War Poems Quotes & Sayings

Poetry, is a life long war waged
against ineffable beauty. — Atticus Poetry

Poems come from ordinary experiences and objects, I think. Out of memory - a dress I lent my daughter on her way back to college; a newspaper photograph of war; a breast self-exam; the tooth fairy; Calvinist parents who beat up their children; a gesture of love; seeing oneself naked over age 50 in a set of bright hotel bathroom mirrors. — Sharon Olds

A man is lying under machine-gun fire on a street in an embattled city. He looks at the pavement and sees a very amusing sight: the cobblestones are standing upright like the quills of a porcupine. The bullets hitting against their edges displace and tilt them. Such moments in the consciousness of a man judge all poets and philosophers. Let us suppose, too, that a certain poet was the hero of the literary cafes, and wherever he went was regarded with curiosity and awe. Yet his poems, recalled in such a moment, suddenly seem diseased and highbrow. The vision of the cobblestones is unquestionably real, and poetry based on an equally naked experience could survive triumphantly that judgment day of man's illusions. — Czeslaw Milosz

If we're all aggressive, obedient solders [sic], who's going to write the poems and play the blues and go on anti-war protest marches? — Ken Follett

That's how religions and histories make their way into the world, not through battles and conquests, but through poems and kennings and songs, passed through generations and written down by scholars and scribes ...
After all, words are what remain when all the deeds have been done. Words can shatter faith, start a war, change the course of history. A story can make your heart beat faster, topple walls, scale mountains
Hey, a story can even raise the dead. And that's why the King of Stories ended up being King of the gods, because writing history and making history are only the breadth of a page apart. — Joanne Harris

While war for love is inspiring in legends and epic poems, we must be governed by cynical pragmatism. — James L. Cambias

Distance,
the dissonance insurmountable,
would be not the end,
but a magnet.
When fingertips kiss,
they imprint and cement something,
that cannot be disintegrated.
Time becomes a phantom,
the wind becomes an anchor,
and old dreams- blankets of warmth.
Lull with me, Lady,
there is no greater escape.
Love and war, even when buttered on toast,
still makes for the breakfast of champions. — Dave Matthes

But the most gratifying message was a warm-hearted and completely unexpected letter from Robert Graves, who had just been shown Wilfred's latest poems by Sassoon. 'Don't make any mistake, Owen,' Graves wrote, 'you are a damned fine poet already & are going to be more so... you have found a new method... those assonances instead of rhymes are fine - Puff out your chest a little, Owen & be big - for you've more right than most of us... You must help S.S. and R.N. and R.G. to revolutionize English Poetry - So outlive this War. — Dominic Hibberd

It's called 'The Oxford Book of Modern Verse, 1892-1935'. They let a man named Yeats make the choosings. They shouldn't have. Who is he - and what does he know about verse?
I hunted through that book for poems by Wilfred Owen or Siegfried Sassoon. There weren't any - not one. And do you know why not? Because Mr Yeats said - he said, "I deliberately chose NOT to include any poems from World War I. I have a distaste for them. Passive suffering is not a theme for poetry. — Mary Ann Shaffer

The poets who have written the best poems about war seem to be the poets whose countries have experienced an invasion or vicious dictatorships. — Billy Collins

When You See Millions of the Mouthless Dead"

When you see millions of the mouthless dead
Across your dreams in pale battalions go,
Say not soft things as other men have said,
That you'll remember. For you need not so.
Give them not praise. For, deaf, how should they know
It is not curses heaped on each gashed head?
Nor tears. Their blind eyes see not your tears flow.
Nor honour. It is easy to be dead.
Say only this, "They are dead." Then add thereto,
"Yet many a better one has died before."
Then, scanning all the o'ercrowded mass, should you
Perceive one face that you loved heretofore,
It is a spook. None wears the face you knew.
Great death has made all his for evermore. — Charles Hamilton Sorley

The words of the true poems give you more than poems, they give you to form for yourself poems, religions, politics, war, peace, behavior, histories, essays, daily life, & everything else, they balance the ranks, colors, races, creeds, and the sexes, they do not seek beauty, they are sought, forever touching them or close upon them follows beauty, longing, fain, love-sick.
They prepare for death, yet they are not the finish, but rather the outset, they bring none of his or her terminus or to be content & full, whom they take they take into space to behold the birth of the stars, to learn one of the meanings, to launch off with absolute faith, to sweep through the ceaseless rings & never be quiet again. — Walt Whitman

