Water Lines Quotes & Sayings

Picture the Bay of Bengal as an expanse of tropical water: still and blue in the calm of the January winter, or raging and turbid with silt at the peak of the summer rains. Picture it in two dimensions on a map, overlaid with a web of shipping channels and telegraph cables and inscribed with lines of distance. Now imagine the sea as a mental map: as a family tree of cousins, uncles, sisters, sons, connected by letters and journeys and stories. Think of it as a sea of debt, bound by advances and loans and obligations. Picture the Bay of Bengal even where it is absent - deep in the Malaysian jungle, where Hindu shrines sprout from the landscape as if washed up by the sea, left behind. — Sunil S. Amrith

Who publishes the sheet-music of the winds or the music of water written in river-lines? — John Muir

This is a life, he thought, smooth skipping stones bounding across the surfaces of time, with brief moments of deepened consciousness as you hit the water before going airborne again, flying across the carpool lane, over weeks at a desk, enjoying yourself when the skipping stopped, and spending the rest of your life in a kind of drifting contentment, slipped consciousness, lost weekends, the glow from the television sets warming placid faces, smile lines growing in the glare of the screen. — Jess Walter

I felt my way up the cliffs to the south until I found a patch of machair a few yards long and a few wide, where I pitched my tent and settled to sleep. The stars stood sharp above. It felt odd to be on rock again, not sea, to think of the ground on which I lay extending down to the floor of the Minch. Lying there, I could still feel the day at sea, blood and water slopping about in my bag of skin, the tidal churn of my liquid body, a roll and sway in the skull. My mind beat back north against the current, thinking of the puffins' flight, the lines we leave behind us, the spacious weave, our wake, then sleep. — Robert Macfarlane

He saw himself in her eyes, suspended in two shining drops of bright water, himself
dark and tiny, in fine detail, the lines about his mouth, everything there, as if her eyes
were two miraculous bits of violet amber that might capture and hold him intact. — Ray Bradbury

The moor has always been part of my life. It's like a muse: the colours of the heather and the sky; how you can see the savagery of the wind in the way the dwarf pine trees are bent double, the bleak lines of the landscape in winter when everything save the moss and the grass are dead, stones like bones, poking through a thin skin of bilberry bushes, rushes reflected in black bog water. — Sanjida Kay

A single bead of water rolled along the length of his spine and glided down the powerful lines of his body. Mariel moistened her lips and watched its seductive descent, overwhelmed with the temptation to trace its path with the tip of her tongue. — Madeline Martin

My own conclusion is that history is simply social development along the lines of weakest resistance, and that in most cases the line of weakest resistance is found as unconsciously by society as by water. — Henry Adams

The universal utilization of water power and its long-distance transmission will supply every household with cheap power and will dispense with the necessity of burning fuel. The struggle for existence being lessened, there should be development along ideal rather than material lines. — Nikola Tesla

No one would have believed in the last years of the nineteenth century that this world was being watched keenly and closely by intelligences greater than man's and yet as mortal as his own; that as men busied themselves about their various concerns they were scrutinised and studied, perhaps almost as narrowly as a man with a microscope might scrutinise the transient creatures that swarm and multiply in a drop of water. — H.G.Wells

On a clear day the Oregon coast is the most beautiful place on earth - clear and crisp and clean, a rich green in the land and a bright blue in the sky, the air fat and salty and bracing, the ocean spreading like a grin. Brown pelicans rise and fall in their chorus lines in the wells of the waves, cormorants arrow, an eagle kingly queenly floats south high above the water line. — Brian Doyle

At the stair-foot Hephaistion was waiting. He happened to be there, as he happened to have a ball handy if Alexander wanted a game, or water if he was thirsty; not by calculation, but in a constant awareness by which no smallest trifle was missed. Now, when he came down the stairs with a shut mouth and blue lines under his eyes, Hephaistion received some mute signal he understood, and fell into step beside him. — Mary Renault

