What Makes A Poem Quotes & Sayings

We can all be clockmakers, or astronomers. But if we all wanted to be Pushkin ... if the question is, how do you make a poem by Pushkin?- or, what exactly makes one poem or painting or piece of music greater than another?- or, what is beauty?, or liberty?, or virtue?- if the question is, how should we live? ... then, reason gives no answer or different answers. So something went wrong. The divine spark in man is not reason after all, but something else, some kind of intuition or vision, perhaps like the moment of inspiration experienced by the artist ... — Tom Stoppard

What is a poem, if not a toy mouse viewed from an angle that makes it appear to take over the world? Lee — Nell Zink

The study of silence has long engrossed me. The matrix of a poet's work consists not only of what is there to be absorbed and worked on, but also of what is missing, desaparecido, rendered unspeakable, thus unthinkable. It is through these invisible holes in reality that poetry makes its way - certainly for women and other marginalized subjects and for disempowered and colonized peoples generally, but ultimately for all who practice any art at its deeper levels. The impulse to create begins - often terribly and fearfully - in a tunnel of silence. Every real poem is the breaking of an existing silence, and the first question we might ask any poem is, What kind of voice is breaking silence, and what kind of silence is being broken? — Adrienne Rich

I hardly know what I'm going to write - an article, a story, a poem in free verse - or in some regular form. I only know that when I have the first sentence. And when the first sentence makes a kind of pattern, then I find out the kind of rhythm I'm looking for. — Jorge Luis Borges

A writer is someone who spends years patiently trying to discover the second being inside him, and the world that makes him who he is: when I speak of writing, what comes first to my mind is not a novel, a poem, or literary tradition, it is a person who shuts himself up in a room, sits down at a table, and alone, turns inward; amid its shadows, he builds a new world with words. — Orhan Pamuk

A Book I Can Put Down

I'm halfway through
and I've gotten used
to the way it wants
to be read. This writer
wants to spoon it up,
wants to watch me
swallow it. This writer
makes a point of good
deeds, clean living,
god and country,
when what I want
is sin and shame,
the rusty metal edge
of cruelty, varieties
of pain, his mother
still crying years later,
just like mine. I want
a writer who's given up
on the moral of the story,
one who'll hand me
a knife and sit back
to see what I do with it.

(Published in Anderbo) — Antonia Clark

A poem begins as an inner tune in the heart that beats with emotions and words waiting to be played with love. — Debasish Mridha

When I get interested in a new topic I teach a class on it. There's a graduate seminar I teach in which the students and I try to expand the terminology we use to talk about poetry as well as expand our notion of what makes a poem - we read source texts on architecture, dance, photography, film and the graphic novel. — Matthea Harvey

This for That

What will I have for breakfast?
I wish I had some plums
like the ones in Williams's poem.
He apologized to his wife
for eating them
but what he did not
do was apologize to those
who would read his poem
and also not be able to eat them.
That is why I like his poem
when I am not hungry.
Right now I do not like him
or his poem. This is just
to say that.

A kinesthesia for me! It is definitely the sort of poem that makes me go to the kitchen to check if a have some plumes. I really enjoy some of Padgett's poems! — Ron Padgett

Why do most people write poems about nature? For the same reason that every community center is propped up with industrious, self painted landscapes: you have no need of any imagination to simply describe what is around you, and the amateur naturally thinks an idyllic picture is best, not the dirty city around him. What makes van de Waarsenburg special is that he crams a hundred idyllic scenes into a single poem, as if he does not trust a single boathouse would be poetic enough for the reader. — Martijn Benders

If you've ever been to a poetry slam, you know that the highest scoring emotion is self-righteous indignation: how dare you judge me. So in that way, the poem, 'What Teachers Make,' is an absolutely formulaic slam poem designed to allow me to get up on my soap box and say, 'Let me tell you what really makes me angry.' — Taylor Mali

Every poem can be considered in two ways
as what the poet has to say, and as a thing which he makes. — C.S. Lewis

You are a poem--and that is to be the best part of a poet--what makes up the
poet's consciousness in his best moods. — George Eliot

Madame V begins the lesson by reading aloud the first stanza of a famous French poem: Il pleure dans mon coeur Comme il pleut sur la ville; Quelle est cette langueur Qui penetre mon coeur? Then she looks up and without any warning she calls on me to translate it. I swallow hard, and try: "It's raining in my heart like it's raining in the city. What is this sadness that pierces my heart?" Saying these words out loud, right in front of the whole class, makes me feel like I'm not wearing any clothes. — Sonya Sones

This poem is one of a series, all of them elegiac in intention, and subject to the strange forces of mourning that let loose illogical developments, into impossible configurations of thought. The poem is built of non-sequiturs, because that's what's left in the wake of the death. We cannot follow the dead, whether they are persons or ideas. Instead we remain, but in a situation that, in their absence, makes no sense. — Lyn Hejinian

A successful poem says what a poet wants to say, and more, with particular finality. The remarks he makes about his poems are incidental when the poem is good, or embarrassing or absurd when it is bad and he is not permitted to say how the good poem is good, and may never know how the bad poem is bad. It is better to write about other people's poetry. — Randall Jarrell

When a man makes a poem, makes it, mind you, he takes words as he finds them interrelated about him and composes them - without distortion which would mar their exact significances - into an intense expression of his perceptions and ardors that they may constitute a revelation in the speech that he uses. It isn't what he says that counts as a work of art, it's what he makes, with such intensity of perception that it lives with an intrinsic movement of its own to verify its authenticity. — William Carlos Williams

