We Did It Movie Quotes & Sayings

Well, at the end of our movie Fireproof, we released a book that my brother Stephen and I wrote called The Love Dare. It was for couples. That book had a much larger impact than we expected. As a matter of fact, if I could use the term "overwhelmed," we were. The book went on to become a New York Times bestseller and sold over five-million copies and is now in 28 different countries and languages. So, we were blessed and just surprised at how well that did. — Alex Kendrick

I went to Art College and during the summer I made a movie with my brother. I got hold of a little camera, wrote a script and dragged my brother, Tony, out of bed to help me (which he did not like), so that we could shoot a film every day for six weeks. It was made for £65 and it was called Boy On A Bicycle. — Ridley Scott

We can't negate television. Unfortunately, I do feel in many ways that it did kill my movie career. It did do that. But would I not do it again? Do I have any regrets about doing it? No. — Shirley Jones

But the first time I had to stand up and sing with them was when we did the pre-record for the movie and it was that moment where I sort of said to myself: "S**t, now I actually have to do this and I have to stand up and do my stars in your eyes moment!" Wake Up and Make Love With Me was the first song and I thought: "Here we are with Chaz and all the boys ... " — Andy Serkis

With movies, depending on who your director is or what kind of movie you're shooting, you kind of have more of an ability to play around with the material, go off the page, improv. It's like we did with '21 And Over.' Same thing we did in 'Walk Of Shame.' Same thing we did in 'House Bunny.' You have the freedom to do that. — Sarah Wright

It considers not only how we relate to others, but how we relate to our ideas of others so that a completely phony, non-human replica of a dead wife can inspire the same feelings that the wife herself once did. That is a peculiarity of humans: We feel the same emotions for our ideas as we do for the real world, which is why we can cry while reading a book, or fall in love with movie stars. Our idea of humanity bewitches us, while humanity itself stays safely sealed away into its billions of separate containers, or people. — Roger Ebert

It [TV] is the cancer of film. It's why people can't be educated to film. In the late '60s, we expected to see a movie or two every week and be stimulated, excited and inspired. And we did. Every week after week. Antonioni, Goddard, Truffaut - this endless list of people. And then comes television and home video. I know how to work exactly for the big screen, but it doesn't matter what I think about the art of movie-making versus TV. — Jack Nicholson

My favorite actor was, is, Michael Keaton. Certainly growing up, in the movie 'Night Shift' he did something brand new that I hadn't seen before that we all steal from now. And then it was in 1987 he did the movie 'Clean and Sober' and 'Beetlejuice' in the same year, and that was when I said, 'Wow, that's what I want to do.' — Matthew Perry

When we did Wayne's World, it was 14 million dollars and they didn't bug us too much because they just thought it was some little movie that nobody was ever going to see. We showed them. — Penelope Spheeris

When Maurice touched a keyboard, it was like something from a movie, magical. He would always give you something from a movie, and you'd go, what did you just play ... immediately inspirational writings, amazing. That's what we're going to miss. — Robin Gibb

She'd rather make love to him then watch any movie. "We don't have to. Did I do something wrong?"
That made him turn to her. "Of course not."
"Oh. Then don't you want to ... " She trailed off, a blush rising.
"Are you kidding me? More than anything." His expression softened. "But, Maira, I don't want to rush you, make you do something you aren't ready for."
She stared at him. He was so pretty. Was he also stone-cold stupid?
How could he think she wasn't ready for it? She'd already thrown herself at him. Twice now, if he counted the kitchen disaster. — Alisha Rai

I was excited about the fourth movie I guess conceptually because, what I felt we should do it, we should try to make it a conceptual jump like Terminator did to T2. It was still the Terminator franchise, but it was something kind of bigger and grander. — Paul W. S. Anderson

I always thought that the movie had to be really raw, very edgy, that everything had to be super grounded and feel very real. If this was going to be a story about kids discovering time travel and building a time machine that we needed to believe that they really did it . — Dean Israelite

I think I've done a lot of movies that people would like to have seen a sequel to. But I grew up in a time when we didn't do sequels. You just did a movie because you wanted to do a movie and you wanted to tell a story. It wasn't to build a franchise. — Kurt Russell

But having said that, regardless to what reviews come out whatever, I like love the movie. I think it's great, and so people can think what they think about it, but I'm very happy with what we did. I'm really proud of whatever all the actors what we all kind of accomplished and so regardless of how well it does or whatever I'm very excited about it and I think we set out to do the thing and accomplished what we wanted to do. Our goal was met, so yeah. — Nicholas Stoller