I learned by heart the lines of your face. I can draw them blindly on a water canvas.
Your face in the middle of an inflamed argument. Your face in the middle of a mild one-- when you're at fault.
Your face filled with rainbows of laughter. Your face filled with clouds of distress.
Your face, fluttering, when I open you the door. Your face, agonizing, every time I stand waiting, for the elevator.
Your face, eager, when you kiss me. Your face, surprised, when I lead you to bed.
Your face in the middle of pain. Your face on the outskirts of pleasure.
Your face, with a baffled look, when you wake up. Your face falling asleep, with total surrender.
Your face the first night we met. Your face the last night we parted.
I learned by heart the lines of your face. They all led me into hell.
They all led me into heaven. — Malak El Halabi

In a pine tree behind me, an eagle waits out the rain, hunched into himself, brooding. Crows squabble, a murder chasing a raven. Seals cruise the lines of fishing nets bobbing in the water, hoping for an easy meal, the tender bellies of salmon. — Eden Robinson

Sometimes parties of men went spud-gathering in no-man's-land. About a mile to the right of us, where the lines were closer together, there was a patch of potatoes that was frequented both by the Fascists and ourselves. We went there in the daytime, they only at night, as it was commanded by our machine-guns. One night to our annoyance they turned out en masse and cleared up the whole patch. We discovered another patch further on, where there was practically no cover and you had to lift the potatoes lying on your belly - a fatiguing job. If their machine-gunners spotted you, you had to flatten yourself out like a rat when it squirms under a door, with the bullets cutting up the clods a few yards behind you. It seemed worth it at the time. Potatoes were getting very scarce. If you got a sackful you could take them down to the cook-house and swap them for a water-bottleful of coffee. And — George Orwell

It was taken some time ago.
At first it seems to be
a smeared
print: blurred lines and grey flecks
blended with the paper;

then, as you scan
it, you see in the left-hand corner
a thing that is like a branch: part of a tree
(balsam or spruce) emerging
and, to the right, halfway up
what ought to be a gentle
slope, a small frame house.

In the background there is a lake,
and beyond that, some low hills.

(The photograph was taken
the day after I drowned.

I am in the lake, in the center
of the picture, just under the surface.

It is difficult to say where
precisely, or to say
how large or small I am:
the effect of water
on light is a distortion

but if you look long enough,
eventually
you will be able to see me.) — Margaret Atwood

Well, what do you think? Avanti?"
"Avanti," cries everyone, and, after a few quick re-tunings of our instruments, and re-initialisings of our hearts, we enter the slow theme-and-variations movement.
How good it is to pay this quintet, to play it, not to work at it - to play for our own joy, with no need to convey anything to anyone outside our ring of recreation, with no expectation of a future stage, of the too-immediate sop of applause. The quintet exists without us yet cannot exist without us. It sings to us, we sing into it, and somehow, through these little black and white insects clustering along five thin lines, the man who deafly transfigured what he so many years earlier had hearingly composed speaks into us across land and water and ten generations, and fills us here with sadness, here with amazed delight. — Vikram Seth

The great fish moved silently through the night water. — Peter Benchley

The river, tonally, does not recede, presenting the same lifeless grey near and far, a depthless plane upon which Schmitt's dragging oars inscribe parallel lines and Eakins' oars, rising and falling, leave methodically spaced patches of disturbed water. The canvas is haunting - en evocation of the democracy's idyllic, isolating spaciousness, present even in the midst of a great Eastern city. — John Updike

A city is half beast and half machine, with arteries of fresh water and veins of foul, nerves of telephone and electrical cables, sewer lines for bowels, pipes full of pressurized steam and others carrying gas, valves and fans and filters and meters and motors and transformers and tens of thousands of interlinked computers, and though its people sleep, the city never does. — Dean Koontz

Sometimes I think that creativity is a matter of seeing, or stumbling over, unobvious similarities between things - like composing a fresh metaphor, but on a more complex scale. One night in Hiroshima it occurred to me that the moon behind a certain cloud formation looked very like a painkiller dissolving in a glass of water. I didn't work toward that simile, it was simply there: I was mugged, as it were, by the similarity between these two very different things. Literary composition can be a similar process. The writer's real world and the writer's fictional world are compared, and these comparisons turned into text. But other times literary composition can be a plain old slog, and nothing to do with zones or inspiration. It's world making and the peopling of those worlds, complete with time lines and heartache. — David Mitchell

