What She Quotes & Sayings

In the coming days and weeks, Laila would scramble frantically to commit it all to memory, what happened next. Like an art lover running out of a burning museum, she would grab whatever she could
a look, a whisper, a moan
to salvage from perishing to preserve. But time is the most unforgiving of fires, and she couldn't, in the end, save it all. — Khaled Hosseini

You see, we were able to give you something, something which even now no one will ever take from you, and we were able to do that principally by sheltering you. Hailsham would not have been Hailsham if we hadn't. Very well, sometimes that meant we kept things from you, lied to you. Yes, in many ways we fooled you, I suppose you could even call it that. But we sheltered you during those years, and we gave you your childhoods. Lucy was well-meaning enough. But if she'd have her way, your happiness at Hailsham would have been shattered. Look at you both now! I'm so proud to see you both. You built your lives on what we gave you. You wouldn't be who you are today if we'd not protected you. You wouldn't have become absorbed in your lessons, you wouldn't have lost yourselves in your art and your writing. Why should you have done, knowing what lay in store for each of you? You would have told us it was all pointless, and how could we have argued with you? So she had to go. — Kazuo Ishiguro

Do you know why that cow looks over that wall? She looks over the wall because she cannot see through it, and that is what you must do with your troubles ... Look over and above them. — John Wesley

What she had liked better still was his drowsy demeanour and slow manner of speech; he
had seemed inoffensive, the kind of man who would go about his work without causing trouble, not the least desirable of qualities in a husband. — Amitav Ghosh

You don't need to be seeing someone to be in love with her. You can have lost touch with her, she can have hurt you, even inexplicably. If you ever felt that you really knew her and that it was what you knew that you loved, and if you remember what it was you once knew, why is it so crazy to retain that love still? — Elliot Perlman

What's she like?"
It was a question to breach a dam wall. — Jonathan Renshaw

Hear the mellow wedding bells, Golden bells! What a world of happiness their harmony foretells Through the balmy air of night How they ring out their delight! From the molten golden notes, And all in tune What a liquid ditty floats To the turtle-dove that listens while she gloats On the moon! — Edgar Allan Poe

Here's what I've learned about the people in this city," Darcy was saying. "They grade their women on a curve. If someone is described as sophisticated, it means once during college she visited Paris, and if someone is described as beautiful, it means she's fifteen pounds overweight instead of forty. And — Curtis Sittenfeld

What happens if the cause dies? What happens if people die? Why would I subject myself to that? It's just easier to not." She said.
"I suppose, but what's the use of living in freedom if you can't free others, too?" I asked her. — Meghan Blistinsky

His lids lowered and he brushed her cheek with the tips of his fingers. "What if I fall in love with you?"
She turned her face into his palm. "You won't. — Rachel Gibson

Introduction to Kate. - Satisfied she had concluded her notes on the manuscript she had been reading, Kate placed her heel back in its shoe and stood up. She smoothed her skirt and paused to spare a thought for Vincent.
"What is going to happen next?" Kate remembered him pleading.
Claire had said this would happen. — Francine Scott

He'd given her all the love he could give tonight without taking her maidenhead, undressing her, carrying her to his bed, kissing away her tears, caressing her, bringing her to her peak with his hands again and again, until she lay, weak and utterly spent, in his arms. Then he'd held her through the watches of the night, wishing dawn would never come.
"Tha moran ghradh agam ort, dh'Amaliedh," he whispered. My love lies upon you, Amalie.
He lifted the rosary from around his neck and placed the wooden beads in her palm. Then he took the tartan sash from his French uniform and draped it across the pillow beside her, branding her with Clan MacKinnon's colors. Would she know what that meant? — Pamela Clare

I like woman who doesn't necessarily care if other people like her. She is she who she is and figures people can take it or leave it. What I do like is a woman who has the guts to tell exactly as she feels. It's not appealing when a woman dresses to please a man. It's way more attractive if she has her own distinct style and wears what she feels best in. — Justin Timberlake

Anna and I did not make love. I don't remember why. Maybe we didn't need to. She might have been afraid, although I doubt she was afraid of much. She'd been a midwife before she opened a studio; she'd held life in her hands, like a wire from a galvanic cell. Maybe death was too strong in me for an act so inspirited with life. Although I sometimes think that death is what gives lovemaking its desperate and terrible joy. — Norman Lock

