What Is Art Famous Quotes & Sayings
Enjoy reading and share 50 famous quotes about What Is Art Famous with everyone.
Top What Is Art Famous Quotes

It is the importance of this quality of generosity in fiction that requires a measure of childishness in the writer. People who have strong mental focus and a sense of purpose in their lives, people who have respect for all that grownups generally respect (earning a good living, the flag, the school system, those who are richer than oneself, those who are beloved and famous, such as movie stars), are unlikely ever to make it through the many revisions it takes to tell a story beautifully, without visible tricks, nor would they be able to tolerate the fame and fortune of those who tell stories stupidly, with hundreds of tricks, all of them old and boring to the discriminating mind. First, with his stubborn churlishness the good writer scoffs at what the grownups are praising, then, with his childish forgetfulness and indifference to what sensible people think, he goes back to his foolish pastime, the making of real art. — John Gardner

There's a famous artist, Ron English, in New York, that just, or Andy Warhol for that matter, that did pop art that terrorized society. And that's, for the last like 10, 15 years, that's all I wanted to do, is terrorize society and make them look into a mirror and see what the hell we have wrought. — Al Jourgensen

People should practice an art in order to make their souls grow and not to make money or become famous. Paint a picture. Write. — Kurt Vonnegut

To be an artist is not about fame; it's about art, which is this intangible thing that has got to have lots of integrity, whereas being famous doesn't really take any integrity. But I think you have to admit that you want to be famous, otherwise you can't be an artist. Art and fame together are like a desire to live forever. — Damien Hirst

A lot of people thought I got famous as a studio artist, then decided to cash in on it. But it actually was just a matter of survival for many years, and I felt it was really important for me to be able to say whatever I wanted with my street art and fine art. — Shepard Fairey

Unfortunately, I haven't thought sufficiently about art. What I never realized - and it's really stupid - is the art world is the art world because all these thousands of famous and not-famous artists do things, over centuries. This hadn't occurred to me. — Peter Saul

It has been my personal experience that as I allow the painting to speak I become lost, it is delicious and at the same time frightening. The best ones, to me, have a life of their own. — Luther E. Vann

Someday I'm gonna be famous. Do I have talent, well, no. These days you really don't need it. — Brad Paisley

For most people, art is only valuable if other people say it is; and artists are only worthwhile if they are either rich and famous, or dead. — Wayne Gerard Trotman

Over at 3d.si.edu, these already include 3D files of dinosaur skeletons, famous statues, insects and ancient art. — Christopher Barnatt

In the history of a soul's evolution there is a critical point of the human incarnation that decides for us whether we stay there, go down or progress upwards. There is a knot of worldly desires impeding us; cut the knot by mastering desires and go forward. This done, progress is assured. — Virchand Gandhi

There's a very famous Miyamoto Musashi quote. "Once you understand the way broadly, you can see it in all things." The idea is once you understand what excellence is all about, whether it's in painting, or carpentry or martial arts, that you see how that excellence manifests itself in any discipline. I think that all the different things that I do enhance all the other things that I do. — Joe Rogan

Sir Magnus Donners himself appeared to greet his guests at exactly the same moment. I wondered whether he had been watching at a peephole. It was like the stage entrance of a famous actor, the conscious modesty of which is designed, by its absolute ease and lack of emphasis, both to prevent the performance from being disturbed at some anti-climax of the play by too deafening a round of applause, at the same time to confirm
what everyone in the theater knows already
the complete mastery he possesses of his art. The manner in which Sir Magnus held out his hand also suggested brilliant miming of a distinguished man feeling a little uncomfortable about something. — Anthony Powell

I've been told by many the art of poetry's dead, I believe it's alive on pages they haven't read — Stanley Victor Paskavich

The function of the overwhelming majority of your artwork is simply to teach you how to make the small fraction of your artwork that soars. One of the basic and difficult lessons every artist must learn is that even the failed pieces are essential. X-rays of famous paintings reveal that even master artists sometimes made basic mid-course corrections (or deleted really dumb mistakes) by overpainting the still-wet canvas. The point is that you learn how to make your work by making your work, and a great many of the pieces you make along the way will never stand out as finished art. The best you can do is make art you care about - and lots of it! — David Bayles

I'm not interested in being famous or anything, but I'm definitely interested in expressing emotions, and acting and filmmaking can be great outlets for that. Filmmaking is an incredible art. — Ellar Coltrane

I think everybody has different priorities in their life. People live their lives differently. People become famous through all sorts of different reasons ... some of it through art and some of it through just wanting to be famous. And I think how that all starts tends to reflect how you live your life daily. — Keith Urban

The artists in my museum have never had any kind of formal training. They've never been taught how to paint like some of the famous artists you see in other museums. But that's why I love them. Their art feels more honest to me because it's not coming out of their heads, it's coming out of their hearts -T. Walker — Holly Schindler

