What A Beautiful Voice Quotes & Sayings

His stories were not always new, but there was in the telling of them a special kind of magic. His voice could roll like thunder or hush down into a zepherlike whisper. He could imitate the voices of a dozen men at once; whistle so like a bird that the birds themselves would come to him to hear what he had to say; and when when he imitated the howl of a wolf, the sound could raise the hair on the backs of his listeners' necks and strike a chill into their hearts like the depths of a Drasnian winter. He could make the sound of rain and of wind and even, most miraculously, the sound of snow falling. — David Eddings

Some car had hit it after all, because it hadn't had the courage to honor its own correct instinct. And I began to cry because I had this thought about people, that they do this all the time, deny the wise voice inside them telling them the right thing to do because it is different. I remembered once seeing a tea party some little girls had set up outside, mismatched china, decorations of a plucked pansy blossom and a seashell and a shiny penny and a small circle of red berries and a fern, pressed wetly into the wooden table, the damp outline around it a beautiful bonus. They didn't consult the Martha Stewart guide for entertainment and gulp a martini before their guests arrived. They pulled ideas from their hearts and minds about the things that gave them pleasure, and they laid out an offering with loving intent. It was a small Garden of Eden, the occupants making something out of what they saw was theirs. Out of what they truly saw. — Elizabeth Berg

You were playing the song we like..."
"That was the song?" A smile lit his face.
"Yes. What was it?" I asked
"Bob Dylan."
"What?!" I wailed. "I thought it was going to be Beethoven or something. Now I know I'm white trash."
Wilson bopped me on the head with his bow. "It's called 'Make You Feel my Love.' It's one of my favorite songs. I embellish it a bit, but it's all Dylan, definitely not Mozart. The lyrics are brilliant. Listen." Wilson sang softly as he played. His voice was as rich as the moaning cello .
"Of course," I said sourly.
"What?" Wilson stopped, startled.
"You can sing. You have a beautiful voice. I can't even pretend that you suck. Why can't you suck at something? It's so unfair."
"You clearly haven't seen me try to carve something intricate and beautiful out of a tree stump," Wilson said dryly, and started playing again. — Amy Harmon

What are you doing?" Her voice stammered.
"Taking Your picture."
"Why?" She began to reach for the camera, but he took a step back.
"Because you're beautiful — Bernadette Marie

Meanwhile, in the expansiveness of her joy, the Moon filled all of the room like a phosphoric atmosphere, like a luminous poison; and all of that living light thought and said: You will be eternally subject to the influence of my kiss. You will be beautiful in my manner. You will love what I love and who loves me: water, the clouds, silence, and the night; the immense, green sea; formless and multiform water; the place where you will not be; the lover you will not know; monstrous flowers; perfumes that make you delirious; cats who swoon on pianos, and who moan like women, with a hoarse, gentle voice! — Charles Baudelaire

When we turn the Bible into an adjective and stick it in front of another loaded word, we tend to ignore or downplay the parts of the Bible that don't quite fit our preferences and presuppositions. In an attempt to simplify, we force the Bible's cacophony of voices into a single tone and turn a complicated, beautiful, and diverse holy text into a list of bullet points we can put in a manifesto or creed. More often than not, we end up more committed to what we want the Bible to say than what it actually says. — Rachel Held Evans

Painful sunlight spilled into Darcy's bedroom. He groaned and buried his head beneath his pillow.

"Good morning, Master Darcy," called Niles's cheerful voice. "Nice day out; just a few clouds. Might have some rain later today. What would you like for your breakfast?"

"Darkness," Darcy growled into his pillow. "And more sleep."

Niles clicked his tongue and walked over to his master's bed. "You've got a town to rule and a castle to mope around. And it's a bright, beautiful day! — Emma Clifton

So much of what I love about poetry lies in the vast possibilities of voice, the spectacular range of idiosyncratic flavors that can be embedded in a particular human voice reporting from the field. One beautiful axis of voice is the one that runs between vulnerability and detachment, between 'It hurts to be alive' and 'I can see a million miles from here.' A good poetic voice can do both at once. — Tony Hoagland