She had realized something over the recent months: it didn't matter who you were or what you'd accomplished in life; none of that mattered when tragedy struck. You had no pull; no power. You had no choice. There was nothing to gamble with; nothing to do to put the odds in your favor. You were there and then you were gone, leaving those around you to realize how insignificant they all really were; leaving them to try to pick up the destroyed pieces. — Lindy Zart

She was one if the few souls that made me wonder what's it to live. — Markus Zusak

She needs me. She needs someone who understands and appreciates who she is, and who she's decided to be. And I need her, because who she is, and who she's decided to be are - big surprise to me - what I've been waiting for all my life. — Nora Roberts

My Beth," he whispered, his breath hot on her swollen lips. "Thank you."
"For what?" Beth couldn't stop crying, but she smiled, her face aching with it.
"Setting me free. — Jennifer Ashley

It's crazy how intelligent kids can be at a very young age and how they know what they know. I came out of the womb drawing on everything; I used to draw on my mother's white furniture and her white walls with her red lipstick and my pencils. Little did she know that would later materialize into me doing what I do now - I'm a painter as well and a micromechanical engineer. — Aldis Hodge

I hope that wasn't because of what I said about the barrel racing," Kelsey said.
"Probably me," Cole said. "She's sensitive. And I'm not. I'll apologize later. — Maisey Yates

They may recognize themselves in what you're writing, and then they have to say, "Well, she doesn't see me as I see myself." All a writer has is her own experience, and that experience comes out of human relationships. — Vivian Gornick

People were always saying to Margaret, 'Well, Julia sings and Betsy writes. Now what is little Margaret going to do?' Margaret would smile politely, for she was very polite, but privately she stormed to Betsy with flashing eyes, 'I'm not going to do anything. I want to just live. Can't people just live? — Maud Hart Lovelace

That's what she wanted more than anything. To be free of her anger. Wounds. — Melanie Dobson

When my mama was twenty-five she already had an old woman's hands, and I feared them. I did not know then what it was that scared me so. I've come to understand since that it was the thought of her growing old, of her dying and leaving me alone. I feared those brown spots, those wrinkles and cracks that lined her wrists, ankles, and the soft shadowed sides of her eyes. — Dorothy Allison

'What have you done?' I whispered.
She swallowed, and the guilt in her eyes was extinguished by a flare of defiance.
'This,' she said, 'is my ticket to outer space.' — Kenneth Oppel

From out of nowhere, she had an image of some poor human in a FedEx Office branch getting an eyeful and a half of the mostly naked fallen angel.
Without warning, she started to laugh so hard, tears came to her eyes. The good kind of tears, that was.
And as she gave herself up to the angel's ridiculousness, Lass just say there on the couch, staring up at "Melrose Place", a sly, quiet smile on his beautiful, deranged face.
What an angel he was, she thought to herself. A total angel. — J.R. Ward

But the truth is, I want to be some woman's work boots, not her high heels."
"Work boots?" What was sexy about that? And did women have work boots?
"Yeah. You know, the boots she pulls out when she wants to get down and dirty, hiking or gardening or boating or painting the kitchen. The ones she relies on and trusts and lives her life hard and good and on her terms in. Her favorites. — Erin McCarthy

Grandmere says she can't get over the change in me. She says I seem taller. And you know maybe I am. She thinks it's because I'm wearing another one of Sebastiano's original creations, designed just for me,just like the dress that was supposed to make Michael see me as more than just his little sister's best friend ... except that it turned out he already did. But I know that's not it. And it isn't love, either. Well, not entirely. I'll tell you what it is: self-actualization. That and the fact that it turns out I'm really a princess, after all. I must be, because guess what? I'm living happily ever after. — Meg Cabot

It was not necessary to leave to learn that. But there were other reasons to go. If a person had a child but no husband, a room but no house, a place but no home, a will but no way, and if a person was losing her son and herself, little by little, day by day, because she knew what she knew in her skin and bones but not what her sister-in-law knew in her books and pamphlets, then yes, it was necessary. — Jamie Zeppa

Nutt was technically an expert on love poetry throughout the ages and had discussed it at length with Miss Healstether, the castle librarian. He had also tried to discuss it with Ladyship, but she had laughed and said it was frivolity, although quite helpful as a tutorial on the use of vocabulary, scansion, rhythm and affect as a means to an end, to wit getting a young lady to take all her clothes off. At that particular point, Nutt had not really understood what she meant. It sounded like some sort of conjuring trick. — Terry Pratchett

The professional gives an ear to criticism, seeking to learn and grow. But she never forgets that Resistance is using criticism against her on a far more diabolical level. Resistance enlists criticism to reinforce the fifth column of fear already at work inside the artist's head, seeking to break her will and crack her dedication. The professional does not fall for this. Her resolution, before all others, remains: No matter what, I will never let Resistance beat me. — Steven Pressfield

She's just come undone," her mother had whispered on the phone to her aunt Bella. It was an old colloquialism, the sort of thing you didn't think people still said.