There is no escape. You can't be a vagabond and an artist and still be a solid citizen, a wholesome, upstanding man. You want to get drunk, so you have to accept the hangover. You say yes to the sunlight and pure fantasies, so you have to say yes to the filth and the nausea. Everything is within you, gold and mud, happiness and pain, the laughter of childhood and the apprehension of death. Say yes to everything, shirk nothing. Don't try to lie to yourself. You are not a solid citizen. You are not a Greek. You are not harmonious, or the master of yourself. You are a bird in the storm. Let it storm! Let it drive you! How much have you lied! A thousand times, even in your poems and books, you have played the harmonious man, the wise man, the happy, the enlightened man. In the same way, men attacking in war have played heroes, while their bowels twitched. My God, what a poor ape, what a fencer in the mirror man is- particularly the artist- particularly myself! — Hermann Hesse

Those letters under the door
A new life
The war at a distance
and my drinking glass that smokes
A brightness crowns the universe
("Two Poems") — Paul Dermee

Reading Ngo Tu Lap's poems, terrible nostalgia wells up in me- nostalgia for a lost time and a far-gone country, nostalgia for people I've loved, and for creatures of forests and rivers. I feel gratitude too. War is over. Peace arrives with these beautiful poems. — Maxine Hong Kingston

When They Die We Change Our Minds About Them
When they die we change our minds about them. While they live we see the plenty hard they're trying,to be a star, or nice, or wise, and so we do not quite believe them. When they die, suddenly they are what they claimed. Turns out, that's what one of those looks like. The cold war over manner of manly or mission is over. Same person, same facts and acts, just now a quiet brain stem. We no longer begrudge his or her stupid luck.When they die we change our minds about them. I will try to believe while you yet breathe. — Jennifer Michael Hecht

I blaze with a deep sullen magic, smell lust like a heron on fire; all words I form into castles then storm them with soldiers of air. What I seek is not there for asking. My armies are fit and well trained. This poet will trust her battalions to fashion her words into blades. At dawn I shall ask them for beauty, for proof that their training went well. At night I shall beg their forgiveness as I cut their throats by the hill. My navies advance through the language, destroyers ablaze in high seas. I soften the island for landings. With words, I enlist a dark army. My poems are my war with the world. I blaze with a deep southern magic. The bombardiers taxi at noon. There is screaming and grief in the mansions and the moon is a heron on fire. — Pat Conroy

As the war went on, opposition grew. The American Peace Society printed a newspaper, the Advocate of Peace, which published poems, speeches, petitions, sermons against the war, and eyewitness accounts of the degradation of army life and the horrors of battle. The abolitionists, speaking through William Lloyd Garrison's Liberator, denounced the war as one "of aggression, of invasion, of conquest, and rapine - marked by ruffianism, perfidy, and every other feature of national depravity ... " Considering the strenuous efforts of the nation's leaders to build patriotic support, the amount of open dissent and criticism was remarkable. Antiwar meetings took place in spite of attacks by patriotic mobs. — Howard Zinn

During the Gulf War, I remember two little third grade girls saying to me - after I read them some poems by writers in Iraq - 'You know, we never thought about there being children in Iraq before.' And I thought, 'Well those poems did their job, because now they'll think about everything a little bit differently.' — Naomi Shihab Nye

The maiden Olympics had more to protest about than mere war, though. Central to its ethos was a rejection of two establishments the political one, certainly, but also that of the wider poetry world itself. It changed poetry for ever in the UK, ... It led to readings all over the country. You suddenly got more women reading and publishing poems, as well as gay guys and poets from all over the world. Until that time, published poetry had been very university-based white, male, middle-class. We were trying to break poetry out of its academic confines. — Adrian Mitchell

Load poems like guns -
war's geography calls you
to arms.
The enemy has no signs,
counter-signs,
colors
signals
symbols!
Load poems like guns -
each moment is loaded
with bombs
bullets
blasts
death-sounds -
death and war
don't follow rules
you can make your pages into white flags
a thousand times
but swallow your words, say no more.
Load your poems -
your body -
your thoughts -
like guns.
The schoolhouses of war rise up
within you.
Maybe you are next. — Farzana Marie

