Wanted Comic Quotes & Sayings

I mean, I guess I started during the comedy boom, so it was literally like, on Sunday you could decide you wanted to be a comic, and on Monday, you could be on stage. — Todd Barry

I am proud of having drawn the first comic about a lesbian - and it didn't even occur to me that I was drawing a first. I just wanted to tell the story of my roommate. — Trina Robbins

I knew what I wanted to do when I set out. I knew that I wanted to write a book that told the story, obviously. I wanted it be comedy first, because I felt like there already had been childhood druggy stories that were very serious, and I felt that the unique thing here was that I was a comic and I could tell the story with some levity, and I have been laughing at these stories my whole life. — Moshe Kasher

I guess the one-liner kind of comic sounds like a guy who can talk and talk and whatever the subject is, he can pull out a one-liner, but I couldn't do that. I didn't like the association. I mean, I love Steven Wright, but so many people started saying "Steven Wright" to me, and I would get mad, because I never wanted to be thought of as copying anybody. — Mitch Hedberg

I grew up on monthly comics. My closet is full of monthly comics. I've always wanted to do a monthly comic, and while I've had a couple of offers, the timing has never worked out. Most superhero comics come into the world as monthly series, so we wanted the same for 'The Shadow Hero.' — Gene Luen Yang

Gabriel came out a moment later, while Kaitlyn was still standing motionless by the stairs. He was shrugging into his T-shirt. He looked particularly handsome in a just-roused, early morning way. His hair was very wavy, as if someone had run fingers through it to release the curl, his eyes were hooded and lazy and there was a faint smile of satisfaction on his lips.
Kaitlyn discovered that she wanted to kill him. The image that came to her mind was of hitting him with a rolling pin, but not in an amusing, comic-book sort of way. — L.J.Smith

I've always wanted to come to Comic Con. — Jon Huertas

Usually, like, on 'Mean Girls,' the task that Tina Fey and I set for ourselves was we wanted to maintain a comic intensity throughout the movie, where people just don't really get a break from laughing. And if they do, it's for a brief emotional scene, and then we're going to once again try to knock them on their heels again with comedy. — Mark Waters

Hollywood wanted a certain type of comic - that Def Jam comedy style of comic that was very loud, very brash, very much from the ghetto, had that sensibility. — Larry Wilmore

I wanted to do the comic strip. I tried to get it syndicated, and I sent some examples to a syndication company, and they sent me a rejection letter! I wasn't smart enough at the time to realize you shouldn't let rejection letters stop you. I thought that rejection letter meant I was not allowed to be a cartoonist in this world, so I put the rejection letter down and said, well, I'll be a stand-up comedian. — Brian Regan

Don't you understand how dramatic it is to be a comic? To be a fool, to get people to laugh at this show-off? Milton Berle could take Laurence Olivier and stick him under the table if he wanted to. And so could I. — Jerry Lewis

As a comic, I've heard gunshots while I'm trying to get to sleep. I've performed where people wanted to do you harm after the show because of something you said. — Billy Gardell

Why in the hell would anybody think they wanted to take cattle to Montana?" Dixon, the scout, said. He had an insolent look.
"We thought it would be a good place to sit back and watch 'em shit," Augustus said. Insolence was apt to bring out the comic in him. — Larry McMurtry

I remember back when I was a kid there was a comic strip called Plastic Man. His body was elastic and he could make his extremities as long as he wanted. As a youngster I didn't fully appreciate. But I'm now thinking Plastic Man was probably pretty popular with the ladies. — Ben Affleck

What helped me get the part was that I turned it down. When I read the script, Venus was just a black guy who came in wearing a big coat and a hat and making jive talk. I'd been up for so many of those! I'd had enough of caricatures, what white writers conceive blacks to be. I told the producer I wasn't interested in doing anything like that for three or four years. He said that it was just a pilot, that Venus would be given a human dimension and would be quiet off-the-air. I wanted that input. I thought that side was as important as the comic side. For 'WKRP,' too much of either would be bad. — Tim Reid

For English assignments I was constantly coming up with these strange adventure stories ... But I actually wanted to be an artist, or maybe work in the comic book industry. — Paul Kane