I've never read a political poem that's accomplished anything. Poetry makes things happen, but rarely what the poet wants. — Howard Nemerov

( ... ) It,s hard not to be able. There, look there!/ I cannot get the movement nor the light;/Sometimes it almost makes a man despair/To try and try and never get it right./Oh, if I could -oh, if I only might,/I wouldn,t mind what hells I,d have to pass,/Not if the whole world called me fool and ass.
Dauber (A poem). John Masefield. 1916. London William Heinemann — John Masefield

Mathematics is very much like poetry ... what makes a good poem
a great poem
is that there is a large amount of thought expressed in very few words. In this sense formulas like
or are poems. — Lipman Bers

What makes a poem a poem, finally, is that it is unparaphrasable. There is no other way to say exactly this; it exists only in its own body of language, only in these words. I may try to explain it or represent it in other terms, but then some element of its life will always be missing.
It's the same with painting. All I can say of still life must finally fall short; I may inventory, weigh, suggest, but I cannot circumscribe; some element of mystery will always be left out. What is missing is, precisely, its poetry. — Mark Doty

A writer discovers what he knows as he knows it, i.e., as he makes it. No artist writes in order to objectify an "idea" already formed. It is the poem or novel or story that quite precisely tells him what he didn't know he knew: he knows, that is, only in terms of his writing. This is, of course, simply another way of saying that literary composition is not the placing of a held idea into a waiting form. — Gilbert Sorrentino

POOR ANGUS
Oh what do you do, poor Angus,
When hunger makes you cry?
"I fix myself an omelet, sir,
Of fluffy clouds and sky."
Oh what do you wear, poor Angus,
When winds blow down the hills?
"I sew myself a warm cloak, sir,
Of hope and daffodils."
Oh who do you love, poor Angus,
When Catherine's left the moor?
"Ah, then, sir, then's the only time
I feel I'm really poor. — Shel Silverstein

A poem makes clear without making simple. Poetry's language carries what lives outside language. It's as if you were given a 5-gallon bucket with 10 gallons of water in it. Mysterious thirsts are answered. That alchemical bucket carries secrets also, even the ones we keep from ourselves. — Jane Hirshfield

Literature sort of makes your daily operation, your daily conduct, the management of your affairs in the society a bit more complex. And it puts what you do in perspective, and people don't like to see themselves or their activities in perspective. They don't feel quite comfortable with that. Nobody wants to acknowledge the insignificance of his life, and that is very often the net result of reading a poem. — Joseph Brodsky

We all know what good writing is: It's the novel we can't put down, the poem we never forget, the speech that changes the way we look at the world. It's the article that tells us when, where, and how, the essay that clarifies what was hazy before. Good writing is the memo that gets action, the letter that says what a phone call can't. It's the movie that makes us cry, the TV show that makes us laugh, the lyrics to the song we can't stop singing, the advertisement that makes us buy. Good writing can take form in prose or poetry, fiction or nonfiction. It can be formal or informal, literary or colloquial. The rules and tools for achieving each are different, but one difficult-to-define quality runs through them all: style. "Effectiveness of assertion" was George Bernard Shaw's definition of style. "Proper words in proper places" was Jonathan Swift's. You — Mitchell Ivers

Yeah, I'd say there's probably about a couple of hundred people I admire - but that has nothing to do with what a person does themselves. That's why I never mention these things. You can read a detective novel you really like, but it had no bearing on what you do yourself, you just think, "God, how this guy wove this together!" Or you get into the energy of it. Or you see a poem which makes a great statement about sentiment, but it's not sentimental. — Tom Verlaine

It is natural to speak of hymns as "poems," indiscriminately, for they have the same structure. But a hymn is not necessarily a poem, while a poem that can be sung as a hymn is something more than a poem. Imagination makes poems; devotion makes hymns. There can be poetry without emotion, but a hymn never. A poem may argue; a hymn must not. In short to be a hymn, what is written must express spiritual feelings and desires. The music of faith, hope and charity will be somewhere in its strain. — Hezekiah Butterworth

To do a poem justice, explain what makes it unique; to get a poem noticed, explain what makes it typical. — Stephen Burt

First is a poem, a ballad, out of Scotland. You may say there is no king in it, and of course there isn't, which is what makes it so sad. The last line of the third verse, 'O he might hae been a king' is so sad that I don't like to look at it with both eyes at once. — William Mayne

Edwards's stark presentation of the immanent consciousness of Separation enters the structure of her poems. Each word is a cipher, through its sensible sign another sign hidden. The recipient of a letter, or combination of letter and poem from Emily Dickinson, was forced much like Edwards' listening congregation, through shock and through subtraction of the ordinary, to a new way of perceiving. Subject and object were fused at that moment, into the immediate feeling of understanding. This re-ordering of the forward process of reading is what makes her poetry and the prose of her letters among the most original writing of her century. — Susan Howe

..the poem is made of sequences in which images, figures of speech and rhythm are undivided. One needs to enter this 'undivision'", and what it does, the proposition it issues, in both senses of the word, logical and erotic: "Let us call a sentence a proposition. A poem makes propositions — Michel Deguy

The poet must work with brush and paper,but this is not what makes the poem. A man does not go in search of a poem - the poem comes in search of him. — Yang Wanli