May I?" Jayden sat on the edge of the couch and poured me a fresh cup of tea. He placed his hand over the brew. As his eyes swirled a whirlpool of shimmering blues and greens, the liquid iced into a frozen block. He fanned his fingers and spider lines cracked the ice. Seconds later the tea boiled.
"You control tea?"
Jayden's satisfied smile faltered. "No. I ... I control water. The tea, the actual plant doesn't change, however - " He caught my look and nodded. "Ohhh. You were being
facetious."
"If that means joking, yes I was. — A&E Kirk

Doth not this Aethereal Medium in passing out of Water, Glass, Crystal, and other compact and dense Bodies into empty Spaces, grow denser and denser by degrees, and by that means refract the Rays of Light not in a point, but by bending them gradually in curve Lines? And doth not the gradual condensation of this Medium extend to some distance from the Bodies, and thereby cause the Inflexions of the Rays of Light, which pass by the edges of dense Bodies, at some distance from the Bodies? — Isaac Newton

These people were building homes for the rich, but they lived in tents covered with blue tarpaulin sheets, and partitioned into lanes by lines of sewage. It was even worse than Laxmangarh. I picked my way around broken glass, wire, and shattered tube lights. The stench of feces was replaced by the stronger stench of industrial sewage. The slum ended in an open sewer - a small river of black water went sluggishly past me, bubbles sparkling in it and little circles spreading on its surface. Two children were splashing about in the black water. — Aravind Adiga

The swirling lines of snow were composed of separate flakes, and each flake was a cluster of separate ice crystals--scientists had counted over a hundred of them in a single flake. Under the microscope each minuscule crystal, colorless and transparent, revealed a secret symmetry: six sides, the outward expression of an inward geometry of frozen molecules of water. But the real wonder was that no two crystals were precisely alike. In one of this father's camera magazines he had seen a stunning display of photomicrographs, and what was most amazing about the enlarged crystals was that each contained in its center a whole world of intricate six-sided designs, caused by microscopic air pockets. For no conceivable reason, Nature in a kind of exuberance created an inexhaustible outpouring of variations on a single form. A snowstorm was a fall of jewels, a delirium of hexagons--clearly the work of a master animator. — Steven Millhauser

White-crested waves crash on the shore. The masts sway violently, every which way. In the gray sky the gulls are circling like white flakes. Rain squalls blow past like gray slanting sails, and blue gaps open in the sky. The air brightens.
A cold silvery evening. The moon is overhead, and down below, in the water; and all around it-a wide frame of old, hammered, scaly silver. Etched on the silver-silent black fishing boats, tiny black needles of masts, little black men casting invisible lines into the silver. And the only sounds are the occasional plashing of an oar, the creaking of an oarlock, the springlike leap and flip-flop of a fish. ("The North") — Yevgeny Zamyatin

It's the journeys we make you said not our sins that we have to account for: places we passed on a road and failed to recognise: the light in a gap between trees that we barely noticed storms above a hayfield like the black in monochrome the neither here nor there of detours or oncoming traffic. It's the lives we failed to lead lost in a stalled conversation or glancing away to cottonwoods and miles of blue-stemmed grass and everything we miss each least detail patterns and lines in the packed silt around a mooring windows flecked with light and water shades of grey in this or any other afternoon. — John Burnside

To live in Manhattan is to be persistently amazed at the worlds squirreled inside one another, the chaotic intricacy with which realms interweave, like those lines of television cable and fresh water and steam heat and outgoing sewage and telephone wire and whatever else which cohabit in the same intestinal holes that pavement demolishing workmen periodically wrench open into daylight and to our passing, disturbed glances. — Jonathan Lethem