A few minutes after discovering we had a goal but no plan, Brent was laughing heartily at a pathetic joke I had made. It reminded me of the first
day on campus when I had thought his laughter sounded like a melody. It did now, even more so. It was music, beautiful, in a manly way, like a
sensual, slow jazz. I loved jazz.
"Jazz, huh?" Brent asked, his voice suddenly husky.
"Uh ... what?"
"My laugh reminds you of jazz? Is there anything about me you don't find attractive?" He rubbed his hand over his lips trying to cover his smirk.
"So tell me, how much do you love jazz?"
I'm sure my face was pinker than the inside of a watermelon. "I didn't say any of that."
"You didn't have to say it, Yara, I could hear it." Brent tapped the side of his head. "I can hear your thoughts."
"You're not serious."
"Oh, but I am," he said, completely straight-faced. — Lani Woodland

[Pascal] was the first and perhaps is still the most effective voice to be raised in warning of the consequences of the enthronement of the human ego in contradistinction to the cross, symbolizing the ego's immolation. How beautiful it all seemed at the time of the Enlightenment, that man triumphant would bring to pass that earthly paradise whose groves of academe would ensure the realization forever of peace, plenty, and beatitude in practice. But what a nightmare of wars, famines, and folly was to result therefrom. — Malcolm Muggeridge

I Am Primate

I was once taught, that I am a soul in a body.
I once believed I was separate from the earth.
A stranger in a strange land,
a sinner in need of a Savior.
But, isn't this my home? This beautiful world?
Isn't this my form?
These hands, these eyes, this touch?
Am I to believe I have violated a rule,
just by being born?
Who claims this right to judge,
and on what authority do you stand?
The truth screams out from my cells.
I am not the imagination of a God,
I am a voice in the earth,
I am that which you deny!
The earth is my home and the stars my destiny.
I will touch the planets through
the hands of my children
. . . not the will of your ghost!
I am a voice in the evolutionary continuum
and I claim the right to be alive,
without your story.
For I Am Human, I Am Proud,
and I AM . . . PRIMATE! — Christopher Zzenn Loren

There was a sniffle from the crowd. At which point, Rhage's voice hissed, What. This is beautiful, 'kay? Fuck all y'all. — J.R. Ward

Myriads of sounds so filled my mind and heart that it's difficult to explain them. The most amazing one, however, was the angels' wings. I didn't see them, but the sound was a beautiful, holy melody with a cadence that seemed never to stop. The swishing resounded as if it was a form of never-ending praise. As I listened I simply knew what it was. A second sound remains, even today, the single, most vivid memory I have of my entire heavenly experience. I call it music, but it differed from anything I had ever heard or ever expect to hear on the earth. The melodies of praise filled the atmosphere. The nonstop intensity and endless variety overwhelmed me. The praise was unending, but the most remarkable thing to me was that hundreds of songs were being sung at the same time - all of them worshiping God. As I approached the large, magnificent gate, I heard them from every direction and realized that each voice praised God. — Don Piper

The voice is certainly important and you can hear if it's beautiful or not, it's the gods who decide; it's more a question of what you do with the voice, which is the mysterious element. It's the personality behind the voice which makes the artist. The voice is a gift of God, but if you're not able to use this gift, what's left? Nothing but a beautiful voice, without nuance or colour. — Cecilia Bartoli

One of my earliest memories was me singing 'Oh, What A Beautiful Mornin' at the top of my voice when I was seven. I got totally carried away. My grandmother, Sarah, was in the next room. I didn't even realise she was there. I was terribly embarrassed. — James Taylor

She took no pleasure from the very things I loved, from her size, her amplitude, her luscious, zaftig heft. As many times as I told her she was beautiful, I know that she never believed me. As many times as I said it didn't matter, I knew that to her it did. I was just one voice, and the world's voice was louder. I could feel her shame like a palpable thing, walking beside us on the street, crouched down between us in a movie theater, coiled up and waiting for someone to say what to her was the dirtiest word in the world: fat. — Jennifer Weiner

. . . death isn't anything I need to be afraid of. I'm not a perfect man. But I think I'm a good man. I've lived a hell of a life, even with all the heartache. Millie told me once that the ability to devastate is what makes a song beautiful. Maybe that's what makes life beautiful too. The ability to devastate. Maybe that's how we know we've lived. How we know we've truly loved."

