustn't say that. It's not my dear da's words that should do the wooing," she said gently. "I'd rather be cared for ... for what I am myself."
Nathaniel nodded. "I'll not say more. But I will tell you what I think I'm going to do."
And what is that
I'm going to California to search for gold."
And do you think, Nathaniel Brewster, you'll find it?"
I do. But it won't be as fine as what's here," Nathaniel said with a shy smile. "Maura O'Connell ... will ... will you ... wait for me to come back?"
Maura was silent.
Will you?"
You're a fine young man, Mr. Brewster. I can only say I'll not forget you. — Avi

When there is a huge crack in your relationship with someone, you wonder what others do in similar situations. I realize I'm trying as hard as I can to present myself as the most unthreatening being in the world, like a small animal. I hunch into myself, avoiding going back to the same places I frequented with him. Obviously I don't eat the kind of food we ate or made together. But I don't think I'm going to move to a new house, because I have the kitchen and the large fridge that I'd wanted for so long. People say you can't possibly like your lover every single second of your life. But that's not true. I liked and looked to my lover every single second we were together. And I still can't admit that he's gone. True sorrow is when one person desires but the other doesn't. I don't know any better words to describe it, and I can't yet express this feeling through any kind of food. The one thing we know about sorrow is that it's a very personal, individual feeling. — Kyung-ran Jo

Americans say all men created equal. These words very good. Make men feel special. They know is not true, not really, but they always say is true, and they point to these words and say, Ideas like this make us strong. They turn mouse into bear. They turn dog into bear. Everything can become strong like bear if you think with American brains. But if everything is bear, what do bears eat? Americans — Kevin Hearne

I haven't yet discovered what my first language is so for the time being I use English words in order to say things: I expect I will always have to do it that way; regrettably I don't think my first language can be written down at all. — Claire-Louise Bennett

I saw that all who do not profess an identical faith with themselves are considered by the Orthodox to be heretics, just as the Catholics and others consider the Orthodox to be heretics. And i saw that the Orthodox (though they try to hide this) regard with hostility all who do not express their faith by the same external symbols and words as themselves; and this is naturally so; first, because the assertion that you are in falsehood and I am in truth, is the most cruel thing one man can say to another; and secondly, because a man loving his children and brothers cannot help being hostile to those who wish to pervert his children and brothers to a false belief. And that hostility is increased in proportion to one's greater knowledge of theology. And to me who considered that truth lay in union by love, it became self-evident that theology was itself destroying what it ought to produce. — Leo Tolstoy

Sometimes I think that wisdoms slip from my mind like drool from the lips of an idiot ...
Where's all this stuff coming from? Is it any good? Any good in, you know, the wisdom sense? Who am I to spout this stuff anyway?
Well, here's the thing. You too can find yourself shedding wisdom like cat hair if you only allow yourself the liberty of introspection.
Think about what you alone know that no one else does. That one neat wonderful profound insight. It is fully yours. No one else on this planet of about six billion people understands it like you do.
Now, see if you can share it with someone. Bestow it, a gift of yourself.
Wisdom is like gossip. Except it's the good kind. — Vera Nazarian

Dear God: You said in Your Word that man is not meant to be alone. Seriously. You can look it up in Genesis 2:18. So, why do You insist I remain alone? Okay, so I realize I'm not a man. However, I think the spirit behind what You said about Adam included women. After all, when You didn't want Adam to be alone, You created Eve. Did You know, when You said those words, many singles would throw them back in Your face in moments of frustrated isolation? - Sincerely, Your Lonely Daughter Cheryl — Cheryl McKay

I felt like I was choking. My words came out hoarsely as I gasped for air, as I allowed myself to feel. "It hurts more than I know what to do with. I can't handle this. I can't. — Karina Halle

I'm just not a good psychic. I can tell when something's not right, sometimes, but I can't tell what it is, or when it is, or if I'm supposed to do anything about it. I've tried to make it make sense, but I can't. It's just feelings instead of words. — Maggie Stiefvater

Neither day nor night is our master. And do you know what happens when a woman walks without fear?"
Teia shook her head, but there was a sudden longing deep in her that swelled so strong it paralyzed her tongue. Tell me. Tell me.
"She becomes."
Becomes what? Teia didn't say the words aloud, but he knew what she was thinking, for he answered:
"She becomes whatever she wills. Minus only one thing." In the dark, he held up a finger, almost like he was scolding her.
Teia was silent now. The question was obvious, and now she didn't want to ask it.
Sharp said, "She has one thing she can never be, never again. You know what it is, don't you?"
The words came unbidden to her lips, from a place so dark no light had ever touched it: "A slave. — Brent Weeks

Take what interests and knowledge you can from books, but do not let them replace words and thoughts of your own. — Pai Kit Fai

If I do anything, I have to start over, but all I have is fragments of ideas. Just pieces. Like a germ of an idea for this, and a germ of an idea for that. Nothing whole or concrete" - Violet

" 'Growth itself contains the germ of happiness.' Pearl S. Buck. Maybe a germ is enough. Maybe it's all you need. We can start small. Open up a new document or pull out a black piece of paper. We'll make it our canvas. Remember what Michelangelo said about the sculpture being in the stone - it was there from the beginning, and his job was to bring it out. Your words are in there too" -Finch — Jennifer Niven