Jack: Rose! You're so stupid. Why did you do that, huh? You're so stupid, Rose. Why did you do that? Why?
Rose: You jump, I jump, right?
Jack: Right.
Rose: Oh God! I couldn't go. I couldn't go, Jack.
Jack: It's all right. We'll think of something.
Rose: At least I'm with you. — James Cameron

Terrible, it was terrible. Even today and it's been several months now you just bring it up and I tear up a little bit, terribly. You know when you're that close that long and got along as well as we did, we seldom had any serious arguments. We might have - might discuss which movie we wanted to see and what play we wanted to go to, where we ought to go for a vacation but that usually didn't last very long because we were much of the same mind all the time. — Walter Cronkite

I think that one-liners are very important and sometimes you don't even know when you're making the movie that it's going to be a great line. I remember when we did The Terminator and I came to the line "I'll be back" I had no idea that it was going to be an important line. — Arnold Schwarzenegger

I don't think the film is going to work for everybody, period. It wasn't meant to be done for everybody. I didn't four quadrant this movie, like Hollywood did. I knew it was a very specific audience that was there. We're also taking a shot in the dark. — Joseph M. Kahn

I put in all the dirty words. It works really well. The thing that we found with 'Drive Angry,' more than anything else is that we wrote the movie that we wanted to see. I've done that before. I've wanted to see 'Jason X'. It did not become the movie that I thought it would be. That happens. It's happened with every movie I've ever done. — Todd Farmer

And then she walked into the room. Like calling this place a "house" was inadequate, saying she "walked" also seemed far too tame. Accurate, yes. I mean, she didn't do anything extraordinary. Not really. She didn't glide into the drawing room or ride in on a white horse or anything like that. But she might as well have. She made an entrance and she made it just by entering. I didn't say "wow" out loud, but I almost did. We both quickly stood, not because we were being gentlemen, but because something about her entrance demanded it. There, in the flesh, was the talk of the town, the movie poster come to life, Angelica Wyatt. "You — Harlan Coben

I was new, and it was like that movie "Mean Girls". This clique would tease me and make up rumors about me being gay. I don't even know why they did it. I came home crying one day and told my mom I couldn't be around them anymore. So we decided I would be homeschooled. I think it's important to check in with yourself and make sure you are being exactly who you want to be. When I am true to who I am, I'm a better girfriend. I'm just more happy being me. — Hayley Williams

You know that excuse... it's not you it's me? I say that a lot, when I break up with someone, but I don't really mean it when I do. I'm not the reason my relationships end but neither are the women. It's not me and it's not them--it's that we never had a we. There was no us. It's hard to say what makes two people have that, because it's something you can't put into words. It's a feeling, I know it's only a movie, but I want the feeling that Lloyd had. He didn't just want Diane, he needed her, so he did everything in his power to get her back. — Karyn Bosnak

In a movie like this, the relationship between the two guys is crucial. It sinks or swims on how these two guys are together. I think we did a good job. — Eddie Murphy

Stupid arbitrary shit means the president of the United States can wait six years before even saying the disease's name. Stupid arbitrary shit means it will take a movie star to die and a hemophiliac teenager to die before ordinary people start to mobilize, start to feel that the disease needs to be stopped. Tens of thousands of people will die before drugs are made and drugs are approved. What a horrible feeling that is, to know that if the disease had primarily affected PTA presidents, or priests, or white teenage girls, the epidemic would have been ended years earlier, and tens of thousands, if not hundreds of thousands, of lives would have been saved. We did not choose our identity, but we were chosen to die by it. — David Levithan

Carrie was a terrific piece of work. At the end of the movie comes, when Amy Irving kneels down to put the flowers on Carrie's grave, a hand comes up through the grave and seizes her by the arm. The audience went to the roof, totally to the roof. It was just the most amazing reaction. And I thought, 'We have a monster hit on our hands. Brian De Palma has done something new. He's actually created a shock ending that shocks an audience that was ready for a horror film.' And there were several people who did it after that. — Stephen King

So," she asks, "did we decide on a movie?"

She settles up against me, and my arm goes naturally around her. "I was thinking Braveheart."

"Ugh. What is it with that movie? Why are all men addicted to it?"

"Ah, the same reason women are obsessed with the freaking Notebook. That is what you were going to suggest, right?"

She smiles slyly, and I know I guessed right.

"The Notebook is romantic."

"It's fucking gay."

She hits me in the face with the "perfect" pillow.

"It's sweet."