"The ability to devastate," I repeated. And my voice broke. If that wasn't a perfect description of the agony of love, I didn't know what was. — Amy Harmon

Juliette Ferrars." A voice detonates my name. There's a heavy boot pressed on my back and I can't lift my head to distingush who's speaking to me.
"Weston, dim the lights and release her. I want to see her face." The command is cool and strong like steel, dangerously calm, effortlessly powerful.
The brightness is reduced to a level I'm able to tolerate. The imprint of a boot is carved into my back but no longer settled on my skin. I lift my head and look up.
I'm immediately struck by his youth. He can't be much older than me. It's obvious he's in charge of something, though I have no idea what. His skin is flawless, unblemished, his jawline sharp and strong. His eyes are the palest shade of emerald I've ever seen.
He's beautiful.
His crooked smile is calculated evil. — Tahereh Mafi

What do you call yourself?" the Fawn said at last. Such a soft sweet voice it had!
"I wish I knew!" thought poor Alice. She answered, rather sadly, "Nothing, just now."
"Think again," it said: "that won't do."
Alice thought, but nothing came of it. "Please, would you tell me what you call yourself?" she said timidly, "I think that might help a little."
"I'll tell you, if you'll come a little further on," the Fawn said. "I can't remember here."
So they walked on together through the wood, Alice with her arms clasped lovingly round the soft neck of the Fawn, till they came out into another open field, and here the Fawn gave a sudden bound into the air, and shook itself free from Alice's arms. "I'm a Fawn!" it cried out in a voice of delight. "And dear me, you're a human child!" A sudden look of alarm came into its beautiful brown eyes, and in another moment it had darted away at full speed. — Lewis Carroll

Praise and worship is not about how talented you are or what a wonderful and beautiful voice you have. It's all about denying yourself, let God to be God in your life and praise Him with all your heart and soul. — Euginia Herlihy

And yet here he was, looking at Jem Carstairs, a boy so fragile-looking that he appeared to be made out of glass, with the hardness of his expression slowly dissolving into tentative uncertainty. "You are not really dying," he said, the oddest tone to his voice, "are you?"
Jem nodded. "So they tell me."
"I am sorry," Will said.
"No", Jem said softly. He drew his jacket aside and took a knife from the belt at his waist. "Don't be ordinary like that. Don't say you're sorry. Say you'll train with me."
He held the knife to Will, hilt first. Charlotte held her breath, afraid to move. She felt as if she were watching something very important happen, though she could not have said what.
Will reached out and took the knife, his eyes never leaving Jem's face. His fingers brushed the other boy's as he took the weapon from him. It was the first time, Charlotte thought that she had ever seen him touch any other person willingly.
"I'll train with you," he said. — Cassandra Clare

A scream is a sound we make that is born of intense feeling. A scream of fear, of being startled, is often high-pitched. It may be short or prolonged. A scream may also accompany delight or amusement, though often that is more of a squeal. And a scream of sorrow or rage ... well, that is an entirely different thing. That comes from a darker place, from the depths of our souls, and when we scream in those times, because we are sad or angry, there is a terrible knowledge that accompanies it, that we are giving voice to our emotions, to what is simply too big for our hearts to contain.
And as Li Wei cries out, I know Feng Ji is right. It is his heart I am hearing, a way of expressing what he feels over his father's loss that is both primal and beautiful, and it comes from his soul and reaches something within mine. It is the sound my own heart made when my parents died, only I didn't know it until now. — Richelle Mead

Everyone has a "greatness within" to be of service and to benefit their family, friends, neighbors, their community and humanity. From that "Greatness," the beautiful and holy intention to benefit all life springs forth. At that moment when you have heard your inner voice, what did you do? The moment you became aware of your greatness within, what did you do? Did you acknowledge and accept it? Or did you turn away from it? — Ilchi Lee

I need you, Viola. I need you.'
'You are repeating. You are trying to convince yourself, aren't you?'
'You are an impossible woman. I am declaring my love to you and still you quarrel with me ... Viola, I am perishing before you. *Perishing.*' His tone was strained. 'Say something.'
She nodded.
'What does that mean?'
She nodded again, faster, her throat a clogged mess of joy.
His eyes seemed to sparkle. 'You do love me.'
She got dizzy nodding.
'Why aren't you speaking? What is -'
She clutched her neck ... He looked astounded. Then he pulled her hand away and bent to set his mouth atop her windpipe.
'Function, beautiful harridan's voice,' he murmured, trailing soft, sweet kisses along her throat. — Katharine Ashe