The goddess smiled. "You are a good hero, Percy Jackson. Not too proud. I like that. But you have much to learn. When Dionysus was made a god, I gave up my throne for him. It was the only way to avoid a civil war among the gods."
"It unbalanced the Council," I remembered. "Suddenly there were seven guys and five girls."
Hestia shrugged. "It was the best solution, not a perfect one. Now I tend the fire. I fade slowly into the background. No one will ever write epic poems about the deeds of Hestia. Most demigods don't even stop to talk to me. But that is no matter. I keep the peace. I yield when necessary. Can you do this? — Rick Riordan

You smug-faced crowds with kindling eye
Who cheer when soldier lads march by,
Sneak home and pray you'll never know
The hell where youth and laughter go."
"The War Poems — Siegfried Sassoon

There was always an outrageousness to our response to minor events. Flamboyance and exaggeration were the tail feathers, the jaunty plumage that stretched and flared whenever a Wingo found himself eclipsed in the lampshine of a hostile world. As a family, we were instinctive, not thoughtful. We could never outsmart our adversaries but we could always surprise them with the imaginativeness of our reactions. We functioned best as connoisseurs of hazard and endangerment. We were not truly happy unless we were engaged in our own private war with the rest of the world. Even in my sister's poems, one could always feel the tension of approaching risk. Her poems all sounded as though she had composed them of thin ice and falling rock. They possessed movement, weight, dazzle and craft. Her poetry moved through streams of time, wild and rambunctious, like an old man entering the boundary waters of the Savannah River, planning to water-ski forty miles to prove he was still a man. — Pat Conroy

I guess that isn't the right word, she said. She was used to apologizing for her use of language. She had been encouraged to do a lot of that in school. Most white people in Midland City were insecure when they spoke, so they kept their sentences short and their words simple, in order to keep embarrassing mistakes to a minimum. Dwayne certainly did that. Patty certainly did that.
This was because their English teachers would wince and cover their ears and give them flunking grades and so on whenever they failed to speak like English aristocrats before the First World War. Also: they were told that they were unworthy to speak or write their language if they couldn't love or understand incomprehensible novels and poems and plays about people long ago and far away, such as Ivanhoe. — Kurt Vonnegut

If water won't smother the blaze
Father, take my tears and bestow them on the fire
see if the fires will wither. — Zakariya Amataya

I think if you put something in a file that says "war poems" or "love poems" that you already restrict the way in which the poem might move. — Rita Dove

He read me another poem, and another one - and he explained the true history of poetry, which is a kind of secret, a magic known only to wise men. Mr. Premier, I won't be saying anything new if I say that the history of the world is the history of a ten-thousand-year war of brains between the rich and the poor. Each side is eternally trying to hoodwink the other side: and it has been this way since the start of time. The poor win a few battles (the peeing in the potted plants, the kicking of the pet dogs, etc.) but of course the rich have won the war for ten thousand years. That's why, on day, some wise men, out of compassion for the poor, left them signs and symbols in poems, which appear to be about roses and pretty girls and things like that, but when understood correctly spill out secrets that allow the poorest man on earth to conclude the ten-thousand-year-old brain-war on terms favorable to himself. — Aravind Adiga

With lines that show an unyielding dedication to craft, these poems are not afraid of meaning or the meaningful. More and more every day, the thinking American asks how she is to believe in love when there is war all about her, and in each of her deeply felt lyrics, Elyse Fenton confronts this question with the kind of tenderness one lover reserves for another. If every poem is indeed a love poem,Clamor is indeed a debut worth reading and about which we must make noise. — Jericho Brown

I find no peace, and all my war is done,
I fear and hope; I burn and freeze like ice;
I fly above the wind yet can I not arise;
And naught I have and all the world I seize on.
That looseth nor locketh holdeth me in prison,
And holdeth me not, yet can I scape nowise;
Nor letteth me live nor die at my devise,
And yet of death it giveth none occasion.
Without eyen I see, and without tongue I plain;
I desire to perish, and yet I ask health;
I love another, and thus I hate myself;
I feed me in sorrow, and laugh in all my pain.
Likewise displeaseth me both death and life
And my delight is causer of this strife. — Thomas Wyatt

This was because their English teachers would wince and cover their ears and give them flunking grades and so on whenever they failed to speak like English aristocrats before the First World War. Also: they were told that they were unworthy to speak or write their language if they couldn't love or understand incomprehensible novels and poems and plays about people long ago and far away, such as Ivanhoe. *** The black people would not put up with this. They went on talking English every which way. They refused to read books they couldn't understand - on the grounds they couldn't understand them. They would ask such impudent questions as, Whuffo I want to read no Tale of Two Cities? Whuffo? — Kurt Vonnegut