"It's nauseating. I have friends who are flaming homosexuals - and that movie is too gay for them. — Emma Chase

[Nixon] reduced the meaning of his life to nothing but power. In the film, we gave this sad figure consciousness of what he was. We weren't right to do that - I don't think he did have that consciousness. But we did it for movie reasons - to create empathy. — Oliver Stone

We did 'The Simpsons Movie,' which took almost four years; it was the same people that do the TV show, and it just killed us. So that's why there hasn't been a second movie. But I imagine if the show ever does go off the air, they'll start doing movies. — Matt Groening

Years ago I was in a band called Two Lane Blacktop - we deliberately named ourselves after the 'Two-Lane Blacktop' movie, 'cuz it's a car chase movie. All our songs were based on movies, every single song. I love movies, and that was something that me and the singer in Two Lane Blacktop bonded over - we were design students together, we did a film-class together, so we became obsessed with movies. It's followed me around ever since then, it's a constant theme. — Ladyhawke

I grit my teeth and smile for the camera, already rehearsing rational explanations in my head. 'Oh, that. We were just rehearsing a scene for the movie, Dad. No, we don't actually kiss in the movie, but the director wanted to see what it would look like if we did... Yes, he does play my uncle, but the screenwriter was toying with an incest storyline'... CRAP. — Lauren Miller

I think it's incumbent upon me to try to be smart and make good choices and work with good people and work my ass off when I'm working with good people and I have to let everyone have their opinion afterwards. But this is what happens. You make a movie or you're on a show and then you have this experience and everyone tells you what you did. They tell you what you did. That's allowed. That's the experience of being human and subjectivity. That's it. We can only do what we'll do, and I can only do the best I can do. — Sarah Jessica Parker

I just did this movie with Kristin Wiig called 'The Skeleton Twins.' That's a straight drama. We play estranged twins, and I end up moving in with her and her husband, played by Luke Wilson. But it's a drama, and the Duplass Brothers produced it and this great guy, Craig Johnson, directed it. And that was great, you know? — Bill Hader

When Silence of the Lambs did well commercially it was more than anything. My partner Ed Saxon and I were just so relieved that finally we had made a movie that had made some money! — Jonathan Demme

It's not my job. The Weinstein company, it's their job to convince people. My job was to make the movie. That's what I did. I know what we did in France was to have the maximum screenings just to let people talk about the movie and say they enjoyed the movie. — Michel Hazanavicius

She reached down to help him stand. "Where did you learn that move?" he asked.
"From an old movie on TV," said Buffy proudly. "I think it starred somebody - Flynn, or maybe what's-his-name - Lancaster, I forget which. Are we done?"
"No, we must complete the session." He rubbed his back and groaned. "As difficult as that might prove to be."
"Okay! But don't say I didn't warn you - I've been watching a lot of old movies lately."
"I was afraid of that." Stiffly, Giles assumed a fighting position. "This is called a wombat stance-"
"Looks more like a drunken squirrel to me," Buffy giggled. — Arthur Byron Cover

I had no idea that it was gonna take off the way it did. I thought we made a good movie. — Morgan Spurlock

No matter how many great performances or exciting visuals we put together for the movie, we found that it was all somewhat two dimensional until we added the emotional heart of Howard Shore's music. Then, and only then, did the film come to life. — Peter Jackson

Big Fish was the first movie that we worked on together, and I had already written it. We had another director, but that director didn't do it. So, it was just a Hail Mary to Tim, and Tim said that he wanted to do it and I was like, "That's fantastic!" But, there wasn't a lot of collaboration because he knew what he wanted to do and just did it. There were very minor changes for Big Fish. — John August

I did 'The Grey,' and it was very intense and emotional because we're in the wilderness, and it was always 30 degrees. You kind of lose your sense of reality in the fact that you're filming a movie. — Frank Grillo

I have not walked away from Hollywood. I'm walking away from the way I personally did business in Hollywood. The budget of whatever movie I do needs to be efficient; it needs to consider what kind of resources we're using and how to be as responsible as possible. — Tom Shadyac

The craziest place I've probably ever visited while filming would have to be Jordan. I did a small test shoot for a test movie. We arrived in Jordan, and we stayed in Amman for a night. Then we drove down for three hours into the middle of the Wadi Rum Desert, which is in the absolute middle of nowhere. It was insane. — Isaac Hempstead-Wright