I want to be famous but unknown! — Edgar Degas

At the Uffizi, I experienced a moment that was touching, painful, and almost embarrassing. We stopped in front of the famous Botticelli painting, The Birth of Venus. I gazed wistfully at her incomparably lovely, yet, as Vasari described, oddly distorted form emerging from the waves in a seashell, her long red-golden tresses blown by Zephyrs. No woman ever had so elongated a neck or such sinuous limbs. Botticelli contorted, and some might say deformed, the human shape to give us a glimpse of the sublime. — Gary Inbinder

If every museum in the New World were emptied, if every famous building in the Old World were destroyed and only Venice saved, there would be enough there to fill a full lifetime with delight. Venice, with all its complexity and variety, is in itself the greatest surviving work of art in the world. — Evelyn Waugh

The basket would never make her famous or end up in a museum. The best part of it was the making of it, sitting at the table weaving while outside the lake crashed into shore and the seagulls roosted somewhere for the night and two women stopped for a moment to watch. — Ellen Airgood

I think a strong claim can be made that the process of scientific discovery may be regarded as a form of art. This is best seen in the theoretical aspects of Physical Science. The mathematical theorist builds up on certain assumptions and according to well understood logical rules, step by step, a stately edifice, while his imaginative power brings out clearly the hidden relations between its parts. A well constructed theory is in some respects undoubtedly an artistic production. A fine example is the famous Kinetic Theory of Maxwell ... The theory of relativity by Einstein, quite apart from any question of its validity, cannot but be regarded as a magnificent work of art. — Ernest Rutherford

Contrary to the current presumption, if there is any man who has no right to solitude, it is the artist. Art cannot be a monologue. When the most solitary and least famous artist appeals to posterity, he is merely reaffirming his fundamental vocation. Considering a dialogue with deaf or inattentive contemporaries to be impossible, he appeals to a more far-reaching dialogue with the generations to come. But in order to speak about all and to all, one has to speak of what all know and of the reality common to us all. The sea, rains, necessity, desire, the struggle against death - these are the things that unite us all. We resemble one another in what we see together, in what we suffer together. Dreams change from individual to individual, but the reality of the world is common to us all. — Albert Camus

He [A. J. Balfour] was eminently one of the Cole Porter school of famous men, who only fell to rise again. Picking himself up and brushing himself down became a minor art form, ruefully admired by his contemporaries. — Arthur Balfour

In Japan, I am famous in certain special circles - mainly as someone who is trying to break down and enlighten the conventions of Japanese art. — Takashi Murakami

That was originally what I had loved him for: that at a period when our native land was nude and crude and provincial, when the famous 'atmosphere' it is supposed to lack was not even missed, when literature was lonely there and art and form akmost impossible, he had found the means to live and write like one of the first; to be free and general and not at all afraid; to feel, understand, and express everything. — Henry James

It true, Bigfoot career been in hole lately. Bigfoot mania of the '70's and '80's but distant memory. I famous for ability to not be see but don't think I not notice you not notice. I blame music television and internet. People too lazy and stupid to appreciate conceptual artist like Bigfoot who appeal is absence. — Graham Roumieu

This pointing-hand gesture - with its index finger and thumb extended upward - is a well-known symbol of the Ancient Mysteries, and it appears all over the world in ancient art. This same gesture appears in three of Leonardo da Vinci's most famous encoded masterpieces - The Last Supper, Adoration of the Magi, and Saint John the Baptist. It's a symbol of man's mystical connection to God." As above, so below. The madman's bizarre choice of words was starting to feel more relevant now. "I've never seen it before," Sato said. Then watch ESPN, Langdon thought, always amused to see professional athletes point skyward in gratitude to God after a touchdown or home run. He wondered how many knew they were continuing a pre-Christian mystical tradition of acknowledging the mystical power above, which, for one brief moment, had transformed them into a god capable of miraculous feats. — Dan Brown

Strauss's, for instance, which begins in the heavens. The artist doesn't ascend to glory, he appears in it, he already has it and the world is prepared to recognize him. Meteoric, like a comet - those are the phrases we apply, and it's true, it is a kind of burning. It makes them highly visible, and at the same time it consumes them, and it's only afterwards, when the brilliance is gone, when their bones are lying alongside those of lesser men, that one can really judge. I mean, there are famous works, renowned in antiquity, and today absolutely forgotten: books, buildings, works of art. — James Salter

He came face-to-face with the rude paradox fame had dealt him: The secret of his extraordinary art had been his ability to observe human interaction anonymously, thereby gaining insight into the emotions on display in ordinary life
it was his ability to become a fly-on-the-wall that made him famous, and fame had destroyed his ability to become a fly-on-the-wall. — C.R. Strahan

I'm saving up to buy art. Nothing famous, but every time I'm in a new city I wander into galleries and dream about buying great pieces one day. — Nicola Formichetti

In Isaac Newton's lifetime, no more than a few thousand people had any idea what he looked like, though he was one of England's most famous men, yet now millions of people have quite a clear idea - based on replicas of copies of rather poorly painted portraits. Even more pervasive and indelible are the smile of Mona Lisa, The Scream of Edvard Munch, and the silhouettes of various fictional extraterrestrials. These are memes, living a life of their own, independent of any physical reality. "This may not be what George Washington looked like then," a tour guide was overheard saying of the Gilbert Stuart painting at the Metropolitan Museum of Art, "but this is what he looks like now." Exactly. — James Gleick