The truth that writers secretly harbor is that all books are failures. We try to do something that can't be done. Words. Is that all we rely on? Smudgy ink marks on a page? Pallid wisps and blotches? Text as scaffolding trying to hold up worlds? Actually, no, it's not all we rely on. What's worse is our reliance on the reader. A writer is forever locked in an interdependent relationship. It's like building a bridge from opposite sides of a river - our flimsy words and their frail, overreaching imaginations. The bridge will never meet in the middle. It's not possible. Sometimes you haven't even decided on the same river. The Gateway Arch in Saint Louis missed in the middle by a matter of inches the first time around. They tried again and made it. Writers know we never will. — Julianna Baggott

Listen: this story's one you ought to know,
You'll reap the consequence of what you sow.
This fleeting world is not the world where we
Are destined to abide eternally:
And for the sake of an unworthy throne
You let the devil claim you for his own.
I've few days left here, I've no heart for war,
I cannot strive and struggle any more,
But hear an old man's words: the heart that's freed
From gnawing passion and ambitious greed
Looks on kings' treasures and the dust as one;
The man who sells his brother, as you've done,
For this same worthless dust, will never be
Regarded as a child of purity.
The world has seen so many men like you,
And laid them low: there's nothing you can do
But turn to God; take thought then for the way
You travel, since it leads to Judgment Day — Abolqasem Ferdowsi

And they will pause just for an instant, and give a sigh to me, and think, "Poor girl!" believing they do great justice to my memory by this. But they will never, never realize that it was my single opportunity of existence, as well as of doing my duty, which they are regarding; they will not feel that what to them is but a thought, easily held in those two words of pity, "Poor girl!" was a whole life to me, as full of hours, minutes, and peculiar minutes, of hopes and dreads, smiles, whisperings, tears, as theirs: that it was my world, what is to them their world, and that in that life of mine, however much I cared for them, only as the thought I seem to them to be. Nobody can enter into another's nature truly, that's what is so grievous. — Thomas Hardy

Reading all my old love letters was disorienting. You remember thinking the thoughts and writing the words but, man, you can't TOUCH those feelings. Its like they belonged to someone else. Someone you don't even know. I'm aware, in an intellectual way. That I felt all those things about him, but this emotions are far away now.
What's so strange to me is that I can't even force my heart back to that place where I felt that all consuming passion. That makes me feel distant from myself. Who WAS I then? Will I ever be able to get back to that place? Reading the letters again made me wonder: Which is the real me? The one who saw the world in that emotionally saturated way, or the me who sees it the way I do now? — Bill Shapiro

I park my bike in her driveway and ring her doorbell. I clear my throat so I don't choke on my words. Mierda, what am I gonna say to her? And why am I feeling all insecure, like I need to impress her because she'll judge me?
Nobody answers. I ring again.
Where's a servant or butler to answer the door when you need one? Just as I'm about to give up and slap myself with a big dose of what-the-fuck-do-I-think-I'm-doing, the door opens. Standing before me is an older version of Brittany. Obviously her mom. When she takes one look at me, her disappointing sneer is obvious.
"Can I help you?" she asks with an attitude. I sense either she expects me to be part of the gardening crew or someone going door-to-door harassing people. "We have a 'no soliciting policy' in this neighborhood."
"I'm, uh, not here to solicit anythin'. My name's Alex. I just wanted to know if Brittany was, uh, at home?" Oh, great. Now I'm mumbling uh's every two seconds. — Simone Elkeles

Dads. Do your faces light up when you first see your child in the morning or when you come home from work? Do you not understand that a child's entire sense of value can revolve around what they see in your face when you first see them? — Dan Pearce

Jesus, I wondered, what do you do with pain so bad it has no redeeming value? It cannot even be alchemized into art, into words, into something you can chalk up to an interesting experience because the pain itself, its intensity, is so great that it has woven itself into your system so deeply that there is no way to objectify or push it outside or find its beauty within. That is the pain I'm feeling now. It's so bad, it's useless. The only lesson I will ever derive from this pain is how bad pain can be. — Elizabeth Wurtzel

A mind can be overthrown by words; that's the point. What is happening to the brain of a person who uses the passive, who writes, 'Delay should not be allowed to take place' instead of 'Hurry'? The user of the passive verb doesn't want a universe in which responsible agents do their acts. You see? Bad language ultimately is IMMORAL. — Richard Mitchell

Don't say it is too hard or you can't find the words and please don't tell me there isn't enough time in the day. Writers start each day with a pen in their hand and do not make excuses. To be a writer is to do what is too hard, to find the words when others could not and make time no matter what. The proof is in the book you hold, the words you read and the stories that live on forever. — C.K. Webb

I'll tell you a thing that will shock you. It will certainly shock the readers of Writer's Digest. What I often do nowadays when I have to, say, describe a room, is to take a page of a dictionary, any page at all, and see if with the words suggested by that one page in the dictionary I can build up a room, build up a scene. ... I even did it in a novel I wrote called MF. There's a description of a hotel vestibule whose properties are derived from Page 167 in R.J. Wilkinson's Malay-English Dictionary. Nobody has noticed. ... As most things in life are arbitrary anyway, you're not doing anything naughty, you're really normally doing what nature does, you're just making an entity out of the elements. I do recommend it to young writers. — Anthony Burgess

Open your eyes, Mac." "What do you mean?" "Words can be twisted into any shape. Promises can be made to lull the heart and seduce the soul. In the final analysis words mean nothing. They are labels we give things in an effort to wrap our puny little brains around their underlying natures, when ninety-nine percent of the time the totality of the reality is an entirely different beast. The wisest man is the silent one. Examine his actions. Judge him by them. He thinks you have the heart of a warrior. He believes in you. Believe in him. — Karen Marie Moning