In a way it was a modern story but it played to all those 1980 slasher movies. We did the same thing with this. Patrick wanted to do a 1970's road movie and if you'll see, this is a modern story but it's got so much 1970's in your face feel to it. So that was the point, to take that stuff that we loved growing up and sort of do it for today. I think we accomplished it. We'll see. — Todd Farmer

You try to do as much as you can on set because practical looks cool and practical looks great. Until you get to a point where the reality is you look at it - and I went through this in my last movie which was a war film, which my brother fought in Iraq and I did a ton of research and as much as I could made it documentary-like - and then at some point on set, the reality is somebody says to you, "You know, you can use a real squib and you can have three hours of clean up and you can lose five shots or we can do that blood explosion in post and you can get those five extra shots." — Kimberly Peirce

Here's the story: 25 years ago, I had my lips injected with silicone. Stupid thing to do at 24. I saw 'Beaches.' Remember that movie 'Beaches'? I did it with my best girlfriend, so she and I go and we get our lips done. Fine. I have it like that for my whole career, right? So then cut to a couple of years ago, I have a doctor remove as much as they possibly can because it got to the point where they were yucky. You know, they get hard. It's gross. They are now whatever that was after they took out as much of the silicone as they could. — Lisa Rinna

I don't think a movie today that captured all the things that we did in the seventies could come close, because it's like asking to recreate the seventies and the audience sensibilities and that's impossible. — Paul Michael Glaser

I'd love to do a movie with females in it, and not necessarily the female version of 'The Hangover,' but I'd love to. If I did it it'd star Juliette Lewis, because she's the funniest woman in the world. She's my favorite actress on the planet. If we did a character-based comedy about women, I don't see it out of my range. — Todd Phillips

The producers and I first talked about the Big Fish musical, right before we did the first test screening of the movie. I said, "I think there's a Broadway musical here." And really, from that day, we started figuring out how we would do it. — John August

People who love horror films are people with boring lives ... when a really scary movie is over, you're reassured to see that you're still alive and the world still exists as it did before. That's the real reason we have horror films - they act as shock absorbers - and if they disappeared altogether, I bet you'd see a big leap in the number of serial killers. After all, anyone stupid enough to get the idea of murdering people from a movie could get the same idea from watching the news. — Ryu Murakami

We were approaching the Louvre, but he paused to lean on the parapet, and we both stood there contemplating the passing boats, which dazzled us with their spotlights. 'Look at them,' I said, because I needed to talk about something, afraid that he might get bored and go home. 'They only see what the spotlights show them. When they go home home, they'll say they know Paris. Tomorrow they'll go and see the Mona Lisa and claim they've visited the Louvre. But they don't know Paris and have never really been to the Louvre. All they did was go on a boat and look at a painting, one painting, instead of looking at a whole city and trying to find out what's happening in it, visiting the bars, going down the streets that don't appear in any of the tourist guides, and getting lost in order to find themselves again. It's the difference between watching a porn movie and making love. — Paulo Coelho

Mike gets to play four roles this time, if we ever did it again, he will play my role as well. He is a comic genius, everyone wants to be in this movie, let's hope that everyone will wish to see it as well. — Michael York

When I make a movie, I don't break it down and analyze it. I could but it would get in the way of doing a job - on instinct based on all the research we did going in. you want to trust yourself and your director and your acting partners in the circumstances you're shooting. I don't like to have any kind of overview. — Viggo Mortensen

I did grow up next door to Steve McQueen, who was a very famous movie star at the time, but as a kid it didn't impress me. We always had great fun with him. He would take us out on Sundays on his motorcycles, riding around in the desert; he was like a second father. — Herb Ritts

I met Tyler Perry and we did 'House of Payne' and a movie. We've done a couple other films since then, but it all boils down to the work. I'm a work-a-holic, which is why I think that I've been successful. If you tell me no, I'll work even harder! — Lance Gross

I mean we certainly always shoot a lot of extra material, but our goal was to make kind of like a big kind of rock-and-roll road trip comedy that has heart and that has hopefully you feel bad for Russell and you feel bad for Aldeus and also I wanted to surprise people with some of the turns in the movie and I think when I watched it with audiences they certainly ... the reactions made me think that we did and so all that I'm just very excited about it. — Nicholas Stoller

"Well, we knew it. Women can't sell movies".That's what it used to be like. "Well, this movie did well, but it's a fluke." — Mila Kunis

So there was no explicit bonding. Certainly not the kind you might be expecting if you like films like The Parent Trap as much as Mizuko and I did. We watched it together once, and I dared to say that we were like two little Lindsay Lohans in the isolation cabin, to which she made a kind of grunt. — Olivia Sudjic

