We Used To Be Close Quotes & Sayings

One of the strongest motivations for rereading is purely selfish: it helps you remember what you used to be like. Open an old paperback, spangled with marginalia in a handwriting you outgrew long ago, and memories will jump out with as much vigor as if you'd opened your old diary. These book-memories, says Hazlitt, are "pegs and loops on which we can hang up, or from which we can take down, at pleasure, the wardrobe of a moral imagination, the relics of our best affections, the tokens and records of our happiest hours." Or our unhappiest. Rereading forces you to spend time, at claustrophobically close range, with your earnest, anxious, pretentious, embarrassing former self, a person you thought you had left behind but who turns out to have been living inside you all along. — Anne Fadiman

She groaned and tucked her fingers between my side and the mattress. "I don't think I'm ever going to get used to the cold air here."
I chuckled and kissed her forehead. "Just wait 'til it snows."
"Ugh," she moaned.
"I'll turn the heat up," I said and started to move from beneath her. She clutched me closer and made a sound of determination. I laughed. It thrilled the shit out of me that she liked having me so close. "I thought you were cold," I said affectionately.
"But you're warm."
"I'll come right back."
"Kiss me," she demanded. She was definitely a shy person, but the more time we spent together, the less shy she was with me when we were alone. I loved it. It was like getting a glimpse of the person no one else saw. — Cambria Hebert

As the elevator door started to close, she stood and put up one hand to wave goodbye. That's one of those frozen memories for me, because there was something in Greta's solemn wave that made me understand it was about something bigger. That as the elevator door eclipsed the look between us, we were really saying goodbye to the girls we used to be. Girls who knew how to play invisible mermaids, who could run through dark aisles, pretending to save the world. — Carol Rifka Brunt

She couldn't take her eyes from the dancing flame. No, this was so wrong. Candles should be used for meditation ... for romance. Or on a birthday cake at least.
So where was the cake? The present? The song? As he stepped closer to her - as the damned flame got way too close - she started singing. "Happy birthday to me. Happy birthday to me ... " Marcus paused, looking at her in disbelief. See. I knew he didn't have a sense of humor. "Happy birthday, dear Gabi" - she lifted her head and blew out the candle - "happy birthday to me. — Cherise Sinclair

I dont want to sound gloomy, but, at some point of your lives, every one of you will notice that you have in your life one person, one friend whom you love and care for very much. That person is so close to you that you are able to share some things only with him. For example, you can call that friend, and from the very first maniacal laugh or some other joke you will know who is at the other end of that line. We used to do that with him so often. And then when that person is gone, there will be nothing like that in your life ever again. — Christopher Lee

You let him touch you," Todd observed idly. My eyes widened. "I do not." "Yes you do. Just little touches here and there. He puts his hand on your arm or back, he stands close to you, getting you used to him . . . it's a mating ritual. Like March of the Penguins." "It has nothing to do with mating rituals. It's a Texas thing. People are touchy-feely here. — Lisa Kleypas

He ducked down under the wooden slats used to separate the stalls in the barn and crawled into the adjacent stall where he began rubbing the belly of the chestnut mare.
"Lay down, Lady. Please ... it's awful cold tonight. Please lay down."
The mare complied as she always did to the soothing tone in his voice. Drawing the blanket up tightly around him, he lay down beside the horse, moving in close to her side. He was careful to place his frozen feet near enough to her for warmth, but not so near that she'd protest.
"They had a real purty tree, Lady, with candles. Bet it didn't look as purty from the inside, though. Weren't no snow on the inside."
He snuggled in closer to the warm beast. "Merry Christmas, Lady," he whispered.
The mare nickered and moved her head in closer to the boy as he drifted off to sleep, the scent of hay and livestock surrounding them. — Lorraine Heath

It was a scene in the sense that we were all close and we all knew each other before the different bands had really formed. We used to rehearse in the same place. — Arto Lindsay

You're not a Dom, not a Master, Josh," she said. "You've never even been close. You're a submissive. A gorgeous, incredibly sensual submissive that any Mistress in her right mind would cherish forever. You were doing as your Mistress told you to do, and she used you cruelly. I won't let you blame yourself for anything, Josh, except maybe for not recognizing it sooner, because you are an intelligent man. Your inly crime is in denying your own worth, because she made you doubt yours. A Mistress doesn't do that, Josh. — Joey W. Hill

