Wallace Black Quotes & Sayings

A black boy brought Wilson's gin and he sipped it very slowly because he had nothing else to do except to return to his hot and squalid room and read a novel - or a poem. Wilson liked poetry, but he absorbed it secretly, like a drug. The Golden Treasury accompanied him wherever he went, but it was taken at night in small doses - a finger of Longfellow, Macaulay, Mangan: 'Go on to tell how, with genius wasted, Betrayed in friendship, befooled in love ... ' His taste was romantic. For public exhibition he has his Wallace. He wanted passionately to be indistinguishable on the surface from other men: he wore his moustache like a club tie - it was his highest common factor, but his eyes betrayed him - brown dog's eyes, a setter's eyes, pointing mournfully towards Bond Street. — Graham Greene

Such techniques, including meta-discursive stuff, self-reference, irony, black humor, cynicism, grotesquerie and shock, it would be safe to say that television or televisual values rule the culture. Television is successfully using a lot of those same techniques but using them for a very different agenda, which is to sort of create an ethos and please people and to sell products to consumers. — David Foster Wallace

Humphrey will go into a black neighborhood in Milwaukee and drench the streets with tears while deploring "the enduring tragedy" that life in Nixon's America has visited on "these beautiful little children" - and then act hurt and dismayed when a reporter who covered his Florida campaign reminds him that "In Miami you were talking just a shade to the Left of George Wallace and somewhere to the Right of Mussolini." Hubert — Hunter S. Thompson

At this point I feel I would be remiss to not mention the prevalence of a specific kind of person who enters the field of book publishing. This is the English lit major who never should have left academia, a genius who has read all of V.S. Naipaul but can't photocopy title pages right side up. This person is very thin, possibly vegan, probably Ivy League. He or she feels as if answering the phone in a chipper voice is a form of legalized prostitution. He or she has a single quirky fashion piece, usually red or black, and waxes poetic about typewriters and the British, having never truly known either. Regardless of sex, they all want to be David Foster Wallace when they grow up. — Sloane Crosley

Irving Wallace wrote a bestselling novel, The Man, in the 1960s about a black man becoming president of the United States. We thought that such a possibility was thousands of years in the future. Some people may still have some difficulty with the idea, but that's a major cultural meme shift. — Wayne Dyer

When I was in the Navy, everyone fell under the purview of "navy gray". It is the military's way of reminding its enlisted personnel that they are all equal. Man or woman, black or white, young or old, everyone was navy gray. With God's grace I can proudly say a better understanding of this concept has helped me ameliorate disputes, mend fences that appeared hopeless and find light in the midst of darkness. — Carlos Wallace

It now lately sometimes seemed a black miracle to me that people could actually care deeply about a subject or pursuit, and could go on caring this way for years on end. Could dedicate their entire lives to it. It seemed admirable and at the same time pathetic. We are all dying to give our lives away to something, maybe. — David Foster Wallace

Bliss - a-second-by-second joy and gratitude at the gift of being alive, conscious - lies on the other side of crushing, crushing boredom. Pay close attention to the most tedious thing you can find (Tax Returns, Televised Golf) and, in waves, a boredom like you've never known will wash over you and just about kill you. Ride these out, and it's like stepping from black and white into color. Like water after days in the desert. Instant bliss in every atom. — David Foster Wallace

Nor would I even begin to try to describe what she looks like as she's telling the story, reliving it, she's naked, hair spilling all down her back, sitting meditatively cross-legged amid the wrecked bedding and smoking ultralight Merits from which she keeps removing the filters because she claims they're full of additives and unsafe - unsafe as she's sitting there chain-smoking, which was so patently irrational that I couldn't even bring - yes and some kind of blister on her Achilles tendon, from the sandals, leaning with her upper body to follow the oscillation of the fan so she's moving in and out of a wash of moon from the window whose angle of incidence itself alters as the moon moves up and across the window - all I can tell you is she was lovely. The bottoms of her feet dirty, almost black. The moon so full it looks engorged. — David Foster Wallace

Metafiction is untrue, as a lover. It cannot betray. It can only reveal. Itself is the only object. It's the act of a lonely solipsist's self-love, a night-light on the black fifth wall of being a subject, a face in a crowd. It's lovers not being lovers. Kissing their own spine. Fucking themselves. True, there are some gifted old contortionists out there. Ambrose and Robbe-Grillet and McElroy and Barthelme can fuck themselves awfully well. — David Foster Wallace

