Western Art Quotes & Sayings

If there is such a thing as being conditioned by climate and geography, and I think there is, it is the West that has conditioned me. It has the forms and lights and colors that I respond to in nature and in art. If there is a western speech, I speak it; if there is a western character or personality, I am some variant of it; if there is a western culture in the small-c , anthropological sense, I have not escaped it. It has to have shaped me. I may even have contributed to it in minor ways, for culture is a pyramid to which each of us brings a stone.
— Wallace Stegner

The best introduction by far to representation of the human figure in art. The Nude is a beautifully written work of sophisticated connoisseurship that analyzes art in its own terms rather than imposing strident, politicized categories on it. It outlines the major body types, male and female, in Western art and, via a wealth of illustrations, trains the reader's eye to detect and evaluate proportion. This book reveres art — Camille Paglia

Western liberal humanism is not something that comes naturally to us: like an appreciation of art or poetry, it has to be cultivated. Humanism is itself a religion without God-not all religions, of course, are theistic. Our ethical secular ideal has it's own disciplines of mind and heart and gives people the means of finding faith in the ultimate meaning of human life that were once provided by the more conventional religions. — Karen Armstrong

Cinema is the culmination of the obsessive, mechanistic male drive in western culture. The movie projector is an Apollonian straight-shooter, demonstrating the link between aggression and art. Every pictorial framing is a ritual limitation, a barred precinct. — Camille Paglia

Bob Dylan's one of the greatest blues singers of the western world; ancient art, on-the-spot improvisation, mind quickness, endless variation, classical formulae, prophetic vision, mighty wind-horse. — Allen Ginsberg

I myself saw the great works of Western civilization for the first time in my high school in Lithuania in bad black-and-white reproductions on miserable paper. That was, for many years, what art was for me. But from those miserable black-and-white reproductions, I got something, something unmistakable. — Jonas Mekas

Thou art the sky and thou art the nest as well.

O thou beautiful, there in the nest is thy love that encloses the soul with colours and sounds and odours.

There comes the morning with the golden basket in her right hand bearing the wreath of beauty, silently to crown the earth.

And there comes the evening over the lonely meadows deserted by herds, through trackless paths, carrying cool draughts of peace in her golden pitcher from the western ocean of rest.

But there, where spreads the infinite sky for the soul to take her flight in, reigns the stainless white radiance. There is no day nor night, nor form nor colour, and never, never a word. — Rabindranath Tagore

If the European grows accustomed not to rule, a generation and a half will be sufficient to bring the old continent, and the whole world along with it, into mortal inertia, intellectual sterility, universal barbarism. It is only the illusion of rule, and the discipline of responsibility which it entails, that can keep Western minds in tension. Science, art, technique, and all the rest live on the tonic atmosphere created by the consciousness of authority. If this is lacking, the European will gradually become degraded. Minds will no longer have the radical faith in themselves which impels them, energetic, daring, tenacious, towards the capture of great new ideas in every order of life. The European will inevitably become a day-to-day man. Incapable of creative, specialized effort, he will always be falling back on yesterday, on custom, on routine. He will turn into a commonplace, conventional, empty creature, like the Greeks of the decadence and those of the Byzantine epoch. — Jose Ortega Y Gasset

For most of Western civilization there was no real division between the realms of science, divinity, and artistic endeavor - they were just three strands of the same braid, all of them pulling toward the same beautiful desire: to try to understand the workings of this curious and beautiful world. There were many people who would have called themselves all three things at once: men of god, men of science, men of the arts. — Elizabeth Gilbert

The implausible, well-nigh-miraculous functioning anarchy that we know as New York is adorned with every excellence of Western art. It is a city of manifold suggestions, which ministers to every ambition, engenders a thousand talents, nurtures ingenuity and experimentation. — Ibn Warraq

I went to art school, and every Tuesday and Friday we drew the nude. If you look at Western painting, male and female nudes are in the center of every painting. It's difficult and exciting to draw the nude. Why get so upset about this? It's our duty to break taboos. — Peter Greenaway

Lyotard develops and extends Weber's argument regarding the disenchantment of art to suggest the Western culture increasingly obeys an instrumental logic of performance and control, one that imposes order on the free play of the imagination and subordinates creative thought to the demands of the capitalist market. And, for Lyotard, the effects of this process are consistent with those outlined in Weber's work, namely the progressive elimination of ritual or religious forms of art, the restriction of creative forms by an instrumental (capitalist) rationality, and with this the denigration of value-rational artistic practice. — Nicholas Gane

Mori made an unwilling sound. 'I don't like Western art.'