The phrase fit Sara so completely that she had found herself surrendering to it, imagining her arms and her legs detaching from her body. What did it matter? What did she need arms or legs or hands or feet for if she couldn't run to him, hold him, touch him? — Karin Slaughter

You will never know the love I feel for her. How beautiful it is. How painful it can be. What it felt like when I first looked at her. And what it felt like when I thought I might lose her before I could even save her. You will never know true love until you experience true fear. And you will never feel those toward her, as I am the only one for her. She. Is. Mine. — Sarah Brianne

The woman speaks, stops, then after what must have been a long speech by the person on the other end of the line, says, " ... just remember, darling, it is pain that changes our lives." Mirabelle cannot fathom the meaning of this sentence, as she has been in pain her whole life, and yet it remains unchanged. — Steve Martin

What shall I do?" she asked in a small voice.
"Forget your own self," he said.
"But all these years," she urged, "I have so carefully fulfilled my duty."
"Always with the thought of your own freedom in your mind," he said.
She could not deny it. She sat motionless, her hands folded on the pearl-gray satin of her robe. "Direct me," she said at last.
"Instead of your own freedom, think how you can free others," he said gently.
She lifted her head.
"From yourself," he said still gently. — Pearl S. Buck

I love you, Carlie, and it's the kind of love that grows stronger every day. What I feel for you is a forever kind of thing, and you can take that to the bank."
"I love you, too," she said on a sob.
"Good. It's settled." He kissed her. — Barbara Longley

Accepting a religion, any, is a lot like someone in love. It doesn't matter what the beloved does or says, he or she will get a pass ... Forever. It's easier that way. It's too difficult to accept fault or to admit contradictions or falsehoods. Someone who is religious is in love, and there is no talking them out of it, regardless of what others would take as silly notions or irrational thinking. I no longer try. Life is brief, despite what those longing for an afterlife might really need to believe. Peace and acceptance is something, however, I'll always back, no matter what vehicle it rides in on. — Benjamin Kane Ethridge

She said Robert Joyner had killed himself with a gun. And then I asked why, and then she told me that he was getting a divorce and was sad about it.'
'Lots of people get divorces and don't kill themselves,' I said.
'I know,' she said, excitement in her voice. 'That's what I told her. — John Green

What had she have to wish for? Nothing but to grow more worthy of him whose intentions and judgment had been ever so superior to her own. — Jane Austen

Lily knew then that Sheen was right. She would have a horse one day, but not for a long time. When she did, she would have control over what she could and could not have, although maybe she could right now, to an extent. She might not be able to have a horse, but she could choose to have Sheen as a friend, if he was willing to be her friend. — Jesse Haubert

Beatrix went with Audrey to the entrance hall, she was overwhelmed by the knowledge that her friend would soon have to endure the death of her husband. "Audrey," she said unsteadily, "I wish I could bear this for you." Audrey stared at her for a long moment, her face flushing with emotion. "That, Beatrix, is what makes you a true friend. — Lisa Kleypas

Is there something I can do?"
"About what?" she snapped.
"About your problem," he persisted. "Does anybody's ass need kicking? I can take care of that for you. I kick good ass."
Her laughter rang out, sweet and bright and gorgeous. "Wow," she said. "You'd do that for me? After, what has it been now, a fifteen-minute acquaintance? Twenty, maybe, tops?"
He considered that, and opened his mouth, and the raw, uncut, uncensored truth just plopped right out. "Yeah," he said. "I would. — Shannon McKenna

I like the second better, but the first fits with the vampire watching what she can't have." I blinked. "What he can't have," I amended, flushing. — Kim Harrison

The other night I took her on-out of pity-and what do you think the crazy bitch had done to herself? She had shaved it clean ... not a speck of hair on it. Did you ever have a woman who shaved her twat? It's repulsive, ain't it? And it's funny, too. Sort of mad like. It doesn't look like a twat any more: it's like a dead clam or something." He describes to me how, his curiosity aroused, he got out of bed and searched for his flashlight. "I made her hold it open and I trained the flashlight on it. You should have seen me ... it was comical. I got so worked up about it that I forgot all about her. I never in my life looked at a cunt so seriously. — Henry Miller