Seth laughed when he saw me.
"Hey," I said, poking him with my foot, "be nice."
"I think this is the first time I've ever seen you look anything less than ... " He paused, playing with word choice. "Well-planned."
"Why, you silver-tongued romantic devil. That is the look I usually go for. Other women go for sexy or chic or beautiful. But me? Well-planned all the way."
"You know what I mean. Besides, unplanned isn't a bad look for you. Not bad at all."
His voice sounded deliciously low and dangerous, and something ignited between us as we held each other's eyes. — Richelle Mead

Day-um." He whistled, keeping his voice low as he looked up and down my body. The tiny shorts and tank left very little to the imagination. "You look hot," he growled and came at me. I backed up a step and he caught me around the waist. Both of us fell back and landed on my bed. I laughed and looked up. But he wasn't laughing or smiling. His gaze was intense and it made my heart skip a beat. "What?" I whispered. Maybe he'd come to tell me how much he regretted earlier. "Has anyone ever told you just how beautiful you really are?" He breathed. The bottom fell out of my stomach and I shook my head. "That's a damn shame," he muttered and lowered his head to capture my lips.
- Romeo & Rimmel — Cambria Hebert

She has form," he said to himself, as he walked away through the grove - "that cannot be denied to her; but has she got feeling? I am afraid not. In fact, she is like most artists; she is all style, without any sincerity. She would not sacrifice herself for others. She thinks merely of music, and everybody knows that arts are selfish. Still, it must be admitted that she has some beautiful notes in her voice. What a pity it is that they do not mean anything, or do any practical good. — Oscar Wilde

Besides, Reyna will do what she can to slow things down. She's still on our side. I know she is."
"You trust her." Piper's voice sounded hollow, even to herself.
"Look Pipes. I told you, you've got nothing to be jealous about."
"She's beautiful. She's powerful. Se's so ... Roman."
Jason put down his hammer. He took her hand, which sent a tingle up her arm. Piper's dad had once taken her to the Aquarium of the Pacific and shown her an electric eel. He told her that the eel sent out pulses that shocked and paralyzed its prey. Each time Jason looked at her or touched her hand, Piper felt like that.
"You're beautiful and powerful," he said. "And I don't want you to be Roman. I want you to be Piper. Besides, we're a team, you and me. — Rick Riordan

Mr. Clark," she repeated, looking up at him. "You are very tall."
"And you," he said in a low voice, "you, my most maddeningly beautiful, brilliant, Free. You are perfectly sized. If you Mr. Clark me once more, I shall be forced to do something dreadful, something like kiss you in public."
Even her wildest fantasies had not had him saying something like that on arrival. She squeezed his hands and then looked up into his dark eyes.
"I'm sorry, Mr. Clark," she said. "What did you say, Mr. Clark? Mr. Clark, I fear that I have become rather hard of hearing. The noise of the press is terribly distracting. What was that you said you'd do if I called you Mr. Clark? — Courtney Milan

Not what you expected, huh?" she asked in a sad voice.
I wrapped a towel around her and drew her close to me. "I expected to see the most beautiful woman in the world, to feel my heart skip a beat in her presence, and to want to carry her off to bed for a night neither of us will forget. So to answer your question, I got exactly what I expected."
A smile split her face, and she leaned into me. "Oh, Adrian. — Richelle Mead

A person can be so beautiful when the heart is filled with love and the voice shivers with kindness. — Debasish Mridha

Doubtless Catherine marked the difference between her friends, as one came in and the other went out. The contrast resembled what you see in exchanging a bleak, hilly, coal country for a beautiful fertile valley; and his voice and greeting were as opposite as his aspect. — Emily Bronte

I ... What are you saying, Zsadist?" she stammered, even though she'd heard every word.
He glanced back down at the pencil in his hand and then turned to the table. Flipping the spiral notebook to a new page, he bent way over and labored on top of the paper for quite a while. Then he ripped the sheet free.
His hand was shaking as he held it out. "It's messy."
Bella took the paper. In a child's uneven block letters there were three words: I LOVE YOU
Her lips flattened tight as her eyes stung. The handwriting got wavy and then disappeared.

"Maybe you can't read it," he said in a small voice. "I can do it over."