'No look at this.' He lifted it from its package. It wasn't heavy. 'It's clever, it looks like busy Mozart.'

'What?'

'I . . .' Thaniel sighed. 'I see sound. Mozart looks like this. You know. Fast strings.'

'See? In front of you?'

'Yes. I'm not mad.'

'I didn't think so. All sounds?'

'Yes. — Natasha Pulley

It is in the oral traditions of the villages that the arts of India are really alive. The brief Western immortality of museums is pointless to people who have seen eternity in their earth. — Santha Rama Rau

The gilding holds the eye just long enough to let God enter the soul. The two-dimensional image does not require interpretation, and therefore doesn't stand between you and God the way it does in three-dimensional western art. — Robert C. Yeager

Information and inspiration are everywhere ... history, art, architecture, everything an illustrator needs. Europe is, after all, the land that has generated most of the enduring myths and legends of Western culture. — John Howe

The idea of "art for art's sake" is a recent Western cultural phenomenon that in some ways both distracts and diminishes the reality of human creative expressions. If we define art broadly, then it permeates virtually every aspect of our lives. All of us search for and attempt to create that which is aesthetically pleasing; thus, we are all "artists. — James Peoples

Nothing could be more comfortable than writing about the ballet from books. A ballet he had never seen was an art in another world. It was an unrivaled armchair reverie, a lyric from some paradise. He called his work research, but it was actually free, uncontrolled fantasy. He preferred not to savor the ballet in the flesh; rather he savored the phantasms of his own dancing imagination, called up by Western books and pictures. It was like being in love with someone he had never seen. — Yasunari Kawabata

The secularization of Western culture was accompanied by the elevation of art to the position of a substitute religion to replace Christianity. — Leland Ryken

Economically, legally, and politically powerless throughout much of western history, women have been linked to nature and the unknowable through metaphors of the body while the masculine has signified culture and mental activity. — Whitney Chadwick

The Metropolitan Museum of Art claims to be the largest in the western hemisphere. It's right, but I'm not too sure about the arts bit. Don't misunderstand me. It's got tons of genuine art. It's also got tons of stuff that is hard to classify. I can't come to grips with a massive cube with a grandiose title. I allow that it's art, but not my sort. I need the big stone block to tell me something about the bloke whose name's on the caption, and it doesn't. That off my chest, I admit that any place with 3.3 million works of art truly is a wonder. — Jonathan Gash

I'm very much involved with Asian art and its theory and practice, mainly Chinese because that was quite sophisticated. I tend to look at that more than I look the Western. — Brice Marden

Mr. Winston and I had already discussed:
How what I'd done was vile and on par with kicking disabled kittens.
That I was on the path to becoming a criminal and likely would spend the rest of my life in jail giving myself homemade tattoos with a needle and Bic pen.
That the statue was a work of art, and would I dare to ear the arm off the Mona Lisa? He didn't think so.
That I was a disappointment to him, my family, my boyfriend, my fellow students, and likely all of Western civilization. — Eileen Cook

Born in Ireland, Michael Tsarion is an expert on the occult histories of Ireland and America. He has made the deepest researches into Atlantis, origins of evil and Irish origins of civilization. He is author of acclaimed books Atlantis, Alien Visitation and Genetic Manipulation, Astro-Theology and Sidereal Mythology, Irish Origins of Civilization, and Trees of Life: Exposing the Art of Holy Deception. Michael gives outstanding presentations on the Western Magical Tradition, Hermetic Arts of Divination, Atlantis and the Prehistoric Ages, Astro-Theology, Origins of Evil, Secret Societies, War on Consciousness, Subversive Use of Sacred Symbolism in the Media, Symbol Literacy and Psychic Vampirism. — Michael Tsarion

The Western Idea of practice is to acquire a skill. It is very much related to your work ethic, which enjoins us to endure struggle or boredom now in return for future rewards. The Eastern idea of practice, on the other hand, is to create the person, or rather to actualize or reveal the complete person who is already there ... Not only is practice necessary to art, it is art. — Stephen Nachmanovitch