All day, the colours had been those of dusk, mist moving like a water creature across the great flanks of mountains possessed of ocean shadows and depths. Briefly visible above the vapour, Kanchenjunga was a far peak whittled out of ice, gathering the last of the night, a plume of snow blown high by the storms at its summit.
Sai, sitting on the veranda, was reading an article about giant squid in an old National Geographic. Every now and then she looked up at Kanchenjunga, observed its wizard phosphorescence with a shiver. The judge sat at the far corner with his chessboard, playing against himself. Stuffed under his chair where she felt safe was Mutt the dog, snoring gently in her sleep. A single bald lightbulb dangled on a wire above. It was cold, but inside the house, it was still colder, the dark, the freeze, contained by stone walls several feet deep. — Kiran Desai

The sniper puts the cellist in his sights. Arrow is about to send a bullet into him, but stops. His finger isn't on the trigger ... His hand isn't even in the vicinity of the trigger ... His head leans back slightly, and she sees that his eyes are closed, that he is no longer looking through his scope. She knows what he's doing. It's very clear to her, unmistakable. He's listening to the music. And then Arrow knows why he didn't fire yesterday ... She is at once, sure of two things. The first is that she does not want to kill this man, and the second is that she must. Time is running out. There's no reason not to kill him. A sniper of his ability has wihtout doubt killed dozens, if not hundreds. Not just soldiers. Women crossing streets. Children in playgrounds. Old men in water lines. She knows this to a certainity. Yet she doesn't want to pull her trigger. All because she can see that he doesn't want to pull his ... The final notes of the cellist's melody reach him, and he smiles. — Steven Galloway

The steel-framed span loomed thirty feet above the muddy water. At the far end of the hundred-foot deck, the forest swallowed up a dirt road that used to lead somewhere. Years of traffic rumbling across the bridge had worn parallel streaks into the deck, and heavy runner boards covered holes in rotted planks. Metal rails sagged in spots. Still, the reddish-brown truss beams on either side stood stiff and straight, and overhead braces cast shadows on the deck below. On that rusty frame, between lines of vertical rivets, someone had painted a skull and crossbones and scribbled: 'Danger, This Is You. — Jason Morgan Ward

For the boy on the bridge. And for all the boys for a hundred generations who drop their lines into the swift dark water to catch the leviathans lurking in the deep: These are the secrets. — Rick Yancey

In reference to the search for Lincoln's killers as it took to the Maryland swamps:
The method of searching the swamps is simple yet arduous. First, the troops assemble on the edge of bogs with names like Allen's Creek, Scrub Swamp, and Atchall's Swamp, standing at loose attention in the shade of a thick forest of beech, dogwood, and gum trees. Then they form two lines and march straight forward, from one side to the other. As absurd as it seems to the soldiers, marching headlong into cold mucky water, there is no other way of locating Booth and Herold. Incredibly, eighty-seven of these brave men will drown in their painstaking weeklong search for the killers. — Bill O'Reilly

(First lines) Now a traveler must make his way to Noon City by the best means he can, for there are no trains or buses headed in that direction, though six days a week a truck from the Chuberry Turpentine Company collects mail and supplies at the nextdoor town of Paradise Chapel; occasionally a person bound for Noon City can catch a ride with the driver of the truck, Sam Ratcliffe. It's a rough trip no matter how you come, for these washboard roads will loosen up even brandnew cars pretty fast, and hitchhikers always find the going bad. Also, this is lonesome country, and here in the sunken marshes where tiger lilies bloom the size of a man's head there are luminous green logs that shine under the dark water like drowned corpses. Often the only movement on the landscape is a broken spiral of smoke from a sorry-looking farmhouse on the horizon, or a wing-stiffened bird, silent and arrow-eyed, circling endlessly over the bleak deserted pinewoods. — Truman Capote

Our contemporary poverty is as transparent as glass and as invisible as the air. Our poverty is kilometer-long lines, the constant elbowing, spiteful officials, trains late without reason, the water cut off by some disaster (...), the monotony of living without any hope whatsoever, the decaying historic cities, the provinces emptying the rivers poisoned. Our poverty is the grace of the totalitarian state by whose grace we live. — Tadeusz Konwicki

No synonym for God is so perfect as Beauty. Whether as seen carving the lines of the mountains with glaciers, or gathering matter into stars, or planning the movements of water, or gardening - still all is Beauty! — John Muir