I would remain nearer you for what time there is."
"Gone in one faerie sigh," she quoted.
Leather-clad fingers brushed over her short hair, rested on her cheek. "I can hold my breath. — Holly Black

I have too much to lose, she said, if I cross that line. Like what? I said. She could not think of anything that day so she said she'd get back to me. Since then I've been thinking what I would lose if I cross my line & I haven't come up with anything either. There's always another line somewhere. — Brian Andreas

The night I proposed, I cried like a baby. She said: 'What you want to cry for, Doc? 'Course we'll be married. I've never been married before.' Well, I had to laugh, hug and squeeze her: never been married before! — Truman Capote

Son, I hope your opinion of your mother hasn't lessened, knowing what you now know."
Gavin glanced up; incredulity skewed his eyebrows. His expression appeared both stunned and appalled. "Never, Father! I love her! It makes no difference to me where she came from."
The man nodded, a show of relief in his features. His large hand, soft in touch, went to brush a string of hair away from his wife's peaceful profile. "Your mother loves you too, son, more than anything in the world. She worries about you, day and night."
That sentiment stirred something profoundly pleasant inside the boy. He grinned at the internal warmth it created. — Richelle E. Goodrich

In German, a young lady has no sex, while a turnip has. Think what overwrought reverence that shows for the turnip, and what callous disrespect for the girl. See how it looks in print - I translate this from a conversation in one of the best of the German Sunday-school books: "Gretchen. Wilhelm, where is the turnip? "Wilhelm. She has gone to the kitchen. "Gretchen. Where is the accomplished and beautiful English maiden? "Wilhelm. It has gone to the opera. — Mark Twain

Her heavy breathing echoed off the thick walls, her body frozen in shock, but when Marik reappeared in the mouth of the cave, she reached for the sword. He was still in a state of bloodlust and was, what she could only describe as, stalking her. — Kiersten Fay

What does it mean to a person whose identity is very wrapped up in the music she makes, if her worth is measured by how many records she sells? — Juliana Hatfield

The guiding metaphor of classic style is seeing the world. The writer can see something that the reader has not yet noticed, and he orients the reader's gaze so that she can see it for herself. The purpose of writing is presentation, and its motive is disinterested truth. It succeeds when it aligns language with the truth, the proof of success being clarity and simplicity. The truth can be known, and is not the same as the language that reveals it; prose is a window onto the world. The writer knows the truth before putting it into words; he is not using the occasion of writing to sort out what he thinks. Nor does the writer of classic prose have to argue for the truth; he just needs to present it. That is because the reader is competent and can recognize the truth when she sees it, as long as she is given an unobstructed view. The writer and the reader are equals, and the process of directing the reader's gaze takes the form of a conversation. — Steven Pinker

Shit ... this was a bad idea. A pure-blooded, bonded male vampire about to watch his shellan feed someone else. Holy hell, when the Scribe Virgin had suggested Beth come down, V had assumed it was for ceremonial purposes, not so she could be a vein. But what was the choice? Butch was going to suck Marissa dry and not have enough and there wasn't another female in the house who could do the job: Mary was still human and Bella was pregnant.
Besides, like dealing with Rhage or Z would be any easier? For the beast, they'd need a tranq gun the size of a cannon and Z ... well, shit. — J.R. Ward

She pulled away, almost out of breath, and gazed up into his eyes. They were dark with passion and fire, fit within by a golden glow that sent her pulses racing.
"What was that for?" he asked huskily.
"Do I need a reason?"
"Never. — Victoria Lynne

I've always been inspired by small details that make me wander. My mother would ask me, 'What are you looking at so intensely?' I would answer, 'Everything and nothing.' She really supported my wanderings, called me Marco Polo. — Mark Bradford

I think it would be easier to fight in a dress," says Marlene, tapping her chin. "It would give your legs freer movement. And who really cares if you flash people your underwear, as long as you're kicking the crap out of them?"
Lynn goes silent, like she recognizes that as a spark of brilliance but can't bring herself to admit it.
"What's this about flashing underwear?" says Uriah, sidestepping a bunk. "Whatever it is, I'm in. — Veronica Roth

She goes very still and I can count on one hand all the times we've been here before, standing at the precipice of almost and staring down into the abyss of what-if. — Kat Kruger