Also in contemporary Western society the union with the group is the prevalent way of overcoming separateness. It is a union which the individual self disappears to a large extent, and where the aim is to belong to the heard. If I am like everybody else, if I have no feeling or thoughts which make me different, if I conform in custom, dress, ideas, to the pattern of the group, I am saved: saved from the frightening experience of aloneness. — Erich Fromm

Making a martial arts film in English to me is the same as John Wayne speaking Chinese in a western — Ang Lee

So what's the point of longing for a new, monumental category hidden somewhere in the non-Western discourse? On the contrary, shouldn't we emphasize that Western art historical thinking has not necessarily to be regarded as monumental? This would be a good condition for dialogue with scholars who are not (or do not want to be) affiliated with "our" tradition. — Ralph Ubl

Modern bodybuilding is ritual, religion, sport, art, and science, awash in Western chemistry and mathematics. Defying nature, it surpasses it. — Camille Paglia

The contentment of innumerable people can be destroyed in a generation by the withering touch of our civilisation; the local market is flooded by a production in quantity with which the responsible maker of art cannot complete; the vocational structure of society, with all its guild organisation and standards of workmanship, is undermined; the artist is robbed of his art and forced to find himself a "job"; until finally the ancient society is industrialised and reduced to the level of such societies as ours in which business takes precedence of life. Can one wonder that Western nations are feared and hated by other people, not alone for obvious political or economic reasons, but even more profoundly and instinctively for spiritual reasons? — Ananda K. Coomaraswamy

Tanya Ward Goodman, writing with a big heart, clear eyes, and a light touch, allows us a privileged glimpse into the shabby, enchanted world of traveling carnivals, roadside attractions, and a beloved, eccentric father's descent into Alzheimers. Just as her dad animated the handcarved, miniature western world of Tinkertown from coat hangers, inner tubes and old sewing machine motors, Tanya Ward Goodman has fashioned her complex and often hilarious memories into a beguiling, wry, and moving work of art. — Michelle Huneven

I was surprised to hear you'd grown up on a ranch," he said.
"What is that?"
"You don't like cowboy art."
She chuckled. "You think they go hand in hand? — B. J. Daniels

Japanese people accept that art and commerce will be blended; and, in fact, they are surprised by the rigid and pretentious Western hierarchy of 'high art.' — Takashi Murakami

If you consider film an art form, as some people do, then the Western would be a truly American art form, much as jazz is. — Clint Eastwood

I always think of the Pacific Northwest as giant trees and rain and clouds and dampness, like the Native American art from that area. That all says Pacific Northwest to me. Salmon. It really only exists on the Western side of the Cascades. — Kyle MacLachlan

I have not been able to give a concrete answer to the question of how the nations of Asia can create their own unique liberal arts traditions that are not simply the importation of a Western model. The question is a critical one and the answer must come from Asian universities themselves. — Henry Rosovsky

I suspect that the age of letters is waning, for our time. It is the age of Panama Canals, of Sandra Bernhardt, of Western wheat raising, of merely material expansion. Art, form, may return, but I doubt I shall live to see them
I don't believe they are as eternal as the poets say. — Henry James

The art music of the West has developed through out its history by means of individual geniuses, and out of the soil supporting them; non-Western musicians were born, and grew like the grasses of the field. — Toru Takemitsu

Western art has a certain relationship to nature. — Brice Marden

Our culture tends "to regard the mere energy of impulse as being in every mental and moral way equivalent and even superior to defined intention." Instead we should consider "an idea that once was salient in western culture: the idea of "making a life", by which was meant conceiving human existence, one's own or another's, as if it were a work of art upon which one might pass judgment ... This desire to fashion, to shape, a self and a life has all but gone from a contemporary culture whose emphasis, paradoxically enough, is so much on self. — Lionel Trilling

As soon as a Western man comes into contact with the East
he's already confused. The West has sort of an international rape mentality towards the East ... Basically, 'Her mouth says no, but her eyes say yes.' The West thinks of itself as masculine
big guns, big industry, big money
so the East is feminine
weak, delicate, poor ... but good at art, and full of inscrutable wisdom
the feminine mystique. Her mouth says no, but her eyes say yes. The West believes the East, deep down, wants to be dominated
because a woman can't think for herself ... You expect Oriental countries to submit to your guns, and you expect Oriental women to be submissive to your men. — David Henry Hwang

Western art is built on the biographical passion of one artist for another. — Jim Dine