And all of these writers offer me a greater understanding of what it is to be alive, and that is such an incredible thing art can do for other people. It made me want to try and get close to this strange, mysterious thing that people can do with words. — PJ Harvey

What if I can't do this, Gregori?" She sounded close to tears. "What if I can never do this?"
"No one is making you do anything, ma petite," he replied gently, kissing her stomach. "We are just exploring possibilites."
"But,Gregori," she tried to protest, attempting to bring his head back up so that he could see her very real fear for him, for their life together.
"If I cannot persaude you otherwise, mon amour, I am not much of a lifemate, now am I?" The words were muffled in the tight silky curls, the intriguing little triangle at the apex of her thighs.
"You don't understand,Gregori." Savannah closed her eyes against the waves of fire racing through her. "It's me who is no real lifemate.I don't know how to please you, and I'm so afraid of this."
"Relax,bebe." He breathed warm air against her, inhaled her scent. "You please me far more than you will ever know. — Christine Feehan

A good rule in organizational analysis is that no meeting of the minds is really reached until we talk of specific actions or decisions. We can talk of who is responsible for budgets, or inventory, or quality, but little is settled. It is only when we get down to the action words-measure, compute, prepare, check, endorse, recommend, approve-that we can make clear who is to do what. — Joseph M. Juran

The song that was playing above us was You And Me by Lifehouse and he pressed his face into my hair and softly sang the words to me.
What day is it? And in what month?
This clock never seemed so alive
I can't keep up I can't back down
I'm losing so much time
'Cause it's you and me, and all of the people
with nothing to do, nothing to lose
And it's you and me, and all of the people
And I don't know why I can't keep my eyes off of you
I could have died ... or cried ... or sighed. I wasn't sure what I wanted to do more. — Shelly Crane

What is above all needed is to let the meaning choose the word, and not the other way around. In prose, the worst thing you can do with words is to surrender to them. — George Orwell

Why did you come back? 'Tis not safe." "I came back to finish what we last started." Did he mean their near embrace in the barn? Before Pa came in? His mouth was warm against her ear, his fingers stroking her hair, which frayed at the touch of his callused hand. "I came back to ask you to be my wife." The words, so long wished for, were every bit as sweet as she'd hoped they'd be. But here in this shadowed corner, with Pa so ill ... "Do you love me? Or do you feel pity for me, alone, almost fatherless?" "Not pity, Morrow. Love. The love between a man and a woman." Her lips parted in a sort of wonder. "Have you ever been in love?" "Not till now ... not till you." "Then how can you be ... sure?" "I know my mind, my heart. — Laura Frantz

All you have to do is try, with meaningful words, properly and effectively arranged, to honestly unroll your sentences and paragraphs, clearly, sensibly, just explaining what you're up to as well and as powerfully as you can. Let your ideas be understood without making them complicated or obscure. And see, too, if your pages can make sad men laugh as they read, and make smiling men even happier; try to keep simple men untroubled, and wise men impressed by your imagination, and sober men not contemptuous, nor careful men reluctant, to praise it. — Miguel De Cervantes Saavedra

Yes, but look what a mess you have made of things prior to my arrival." Lady Maccon was not to be dissuaded from her chosen course of action. "Someone has to tell Conall that Kingair is to blame." "If none of them are changing, he'll find out as soon as he arrives. His lordship would not like you following him." "His lordship can eat my fat - " Lady Maccon paused, thought the better of her crass words, and said, " - does not have to like it. Nor do you. The fact remains that this morning Floote will secure for me passage on the afternoon's dirigible to Glasgow. His lordship can take it up with me when I arrive. — Gail Carriger

About time," Brianna said.
"Hey, sorry, we were kind of busy," Quinn snapped. "And I didn't exactly realize I was on a schedule."
"I don't like what I have to do here," Brianna said. She handed Quinn the note.
He read it. Read it again.
"Is this some kind of joke?" he demanded.
"Albert's dead," Brianna said. "Murdered."
"What?"
"He's dead. Sam and Dekka are off in the wilderness somewhere. Edilio's got the flu, he might die, a lot of kids have. A lot. And there are these, these monsters, these kind of bugs . . . no one knows what to call them . . . heading toward town." Her face contorted in a mix of rage and sorrow and fear. She blurted, "And I can't stop them!"
Quinn stared at her. Then back at the note.
He felt his contented little universe tilt and go sliding away.
There were just two words on the paper: "Get Caine. — Michael Grant

I did answer. I said a little. I'm afraid of what you can do. I mean, I feel safe with you, though. I know you'd never hurt me." I take her face in my hands. It's too familiar, too affectionate, too soon. I can't help it, though. "Just the opposite. I will protect you. From others and from yourself. Always." "Why?" Barely audible. "Because I want to. Because ... " I struggle to find the right words. "Because you deserve it, and you need it." "No, I don't. — Jasinda Wilder

You know what else is adorable? When I can clearly see you having a furious discussion in your own head."
"That's visible?"
Oh, God, how mortifying.
"Kit, you practically mouth the words."
"I do not," I protest, but now I'm not so sure. No one's ever said this to me before. I was always certain that my silence was taken for a lack of things to say, instead of the opposite: sometimes, there are so many things I want to say that they overwhelm me. I've got years of unsaid conversations in my head. — Charlotte Stein