Take a close look at nature and you'll see that every living creature is wired for mutation and variation. The fact that people can say, "I'm not the same person I used to be," is the greatest of all miracles. — Toni Sorenson

I used to feel afraid of the future, always assuming the worst. But now I've realized that my worst fears have already happened, and I've survived them! I've walked into the fire and made it out alive. Only the loss of a close loved one could have "woken me up" to reality in the same way. — Elizabeth Berrien

I have been definitely influenced more by Latin American writers than by any other type of writer. They are very close in terms of voice - their humor, their fatalism, their ... well, that over-used term 'magical realism.' It's a wonderful term that's just been used so much, we don't know what it means anymore. — Jessica Hagedorn

Oh, come on, Sophie. Don't you get it? He's L'Occhio di Dio's ultimate weapon. They used him as a spy at Hecate for years, so what makes you think that's stopped now? This is probably just his new assignment, getting close to you so he can use you for information about the Council."
"Actually, I was just going to use her for her body, but that's a good idea, too. — Rachel Hawkins

Ginny, listen ... I can't be involved with you anymore. We've got to stop seeing each other. We can't be together."
"It's for some stupid noble reason isn't it?"
"It's been like ... like something out of someone else's life these last few weeks with you. But I can't ... we can't ... I've got to do things alone now. Voldemort uses people his enemies are close to. He's already used you as bait once, and that was just because you were my best friend's sister. Think how much danger you'll be in if we keep this up. He'll know, he'll find out. He'll try and get me through you."
"What if I don't care?"
"I care. How do you think I'd feel if this was your funeral ... and it was my fault ... — J.K. Rowling

How odd to smile during Richard's funeral. He was dead and I was smiling to myself. Grief does that. Laughter lies close in with despair, numbness near by acuity and memory with forgetfulness. I would have got used to it, but I didn't know this at the time. All I knew, was that memory had given pleasure first, then cracking pain. — Kay Redfield Jamison

I used to listen to my dad a lot as a way of trying to be close to him, as well, because my parents were divorced and I didn't spend that much time with him. And I used to put headphones on and listen to my dad talk and sing and I found that quite ... bonding with him, in a weird way. — Teddy Thompson

[Jack Nicklaus] was the first to bring in course management. He could go to a course and tell you within one stroke what was going to win. He used to set his sights on that because he could shoot it. He was the only player I know who, if he decided he wanted to win a tournament, could go out and do it. No one will ever be as popular as Arnold Palmer and no one will ever come close to Jack as a player. — Lee Trevino

Losing this part of my life, this time of being a mother to growing children, is indeed an ending. For months, I've carried that quiet sorrow, getting used to its heaviness, the way one learns to live with the chronic soreness of a joint, a tenderness in wrist or knee. What I long to do now is to let the sadness go as well, to have faith that even as my sons graduate from high school and leave home, and this phase of our family life draws to a close, there will be new beginnings not just for them, but for all of us. — Katrina Kenison

We used to build temples, and museums are about as close as secular society dares to go in facing up to the idea that a good building can change your life (and a bad one ruin it). — Alain De Botton

Cathy's lies were never innocent. Their purpose was to escape punishment, or work, or responsibility, and they were used for profit. Most liars are tripped up either because they forget what they have told or because the lie is suddenly faced with an incontrovertible truth. But Cathy did not forget her lies, and she developed the most effective method of lying. She stayed close enough to the truth so that one could never be sure. She knew two other methods also
either to interlard her lies with truth or to tell a truth as though it were a lie. If one is accused of a lie and it turns out to be the truth, there is a backlog that will last a long time and protect a number of untruths. — John Steinbeck

A muddy little stream, a village grown unfamiliar with time and trees. I turn around and retrace my way up Main Street and park and have a Coke in the confectionery store. It is run by a Greek, as it used to be, but whether the same Greek or another I would not know. He does not recognize me, nor I him. Only the smell of his place is familiar, syrupy with old delights, as if the ghost of my first banana split had come close to breathe on me. — Wallace Stegner

Can I tell you something?" He tilted his head, moving in closer still, so close that she could feel his breath against her cheek. "Do you want to know what my grandma used to say about kisses on the forehead?"
He pressed his lips to her brow, holding the silk soft kiss for a long moment while Isobel stood in place, unable to bring herself to shove him away.
"She told me it's the kind of kiss we save for the dead. — Kelly Creagh