She shook her head. "I can read it just fine. It's ... beautiful."
"I don't expect anything back. I mean ... I know that you don't ... feel that for me anymore. But I wanted you to know. It's important that you knew. — J.R. Ward

Hey Beautiful,' said a familiar male voice. She opened her eyes. Lucas knelt beside her bed, holding a bouquet of roses in his hands. She sat up and saw more roses all around the room. 'What sis you do, rob a florist?'
He gave her his bad-boy grin, and Kylie felt her heart melt just a little. 'No, but let me just say that my grandmother is going to be really pissed when she sees her garden in the morning. — C.C. Hunter

I can't say what made me fall in love with Vietnam - that a woman's voice can drug you; that everything is so intense. The colors, the taste, even the rain. Nothing like the filthy rain in London. They say whatever you're looking for, you will find here. They say you come to Vietnam and you understand a lot in a few minutes, but the rest has got to be lived. The smell: that's the first thing that hits you, promising everything in exchange for your soul. And the heat. Your shirt is straightaway a rag. You can hardly remember your name, or what you came to escape from. But at night, there's a breeze. The river is beautiful. You could be forgiven for thinking there was no war; that the gunshots were fireworks; that only pleasure matters. A pipe of opium, or the touch of a girl who might tell you she loves you. And then, something happens, as you knew it would. And nothing can ever be the same again. — Graham Greene

She told me the first picture I should take should be of something beautiful and I should allow it to change me." "What did you take a picture of?" His eyes shifted to the window. He stared out into the clouds and his voice softened, "You. — Brittainy C. Cherry

Alice watched and listened and focused beyond the words the actress spoke. She saw her eyes become desperate, searching, pleading for truth. She saw them land softly and gratefully on it. Her voice felt at first tentative and scared. Slowly, and without getting louder, it grew more confident and then joyful, playing sometimes like a song. Her eyebrows and shoulders and hands softened and opened, asking for acceptance and offering forgiveness. Her voice and body created an energy that filled Alice and moved her to tears. She squeezed the beautiful baby in her lap and kissed his sweet-smelling head.
The actress stopped and came back into herself. She looked at Alice and waited.
"Okay, what do you feel?"
"I feel love. It's about love. — Lisa Genova

Her hands clutched at his upper arms.
"Y-you make me feel ... "
He glanced up at her, saw the way she was biting her lower lip and the tortured frown between her closed eyes. "What do I make you feel, honey?" he prompted in a low voice, unable to look away from her beautiful face, and he rubbed the heel of his palm against the hard bud of her clitoris.
Her body went wire taut, arching like a hunter's bow as she gasped for him.
"Unbalanced. — Edie Harris

The best part of the ceremony was after Shy kissed his bride, and when we were done, he didn't let go. So I stood in his arms, my thumb stroking his jaw, my eyes gazing up at him. the world had melted away, so I didn't hear the hoots and hollers of friends and family.
I only heard what he muttered in a voice that was weirdly raw but unbelievable beautiful: "Like I'm the only man on the planet."
In that minute, he was but then again, for me, really, when it came down to it, he always had been. — Kristen Ashley

He never should have left the island. He'd been there with Diana and Penny. He could have tossed Penny off a cliff and been fine on the island. Decent food, a beautiful mansion, electricity, and a soft bed with Diana in it.
What had he been thinking, leaving the island?
He missed Diana busting him. He missed her snarky voice. He missed her eye rolls and that skeptical look she had where she'd half close her eyes and look at him like he was too dumb to merit her full attention. He'd have killed, or at least injured, anyone else who treated him like that. But she wasn't anyone else.
He missed her hair. Her neck. Her breasts.
She understood him. She loved him, in her own way. And if he had listened to her, he'd still be on the island. Somehow he would have found some fuel to keep the lights on there. Probably. And the food would have run out and then they'd have starved, but hey, this was the FAYZ, where all you could really hope to do was delay the pain. — Michael Grant

You are too kind." Her voice dripped with sarcasm. "But what has marriage to offer me that I don't already have?"
There were many ways to answer that question, but having care for her innocence, Lachlan refrained from the blunt one. One glance at that beautiful face and lush body, and he need look no further for a reason why the lass should be wed: swiving. And lots of it. — Monica McCarty

Tegner's Drapa

I heard a voice that faintly said
"Balder the beautiful lies dead, lies dead . . ."
a voice like the flight of white cranes overhead -
ghostly, haunting the sun, life-abetting,
but a sun now irretrievably setting.