You get one chance.
You get to do this thing one time and you don't even know when it goes from swirling forward and around and around in circles to just a plain cold stop and nothing more. Can you believe it? All this time I've spent weighing this and weighing that, worrying about this and worrying about that, living back then and living forward, caring about what so-and-so thinks and about so-and-so, too, but never living here, here, this moment here. Never even acknowledging that this moment even exists, and it hits me, like a live volt through the chest.
This moment here.
This is all you get.
Before you are part of the sky — Andrea Portes

Stories are not just entertainment, not to me. A story records and transmits the experience of being human. It teaches us what it's like to be who we are. Nothing but art can do this. There is no science that can capture the inner life. No words can describe it directly. We can only speak of it in metaphors. We can only say: it's like this - this story, this picture, this song. — Andrew Klavan

Love is kisses and touches and all the little things that make your body flood with emotions such as need, want, protectiveness, jealousy, hurt, and anger. It can take your breath away, or smother you at times, and make you feel like you can't go on. Your heart may race a thousand miles per minute, then slow down, and then race again, just with a simple look. Love is deadly and can kill you from the inside out if you let it. It makes you do stupid, ridiculous things, and say senseless sappy words, or listen to silly love songs, jazz, or dance in the streets, or laugh, or smile. Love is a weapon, or a drug, and can drive a person mad. I know what love is ... — Lyra Parish

Wordy! I enjoy description - I like words, and words are the tools that writers use, just like paint is the tool that artists use. I think words are fun, and I have a lot of fun using them. I know that a lot of kids think my stories start very slowly, and I expect that's true. But that's the way I like to read stories, so when I'm writing them I can do what I want! I say that to kids in schools, and they are very generous - they say, That's true. You can do what you want. It's your story. — Natalie Babbitt

I read a page of Plato's great work. I can no longer understand anything, because behind the words on the page, which have their own heavenly brightness, to be sure, there shines an even brighter, an enormous, dazzling -why- that blots out everything, cancels out, destroys all meaning. All individual intelligence. When one has understood, one stops, satisfied with what one has understood. I do not understand. Understanding is far too little. To have understood is to be fixed, immobilized. It is as though one wanted to stop on one step in the middle of a staircase, or with one foot in the void and the other on the endless stair. But a mere why, a new why can set one off again, can unpetrify what was petrified and everything starts flowing afresh. How can one understand? One cannot. — Eugene Ionesco

We want words to do more than they can. We try to do with them what comes to very much like trying to mend a watch with a pickaxe or to paint a miniature with a mop; we expect them to help us to grip and dissect that which in ultimate essence is as ungrippable as shadow. Nevertheless there they are; we have got to live with them, and the wise course is to treat them as we do our neighbours, and make the best and not the worst of them. — Samuel Butler

Words; the powerful air that can change the mind, the body and the spirit in the twinkle of an eye! He who don't know words don't know life! — Ernest Agyemang Yeboah

When it comes to government policy, can we please stop using words like "architect"? Telling people what to do is not a skilled profession. — David Burge

Perhaps we do not yet know what the word "to love" means. There are within us lives in which we love unconsciously. To love thus means more than to have pity, to make inner sacrifices, to be anxious to help and give happiness; it is a thing that lies a thousand fathoms deeper, where our softest, swiftest, strongest words cannot reach it. At moments we might believe it to be a recollection, furtive but excessively keen, of great primitive unity. There is in this love a force that nothing can resist. — Maurice Maeterlinck

It's funny when so many people I meet tell me that I'm a complicated and mysterious person they can't understand. The problem isn't in me but in them. When I say something, I do it. The problem is that they don't believe I will, and they don't believe anyone can do what I say I will. That's their confusion. But actually, I'm a simple person, as I always match my own words. That's how you must see it. Just cut through "common sense" and move forward, and achieve! Let others worry about the how. — Robin Sacredfire

When you think of a concrete object, you think wordlessly, and then, if you want to describe the thing you have been visualizing you probably hunt about until you find the exact words that seem to fit it. When you think of something abstract you are more inclined to use words from the start, and unless you make a conscious effort to prevent it, the existing dialect will come rushing in and do the job for you, at the expense of blurring or even changing your meaning. Probably it is better to put off using words as long as possible and get one's meaning as clear as one can through pictures and sensations. Afterward one can choose - not simply accept - the phrases that will best cover the meaning, and then switch round and decide what impressions one's words are likely to make on another person. — George Orwell

My emotional range is limited. I can't do grief, but rage is my friend. For instance, I hate death by sickness. It is nothing like Homer, the Old Testament, and Tolkien led me to expect. It is not noble and awe-inspiring. No one delivers a final soliloquy. It is as abrupt and banal as the flicking of a switch. The squiggly line on the monitor straightens out, the defibrillator doesn't even go whomp, the epinephrine is useless, the nurse doing CPR looks up and even before the doctor pronounces the words, you know. This is not what death should be. Death, the reason for religion, the subject of great literature, the certainty we spend our lives warding off, the giant mystery that looms over everything we do, death should be spectacular, not pity-inducing, a bang and not a whimper. A huge ball of fire, a shower of sparks, a final charge into the ranks of your enemies, a terrific explosion, a backward dive into the fiery pit. Not ... this. — Jessica Zafra

There is a tendency to underestimate the power of what we can do without words. Sometimes you can make a scene even more powerful and precise without dialogue. — Mads Mikkelsen

