Wedding Note Quotes & Sayings

Wasn't it true, then, that everything in his life from that point on had been a succession of things he hadn't really wanted to do? Taking a hopelessly dull job to prove he could be as responsible as any other family man, moving to an overpriced, genteel apartment to prove his mature belief in the fundamentals of orderliness and good health, having another child to prove that the first one hadn't been a mistake, buying a house in the country because that was the next logical step and he had to prove himself capable of taking it. Proving, proving; and for no other reason than that he was married to a woman who had somehow managed to put him forever on the defensive, who loved him when he was nice, who lived according to what she happened to feel like doing and who might at any time - this was the hell of it - who might at any time of day or night just happen to feel like leaving him.
It was as ludicrous and as simple as that. — Richard Yates

It seems that we have to be married," he says, a harder note coming into his voice. "I am honored by the interest that Parliament takes in the matter. Your family still has many friends, it seems. Even among those who profess to be my friends. I understand from them that you are insisting on the wedding. I'm flattered, thank you for the attention. As we both know, we have been betrothed for two long years. So now we are going to consummate our betrothal. — Philippa Gregory

He leans forward and his mouth brushes briefly
against mine, and I feel ... nothing.
I was hoping our first kiss would trigger all sorts of memories or sensations, maybe a sudden image of Paris or our wedding, or our first snog. But as he draws away I feel totally, one hundred percent blank.
I can see the anticipation in Eric's face and quickly search for something encouraging to say.
"That was lovely! Very ... " I trail off, unable to think of a single word other than quick, which I'm not sure hits the right note.
"It didn't bring back any memories?" Eric is studying my face.
"Well ... no," I say apologetically. "But, I mean, that doesn't mean it wasn't really ... I mean it was ... I feel quite turned on!" The words come out before I can stop them.
What the hell did I say that for? I don't feel turned on.
"Really?" Eric lights up and he puts his briefcase down.
Oh no. No no no. Nooo. — Sophie Kinsella

The greatest romance in the life of a lyricist is when the right word meets the right note; often, however, a Park Avenue phrase elopes with a Bleecker Street chord, resulting in a shotgun wedding and a quickie divorce. — Yip Harburg

So, who's going to tell Mrs Beale she's got a month to plan a wedding feast ?"
Hell's fire. Mrs Beale was a marvelous cook. She also had what he considered an unnatural relationship with her meat cleaver. Since he'd inherited SaDiablo Hall, he had gained a finer appreciation of why his father had stayed away from anything to do with the kitchen unless cornered. The woman was downright scary at times.
The fact that she and Beale, the Hall's butler, were happily married was something he tried not to think about because it made him wonder things about Beale he'd rather not wonder.
"If we both went to Amdarh, we could just write her a note," Jaenelle said.
He looked at Jaenelle. She looked at him.
"Good idea," he said. — Anne Bishop

The marriage-pipes sounded, and the mild autumn sun streamed round us. But Rahmun sat in the little Calcutta lane, and saw before him the barren mountains of Afghanistan. I took out a bank-note and gave it to him, saying: "Go back to your own daughter, Rahmun, in your own country, and may the happiness of your meeting bring good fortune to my child!" Having made this present, I had to curtail some of the festivities. I could not have the electric lights I had intended, nor the military band, and the ladies of the house were despondent at it. But to me the wedding-feast was all the brighter for the thought that in a distant land a long-lost father met again with his only child. — Rabindranath Tagore

I like the idea of giving workers control and putting their money into their personal accounts. — Virginia Foxx

A man's gotta do what a man's gotta do — Louis L'Amour

Under the current 'tyranny of slenderness' women are forbidden to become large or massive; they must take up as little space as possible. The very contours of a woman's body takes on as she matures - the fuller breasts and rounded hips - have become distateful. The body by which a woman feels herself judged and which by rigorous discipline she must try to assume is the body of early adolescence, slight and unformed, a body lacking flesh or substance, a body in whose very contours the image of immaturity has been inscribed. The requirement that a woman maintain a smooth and hairless skin carries further the theme of inexperience, for an infantilized face must accompany her infantilized body, a face that never ages or furrows its brow in thought. The face of the ideally feminine woman must never display the marks of character, wisdom, and experience that we so admire in men. — Sandra Lee Bartky

I will commit not the terrible crime of aiming too low. I will do the work that a failure will not do. I will always let my reach exceed my grasp. — Og Mandino

I jumped out of the cab and flung money at the driver without counting it or waiting for change, and as I ran into the terminal I thought, Chuppah. That was the name of the Jewish wedding canopy. Remembering the word pleased me a whole lot more than it should have, and I made a mental note to think about why that mattered some other day. I — Jeff Lindsay

Although it was only a single instrument, each note had the peculiar echoed quality of a thousand harmonics voiced together. There was a whisper behind the strongest note and a shout beneath the softest, and they sang of far off places in long forgotten times. There were no words, but the images of ancient pride, noble heritage, and castles in the sand were imagined from the progression. This was the song that would be played at the birth of a nation, full of hope and promise of better days ahead. This was the song of the end of days with all love and longing lost beyond recall or desire. Farris could see this song playing at her wedding, or her funeral, as a herald of joy and sorrow. She found tears in her eyes and heard herself laugh, and she couldn't say why she was doing either. Her skin was tense and covered with goosebumps, and she shivered with pleasure. — Tobias Wade