Alone, her soul destroyed and her heart bereft and empty, the Lady Ninnia touched her amulet and closed her eyes. "No," she breathed, "I was wrong. This time, my wisdom has failed me. Our daughter is not ready. To become the Handmaiden of Orion, one must know terrible grief in order to learn compassion." She gazed after her husband and shook her head sorrowfully. "Even the deaths of us, her parents, are not, I fear, enough. May she find what she needs upon that dark and deadly road upon which I have sent her. My poor, poor child - farewell. — Robin Jarvis

So what, then? Pete? Clyde?"
Cabel rolls over, pretending to sleep.
"It's Fred, isn't it?"
"Janie. Stop."
"You named your thing Janie?" She giggles.
Cabel groans deeply. "Go to sleep. — Lisa McMann

How has it happened that we've lost sight of this ancient woman shaman and what she represents? For despite the proof of language and artifacts, despite pictorial representations, ethnographic narratives, and eyewitness accounts, the importance - no, the primacy - of women in shamanic traditions has been obscured and denied. — Barbara Tedlock

In Nvengaria we would not dream of doing this. We do not punish a woman for what a man has done, and if he dishonors her and she shoots him, it is regarded as justifiable and she is praised for her bravery. — Jennifer Ashley

So Captain Jack's come a-courtin'." Her hands stilled on the basket. "Who?" "The tall Shawnee who come by your cabin." The tall one. Lael felt a small surge of triumph at learning his name. Captain Jack. Oddly, she felt no embarrassment. Lifting her shoulders in a slight shrug, she continued pulling the vines into a tight circle. "He come by, but I don't know why." "Best take a long look in the mirror, then." Lael's eyes roamed the dark walls. Ma Horn didn't own one. "Beads and a blanket, was it?" She nodded and looked back down. "I still can't figure out why some Shawnee would pay any mind to a white girl like me." Ma Horn chuckled, her face alight in the dimness. "Why, Captain Jack's as white as you are." "What?" she blurted, eyes wide as a child's. Ma Horn's smile turned sober. "He's no Indian, Shawnee or otherwise, so your pa says. He was took as a child from some-wheres in North Carolina. All he can remember of his past life is his white name - Jack. — Laura Frantz

She danced with complete abandon. She never felt so light and free. She could stretch her arms forever, touch the heavens and pull down the stars. She would give him the stars to keep in his pocket, she thought. They would bring him good luck. She jumped and laughed and drew giggles from some of the other girls. She felt high, though she never before experienced a drug high. But then what was she thinking? He was her drug, and she felt high on the dark, rich honey. Honey that matched the color of his eyes. She could drink him to overflowing and never be satisfied. She was filled with the honey even now; it coursed through her limbs - a powerful, exotic, demanding potion that ordered her to dance. And so she did. She danced. — S. Walden

She comes to me when she wants to be fed. And after I feed her
guess what
she's off to wherever she wants to be in the house, until the next time she gets hungry. She's smart enough to know she can't feed herself. She's actually a very smart cat. She gets loved. She gets adoration. She gets petted. She gets fed. And she doesn't have to do anything for it, which is why I say this cat's taught me more about women, than anything my whole life. — Rush Limbaugh

But what if it's a trap?' she repeated.
Joe gave her a hard stare.'Of course it's a fucking trap,' he said. — Chris Ryan

I know I might look like a ball of fluff," she said, "but I'm not. Not even close. And the fact that I get up each morning and put a damn smile on my face is the same as ... Batman putting on his cape."
"I
"
"I'm not done. It's ... protection. It's my shield. It's me waving my middle finger to the world because I choose to be happy. The bottom line, Luke, is that I know what matters and what doesn't. — Jill Shalvis

When I see someone not performing, I am frank enough to tell the person that it's not working out. I request him or her to leave or change jobs within the group. But I see many of our senior colleagues, including my brothers, sons and nephews, empathetic towards non-performers. They don't want to face the issue. They tend to become comfortable with such people and they get protection. They tend to choose people who become personally loyal to them rather than to the company. I think it's important to be professional about such matters. Protecting a non-performer is not good for the business and also the person being protected. This is unprofessional too. The non-performer may be in the wrong job and thus not doing what he or she is best at doing. Empathy that results in protection would lead to a negative result for the employee as well. He or she might be better off in another job within the group or elsewhere. — Subhash Chandra

What business had she to try to capture life and light? — Ann Brashares

Gathering her courage, she swallowed past the lump in her throat and held his gaze. It wasn't how she'd envisioned telling him, but she couldn't let him go without saying the words. "I'm falling in love with you."
The smile died, his amused expression dissolving into shock. "What?"
"Yeah. So you have to come back so I can finish the job."
A jumble of emotions swirled in the blue depths of his eyes as he stared at her. Then he broke into a wide smile and brought a hand up to cradle her cheek. "I'm coming back, sweetheart. I wouldn't miss that chance for the world. — Kaylea Cross