Come with me." He led her to the beach again, but during dinner a few people had been busy. It was now lined with an aisle of candles. A man stood close to the breaking surf, hands crossed, waiting. Someone had used the surrounding sand as a canvas, creating a swirling pattern. Their names were part of the art.
What? She asked without a sound.
"I want you to marry me. Here. Now."
Beckett let go of her hand and strode away from her. When he turned around, close to the water at the end of the aisle, he hoped to hell she wasn't running in the other direction. — Debra Anastasia

Jesus' example is one of patience and keeping the peace. He was never argumentative or disrespectful. Never rolled His eyes or sighed with exasperation. Never turned red in the face or stomped his foot with His hands on His hips. He taught the same lesson again and again. He made eye contact and gathered his friends close to Himself. He used different illustrations. His goal was not to be right, but that they would understand. This wasn't a battle to win, it was an opportunity to teach. — Lee Peoples

I think the media is dangerously close to creating their own product. They used to cover the product, which was whatever's happening. — Roger Ailes

I mean, mentally you brace yourself for the ending of a novel. As you're reading, you're aware of the fact that there's only a page or two left in the book, and you get ready to close it. but with a film there's no way of telling, especially nowadays, when films are much more loosely structured, much more ambivalent, than they used to be. There's no way of telling which frame is going to be the last. The film is going along, just as life goes along, people are behaving, doing things, drinking, talking, and we're watching them, and at any point the director chooses, without warning, without anything being resolved, or explained, or wound up, it can just...end. — David Lodge

Mr. Lawrence drank from his beer. Do you know how I figure out what to do? I look under rocks for slime. I lick the slime with my own tongue. I see the problem for what it is, not what a consultant's methodology says it should be. I find people who are working on something that no one told them to work on, who solve a problem because they can't let it stay unsolved, who don't eat or bathe because it takes too much time. I find the ones selling their ideas to customers without going through the marketing department first. I've gotten good at picking molds off cheeses and turning them into penicillin. People used to wonder where my ideas came from. It was simple: I looked for slimy rocks and moldy cheese, and I watched the bank account like a hawk. It worked well for this company for a long time. — Charlie Close

Of all the men who were photographed that day, the chief's life had come closest to the American ideal, closest in observing the principles on which this nation had been founded. He was immeasurably greater than Chester Arthur, the hack politician from New York, incomparably finer than Robert Lincoln, a niggardly man of no stature who inherited from his father only his name, and a better warrior, considering his troops and ordnance, than Phil Sheridan. His only close competitor was Senator Vest, who shared with him a love of land and a joy in seeing it used constructively. — James A. Michener

I've always felt that my relationship to the United States is analogous to a marriage. I love this country. I hate it. I get angry at it. I feel close to it. I'm charmed by it. I'm repelled by it. And it's a marriage that's gone on for let's say at least 50 years of my writing life, and in the course of that, what's happened? It's gotten worse. It's not what it used to be. — Norman Mailer

I understood we used to be close. But they were like books i'd read two summer ago; I knew I'd liked them, but I couldn't tell you now what they'd been about. — Sara Shepard

Jesus Christ is called "the image of the invisible God" (Colossians 1:15). The Greek word used for image in the passage is eikon, from which we get the word icon. Jesus Christ is the only exact icon or physical representation of the invisible and unrepresentable deity. "For in Christ all the fullness of the Deity lives in bodily form" (Colossians 2:9). This is what paganism attempts with its idols - having a point of contact with God. By being close to the idol, the worshiper hopes to be close to God, for to his mind the idol possesses some degree of deity in itself. But just as God ridiculed the pagan idols as being blind, deaf, and dumb, so surely did Jesus Christ not only possess sight, hearing, and speech but give sight to the blind, hearing to the deaf, and speech to the dumb. He was God in the flesh, walking among us, talking to us, eating with us, weeping with us. — Michael S. Horton

But where do we go?"(Elinor)
"I used to think there was a plan, a rough plan, but a plan all the same," the doctor admitted. "Now, I believe there are a thousand plans. Every breath, every decision, influences the plan, expands it, shortens it, twists it all around. It's always changing. Those of us lucky enough to make it through the multitude of possible diseases and accidents get old. We get tired. We close our eyes."
"And then? Where are we then?"
Silly to ask him as though he knew, but in fact the doctor didn't hesitate. He took Elinor's hand and placed it on his chest, in the place where he knew his heart to be.
"There."
Elinor smiled and thought at last. At last someone had told her the truth. — Alice Hoffman