She was a fairy-tale princess out of his comic book fantasies. She glowed like a star. He hated it. It made his jaw clench [ ... ]. It made him want to wreck something, punch walls, hurl plates. He wanted to drag her into a corner and rip off her glittering veil of illusions. Remind her that she was his beautiful wild animal, not this remote, perfect being. She was earth and sweat and blood and bone, she was hunger and need and howling at the moon. Just like him. Part of him. — Shannon McKenna

Writing's much more romantic when its pen and ink and paper. It's... More timeless. and worthwhile. Think about it. There are so many words gushing out into the universe these days. All digitally. All in Comic Sans or Times New Roman. Silly Websites. Stupid news stories digitally uploaded to a 24-hour channel. Where's all this writing going? Who's keeping a note of it all? Who's in charge of deciding what's worthwhile and what isn't? But back then... Back then, if someone wanted to write something they had to buy paper. Buy it! And ink. And a pen. And they couldn't waste too many sheets cos it was expensive. So when people wrote, they wrote because it was worthwhile... not just because they had some half-baked idea and they wanted to pointlessly prove their existence by sharing it on some bloody social networking site. — Holly Bourne

What I had noticed is that there weren't a lot of women lining up to see a comic book movie, but they were going to line up to see 'The Devil Wears Prada,' which may have been something I wanted to address. — Bryan Singer

For a long time I wanted to be a comic strip artist but when I started doing them in my teens they were getting really elaborate with tons of poses and a lot of information. — Craig McCracken

And I had worked at the comic-book store almost by accident, because I was deciding to make a living as an artist, be it as an art tutor or illustrator, and that's how I wanted to make my living. — Brian Michael Bendis

Silence. Her eyes on mine. But unlike Kitsey - who was always at least partly somewhere else, who loathed serious talk, who at a similar turn would be looking around for the waitress or making whatever light and/or comic remark she could think of to keep the moment from getting too intense - she was listening, she was right with me, and I could see only too well how saddened she was at my condition, a sadness only worsened by the fact she truly liked me: we had a lot in common, a mental connection and an emotional one too, she enjoyed my company, she trusted me, she wished me well, she wanted above all to be my friend; and whereas some women might have preened themselves and taken pleasure at my misery, it was not amusing to her to see how torn-up I was over her. — Donna Tartt

Douglas has more books- and comic books- than anyone I know. Still, if you wanted to borrow one, and took it down off the shelf and forgot to mention it to him, Douglas would notice right away it was missing, even though there are maybe a thousand other ones that look exactly like it right on the shelf beside it. Douglas is one of those books people — Meg Cabot

We are creators. When we begin, separately or together, there's a blank piece of paper. When we are done, we are giving people dreams and magic and journeys into minds and lives that they have never lived. And we must not forget that.
Don't worry about trying to develop a style. Style is what you can't help doing. If you write enough, you draw enough, you'll have a style, whether you want it or not.
Don't worry about whether you're "commercial". Tell your own stories, draw your own pictures. Let other people follow you.
If you believe in it, do it. If there's a comic or a project you've always wanted to do, go out there and give it a try. If you fail, you'll have given it a shot. If you succeed, then you succeeded with what you wanted to do. — Neil Gaiman

When Superman was originally created, by Siegel and Shuster, they were two Jewish immigrants that were desperately trying to assimilate into America. They were having a hard time because they were Jewish. They wanted to get in to mainstream publishing but they couldn't. That's why they, and a lot of Jewish guys, went into comic books. — David S.Goyer

The privilege, and the challenges, of taking on Black Widow have never been lost on me. I worked on the first 'Spiderman' game as well as 'Fantastic Four,' and I had always wanted to be able to tell more of a character-driven comic book story than was possible to fit into a game narrative. — Margaret Stohl

I was a huge comic book fan as a kid. The only problem I had with comic books is how expensive they got. I didn't have a lot of money, so I had to be very specific about what I wanted to collect. I think they're all somewhere in the basement of my folks' house. — Nathan Fillion

I was always funny, but I wasn't a great musician, and I wanted to be a musician way more than I wanted to be a comic. I just didn't think comedians were cool when I was a kid. — Greg Behrendt

I thought Daredevil was kind of cool because he couldn't do anything. I mean, he's blind. It wasn't that he could fly. His major power was an impediment. So I was intrigued. When I took over he was kind of like Spider-Man-lite, but I was able to project a lot of my Catholic imagery onto it. And I'd always wanted to do a crime comic. — Frank Miller