I told my brothers what happened. Are you ready to come meet them?"
She straightened. "Aye."
"I warn you," he teased in an attempt to lighten the mood. "They're big, burly bampots. — Lisa Carlisle

She was grieving the loss of her youth, the closing down of possibilities as life became what it was rather than what it might have been. — Kimberley Freeman

Moved on ... " he said. "Rusted nuts! You can do that?"
"Certainly."
"Huh. You think ... I should ... you know ... Ranette ... "
"Wayne, if ever someone should have taken a hint, it was you. Yes. Move on. Really."
"Oh, I took the hint," he said, taking a swig of sherry. "Just can't remember which jacket I left it in." He looked down at the jug. "You sure?"
"She has a girlfriend, Wayne."
"'S only a phase," he mumbled. "One what lasted fifteen years. ... — Brandon Sanderson

Sometimes, what people choose to write down on paper is more important than what they say.
Caleb didn't know what Sarah meant. But I knew. I wrote in my journal every night. And when I read what I had written, I could see myself there, clearer than when I looked in the mirror. I could see all of us: Papa, who couldn't always say the things he felt; Caleb, who said everything; and Sarah, who didn't know that she had changed us all. — Patricia MacLachlan

It wasn't the fact that she texted about hooking up with someone. What terrified me was my knee-jerk reaction. I wanted to throw my phone against the wall and smash it into a million pieces, then throw her against the wall and show her all the ways I could ensure that she never thinks about another man again. — Colleen Hoover

All the way back she talked haltingly about herself, and Amory's love waned slowly with the moon. At her door they started from habit to kiss good night, but she could not run into his arms, nor were they stretched to meet her as in the week before. For a minute they stood there, hating each other with a bitter sadness. But as Amory had loved himself in Eleanor, so now what he hated was only a mirror. Their poses were strewn about the pale dawn like broken glass. The stars were long gone and there were left only the little sighing gusts of wind and the silences between ... but naked souls are poor things ever, and soon he turned homewards and let new lights come in with the sun. — F Scott Fitzgerald

What's on your shirt?" she asked suddenly. "Darth Vader," I answered briskly. For someone who held me in such obvious contempt, she asked a lot of questions. "So you're a Trekkie." This was a statement rather than a question. I cringed. "Not exactly." "I think Star Trek is silly." "Not — James Ramos

But what we have here is not a nice girl, as generally understood. For one thing, she's not beautiful. There's a certain set to the jaw and arch to the nose that might, with a following wind and in the right light, be called handsome by a good-natured liar. Also, there's a certain glint in her eye generally possessed by those people who have found that they are more intelligent than most people around them but who haven't yet learned that one of the most intelligent things they can do is prevent said people ever finding this out. — Terry Pratchett

Daniel is asleep. A care assistant, a different one today is swishingaroundthe room with a mop that smells of pine cleaner.

Elisabeth wonders what's doing to happen to all the care assistants. She realizes she hasn't so far encountered a single care assistant here who isn't from somewhere else in the world. That morning on the radio she;d heard a spokesperson say, but it's not just that we;ve been rhetorically and practically encouraging the opposite of integration for immigrants to this country. It's that we've been rhetorically and practically encouraging ourselves not to integrate. We've been doing this as a matter of self-policing since Thatcher taught us to be selfish and not just to think but to believe that there's no such thing as society.

Then the other spokesperson in the dialogue said, well, you would say that. Get over it. Grow up. Your time's over. Democracy. You lost. — Ali Smith

We could sit around and talk if you'd like."
"Okay." She crossed her arms and tried to look casual. "So what's up?"
"Considering what you're wearing beneath that sheet, and what we just heard in the hallway, you might want to rephrase that particular statement. — Jill Shalvis

A girl sees what she likes, a boy likes what he sees. — Jessica Walsh

She described how Camus's aphorism "One must imagine Sisyphus happy" helps her fight back against unproductive feelings of meaninglessness.
If we consider, like Camus, Sisyphus at the foot of his mountain, we can see that he is smiling. He is content in his task of defying the Gods, the journey more important than the goal. To achieve a beginning, a middle, an end, a meaning to the chaos of creation - that's more than any deity seems to manage: But it's what writers do. So I tidy the desk, even polish it up a bit, stick some flowers in a vase and start.
As I begin a novel I remind myself as ever of Camus's admonition that the purpose of a writer is to keep civilization from destroying itself. And even while thinking, well, fat chance! I find courage, reach for the heights, and if the rock keeps rolling down again so it does. What the hell, start again. Rewrite. Be of good cheer. Smile on, Sisyphus! — Fay Weldon