Art is the Western myth, with which we both console ourselves and make ourselves. — Zadie Smith

Militant atheists seek to discredit religion based on a highly selective reading of history. There was a time not long ago - just a couple of centuries - when the Western world was saturated by religion. Militant atheists are quick to attribute many of the most unfortunate aspects of history to religion, yet rarely concede the immense debt that civilization owes to various monotheist religions, which created some of the world's greatest literature, art, and architecture; led the movement to abolish slavery; and fostered the development of science and technology. One should not invalidate these achievements merely because they were developed for religious purposes. If much of science was originally a religious endeavor, does that mean science is not valuable? Is religiously motivated charity not genuine? Is art any less beautiful because it was created to express devotion to God? To regret religion is to regret our civilization and its achievements. — Bruce Sheiman

Science and art may invent splendid modes of illuminating the apartments of the opulent; but these are all poor and worthless compared with the common light which the sun sends into all our windows, which he pours freely, impartially over hill and valley, which kindles daily the eastern and western sky; and so the common lights of reason, and conscience, and love, are of more worth and dignity than the rare endowments which give celebrity to a few. — William Ellery Channing

In the USA, we learn "art history" as Western art history, and the history of Asian, or African art is a special case; we learn politics by examining our own government system, and consider other systems special cases, and the same is true of philosophy. — Jay L. Garfield

Forgiveness is hard for me, man. It is for most American-Western males. It's a sign of weakness. — Art Alexakis

Perchance, coming generations will not abide the dissolution of the globe, but, availing themselves of future inventions in aerial locomotion, and the navigation of space, the entire race may migrate from the earth, to settle some vacant and more western planet ... It took but little art, a simple application of natural laws, a canoe, a paddle, and a sail of matting, to people the isles of the Pacific, and a little more will people the shining isles of space. Do we not see in the firmament the lights carried along the shore by night, as Columbus did? Let us not despair or mutiny. — Henry David Thoreau

The Japanese have a word for it. It's Judo - the art of conquering by yielding. The Western equivalent of Judo is, "Yes dear". — J. P. McEvoy

The visual is sorely undervalued in modern scholarship. Art history has attained only a fraction of the conceptual sophistication of literary criticism. Drunk with self-love, criticism has hugely overestimated the centrality of language to western culture. It has failed to see the electrifying sign language of images. — Camille Paglia

I had abandoned Catholicism, but even during my short militant atheist period I maintained an interest in western religious art and music. — Tim Crane

Popular culture is the new Babylon, into which so much art and intellect now flow. It is our imperial sex theater, supreme temple of the western eye. We live in the age of idols. The pagan past, never dead, flames again in our mystic hierarchies of stardom. — Camille Paglia

Discussions of Western civilization are too often confined to works of high art that reflect a relatively narrow element of public taste and experience. — Ibn Warraq

The word spirit comes from the Latin word for "breath" - spiritu - and the origin of the word spirituality has to do with breath and life force, the mysteries of the ancients and all this. The word is very suspect in much of the art world - the Western art world. Certainly, spirituality has become divorced from religious. — Chris Martin

Every few hundred years in Western history there occurs a sharp transformation. Within a few short decades, society - its worldview, its basic values, its social and political structures, its art, its key institutions - rearranges itself. We are currently living through such a time. — Peter Drucker

Yes, the Bible should be taught in our schools because it is necessary to understand the Bible if we are to truly understand our own culture and how it came to be. The Bible has influenced every part of western culture from our art, music, and history, to our sense of fairness, charity, and business. — Joel Osteen

Venus of Willendorf carries her cave with her. She is blind, masked. Her ropes of corn-row hair look forward to the invention agriculture. She has a furrowed brow. Her facelessness is the impersonality of primitive sex and religion. There is no psychology or identity yet, because there is no society, no cohesion. Men cower and scatter at the blast of the elements. Venus of Willendorf is eyeless because nature can be seen but not known. She is remote even as she kills and creates. The statuette, so overflowing and protuberant, is ritually invisible. She stifles the eye. She is the cloud of archaic night. — Camille Paglia

As if it were the equal of Western classical or art music. The recordings were given respect, thoughtful presentation, and technical attention that was all too rare for non-Western music. I had grown up on Folkways's Nonesuch field recordings and the stuff Lomax had done for the Library of Congress, but the production values on the Ocora releases were on a whole other level. Eno and I realized that music from elsewhere didn't need to sound distant, scratchy, or "primitive." These recordings were as well produced as any contemporary recording in any genre. You were made to feel, for example, that this music wasn't a ghostly remnant from some lost culture, soon — David Byrne