Then I saw the sun's carcass, blackened with flies,
fall into night's darkness, to nevermore rise,
borne grotesquely to Hel through disconsolate skies
as blasts from the Nifel-heim rang out with dread,
"Balder lies dead, gentle Balder lies dead! . . ."

Lost, lost forever - the runes of his tongue;
the blithe warmth of his smile; his bright face, cherished, young;
the lithe grace of his figure, all the girls' hearts undone
O, what god could have dreamed such strange words might be said
as "Balder lies dead, our fair Balder lies dead! — Esaias Tegner

A voice had begun to sing. It was very far away and Digory found it hard to decide from what direction it was coming. Sometimes it seemed to come from all directions at once. Sometimes he almost thought it was coming out of the earth beneath them. Its lower notes were deep enough to be the voice of the earth herself. There were no words. It was hardly a tune. But it was beyond comparison, the most beautiful sound he had ever heard. — C.S. Lewis

How do you want to die?" the giant asked in a booming voice. He began to circle her as well. She moved with him, assessing. "Any way you please, assuming it's quick," she replied. "You?" "Slow. Making love to a beautiful woman." "What if I just give you a kiss before I kill you? — Lizzy Ford

Bree arched, trying to stretch out her muscles and Alessandro gave her a dirty look as if she was displaying herself to him on purpose. Well, maybe she was a little. Even though he blocked her from the hotel attendant's gaze with his body in the doorway, Bree was sure to cover herself with the blanket. Alessandro turned around, pulling in the tray with him and his eyes flared hungrily as he looked down at her. "You look like a beautiful debauched angel," he said, his voice rough with desire. "And you're what, the demon that's corrupted me?" Bree asked raising an eyebrow and letting the blanket fall down to her waist, baring her to him. "It's my life's work, you know?" Alessandro grinned, going down on to his knees and leaning over her. Bree placed a hand on his chest, halting him. "Is that coffee, I smell?" she asked. "The debauched angel is kind of hungry." She bit her lip and smiled up at his frustrated face. — E. Jamie

What if they don't let us go through?" I ask, trying not to move my lips.
"They will," he answers from the dark recesses of the backseat footwell.
"How do you know?"
"Because you have the look they're looking for."
"What look is that?"
"Beautiful." His voice is like a caress from the shadows. — Susan Ee

Sunk in the mud, it took all my strength to flip it over. I lifted out the oar and inspected the bottom for holes and rotted wood. Seeing none, I gathered up my skirt, climbed in, and paddled to the middle of the pond, an untouchable place, far from everything. I tried to think what I would say to him, worried my voice would slink off again and leave me. I remained there a long while, lapping on the surface. Vapor curled on the water, dragonflies pricked the air, and I thought it all beautiful. — Sue Monk Kidd

The sky is the most glorious blue I've ever seen." Nick must have heard her quiet words. "I used to think there couldn't be a more beautiful blue in all the world." The sound of his voice pulled Elizabeth into his presence. She said with a curious glance. "What changed your mind?" He flushed though his green gaze remained steady on her, "I saw your eyes. — Debra Holland

In good time she made tea; and afterwards, when I brought down my books, looked into them, and showed me what she knew of them (which was no slight matter, though she said it was), and what was the best way to learn and understand them. I see her, with her modest, orderly, placid manner, and I hear her beautiful calm voice, as I write these words. The influence for all good, which she came to exercise over me at a later time, begins already to descend upon my breast. I love little Em'ly, and I don't love Agnes - no, not at all in that way - but I feel that there are goodness, peace, and truth, wherever Agnes is; and that the soft light of the coloured window in the church, seen long ago, falls on her always, and on me when I am near her, and on everything around. — Charles Dickens

What I love about Sade other than her smooth and sultry voice is her willingness to be vulnerable. As a powerful, strong and beautiful woman of color, she showed her delicate, passionate side in a world where most of us are putting on a brave face. I love how effortless her style was and how consistent that red lip was! — Wynter Gordon