Eager to hear more about the aforementioned behaviors of the ill-bred Miss Bowman, Livia leaned back against the edge of the desk, facing Marcus. "I wonder what Miss Bowman did to offend you so?" she mused aloud. "Do tell, Marcus. If not, my imagination will surely conjure up something far more scandalous than poor Miss Bowman is capable of."
"Poor Miss Bowman?" Marcus snorted. "Don't ask, Livia. I'm not at liberty to discuss it."
Like most men, Marcus didn't seem to understand that nothing torched the flames of a woman's curiosity more violently than a subject that one was not at liberty to discuss. "Out with it, Marcus," she commanded. "Or I shall make you suffer in unspeakable ways."
One of his brows lifted in a sardonic arch. "Since the Bowmans have already arrived, that threat is redundant. — Lisa Kleypas

Blaine needed what she was unable to give and she needed what he was unable to give, and she grieved this, the loss of what could have been. So — Chimamanda Ngozi Adichie

Chloe nodded meekly. I'd never seen her so demure.
"What's the matter with you?" I hissed at her as we followed Kieran and Solange inside.
"She's royalty!"
"And a vampire, remember?"
"Oh yeah." Chloe paused. "Nope, princess trumps vampire."
"Does not."
"So does. — Alyxandra Harvey

I can't take this kind of suspense. Decide now." He untied the ropes around her wrists. "Walk out the door. In a year you'll be free of any entanglements with me. Or stay and be my wife. My real wife. Make your choice."
She looked down at the loosened ropes still wrapped around her, then up at him.
He wore an expression of fierce indifference, but she knew better. This proud man, this noble marquees, had made up his mind he wished to marry her without knowing who she was or what she'd done. She would guess the decision was his first impetuous gesture since the day his mother had disappeared.
Amy couldn't fool herself. For him to go so contrary to his own nature, he must feel an overwhelming emotion for her. — Christina Dodd

Vicky had once told her that she should not be ashamed of her pubic hair. Pubic hair was what men expected to see on women. Vicky said that there was a young prostitute at the Centre who had no pubic hair & many customers were known to shy off her because they thought that she was diseased. So Phyllis was resigned to displaying her pubic hair to all who wanted to see it.[MMT] — Nicholas Chong

She struggled. She became uncomfortable. She longed for more freedom and began to sense that the world she inhabited was not where she ultimately belonged. She did not know what was on the other side of her struggle, but she was getting ready to experience something new and wonderful that in her wildest imaginings could not be described. Darrel ... she was getting ready to breathe. "And when she finally drew that first breath, it was clean and fresh and like nothing she had ever felt. She took another breath and another - and all around her, loved ones and friends cheered in a joyous celebration of her arrival." Jones looked closely at the woman's face. "Look at her now, Darrel," he said. "For many years this dear child was happy and content in — Andy Andrews

She knew her duty inside and out. The prosperity of the cash drawer brought happiness to husband and wife. Not that Madame Puta was bad looking, not at all, she could even, like so many others, have been rather pretty, but she was so careful, so distrustful that she stopped short of beauty just as she stopped short of life - her hair was a little too well dressed, her smile a little too facile and sudden, and her gestures a bit too abrupt or too furtive. You racked your brains trying to figure out what was too calculated about her and why you always felt uneasy when she came near you. This instinctive revulsion that shopkeepers inspire in anyone who goes near them who knows what's what, is one of the few consolations for being as down at heel as people who don't sell anything to anybody tend to be. — Louis-Ferdinand Celine

I love her [Kimberly Peirce]. Incredibly intense is a good way of describing her. Brutally honest. Really sharp. She's a director for actors. That's what she's best at, sitting down with an actor and just getting to the heart of what a scene is. And getting to the heart of not just what the scene is and the character is, but what you are, and how to build that bridge between the "me" and the character, and those emotions. — Joseph Gordon-Levitt

I was really glad to meet Jane Clark because it did give me an insight. I couldn't imagine what kind of woman she was. I was hugely impressed by her energy, straightforward nature and enthusiasm for life. — Jenny Agutter

And she finds it difficult to believe - that a person would love her even when she isn't trying. Trying to figure out what other people need, trying to be worthy. — Margaret Atwood