When I was a kid, I wanted to be serious, like Daniel Day-Lewis. No one really dreams of being a comic actor, do they? Now I realise how stupid that is - and it's because comic acting isn't taken seriously enough. It's a discipline. You know instantly - either you're funny and getting the laughs, or you're not. — Chris O'Dowd

I was a serious comic collector and fanboy as a kid. I wanted very badly to draw comic books for a lot of my childhood and early adolescence. So when you have an unfulfilled dream like that, when years later you find yourself in a position to make a graphic novel - hell yeah, I'm going to do that. — Anthony Bourdain

If I wasn't a comic or TV star, I really wanted to be a photojournalist. That was my other dream job. — Drew Carey

I really wanted to do things that weren't comic. It felt like finding people who can see this other side to me. — Rachael Harris

I was writing the kind of comic that would make me, at age 26 or 27, go down to a comic book store every month and spend my $2. That was my starting point. I wanted to write a comic that I would read. And that's still my agenda. — Neil Gaiman

Once I found out that I was playing 'Deathlok,' I unearthed my old comic book collection. I was going home for Christmas, and I have a collection of thousands of comics. I was surprised to see that 90% of them were Marvel. So, I wanted to go through my collection and start there. — J. August Richards

Superman is going to live forever. They'll be reading Superman in the next century when you and I are gone. I felt, in that respect, I was doing the same thing. I wanted to be known. I wasn't going to sell a comic that was going to die quickly. — Jack Kirby

Everybody wanted to be the hero of their own story. Nobody wanted to be comic relief. — Lev Grossman

Spider-Man initially made me want to come to New York and work for Marvel; I wanted to be a comic book artist. — Chris Columbus

I just didn't want to be pigeonholed as an 'ethnic comic' or an 'Asian comic.' I just wanted to be on the same playing field as everyone else. — Aziz Ansari

I think my printing to this day looks like the printing right out of a comic book. Actually, I always wanted to be in a comic book. I watched cartoons when I was a kid, too, and both comics and cartoons lit fire in my imagination. This realm holds a lot of interest for me, a lot of passion for me. So to be comic-ized, yeah, that's cool. — Nathan Fillion

I've always wanted to play more comic parts. — Dominic West

There was...the discrepancy between what one expected of the accomplished medieval scholar (and, later, the penetrating exponent of theological and spiritual matters) and the robust, no-nonsense, unmistakably strident man, clumsy in movement and in dress, apparently little sensitive to the feelings of others, determined to cut his way to the heart of any matter with shouts of distinguo! before re-shaping it entirely. One quickly felt that for him dialectic supplied the place of conversation. Any general remarks were of an obvious and even platitudinous kind; talk was dead timber until the spark of argument flashed. Then in a trice you were whisked from particular to fundamental principles; thence (if you wanted) to eternal verities; and Lewis was alert for any riposte you could muster. It was comic as well as breathtaking; and Lewis would see the comedy as readily as the next man. — Jocelyn Gibb

I became a guy who wanted to be a comedian someday, or a comic actor. The way I put it was, I'll be like Danny Kaye. He was kind of the model I had in mind. — George Carlin

I'm a comic nerd. I'm a former serious collector for much of my childhood and early teen years I wanted to draw underground comics. — Anthony Bourdain

I vividly remember my first 'Superman' comic, which my granddad bought me when I was about 7. From that point on, all I wanted to do is draw comics. And specifically, superhero and science fiction comics. Basically I used to copy comic books, and draw my own comics on scrap paper. — Dave Gibbons

I had more material on weather than anyone else, I guess, ... back when I was traveling a lot on the road as a standup comic, between airport security and the weather ... I just wanted to be prepared for sitting in the airport. — Lewis Black

I think probably the first time I wanted to be an artist was when I was about six or seven years old. I used to get British comics and I clearly remember seeing my first American comic: an issue of 'Action Comics', with Superman on the cover with a treasure horde in a cave, and Lois saying something like 'I don't believe Superman is a miser!' — Dave Gibbons

He called me an asshole and said, "I'll bury you!" like some comic book villain. I wanted to fucking scream my head off - I'm not your toy! Your puppet! Your whore! I'm a human goddamn being and I expect to be treated as such! Instead I told him I didn't want to be buried, I want to be cremated. And I want my ashes stored in a disco ball he can hang over his desk. — Tiffanie DeBartolo