The problem with being an alpha is that you can never make the first move.
Makes you feel like you're taking advantage of your position. You have to wait until
the other person decides they want in."
Jim set the basket on the coffee table and crouched by me.
"And sometimes it seems like that person likes you, and you try to test the waters,
so you try to tell her how you feel, that she matters and that you want to be with her
and you're concerned about her safety. And every time you do that, she waves her
arms around and accuses you of being a controlling alpha asshole. So you back off
and hope you didn't completely fuck it up."
He was close, too close. I just stared at him. What was happening ... "Why are
you telling me this?"
His voice was low and smooth. "That time when I told you it didn't matter what
your mother thought about your looks ... "
"Aha ... "
"I meant it," he said. "Because I think you're beautiful. — Ilona Andrews

I'd always thought that in another world, in another time, if he hadn't been so crazy abusive, Tristan and I could have been a beautiful thing. Our connection could have been the work of art that every other relationship fell short against. I could feel it now in the way he held my hand. I could feel it in the way my heart stirred when I heard his voice. — A. Violet End

Would you like to know how Charlotte got those nine stitches?" I asked suddenly, in a tone of voice that sounded perfectly normal to me. "We were up at the Lake. Seymour had written to Charlotte, inviting her to come up and visit us, and her mother finally let her. What happened was, she sat down in the middle of our driveway one morning to pet Boo Boo's cat, and Seymour threw a stone at her. He was twelve. That's all there was to it.

He threw it at her because she looked so beautiful sitting there in the middle of the driveway with Boo Boo's cat. Everybody knew that for God's sake-me, Charlotte, Boo Boo, Waker, Walt, the whole family." I stared at the pewter ashtray on the coffee table. "Charlotte never said a word to him about it. Not a word." I looked up at my guest, rather expecting him to dispute me, to call me a liar. I am a liar, of course. Charlotte never did understand why Seymour threw that stone at her. My guest didn't dispute me though. — J.D. Salinger

A film, since it is primarily a visual medium, should really be like a silent film. You should be able to watch something and understand what was going on and use voice when you need to communicate something you can't necessarily communicate visually. The book is the opposite. The book is an inner monologue which is beautiful. — Tom Ford

Someone once asked me why people sing. I answered that they sing for many of the same reasons the birds sing. They sing for a mate, to claim their territory, or simply to give voice to the delight of being alive in the midst of a beautiful day. Perhaps more than the birds do, humans hold a grudge. They sing to complain of how grievously they have been wronged, and how to avoid it in the future. They sing to help themselves execute a job of work. They sing so the subsequent generations won't forget what the current generation endured, or dreamed, or delighted in. — Linda Ronstadt

You are so beautiful," he whispered. He stepped closer, but before she could touch him he took her hand and brought it to his lips.
"When I saw you tonight I think my heart stopped beating."
"And is it now?" she whispered.
He took her hand and laid it over his heart. She could feel it pounding beneath his skin, almost hear it reverberating through her own body. He was so strong, and so solid, and so wonderfully male.
"Do you know what I wanted to do?" he murmured.
She shook her head, too entranced by the low heat of his voice to make a noise of her own.
"I wanted to turn you around and push you right back through the door before anyone else saw you. I didn't want to share you." He traced her lips with his finger. "I still don't. — Julia Quinn

Speaking of 'things,' Mary tells me that Nick is like a keg of dynamite ready to explode at the first spark. She says you're bearing up under the strain marvelously. You've won her wholehearted approval," he added quietly.
"I like her too," Lauren said, her eyes clouding at the mention of Nick.
Jim waited until she had left to go upstairs,then he picked up his telephone and punched four numbers. "Mary, what's the atmosphere like up there this morning?"
"Positively explosive," she chuckled.
"Is Nick going to be in the office this afternoon?"
"Yes,why?"
"Because I've decided to light a match under him and see what happens."
"Jimmy,don't!" she said in a low, sharp voice.
"See you a little before five, beautiful," he laughed, ignoring her wanring. — Judith McNaught

Una furtiva lacrima had been the only really beautiful thing in her life. Wiping away her own tears she tried to sing what she heard. But her voice was as crude and out of tune as she was. When she heard it she started to cry. It was the first time she'd ever cried, she didn't know she had so much water in her eyes. She cried, blew her nose no longer knowing what she was crying about. She wasn't crying because of the life she led: because, never having led any other, she'd accepted that with her that was just the way things were. But I also think she was crying because, through the music, she might have guessed there were other ways of feeling, there were more delicate existences and even a certain luxury of soul. — Clarice Lispector