We used to be close. We used to be like brothers. And if you died ... it would be like a part of my family had died. And I don't think you realize that. — S.C. Stephens

The heron must be used to people, and yet it never lets you get too close. Draw parallel to it with the width of one of the marsh's holding ponds between you, and it will duck its head, eyeing you with suspicion, then fly. I cannot approach the heron, certainly could never touch it; I can only look for it, entranced.
This is how I understand the divine, and why I continue to seek it in the resolutely non-human world, with which we nonetheless recognize a numinous kinship. Sometimes, it will turn and lock eyes with you, lifting you out of yourself, changing everything. Other times, it will give you the side-eye and swoop away, leaving you longing for retreating beauty. You might not see it every single time you go looking, or where you expect to find it. No matter how common the experience, every time you stumble across mystery, or independent wild being, it is a surprise and a miracle. And every day, you can look." - Sara Amis, "A Daily Heron — John Halstead

Voldemort uses people his enemies are close to. He's already used you as bait once, and that was just because you're my best friend's sister. Think how much danger you'll be in if we keep this up. He'll know, he'll find out. He'll try and get to me through you. — J.K. Rowling

When I was younger, I had some close friends who always loved European football, and Real Madrid at that time were the dominant force. I remember family holidays when we used to go to Spain, and we'd bring back replica shirts of Real Madrid and pretend to be the players when we played in the park. — Gareth Bale

It seemed like a hybrid of Spinal Tap, the British The Office, and something entirely original. Scenes would be blocked and rehearsed almost like a play, with entire scenes performed top to bottom many times. Two or three cameras would find the action and just follow the actors as they moved around. Actors often didn't know when they were on camera or where the cameras were. "Spy shots" lent a sense of intimacy to moments. Actors were allowed to look into the camera to show their reactions to things and spoke directly to the camera with "talking heads," used to further the story or display another side of what a character was feeling.15, 16 Camera operators were very close or very far away but a dynamic part of the action. We would shoot eight or nine pages in a twelve-hour day, which is about double what one shoots on a feature film. — Amy Poehler

I kissed him lightly and used the moment to slip the package out of the inside of his pocket. I was a white handkerchief folded into a square. "What's this?"
He pretended to look put out. "Did you just pick my pocket?"
"Yes."
"Good thing it's for you then."
"It is? Really?" I'd only been teasing him when I went through his pockets. I unwrapped it, touched. It was a small brooch made of tin, in the shape of a rose. "Oh, Colin, it's lovely. Thank you!"
"I thought the rose would remind you of this place. I guess now you don't need it." he pinned it to my top, just under my collarbone. "I love you, Violet. Could you love a gardener who can't afford real silver, now that you're an earl's daughter living in a fine house?"
I leaned forward so my lips were so close to his they brushed lightly when I spoke. "I love you, Colin Lennox."
His grin was crooken and wicked.
"Then we'll be just fine. — Alyxandra Harvey

I can't fathom the day when I'll be able to figure out how to independently maneuver my way into my bra, like I used to, every day since I was thirteen. The left arm through the left loop, the left boob into the left cup. Never mind the clasp in the back. My poor injured brain gets all twisted up like some circus contortionist even trying to imagine how this procedure would work. I'm supposed to at least try every step of getting dressed on my own, but when it comes to the bra, I no longer bother. My mother just does it for me, and we don't tell the therapists.She holds up one of my white Victoria's Secret Miracle Bras. I close my eyes, shutting out the humiliating image of my mother manhandling my boobs. But even with my eyes closed, I can feel her cold fingers against my bare skin, and as I can't help but picture what she's doing, humiliation saunters right in, takes a seat, and puts its feet up. Like it does every day now. — Lisa Genova

You stole my mother's Faces," whispered Neverfell. "You stole them, and you sold them, and you walked around wearing them, and using them to make people do what you wanted. You used my mother's Faces on me. And all the time you were her murderess or close enough. All that time you were trying to murder me. — Frances Hardinge

I used the Internet to keep really close contact with my fans. I think that one thing I brought over the ocean with me was the connection with my fans. They went through the process with me. They're very supportive of me, but I was nervous about that. I didn't want to make it seem like I was abandoning them. — Stella Soleil

Last night I dreamed about her," he said. "She had this shawl wrapped around her shoulders with tassels hanging off it, and her hair was long like old times. She said, 'Red, I want to learn every step of you, and dance till the end of the night.' " He stopped speaking. He pulled a handkerchief from his pocket and blew his nose. Denny and Stem stood with a screen balanced between them and looked at each other helplessly.