He nodded, like that made sense. Then he said, "So why does it bother you when someone calls you a dummy?"...."I'm not going to say that other kids can't be mean sometimes. Sometimes people say things that are just awful." I looked down into my Kleenex. "But you know what to are, Albie. You know what you're worth. At least I hope you do." I folded the tissue over on itself once, then twice, then three times. "And you get to decide what words are hurtful to you. If you ask me, 'dummy' shouldn't hurt you one bit. — Lisa Graff

You just told me you liked me how I am." "I do," Elend said. "But I'd like you however you were, Vin. I love you. The question is, how do you like yourself?" That gave her pause. "Clothing doesn't really change a man," Elend said. "But it changes how others react to him. Tindwyl's words. I think ... I think the trick is convincing yourself that you deserve the reactions you get. You can wear the court's dresses, Vin, but make them your own. Don't worry that you aren't giving people what they want. Give them who you are, and let that be enough." He paused, smiling. "It was for me. — Brandon Sanderson

What would you do if she wanted me?"
His hand clenched tight in Six's shirt. "She can't have you. Not tonight."
"Possessive, aren't you?"
"She can't have you." The words ripped free of him again, rough and raw. "Maybe not ever. — Kit Rocha

Lots of people don't think little kids understand what adults are thinking or doing, Sometimes they - the adults, I mean - behave as if children are deaf and can't hear what's being said right in front of them. But none of that is true: they do understand, and even if they don't know what the words mean, they can feel the emotions behind the words. — Belinda Hollyer

If this constant sliding and hiding of meaning were true of conscious life, then we would of course never be able to speak coherently at all. If the whole of language were present to me when I spoke, then I would not be able to articulate anything at all. The ego, or consciousness, can therefore only work by repressing this turbulent activity, provisionally nailing down words on to meanings. Every now and then a word from the unconscious which I do not want insinuates itself into my discourse, and this is the famous Freudian slip of the tongue or parapraxis. But for Lacan all our discourse is in a sense a slip of the tongue: if the process of language is as slippery and ambiguous as he suggests, we can never mean precisely what we say and never say precisely what we mean. Meaning is always in some sense an approximation, a near-miss, a part-failure, mixing non-sense and non-communication into sense and dialogue. — Terry Eagleton

Men," said Mr. Kyle, "people have been trying to understand dogs ever since the beginning of time. One never knows what they'll do. You can read every day where a dog saved the life of a drowning child, or lay down his life for his master. Some people call this loyalty. I don't. I may be wrong, but I call it love - the deepest kind of love."
After these words were spoken, a thoughtful silence settled over the men. The mood was broken by the deep growling voice I had heard back in the washout.
"It's a shame that people all over the world can't have that kind of love in their hearts," he said. "There would be no wars, slaughter, or murder; no greed or selfishness. It would be the kind of world that God wants us to have - a wonderful world. — Wilson Rawls

This world, that world, doesn't matter. You never make people to see what you see, hear, feel what you feel. Notes don't do it, words don't do it, paints, bronze, marble, nothing. All you can do, you maybe get it a little close, a little closer. But right, like you're talking? No. — Peter S. Beagle

Life with someone else, in other words, doesn't show me nearly as much about his or her shortcomings as it does about my own.... That's how relationships sanctify me. They show me where holiness is for me. That's how relationships develop me. They show me where growth is for me. If I'm the passive-victim type, then assertiveness may have something to do with coming to wholeness. If I'm the domineering character in every group, then a willingness to listen and to be led may be my call to life. Alone, I am what I am, but in community I have the chance to become everything I can be. — Joan D. Chittister

Do you understand, mortal?" Eanrin said. "We Faerie know it's the spirit that counts, and all else is malleable. Beauty or ugliness; brawn or frailty; height or lack thereof
these appearances can be exchanged with scarcely a thought! But the truth ... now, that's another issue. The truth of the thing, the person behind what you perceive with any of your paltry five senses ... Creature of dust, it's the truth that counts! And you'll rarely find more truth than in Faerie tales."
With those words, the golden man dwindled into the golden cat, and try as he might, the Chronicler could perceive him as nothing else. But he was still Eanrin, and he smiled, pleased with himself.
"That wasn't a half-bad monologue. Do you find yourself inspired to new heights of ambition? — Anne Elisabeth Stengl

If there is no continuity what is there? There is nothing. One is afraid to be nothing. Nothing means not a thing - nothing put together by thought, nothing put together by memory, remembrances, nothing that you can put into words and then measure. There is most certainly, definitely, an area where the past doesn't cast a shadow, where time, the past or the future or the present, has no meaning. We have always tried to measure with words something that we don't know. What we do not know we try to understand and give it words and make it into a continuous noise. And so we clog our brain which is already clogged with past vents, experiences, knowledge. We think knowledge is psychologically of great importance, but it is not. You can't ascend through knowledge; there must be an end to knowledge for the new to be. New is a word for something which has never been before. And that area cannot be understood or grasped by words or symbols: it is there beyond all remembrances. — Jiddu Krishnamurti

One of the things I love about books is being able to define and condense certain portions of a character's life into chapters. It's intriguing, because you can't do this with real life. You can't just end a chapter, then skip the things you don't want to live through, only to open it up to a chapter that better suits your mood. Life can't be divided into chapters ... only minutes. The events of your life are all crammed together one minute right after the other without any time lapses or blank pages or chapter breaks because no matter what happens life just keeps going and moving forward and words keep flowing and truths keep spewing whether you like it or not and life never lets you pause and just catch your fucking breath.
I need one of those chapter breaks. I just want to catch my breath, but I have no idea how. — Colleen Hoover