Be very careful to retain peace of heart, because Satan casts his lines in troubled waters. — Paul Of The Cross

When the trees and the power lines crashed around you, when the very roof gave way above you, when the light turned to darkness and water turned to dust, did you call on Him?
When you called on Him, was He somewhere up there, or was He as near as your very breath? — Jan Karon

There's this fancy restaurant nearby with a nice view of the water. The Alchemist and Barrister, they call it. I've always thought the place looked nice. Since I don't eat regular food or go on dates, I'v never been there. I'd like to make an exception and take you there on Saturday night. That is, if you'd like. — Christopher Rankin

If you would be busy and fill your pitcher, come, O come to my lake.
The water will cling round your feet and babble its secret. The shadow of the coming rain is on the sands, and the clouds hang low upon the blue lines of the trees like the heavy hair above your eyebrows.
I know well the rhythm of your steps, they are beating in my heart.
Come, O come to my lake, if you must fill your pitcher. — Rabindranath Tagore

Cloned chickens walking around without heads,
The food is contaminated, the water got lead in it.
Population control, make the babies sick,
All these RFID chips, RU-486 ...
This is a war against consciousness,
Controlling your soul, sort of a psychological dictatorship.
And we are on the front lines,
Guilty as charged if intellect is a crime. — Pharoahe Monch

Water in swimming pools changes its look more than in any other form its colour can be man-made and its dancing rhythms reflect not only the sky but, because of its transparency, the depth of the water as well. If the water surface is almost still and there is a strong sun, then dancing lines with the colours of the spectrum appear everywhere. — David Hockney

Before I opened my computer in the parking lot today, I relived one of my favorite memories. It's the one with Woody and me sitting on the steps of the Metropolitan Museum after it's closed. We're watching people parade out of the museum in summer shorts and sandals. The trees to the south are planted in parallel lines. The water in the fountain shoots up with a mist that almost reaches the steps we sit on. We look at silver-haired ladies in red-and-white-print dresses. We separate the mice from the men, the tourists from the New Yorkers, the Upper East Siders from the West Siders. The hot-pretzel vendor sells us a wad of dough in knots with clumps of salt stuck on top. We make our usual remarks about the crazies and wonder what it would be like to live in a penthouse apartment on Fifth Avenue overlooking the Met. We laugh and say the same things we always say. We hold hands and keep sitting, just sitting, as the sun beings to set. It's a perfect afternoon. — Diane Keaton

No emotions are bad. But if they stay for long, then it is bad. Emotions should be like a line drawn on the surface of water. — Sri Sri Ravi Shankar

I know my destiny. I was born into animosity, bigotry and hatred. We had water for white folks, and water for coloured folks. White lines, black lines. I came from Beaufort in South Carolina, and it was tougher than Georgia, Alabama and Mississippi. — Joe Frazier

One day in May, the whiteness in Milo's brain turns into that of a flock of Canadian geese that fills the entire sky. Pan to the young man staring up at them. Clinging to his arm is a pert and pretty, dark-haired girl by the name of Viviane, also looking up. Their mouths are open in amazement. Milo recites a few lines from "The Wild Swans at Coole." De trees are in deir autumn beauty, De woodland paths are dry, Under de October twilight de water Mirrors a still sky; Upon de brimming water among de stones Are nine-and-fifty swans. Viviane looks at him adoringly. "Sounds beautiful!" she says. "Who's it by?" "Yeats." "Never heard of him. — Nancy Huston

His heart slammed against his ribs, and joy flooded him, followed almost instantly by distress. Even from fifteen yards away he could see that she wore no makeup, and lines of fatigue were etched on her face. Her hair was restrained with a clip at the nape of her neck, and for the first time since he'd known her, she looked almost plain. Where was the Daisy who loved to primp and fuzz with her perfumes and powder? The Daisy who took such joy in dabbing herself with apricot scented lotion and raspberry red lipstick? Where was the daisy who used up all the hot water taking her showers and left a sticky film of hair spray on the bathroom door? Dry mouthed, he drank in the sight of her, and something broke apart inside him. This was Daisy as he'd made her. This was Daisy with her love light extinguished. — Susan Elizabeth Phillips