"Then I woke up," Red said after a minute. He stuffed the handkerchief back in his pocket. "I thought, 'This must mean I miss having her close attention, the way I've always been used to.' Then I woke up again, for real. Have either of you ever done that? Dreamed that you woke up, and then found you'd still been asleep? I woke up for real and I thought, 'Oh, boy. I see I've still got a long way to go with this.' Seems I haven't quite gotten over it, you know? — Anne Tyler

This time could be different. This time it could last. Maybe it would be a longer, deeper love: a real and solid entity that lived in the house, used the bathroom, ate their food, mussed up the linens in sleep. A love that pulled her close when she cried, that slept with its chest pressed against her back. — Leslye Walton

Identity is a concept of our age that should be used very carefully. All types of identities, ethnic, national, religious, sexual or whatever else, can become your prison after a while. The identity that you stand up for can enslave you and close you to the rest of the world. — Murathan Mungan

She'd fucked him over hardcore. She'd betrayed him and she'd lied to him, and she knew that as far as he was concerned she'd led him on and used him as well, had consorted with people who wanted to see him dead and given them information to help them make him so. Most of all, she'd hurt him. And if the pain in her chest was anything close to what he'd felt, she was more than willing to admit he deserved to get his own back. Was willing to do more than admit it; was willing to take it, in the hopes he'd eventually decide she'd been punished enough and they could maybe move on. — Stacia Kane

I used to think that sharing secrets always brought people closer. So I revealed secrets I did not want known in order to feel closer to someone. Oh, the loss I felt when I found out the secrets that I had held dear, that were so difficult to say out loud, that I had kept to myself, were being spread around the next day as if they were nothing! I think that was the moment I realized that pouring your heart out to someone might not bring you closer but in fact make you poorer instead. I even though maybe growing close to someone was better achieved by empathizing in silence. — Kyung-Sook Shin

Matisse draws what I call the essence of the plants. He leaves a shape open. He'll do a leaf and not close it. Everybody used to say, oh, I got it all from Matisse, and I said, 'Not really.' — Ellsworth Kelly

Hands. Do not resent your place in the story. Do not imagine yourself elsewhere. Do not close your eyes and picture a world without thorns, without shadows, without hawks. Change this world. Use your body like a tool meant to be used up, discarded, and replaced. Better every life you touch. We will reach the final chapter. — N.D. Wilson

When God creates Eve, he calls her an ezer kenegdo. 'It is not good for the man to be alone, I shall make him [an ezer kenegdo]' (Gen. 2:18 Alter). Hebrew scholar Robert Alter, who has spent years translating the book of Genesis, says that this phrase is 'notoriously difficult to translate.' The various attempts we have in English are "helper" or "companion" or the notorious "help meet." Why are these translations so incredibly wimpy, boring, flat ... disappointing? What is a help meet, anyway? What little girl dances through the house singing "One day I shall be a help meet?" Companion? A dog can be a companion. Helper? Sounds like Hamburger Helper. Alter is getting close when he translates it "sustainer beside him"
The word ezer is used only twenty other places in the entire Old Testament. And in every other instance the person being described is God himself, when you need him to come through for you desperately. — Stasi Eldredge

The first of a thousand lies. Truth flowed to Micah Quill, was sucked in and disappeared, and emerged again looking ever so much like it used to, but changed subtly, at the edges, where none would notice, so that simple truth became a complicated fabric indeed, one that could wrap you up so tightly and close you off from the air until you suffocated in it. — Orson Scott Card

Have you ever used your neighbor's Wi-Fi when it wasn't on a password? If you have the opportunity to observe someone at work, you are getting mentoring out of them even if they are unaware or resistant. Make a list of the people you think would make the greatest mentors and try to get close enough to steal their Wi-Fi. — Mindy Kaling

In order to get around the $500 cap, it's common knowledge that either potential candidates or public officials simply create these organizations, accumulate large sums of money which are then used in support of their campaign or to contribute to their campaign. They were trying to close that loophole. — Bill Vaughan

I love you so much, so incredibly much," he went on, "and I forget when you're close to me, I forget who you are. I forget that you're Jem's. I'd have to be the worst sort of person to think what I'm thinking right now. But I am thinking it. — Cassandra Clare