I always wanted to tell stories. From the time I had 20 cents or a quarter in my pocket, I could peddle my old Rambler 500 down to the corner store and buy comic books. — Patrick Lussier

I thought Rounders was a comic movie in its way. First time I directed a movie, I wanted to do a comedy. I don't like things that are superficially one thing or another, mainly. My favorite comedies are really smart, too, and have a lot of levels to them as well. — Edward Norton

It was said Daredevil grew up in Hell's Kitchen, an amazing name for a neighbourhood. But that opened a Pandora's box of all the crime stuff I wanted to do. I borrowed liberally from Will Eisner's 'The Spirit' and turned 'Daredevil' into a crime comic. — Frank Miller

[Before the Spirit] I had been producing comic books for 15-year-old cretins from Kansas [I wanted to aim for] a 55-year-old who had his wallet stolen on the subway. You can't talk about heartbreak to a kid. — Will Eisner

I taught myself how to draw, and I soon found out it was what I really wanted to do. I didn't think I was going to create any great masterpieces like Rembrandt or Gauguin. I thought comics was a common form of art, and strictly American in my estimation, because America was the home of the common man - and show me the common man that can't do a comic. So comics is an American form of art that anyone can do with a pencil and paper. — Jack Kirby

My casting process was slightly different and slightly interesting insofar as I knew everybody could act. That's something you've seen. You know people can. You've seen them on the screen and you think either they're a good actor or a bad actor. So that's not the point. What I wanted to do was find people who I thought would have a similar comic sensibility. — Dan Mazer

I just wanted to be a good comic and had no sense of show business, but at some point you want the opportunity to write a show about your life. — Marc Maron

For all that Tron wanted to be, it ultimately had to be a fun ride for the audience and I was going to be one of the comic characters, and he was really on top of that. He was having such a good time doing it. That's my memory of it. I'd love to work with him again. I think he's great. — James Frain

I wanted to make an explicitly educational comic that taught readers the concepts I covered in my introductory programming class. That's what 'Secret Coders' is. It's both a fun story about a group of tweens who discover a secret coding school, and an explanation of some foundational ideas in computer science. — Gene Luen Yang

I've always wanted to write comic books, my earliest memories are of waiting for Dad to come home from work, and, secreted in his lawyer's leather briefcase, would be comics from the store. — Arvind Ethan David

I wanted wherever possible to lean into the comic form and do things in the story telling that could only be done in comics and which pay homage to the many strands of comic and visual storytelling tradition. — Arvind Ethan David

I had been drawing my weekly comic strip, 'Life in Hell,' for about five years when I got a call from Jim Brooks, who was developing 'The Tracey Ullman Show' for the brand-new Fox network. He wanted me to come in and pitch an idea for doing little cartoons on that show. — Matt Groening

I remember her, not a girl but the girl. The brains behind the all time top ten comic book vixens only wish they could conjure a a siren the likes of Susan Glenn, beneath my feet my own private earthquake registered an eight when Susan Glenn was near. In her presence all was beautiful before she arrived turned grotesque and in her shadows others became goblinesque, if she approached Susan Glenn she didn't walk she floated, accompanied by Pyrotechnics spectacals that left me feeling a foot tall. She embodied every desireable quality I have ever wanted. In my mind I was a peasant before a Queen. And so Susan Glenn and I were never a thing, if I could do it again, I'd do it differently. — Keifer Sutherland

I think as soon as I figured out - and this must have been incredibly young - that comic books were made by humans, rather than being natural phenomenon likes trees or rocks, I just wanted to be one of the people who did that. So I was copying all kinds of cartoons that I was reading, comic books, and eventually learned how to draw cartoon books step-by-step and just, I don't know, I'm not an especially quick learner, but I sure was a dedicated one. — Art Spiegelman

My mother wanted us to understand that the tragedies of your life one day have to potential to be the comic stories the next. — Nora Ephron

I just wanted a really simple, dramatic way so that fans, people who were reading my comic, would be like, "This is something different." Just to flag it, almost. — David Rees

When I started formulating the first Frank comic, I knew I wanted it to be something that was beyond time and specific place. I felt that having the characters speak would tie it to 20th-century America, because that would be the idiom of the language they would use, the language I use. — Jim Woodring

I never wanted to be road comic. — Bobby Lee