Business is very personal. For me, everything is extremely personal. With actors, the fact that I write helps, because when you say to an actor "Oh I want you to do it a little bit more ... ," without saying what you want more of, then the actor doesn't know what to do. But if you can put into words exactly what you want, then the experience of writing is helpful with that. — Marjane Satrapi

That poem you like, how does it end?"
He knows how it ends. He's looked it up by now, that's why he asks.
But I answer him anyway.
"'We have lingered in the chambers of the sea, by sea-girls wreathed
with seaweed red and brown, till human voices wake us, and we drown.'"
Eliot shakes his head. "It does not need the last three words. The last
three words are wrong."
I laugh at his correcting a Nobel prize-winning poet, but I agree. I
know what drowning feels like. It doesn't need water. And human voices,
if they say the right things, can save you.
"Eliot, do you have a pen I can borrow?"
I can feel him smiling in the dark, and we watch the sea caress the
sand.
"That man in the poem, Mr. Prufrock, he was a coward, wasn't he?"
Eliot says.
My answer to his question is the same as his answer to mine. — Ray Cluley

What do you guys even do every night?" The words slip from my mouth before I can stop them.
"It," Rashmi says. "They do it. He's ditching us to screw. — Stephanie Perkins

Here, in this painting, in these (hopefully) creative meditations, you will see teh same sky and the same sun, the same story of struggle, of fall and grace, of descent and ascent, of death and resurrection. The same God. The same gifts. If He's not tired of it, why should I be? If His brush is still in His hand, if His words still roll, what can I do but stick my tongue out the cornder of my mouth and diligently (but pitifully) rip Him off? What can I do but meditate on His meditations? (xii) — N.D. Wilson

Some words have to be explicitly uttered, Lenore. Only by actually uttering certain words does one really DO what one SAYS. 'Love' is one of those words, performative words. Some words can literally make things real. — David Foster Wallace

Maybe the answer is: Don't be an asshole, think before you open your trap, take responsibility for your words. Meaning, apologize when you're wrong and correct yourself moving forward - and don't constantly look for reasons to be offended and police well-meaning people's words. We want folks to talk to each other, right? Not just hang out with like-minded people all the time. Everyone is ignorant about something, and everyone is offended by something. If people can't have a calm, respectful dialogue without being hurt by ignorance, or without offending with insensitivity, then what the hell are we supposed to do? Surround ourselves with robots who don't challenge our ideas?" I — Penny Reid

But suppose one doesn't quite know which one wants to put first. Suppose," said Harriet, falling back on words which were not her own, "suppose one is cursed with both a heart and a brain?"
"You can usually tell," said Miss de Vine, "by seeing what kind of mistakes you make. I'm quite sure that one never makes fundamental mistakes about the thing one really wants to do. Fundamental mistakes arise out of lack of genuine interest. In my opinion, that is. — Dorothy L. Sayers

Silence can answer the question words may fail to answer. If you want to know what silence can do, keep silence! — Ernest Agyemang Yeboah

My anger mounted. "What about your son and me? What about us? How can you even think of leaving me alone here with our baby boy? Telemachus needs his father. What's going to happen to us if you leave? Who will help me raise him? Who will take care of us? You know as well as I do some of the men around here are nothing but a bunch of scoundrels. Mark my words, Odysseus. The second you're gone, they'll swarm in here like bees around honey. They'll take over the place. I won't be able to do a thing to stop them. — Tamara Agha-Jaffar

Br>
'Yes, OK, but so what if I was!' Interrupted Jane. 'What if I was! That's my point. What if I was a bit overweight and not especially pretty? Why is that so terrible? So disgusting? Why is that the end of the world?'
Madeline found herself without words. To be fat and ugly actually would be the end of the world for her.
'It's because A woman's entire self-worth rests on her looks,' said Jane. 'That's why. it's because we live in a beauty-obsessed society where the most important thing a women can do is make herself attractive to men.
. — Liane Moriarty

Plain words on plain paper. Remember what Orwell says, that good prose is like a windowpane. Cut every page you write by at least a third. Stop constructing those piffling little similes of yours. Work out what you want to say. Then say it in the most direct and vigorous way you can. Eat meat. Drink blood. Give up your social life and don't think you can have friends. Rise in the quiet hours of the night and prick your fingertips and use the blood for ink; that will cure you of persiflage! But do I take my own advice? Not a bit. Persiflage is my nom de guerre. (Don't use foreign expressions. It's elitist.) — Hilary Mantel

We can't tell China what to do if we don't do it ourselves. You don't inspire someone to take an action by refusing to take it yourself. We are in a race to be the dominant clean-energy provider to the world. Maybe this goes without saying: We've got to get China into an international protocol and the magic words are "common responsibility with differentiated action." — Jay Inslee

I could reach out and take her hand, force the issue, but I want her to be the one to do it this time. I want her to acknowledge this thing between us out loud. I can't leave well enough alone. I want her to say the words. We're meant to be. Something. Anything. I need to hear them. To know that I'm not alone in this.
I should let it go.
I am going to let it go.
'What are you so afraid of?' I ask, not letting it go at all. — Nicola Yoon

Our lives are a sequence of things. When we're alive, they're continuing, just as my words now are an improvisation. So the idea of 30 years is actually quite nebulous. It's impossible to encapsulate it. All you can do is go: 'what next?' — Simon McBurney

It does not matter whatsoever, what the people around you think you can or cannot do. What really matters is what you think about your capabilities. — Abhijit Naskar