I think people today are very cynical. They need to bring other people down. Reality television and tabloid magazines-never before did we need to see movie stars taking out their garbage. But all of a sudden, it's front-page news-trying to figure out who's dating whom, all that stuff. Who cares? — Scarlett Johansson

That's what we do, man, we're like storytellers. We tell you stories from the streets. Whether we did it before when we was young or we heard it from one of the homies telling us a tale of what he been through. It's all in having fun and creating a movie like vibe to tell a tale from the streets. — Kurupt

Al Gore has a hit movie called 'An Inconvenient Truth.' I have an inconvenient truth for him: you're still not the president ... This past weekend, Al Gore's movie, 'An Inconvenient Truth,' earned more per screen than any film in the country ... I dare say Gore's movie is the highest grossing PowerPoint presentation in history ... Global warming: Can we live with it? ... It is time we did something, namely resign ourselves to doing nothing [on screen: Follow Congress' Lead] ... For instance, when sea levels rise, we'll just build levees [on screen: Worked for New Orleans] — Stephen Colbert

I began to think, now is the time. I found quite a lot of opposition in Hollywood about the idea of doing a film musical and we ended up having to buy the rights back. I'm glad we did because it meant John and I were able to make exactly the movie we wanted. — Andrew Lloyd Webber

I did not like 'The Hurt Locker.' It's a lazy way to make a movie, frankly. I could put you on the edge of your seat quite easily, and have you feel the tension for 2 hours, if every other scene practically is, 'Should we cut the red wire or the green wire?' — Michael Moore

We love being in business with Guillermo [Del Toro]and frankly that movie, if you look it up, did I think more business than the first X-Men, did more than Batman Begins, our first movie, did more than Superman Returns, The Fast and the Furious, Star Trek- so for a movie that was an original property that we made up it's done really well. — Thomas Tull

Lego was our fourth film, because we did two Cloudys, so yeah there's a little bit of shorthand that's involved and then you can anticipate things- because for me it's like, I get a script for a movie and I go, "Wow that's a pretty good script", then you sign on and a couple months later they show you the first cut and you're like, "Whoa, how did that happen?" — Mark Mothersbaugh

Years ago, even prior to 9/11, I did a movie called "The Siege." I did a lot of research with the FBI and the CIA. And I was amazed at that time (I guess we might all know it now) how little information they shared with each other. So after that, I'm not surprised by anything. — Denzel Washington

In the sciences, looking good was usually a negative. It implied you wasted time on outdoor activities instead of building something useful. Even using hair product or makeup implied misguided priorities. Like you thought how things looked mattered, instead of how they worked. We liked to look at attractive people. We expected it of our movie stars and TV characters. But we did not respect it. We knew physical attractiveness was inversely correlated with intelligence, because look at us. — Max Barry

We were lucky to get Sam Jackson and Jeremy Irons and John McTiernan back. Long movie and hard movie to make and difficult for me because instead of working, my biggest concern was not repeating things I had done it in the previous films. And it rang notes in my head of episodic TV. A sequel is not a new movie; it's a chapter in a movie that you have already seen. Thank god Sam was there and thank god Jeremy was there. Again, it went outside the template of that series of films but it did well and made a ton of dough and the third chapter of a lot of sequels is always the one that falls down. — Bruce Willis

There is a book to be written, for instance, on small errors in subtitles. In the Fred Astaire musical Royal Wedding, for instance, the English girl he falls for, played by Sarah Churchill (daughter of Sir Winston), is engaged to an American, whom we never see but who's called Hal - like Falstaff's prince, like a good high Englishman. That English H, though, was completely inaudible to the French translator who did the subtitles, and so throughout the film the absent lover is referred to in the subtitles as Al - Al like a stagehand, Al like my grandfather. If you have the habit of print addiction, so that you are listening and reading at the same time, this guy Al keeps forcing his way into the movie. "But what shall I say to Hal - that I have never loved him?" Patricia says to Fred. Down below it says, "Et Al - qu'est-ce que je vais lui dire? — Adam Gopnik

[They're in the middle of a gun fight with Carnegie's men]
Solara: You know that voice you heard, did it say anything about this.
Eli: We'll get out both of us.
George: What about us?
Eli: Didn't say anything about you. — Book Of Eli Movie

I thought I'd have time to become a movie star. And it didn't happen, did it? We're still waiting. And they're saying, 'Don't hold your breath, kid.' Even movie stars can't get movies, you know what I mean? — Veronica Hamel