Children need both latitude of expression and firmly enforced limits on their behaviors, in a blend that results in calm, patientmanagement. The key to success is to tailor the rearing environment to the developmental level of the child
what she or he can handle
and to individual differences among children. — Sandra Scarr

My Mother

My mother was not educated but she was the best teacher I've ever had in my entire life. She had what it's called natural wisdom, bless her precious soul. Here some of her teachings: Human Values:
Love: Learn to love because everything that's based on love has a deep rooted foundation.
Kindness: Be kind all the time but never let anyone take advantage of your kindness.
Peace: Learn to have peace with yourself when the world turns against you because it starts with you.
Honesty: Be honest to yourself and then to the others.
Respect: Respect others and they will respect you.
Openness: Be always transparent especially when you are hurting. Never pretend that it's all okay.
Loyalty: Always be loyal to your family and make sure your family comes before anything else.
She taught me to learn to compose myself when life gets tough and unfair to me.

I love you mama & Happy Mothers Day — Euginia Herlihy

My God, he whispered. What have I done to her? He thought, humbled. The spell was broken, but it wasn't sealed, and her soul was bare to him, the scars of her tragic past and her triumphs over pain and her aching need to find her place. He just wanted to hold her to him and tell her it would be okay, that she had survived and was beautiful. — Kim Harrison

What is madness?" she asked, sitting with one leg up against her chest, vaporous skirt flickering around her calves and vanishing into mist. "It's when men don't think right," Kaladin said, glad for the conversation to distract him. "Men never seem to think right." "Madness is worse than normal," Kaladin said with a smile. "It really just depends on the people around you. How different are you from them? The person that stands out is mad, I guess. — Brandon Sanderson

Miranda!"
"What?" She batted him with her pillow.
"Hoyden! Are you drunk?"
"I don't think so. I'm not sure. They never gave us wine at Yardley. I feel happy."
"Happy?" He grabbed a corner of the pillow as she whacked him again with it. "Stop it!"
"You're too serious, Winterley!" She reached for another pillow. "I will beat you until you smile!"
He ducked out of his chair with a rakish grin as she swung at him, then tackled her flat on the soft bed, both of them laughing.
"You are ... impossible," he chided with a gentle sigh as he braced his elbows on either side of her head. He traced her cheekbones with the pads of his thumbs.
"Difficult, but not impossible." She wrapped her arms around him, relishing the weight of him atop her, the smoothness of his bare chest against her bodice. "It all depends on who's trying."
"That sounded distinctly like an invitation," he murmured. — Gaelen Foley

I didn't say, "I'll call you." I didn't hug her because of the wet clothes. Just a quick kiss. Then I turned and left. I made my way quietly down the hallway to the stairwell. I could tell she thought she wasn't going to see me again. I had to admit she might be right. The knowledge was as damp and dispiriting as my sodden clothes. I came to the first floor and looked out at the entranceway of the building. For a second I pictured the way she had hugged me here. It already seemed like a long time ago. I felt an unpleasant mixture of gratitude and longing, streaked with guilt and regret. And in a flash of insight, cutting with cold clarity through the fog of my fatigue, I realized what I hadn't been able to articulate earlier, not even to myself, when she'd asked me what I was afraid of. It had been this, the moment after, when I would come face to face with knowing that it would all end badly, if not this morning, then the next one. Or the one after that. — Barry Eisler

My first collection was made from sheets that my grandmother, who lived in Normandy, had been collecting for a long time. There are a lot of flea markets in that part of France, and she knew what I liked. — Olivier Theyskens

My friend Wicker once said to be careful what and how you say what you're really thinking to a woman. After much screwing up in that department with Emma, I've learned it's not what you should hide, but what you say that makes her react the way she does. If I am unable to make myself clear, as I so often do, it's more likely going to go to pot if I try to explain how I really feel. Instead, I rework in my brain what she needs to hear. I don't always nail it, but I'm getting better at it. And it's always the truth even if it isn't how I see it.
Is it deceiving? No. It's being considerate and aware that she is an emotional creature, and that for some crazy reason, craves my attention. I love to make her happy. My jumbled up mess of a mind isn't important in the long run if it just confuses her. So I chose words carefully. When something goes right, I use it over and over again. -Ames — Cyndi Goodgame

It looks like an asylum landed here," Andrew quipped, poking his head out of Oliver's pocket. "Ooh, I spot an ass-shaped tent."
"What? Seriously?" Sophie said, surprised. However, she was quick to look away. "Oh. You meant that kind of ass. Jeez, Andrew. — Zeinab Alayan