But it is these four heroes, whom I will discuss from time to time in this book, whose poems, novels, stories, articles, memoirs, and encyclopedias opened my eyes to the soul of the city in which I live. For these four melancholic writers drew their strength from the tensions between the past and the present, or between what Westerners like to call East and West; they are the ones who taught me how to reconcile my love for modern art and western literature with the culture of the city in which I live. — Orhan Pamuk

Behind the criticism of fashion as an artistic medium is a highly ideological prejudice: against markets, against consumers, against the dynamism of Western commercial society. The debate is not about art but about culture and economics. — Virginia Postrel

The Winter Woman is as wild as a blizzard, as fresh as new snow. While some see her as cold, she has a fiery heart under that ice-queen exterior. She likes the stark simplicity of Japanese art and the daring complexity of Russian literature. She prefers sharp to flowing lines, brooding to pouting, and rock and roll to country and western. Her drink is vodka, her car is German, her analgesic is Advil. The Winter Woman likes her men weak and her coffee strong. She is prone to anemia, hysteria, and suicide. — Christopher Moore

What was then produced of art and of thought has never been surpassed and very rarely equalled, and the stamp of it is upon all the art and all the thought of the Western world. And yet this full stature of greatness came to pass at a time when the mighty civilizations of the ancient world had perished and the shadow of "effortless barbarism" was dark upon the earth. In that black and fierce world a little centre of white-hot spiritual energy was at work. A new civilization had arisen in Athens, unlike all that had gone before. — Edith Hamilton

There are issues worth advancing in images worth admiring; and the truth is never "plain," nor appearances ever "sincere." To try to make them so is to neutralize the primary, gorgeous eccentricity of imagery in Western culture since the Reformation: the fact that it cannot be trusted, that imagery is always presumed to be proposing something contestable and controversial. This is the sheer, ebullient, slithering, dangerous fun of it. No image is presumed inviolable in our dance hall of visual politics, and all images are potentially powerful. — Dave Hickey

For the grand and inescapable tradition of western literary classics confronts us with fundamental choices over our understanding of words, reading and art, as well as citizenship, civilization, faith, and the whole notion of the true, the good, and the faithful. — Os Guinness

Country and western is ignored by the intellectuals. They don't look at it as an art form. They think it's just somebody sitting on his couch singing about his life. — Ricky Skaggs

In his 1923 review of James Joyce Ulysses, T. S. Eliot focused on one of his generation's recurrent anxieties
the idea that art might be impossible in the twentieth century. The reasons that art seemed impossible are many and complex, but they were all related to the collapse of ways of knowing that had served the Western mind at least since the Renaissance and that had received canonical formulation in the seventeenth century in the science of Newton and the philosophy of Descartes. In both science and philosophy, the crisis was essentially epistemological; that is, it was related to radical uncertainty about how we know what we know about the real world. This crisis, disorienting even to specialists, was at once a cause of despair and an incentive for innovation in the arts. — Jewel Spears Brooker

When Nixon opened the door to China in the early 1970s, Chinese artists got their first view of the West. Suddenly five centuries of Western art lay before them as a stylistic smorgasbord. Chinese artists could reinterpret it out of admiration or try to replace it. They choose the former. — Arne Glimcher

I think in the Western world we have gotten overly identified with doing, and we've kind of forgotten about the art of being. And we don't see value in it; we think that if you're not doing something all of the time, being very active and producing something, then you're sort of wasting your time. — Shakti Gawain

At the same time as woman was becoming the showcase for wealth and caste, while men were slipping into relative anonymity and "handsome is as handsome does," she was emerging as the central emblem of western art. — Germaine Greer

Yet the special thing about literature, the major art form of a Western civilization now ending before our very eyes, is not hard to define. — Michel Houellebecq

I think the real test of psychedelics is what you do with them when you're not on them, what kind of culture you build, what kind of art, what kind of technologies ... What's lacking in the Western mind is the sense of connectivity and relatedness to the rest of life, the atmosphere, the ecosystem, the past, our children's future. If we were feeling those things we would not be practicing culture as we are. — Terence McKenna