Why are people are so afraid of death? Why do they avoid talking about it? Maybe it's because there are no words. With my limited knowledge of the English language, there is not a word I have ever heard that accurately describes what "death" is. You can look it up in the dictionary for yourself. I don't believe what they say it is. How can you say death is death when it is not death at all, but life? — Kate McGahan

In contrast to what many people in Britain and the United States believe, the true figures on growth (as best one can judge from official national accounts data) show that Britain and the United States have not grown any more rapidly since 1980 than Germany, France, Japan, Denmark, or Sweden. In other words, the reduction of top marginal income tax rates and the rise of top incomes do not seem to have stimulated productivity (contrary to the predictions of supply-side theory) or at any rate did not stimulate productivity enough to be statistically detectable at the macro level. — Thomas Piketty

Don't make me out to be something worth saving. We both know I'm a waste." His voice was so quiet. "I wish I was better at telling you why you have to stay here. I wish I could put into words the part of my heart that has your name written on it. That part hurts right now. You have to be here. You love life too much. You're so important. I wish I could make you understand this." He tried to smile at her valiant efforts. "I would keep you if I could. You can sleep here, right on this couch. Beckett, I will let you hold this baby when it comes." She touched her stomach. "Does that tell you how much you mean to me? It's the only thing I can come up with." He shrugged. "Mouse would be disappointed. He'd feel like he didn't do his job if you died ... Eve loves you. Wherever she is - in this strip club - is that what you've been wishing for?" Beckett shook his head. "No, right? She loves you. You can't kill someone she loves. You just can't. — Debra Anastasia

Talking of being eaten by dogs, there's a dachshund at Brinkley who when you first meet him will give you the impression that he plans to convert you into a light snack between his regular meals. Pay no attention. It's all eyewash. His belligerent attitude is simply - "
Sound and fury signifying nothing, sir?"
That's it. Pure swank. A few civil words, and he will be grappling you ... What's the expression I've heard you use?"
Grappling me to his soul with hoops of steel, sir?"
In the first two minutes. He wouldn't hurt a fly, but he has to put up a front because his name's Poppet. One can readily appreciate that when a dog hears himself addressed day in and day out as Poppet, he feels he must throw his weight about. Is self-respect demands it."
Precisely, sir."
You'll like Poppet. Nice dog. Wears his ears inside out. Why do dachshunds wear their ears inside out?"
I could not say, sir."
Nor me. I've often wondered. — P.G. Wodehouse

Tell me I helped," I say, and it's a demand. I need to know I can be what he needs, that we can get through the darkness together. "You do more than help. You're the reason I take my next breath." The hoarse declaration whispers against my lips a moment before he kisses me, the tenderness in the touch of his tongue caressing mine telling me more than his words. — Lisa Renee Jones

This is the same establishment that all those who want, or rather aspire to, to be literary figures of the century, artists, painters and sculptors want acceptance from and approval. They want to be looked up to. Young and upcoming poets must approach their craft with an almost angelic perspective. So many writers are missing a condensed fusion in their writing, they condescend to their audience, the truth is not spoken in their work, they gabble, their words seem to make a hot fuss on the page. What do they gain? They gain this, simply nothing. Poets must assemble and present their work accordingly to how they see fit and should be careful of advice from other writers and editors. Sometimes there can be too much going on in the words that are meant to be given with the best of intentions. — Abigail George

After the first glass of vodka
you can accept just about anything
of life even your own mysteriousness
you think it is nice that a box
of matches is purple and brown and is called La Petite and comes from Sweden
for they are words that you know and that is all you know words not their feelings or what they mean and you write because you know them not because you understand them because you don't you are stupid and lazy and will never be great but you do what you know because what else is there? — Frank O'Hara

You can educate people about politics, criminality, the law, but not about medicine? It's just silly ... I really don't want to hurt anybody, but to say the truth and to offer words that might be helpful in understanding what some of these conditions are. I can't see any reason not to do that. That's changing things for the better. — Drew Pinsky

What does a woman do as she waits for her man? She may wash her hair, put on makeup, choose the kind of outfit any woman would be eager to try on, spray on perfume, and look at herself one last time in the mirror. If she does these things, it's when she and the man she's waiting for are in love. It's different when a woman waits for a man she still loves but who has broken up with her, because the pure joy of it is missing. Loving someone is like carving words into the back of your hand. Even if the others can't see the words, they, like glowing letters, stand out in the eyes of the person who's left you. Right now, that's enough for me. — Kyung-ran Jo

It would be very interesting to speculate on what the human imagination is going to do with a frontierless world where it must seek its inspiration in uniformity rather than variety, in sameness rather than contrast, in safety rather than peril, in probing the harmless nuances of the known rather than the thundering uncertainties of unknown seas or continents. The dreamers, the poets, and the philosophers are after all but instruments which make vocal and articulate the hopes and aspirations and the fears of a people.

The people are going to miss the frontier more than words can express. For four centuries they heard its call, listened to its promises, and bet their lives and fortunes on its outcome.