When you go out on auditions for big movies, and you're not a big star, you get used to getting close but not getting the part. — Craig Sheffer

When you can feel that close to something you're used to seeing from this great distance, well, it changes a person. — Sally Ride

It's really odd to be up close to an icon like Bruce Willis. You're used to seeing him on a screen, 50 feet tall. To think, 'Hmm, I'm taller than you are' is just weird. — Luke Grimes

Do not resent your place in the story. Do not imagine yourself elsewhere. Do not close your eyes and picture a world without thorns, without shadows, without hawks. Change this world. Use your body like a tool meant to be used up, discarded, and replaced. Better every life you touch. We will reach the final chapter. When we have eyes that can stare into the sun, eyes that only squint for the Shenikah, then we will see laughing children pulling cobras by their tails, and hawks and rabbits playing tag. — N.D. Wilson

When I used to do musical theatre, my dad refused to come backstage. He never wanted to see the props up close or the sets up close. He didn't want to see the magic. — Nia Vardalos

I am an accountant." Baru wished she could close her ears to the screams of the sectioned, smoking crowd. "I deal in costs, not faiths." "But you are part of this." Tain Hu was a little taller and she moved with purposeful force. Her words, no matter how soft, were not unintimidating. "This is a cost. This is the cost we pay for broad roads and hot water, for banks and new crops. This is the trade you demand." And there was no doubt who she meant, for she used Aphalone's singular you. "This resistance is meaningless," Baru said. "If they want change, they must make themselves useful to Falcrest. Find a way up from within." "A people can only bear the lash so long in silence. Some things are not worth being within. — Seth Dickinson

Julie's voice could have been used to tune a piano. She was pitch perfect - and I never was. I was enjoyably close. — Dick Van Dyke

People used what they called a telephone because they hated being close together and they were scared of being alone. — Chuck Palahniuk

Something is missing: that's as close as I can come to naming the sensation, an awareness of missed or thwarted connections, or of a great hollowness left where something lovely and solid used to be ... There is something fundamentally insatiable about being human, as though we come into the world with a kind of built-in tension between the experience of being hungry, which is a condition of striving and yearning, and the experience of being fed, which may offer temporary satisfaction but always gives way to new strivings, new yearnings. — Caroline Knapp

Once we know where the Doors of Perception are, it's really easy to open and close them, when we get used to our own 'strange' behavior. — Paulo Coelho

Every time something really bad happens, people cry out for safety, and the government answers by taking rights away from good people. We have no proof that the bad, stupid crazy people who have planted bombs in the past few years used the phone much for their stupid bad crimes, let alone logged on the Internet. Yet when those kind of bad things happen nowadays, the government tries to do bad things to phones and the Net. The phones and the Internet are just good smart things, and the government should leave them alone. You have to watch the government all the time on everything. Thomas Jefferson didn't say that, but he said something very close to that. — Penn Jillette

In fact, scientists have taken advantage of this effect by using the amount of red in contemporary paintings of sunsets to estimate the intensity of volcanic eruptions. Several Greek scientists, led by C. S. Zerefos, digitally measured the amount of red - relative to other primary colors - in more than 550 samples of landscape art by 181 artists from the sixteenth through the nineteenth centuries to produce estimates of the amount of volcanic ash in the air at various times. Paintings from the years following the Tambora eruption used the most red paint; those after Krakatoa came a close second. — William K. Klingaman

There used to be a huge snobbism between the film industry and the television industry. I produced and acted in my first - well way back - but the first thing that I produced and acted in was Sarah, Plan and Tall. And the only place to go at the time for really quality television was Hallmark Hall of Fame. And think how much television has changed since then. — Glenn Close

You remember how homesick I used to get, and what long talks we used to have coming from school? We've someway always felt alike about things."
"Yes, that's it; we've liked the same things and we've liked them together, without anybody else knowing. And we've had good times, hunting for Christmas trees and going for ducks and making our plum wine together every year. We've never either of us had any other close friend. And now
— Willa Cather

There are some superficial things that connect me to the stream. There's instrumentation, there's timbre, use of electronics, the way that samples are used, the way the electric guitar is used. I'm thinking of things that are particular to this era. But I don't always feel particularly close to the music of my peers. I often feel that I have more in common with writers and visual artists. I try to connect to people in an emotional kind of way. — Missy Mazzoli