Ghosts can haunt damned near anything. I have heard them in the breathy voice of a song and seen them between the covers of a book. They have hidden in trees so that their faces peer out of the bark, and hovered beneath the silver surface of water. They disguise themselves as cracks in concrete or come calling in a delirium of fever. On summer days they keep pace like the shadow of our shadow. They lurk in the breath of young girls who give us our first kiss. I've seen men who were haunted to the point of madness by things that never were and things that should have been. I've seen ghosts in the lines on a woman's face and heard them in the jangling of keys. The ghosts in fire freeze and the ghosts in ice burn. Some died long ago; some were never born. Some ride the blood in my veins until it reaches my brain. Sometimes I even mistake myself for one. Sometimes I am one. — Damien Echols

Death Valley is the perfect flesh-grilling device, the Foreman Grill in Mother Nature's cupboard.

It's a big, shimmering sea of salt ringed by mountains that bottle up the heat and force it right back down on your skull. The average air temperature hovers around 125 degrees, but once the sun rises and begins broiling the desert floor, the ground beneath Scott's feet would hit a nice, toasty 200 degrees - exactly the temperature you need to slow roast a prime rib. Plus, the air is so dry that by the time you feel thirsty, you could be as good as dead; sweat is sucked so quickly from your body,you can be dangerously dehydrated before it even registers in your throat. Try to conserve water,and you could be a dead man walking.

But every July, ninety runners from around the world spend up to sixty straight hours running down the sizzling black ribbon of Highway 190, making sure to stay on the white lines so the soles of their running shoes don't melt. — Christopher McDougall

What does our baby think of the cord sprouting
into the whoosh whoosh of my wife's heartbeat?
And does Ramon imagine the lines of seaweed
are kite strings stretching into a heaven of water?

I see Ramon and our baby looking up,
up where stretched-out skin, the roof of the world,
lets in the light of day, up where the sun
is a ballet of burning coins. The heart - a kite
like a bucking bronc straining to break into sky. — Vince Gotera

In all such local tragedies time works like a damp brush on water color. The sharp edges blur, the ache goes out of it, the colors melt together, and from the many separated lines a solid gray emerges. — John Steinbeck

The green painted concrete out in front of the house, which at first seemed like a novel way to save money on lawn-moving, was now just plain depressing. The hot water came reluctantly to the kitchen sink as if from miles away, and even then without conviction, and sometimes a pale brownish color. Many of the windows wouldn't open properly to let flies out. Others wouldn't shut properly to stop them getting in. The newly planted fruit trees died in the sandy soil of a too-bright backyard and were left like grave-markers under the slack laundry lines, a small cemetery of disappointment. It appeared to be impossible to find the right kinds of food, or learn the right way to say even simple things. The children said very little that wasn't a complaint. — Shaun Tan

What a land. What power these rivers were already yielding, far beyond her sight. Even a map of this country
lines arranged in an arbitrary way on a long rectangular piece of paper
stirs the imagination beyond imagination, she thought, looking at the map, as other lines differently arranged in relation to each other have not the power to stir. Each name on the map says We reached this point, by broken trail and mountains and water; and when we reached it, thus and thus we named it. — Ethel Wilson

A mile below the lowest cloud, rock breaches water and the sea begins.
It has been given many names. Each inlet and bay and stream has been classified as if it were discrete. But it is one thing, where borders are absurd. It fills the space between stones and sand, curling around coastlines and filling trenches between the continents. — China Mieville

Eggs possess an elemental power. Their outer shell is earth. Their white is water. The membrane that lines the shell is air, and the yolk at the core is fire. The core of the egg preserves life and being, and therefore represents heaven and earth, while the white represents chaos. — Joanne Owen