It calls no more... — Walter Prescott Webb

Before he dies, all his experiences in these long years gather themselves in his head to one point, a ques-tion he has not yet asked the doorkeeper. He waves him nearer, since he can no longer raise his stiffening body. The doorkeeper has to bend low towards him, for the difference in height between them has altered much to the man's disadvantage. "What do you want to know now?" asks the doorkeeper; "you are insati-able." "Everyone strives to reach the Law," says the man, "so how does it happen that for all these many years no one but myself has ever begged for admit-tance?" The doorkeeper recognizes that the man has reached his end, and to let his failing senses catch the words roars in his ear: "No one else could ever be admitted here, since this gate was made only for you. I am now going to shut it. — Franz Kafka

Fanaticism is the greatest threat today. Literally, the 21st century threatened by fanatics, and we have fanatics in every religion, unfortunately, and what can we do against them? Words nothing else, I'm against violence but only words. — Elie Wiesel

I think I fully commit myself to any role to the extent to which I can. In other words there's some roles that maybe it's just not there, in other words on the page. You know, I mean your job is you need to play the governor and that's what you do. I mean I'm not going to stay up all night if I'm playing a functional role. And I've played a couple of functional roles. And so I'm not going to do anything other, look he's a functional guy. He says hey mister, you forgot your hat. — Billy Bob Thornton

It's the opening line of a football game returned for a touchdown. Or fumbled.

It's what orange juice is to breakfast, the first minutes of a blind date, a salesman's opening remarks.

It sets the tone, lights the stage, greases the skids for everything to follow.

It's the most important part of everything you'll ever write because if it doesn't work, whatever follows won't matter. It won't get read.

It's your opening paragraph. And enough can't be said about its importance.

Seduction. That's basically what leads are all about--enticing the reader across the threshold of your book, novel or article--because nothing happens until you get 'em inside.

And you literally have only seconds to do it because surveys show that eight out of ten people quit reading whatever it is they've started after the first fifty words. — Lionel Fisher

But when I want to draw close to someone, and fully commit myself, then my misery is assured. Then I am nothing, and what can I do with nothingness? I must admit that your letter this morning (by the afternoon it had changed) arrived at just the right moment; I was in need of those very words. — Franz Kafka

Even today you don't know what opportunities I will be bringing your way. But do know you can count on Me for the words - words that will flow out of an obedient heart. There's no need to worry about the right words as long as your heart is aligned with Mine. You obey, and I — Judy Gordon Morrow

Everyone always talks about the magic of books being able to take you to other places, to let you see exotic worlds, to make you experience new and interesting things. Well, do you think words alone can do this? Of course not! If you've ever thought that books are boring, it's because you don't know how to read them correctly. From now on, when you read a book, I want you to scream the words of the novel out loud while reading them, then do exactly what the characters are doing in the story. Trust me, it will make books way more exciting. Even dictionaries. Particularly dictionaries. — Brandon Sanderson

You know, it's such a peculiar thing
our idea of mankind in general. We all have a sort of vague, glowing picture when we say that, something solemn, big and important. But actually all we know of it is the people we meet in our lifetime. Look at them. Do you know any you'd feel big and solemn about? There's nothing but housewives haggling at pushcarts, drooling brats who write dirty words on the sidewalks, and drunken debutantes. Or their spiritual equivalent. As a matter of fact, one can feel some respect for people when they suffer. They have a certain dignity. But have you ever looked at them when they're enjoying themselves? That's when you see the truth. Look at those who spend the money they've slaved for
at amusement parks and side shows. Look at those who're rich and have the whole world open to them. Observe what they pick out for enjoyment. Watch them in the smarter speak-easies. That's your mankind in general. I don't want to touch it. — Ayn Rand

"Rachel ... you need help."
I laugh and it's the same bitter laugh I remember him giving when we met so many weeks ago. "So do you."
"I love you." Isaiah says it so simply that my heart soars and sinks at the same time.
"I love you," I whisper. "Did you ever think that loving someone could hurt so bad?"
Isaiah shakes his head and stares out the window.
"What's going to happen to us?" I ask. Because I don't know how the two of us can continue forward. Isaiah refuses to let me in. It's sort of cruel. He's brought me close with his stories of his childhood and with his words of love, but he can't relinquish control. I refuse to be with someone who won't treat me as an equal. — Katie McGarry

If hard things ultimately have a purpose, then they aren't so hard anymore. Therefore, I listed what I had learned: 1. It's easy to forget that people can think you think what you don't think. 2. Don't write when you're angry and under deadline, with time to test it only on friends who know what you mean, not on strangers who don't. 3. A writer's greatest reward is naming something unnamed that many people are feeling. A writer's greatest punishment is being misunderstood. The same words can do both. — Gloria Steinem

Home is where I take up such a tiny portion of the memory foam; home is a splintered word. His pillow is a sweat-stained map of an escape plot, also a map of love's dear abandon. (When did he give way, at which breath?) Forgiveness may mean retrospectively abandoning the pillow and abandoning the photograph of someone with curious eyes, kissing my toes, poolside. I paint my toes Big Apple Red. I don't know what to do about the shock of red nails on clean, white tiles except get used to it. (And when he gave way, was there room for feelings or the words for feeling?) While I brush my teeth, I can see him in my periphery at the other sink. The outline of him lulls and stings. (And when he gave way, was it the end of the beginning of suffering?) I draw his profile near, I make him brush his teeth with me, he spits and makes a mess. I could love another face, but why? — Karen Green

Because wanton or venal lips has murmured the same words to him, he only half believed in the sincerity of those he was hearing now; to a large extent they should be disregarded, he believed, because such exaggerated language must surely mask commonplace feelings: as if the soul in its fullness did not sometimes overflow into the most barren metaphors, since no one can ever tell the precise measures of his own needs, of his own ideas, of his own pain, and human language is like a cracked kettle on which we beat out tunes for bears to dance to, when what we long to do is make music that will move the stars to pity. — Gustave Flaubert

Kissing is what humans do when words have reached a place they can't escape from. — Matt Haig