Brandt was in a room full of people all looking at him as he was about to get naked...When Brandt's cock sprung free, there was a gasp from all corners of the room.
Nestor fanned himself. Bryce's mouth made a perfect "O" in exactly the right shape to fit over a beautiful, plump cockhead. Donnelly just stared, blinked hard, and stared some more.
"What? You guys all look like you've never seen a dick before," Brandt said, a touch of defensive anger in his voice.
"Honey, I thought I had, but I have been most cruelly misled," answered Bryce.
--Dressing room incident #3 — Xavier Mayne

Joshua?" I called out, a slight hitch in my voice.
"Yeah?"
"What do I look like to you?"
He tilted his head to the side, frowning.
"What do I look like to you?" I repeated urgently, afraid that if I didn't talk fast enough, I would have time to realize how absolutely, mind-bogglingly stupid I sounded.
Joshua smiled. He answered me, so quietly I almost couldn't hear him.
"Beautiful. Too beautiful for people not to have noticed you the other night. — Tara Hudson

Can't you get a guard or something to take me to the bathroom?" I asked.
"I am the guard," Ludlow snapped, sounding huffy.
"Oh,really?" I smirked at him, realizing this might be far easier than I thought.
"Don't underestimate me, Princess," Ludlow growled. "I eat girls like you for breakfast."
"So you're a cannibal?" I wrinkled my nose.
"Ludlow, are you harassing the poor girl?" came a voice from behind Ludlow. He moved to the side, and through the slot I saw Loki swaggering toward us.
"She's harassing me," Ludlow complained.
"Yes,talking to a beautiful Princess-what a rough lot you have in life," Loki said dryly, and Matt snorted behind me. — Amanda Hocking

My dad always had music playing around us and he was always a happy chirpy man with a beautiful voice. I was always singing around the house and I assumed that's what all families did. It wasn't until I went through that nasty teenage stage that I started to realise that wasn't the case. — Amy Winehouse

I don't agree. The morning fog makes the graveyard beautiful, soft and sad as a voice humming a lullaby, but I don't tell her what I think. She'd call me a weirdo.
- Raven Smith — Rita Stradling

For years I believed they loved me for my voice, my stage presence, my courageous life. 'Incomparable,' they said. 'Divine.' I am the goddesses on the ceilings of the antechambers at Versailles, the statues in the gardens. That's what they see in me. The huntress. The peacemaker. The Amazon. The Muse. Victory. Glory. War. I am divine. But now I wonder if I was anything more than some exotic creature in the King's pleasure gardens - not a lion, and surely not a baboon, but perhaps - yes - a giraffe. Unlikely. Ungainly. Unique. Beautiful in parts but not particularly attractive as a concept. Alien. But compelling, nevertheless. — Kelly Gardiner

Watching St John rock his wife's body was not part of my job description. Honest. I sat down on the stairs where I could see the door, the hallway, and the stairs as far as the landing. St John started singing in a strange, broken voice. It took me a few minutes to figure out what he was singing. It was 'You are so Beautiful — Laurell K. Hamilton

Wanderer: You don't really feel that way about me you know. It's this body ... she's pretty isn't she?
Ian: She is. Melanie is a very pretty girl. Even beautiful. But pretty as she is, she is a stranger to me. She's not the one I ... care about.
Wanderer: It's this body.
Ian: That's not true at all. It's not the face, but the expressions on it. It's not the voice, but what they say. It's not how you look like in that body, it's what you do with it. You are beautiful. — Stephenie Meyer

You ran into my life, this beautiful, amazing girl who changed everything. I finally saw what my world could be. What being normal and happy could look like. You've given me everything I never thought I could have! It scares to me think of life without you. Of not seeing your smile or hearing your voice. — A Meredith Walters

How do I talk to the flower?
Through it I walk to the Infinite.
And what is the infinite?
It is that silent, small force.
It isn't the outer physical contact. No, it isn't that.
The infinite is not confirmed in the visible world.
It is not in the earthquake, the wind or the fire.
It is that still small voice that calls up the fairies.
Yet when you look out upon God's beautiful world- there it is.
When you look onto the heart of a rose there you experience it- but you can't explain it.

There are certain things, often very little things, like the peanut, the little piece of clay, the little flower that cause you to look within-
and then you see the soul of things. — George Washington Carver