I arm myself with punch lines and a big old water gun. — Jimmy Buffett

It was all unknown to me then, as I sat on that white bench on the day I finished my hike. Everything except the fact that I didn't have to know. That is was enough to trust that what I'd done was true. To understand its meaning without yet being able to say precisely what it was, like all those lines from The Dream of a Common Language that had run through my nights and days. To believe that I didn't need to reach with my bare hands anymore. To know that seeing the fish beneath the surface of the water was enough. That it was everything. It was my life - like all lives, mysterious and irrevocable and sacred. So very close, so very present, so very belonging to me.
How wild it was, to let it be. — Cheryl Strayed

The book was in her lap; she had read no further. The power to change one's life comes from a paragraph, a lone remark. The lines that penetrate us are slender, like the flukes that live in river water and enter the bodies of swimmers. She was excited, filled with strength. The polished sentences had arrived, it seemed, like so many other things, at just the right time. How can we imagine what our lives should be without the illumination of the lives of others? — James Salter

Toraf nudges him from his thoughts. "You know whose advice I need?" He nods toward the gigantic house behind them. "Rachel's."
"Actually, you don't," Galen says, standing. He reaches a hand down to help his friend.
"Why's that?"
"Rachel's expertise lies more along the lines of communication. You won't need to worry about communication when Rayna finds out you're already mated."
"We're what?" They both turn to Rayna who has stopped mid-stride in the sand. The emotions on her face change from surprise to full-blown murderous rage.
"You're gonna pay a special price for that, minnow!" Toraf calls before he hits the water.
Galen grins as Rayna slices through the waves in blood-thirsty pursuit. Then he heads for the house to talk to Rachel. — Anna Banks

Mason is able to inspect the long Map, fragrant, elegantly cartouch'd with Indians and Instruments, at last. Ev'ry place they ran it, ev'ry House pass'd by, Road cross'd, the Ridge-lines and Creeks, Forests and Glades, Water ev'ry-where, and the Dragon nearly visible. "So, - so. This is the Line as all shall see it after its Copper-Plate 'Morphosis, - and all History remember? This is what ye expect me to sign off on?" "Not the worst I've handed in. And had they wish'd to pay for Coloring? Why, tha'd scarcely knaah the Place . . . ?" "This is beauteous Work. Emerson was right, Jeremiah. You were flying, all the time." Dixon, his face darken'd by the Years of Weather, may be allowing himself to blush in safety. "Could have us'd a spot of Orpiment, all the same. Some Lapis . . . ? — Thomas Pynchon

She feels a splash of water on her hand and, turning, sees that the sky has become overcast with a blanket of ominous dark rose-colored cloud, and of a sudden the light fades from the lawn and the cedars.

Steerpike, who is on his way back to the Earl's bedroom, stops a moment at a staircase window to see the first decent of the rain. It is falling from the sky in long, upright, and seemingly motionless lines of rosy silver that stand rigidly upon the ground as though there were a million harp strings strung vertically between the solids of earth and sky. — Mervyn Peake

I should like to take the wind and water and sand as a motif and work with them, but it has to be simplified in most cases to colour and force lines, just as music has done with sound. — Arthur Dove

Beau never stays within the lines. He's not just my roommate, he moves through Portland as if it's his city, as though all the people at this party are his best friends, as if he invented beer pong, even. He's that drop of water that runs and seeps into the paper, smearing the other watercolors until they've run wild as well. — Rebecca Paula

He imagines the water running in thick curving lines, like the drawings of the tree's roots, cutting through stone and spilling over the earth. And then he reverses the flow of water, letting his imagination take over, and he sees the water racing north, uphill, towards the Catskills, weaving around towns, beneath bridges, rushing over stones and cutting through the trees, until it lands at the feet of Alice Pearson, who stands on the shore, looking out at the place where the water meets the sky. — Beth Hahn

As I write these lines I lift my eyes and look seaward. I am on the beach of Waikiki on the island of Oahu. Far, in the azure sky, the trade-wind clouds drift low over the blue-green turquoise of the deep sea. Nearer, the sea is emerald and light olive-green. Then comes the reef, where the water is all slaty purple flecked with red. Still nearer are brighter greens and tans, lying in alternate stripes and showing where sandbeds lie between the living coral banks. Through and over and out of these wonderful colours tumbles and thunders a magnificent surf. — Jack London