It seemed to me that a lot of people started going to art school recently because they thought they could be famous and make a lot of money. They might be in for a bad turn. — Wade Guyton

The cynical, caustic, acid-tongued New York drama critic Addison De Witt introduces his protege/date of the moment, a bimbo date and so-called actress named Miss Casswell (Marilyn Monroe) in another very famous line: "Miss Casswell is an actress, a graduate of the Copacabana School of Dramatic Art." — George Sanders

One famous Japanese haiku illustrates the state that Sid managed to discover in himself. It is one that Joseph Goldstein has long used to describe the unique attentional posture of bare attention: The old pond. A frog jumps in. Plop!2 Like so much else in Japanese art, the poem expresses the Buddhist emphasis on naked attention to the often overlooked details of everyday life. Yet, there is another level at which the poem may be read. Just as in the parable of the raft, the waters of the pond can represent the mind and the emotions. The frog jumping in becomes a thought or feeling arising in the mind or body, while "Plop!" represents the reverberations of that thought or feeling, unelaborated by the forces of reactivity. The entire poem comes to evoke the state of bare attention in its utter simplicity. — Mark Epstein

Audacious persons hope to make themselves eternally famous by setting fire to one of the wonders of the world and of the ages. The art of reproving scandal is to take no notice of it, to combat it damages our own case; even if credited it causes discredit, and is a source of satisfaction to our opponent, for this shadow of a stain dulls the lustre of our fame even if it cannot altogether deaden it. — Baltasar Gracian

Being rich and famous seems to have its ups and downs. That's the price you pay for being troubadours and clowns. — Jimmy Buffett

It seems obvious, looking back, that the artists of Weimar Germany and Leninist Russia lived in a much more attenuated landscape of media than ours, and their reward was that they could still believe, in good faith and without bombast, that art could morally influence the world. Today, the idea has largely been dismissed, as it must in a mass media society where art's principal social role is to be investment capital, or, in the simplest way, bullion. We still have political art, but we have no effective political art. An artist must be famous to be heard, but as he acquires fame, so his work accumulates 'value' and becomes, ipso-facto, harmless. As far as today's politics is concerned, most art aspires to the condition of Muzak. It provides the background hum for power. — Robert Hughes

Sometimes there are painters or very famous artists who start to become artists after they are dead because an audience or a public know about their art after they die. — Rokia Traore

Everybody wanted me to be rich and famous on my art. And I said no to all the commercials and all the seedy offers. — Philippe Petit

Poetry and art nourish the soul of the world with the flavor-filled substances of beauty, wisdom and truth. — Aberjhani

(The Mona Lisa), that really is the ugliest portrait I've seen, the only thing that supposedly makes it famous is the mystery behind it, Katherine admitted as she remembered her trips to the Louvre and how she shook her head at the poor tourists crowding around to see a jaundiced, eyebrow-less lady that reminded her of tight-lipped Washington on the dollar bill. Surely, they could have chosen a better portrait of the First President for their currency? — E.A. Bucchianeri

That was a piece I did in 1963 with Konrad Lueg in a department store, in the furniture department. It was announced in some papers as an exhibition opening, but the people who came didn't know that it was to be a sort of Happening. I don't think it is quite right that it has become so famous anyhow. It was just a lot of fun, and the word itself, Capitalist Realism, hit just right. But it wasn't such a big deal. — Gerhard Richter

Yeah, I like to be the maker of the art. And I like and want the money. But I don't really dig being famous. — Liz Phair

The Sun Stone, the famous Aztec calendar, is unquestionably a perfect summary of science, philosophy, art and religion. — Samael Aun Weor

The people no longer seek consolation in art. But the refined people, the rich, the idlers seek the new, the extraordinary, the extravagant, the scandalous. I have contented these people with all the many bizarre things that come into my head. And the less they understand, the more they admire it. By amusing myself with all these games, all this nonsense, all these picture puzzles, I became famous ... I am only a public entertainer who has understood his time. — Pablo Picasso

I have two last pieces of advice. First, being pre-approved for a credit card does not mean you have to apply for it. And lastly, the best career advice I can give you is to get your own TV show. It pays well, the hours are good, and you are famous. And eventually some very nice people will give you a doctorate in fine arts for doing jack squat. — Stephen Colbert

I am a famous artist. I make millions. But I frequently see debut shows of unknown artists with prices that are double of mine ... what they're really doing is barely getting by and helping me sell 1,000 paintings a year effortlessly, because they make my paintings look like such a bargain. Thank you to all the egotistical art students! — Mark Kostabi

Art is not just about what's great or expensive or scandalous or famous. It's a mirror we hold up that looks different to everyone who sees it, and whose beauty lies as much in us, and our capacity to dream ... — Michael Kimmelman