Drawn lids one screen of skin, dreampaintings move across Day's colored dark. Tonight, in a lapse unfluttered by time, he travels what seems to be back. Shrinking, smoother, loses his belly and faint acne scars. Bird-boned gangle; bowl haircut and cup-handle ears; skin sucks hair, nose recedes into face; he swaddles in his pants and then curls, pink and mute and smaller until he feels himself split into something that wriggles and something that spins. Nothing stretches tight across everything else. A black point rotates. The point breaks open, jagged. His soul sails toward one color. — David Foster Wallace

Rap's conscious response to the poverty and oppression of U.S. blacks is like some hideous parody of sixties black pride. — David Foster Wallace

When we think of racism we think of Governor Wallace of Alabama blocking the schoolhouse door; we think of water hoses, lynchings, racial epithets, and "whites only" signs. These images make it easy to forget that many wonderful, goodhearted white people who were generous to others, respectful of their neighbors, and even kind to their black maids, gardeners, or shoe shiners
and wished them well
nevertheless went to the polls and voted for racial segregation ... Our understanding of racism is therefore shaped by the most extreme expressions of individual bigotry, not by the way in which it functions naturally, almost invisibly (and sometimes with genuinely benign intent), when it is embedded in the structure of a social system. — Michelle Alexander

You can make contact with people all day but it only seems fulfilling when it's with someone you truly enjoy. — Andersen Prunty

I grabbed my coat. We were off.
Well, I grabbed my coat, waited the best part of an hour for Hanne to choose between one pair of black trousers and another virtually identical pair, had a cup of tea, approved the trousers, and then we were off. — Danny Wallace

I know I grew up in the time when a young man in a baggy suit and slicked-down hair stood spraddle-legged in the crossroads of history and talked hot and mean about the colored, giving my poor and desperate people a reason to feel superior to somebody, to anybody. I know that even as the words of George Wallace rang through my Alabama, the black family who lived down the dirt road from our house sent fresh-picked corn and other food to the poor white lady and her three sons, because they knew their daddy had run off, because hungry does not have a color. — Rick Bragg

As a society, our collective understanding of racism has been powerfully influenced by the shocking images of the Jim Crow era and the struggle for civil rights. When we think of racism we think of Governor Wallace of Alabama blocking the schoolhouse door; we think of water hoses, lynchings, racial epithets, and "whites only" signs. These images make it easy to forget that many wonderful, good-hearted white people who were generous to others, respectful of their neighbors, and even kind to their black maids, gardeners, or shoe shiners - and wished them well - nevertheless went to the polls and voted for racial segregation. — Michelle Alexander

This place is like the back entrance to a black cow. — Wallace Stegner

Some writers are the kind of solo violinists who need complete silence to tune their instruments. Others want to hear every member of the orchestra - they'll take a cue from a clarinet, from an oboe, even. I am one of those. My writing desk is covered in open novels. I read lines to swim in a certain sensibility, to strike a particular note, to encourage rigour when I'm too sentimental, to bring verbal ease when I'm syntactically uptight. I think of reading like a balanced diet; if your sentences are baggy, too baroque, cut back on fatty Foster Wallace, say, and pick up Kafka, as roughage. If your aesthetic has become so refined it is stopping you from placing a single black mark on white paper, stop worrying so much about what Nabokov would say; pick up Dostoyevsky, patron saint of substance over style. — Zadie Smith

The only thing I could figure was most people were so fucking self-righteous they liked to destroy others' wills so they felt like their own petty lives had some sense of purpose. — Andersen Prunty

But at the end of the white board, the edge, where you'll come down with your weight to make it send you off, there are two areas of darkness. Two flat shadows in the broad light. Two vague black ovals. The end of the board has two dirty spots. They are from all the poeple who've gone before you. Your feet as you stand here are tender and dented, hurt by the rough wet surface, and you see that the two dark sports are from people's skin. They are skin abraded from feet by the violence of the disappearance of people with real weight. More people than you could count without losing track. The weight and abrasion of their disappearance leaves little bits of soft tender feet behind, bits and shards and curls of skin that dirty and darken and tan as they lie tiny and smeared in the sun at the end of the board. They pile up and get smeared and mixed together. They darken in two circles. — David Foster Wallace

It now lately sometimes seemed like a kind of black miracle to me that people could actually care deeply about a subject or pursuit, and could go on caring this way for years on end. Could dedicate their entire lives to it. It seemed admirable and at the same time pathetic. We are all dying to give our lives away to something, maybe. God or Satan, politics or grammar, topology or philately -the object seemed incidental to this will to give oneself away, utterly. To games or needles, to some other person. Something pathetic about it. A flight-from in the form of a plunging into. — David Foster Wallace

According to a study conducted by the Oxford African American Studies Center, hip hop is part of and speaks to a long line of black American and African traditions. Many observers also make a connection between rap and West African griot tradition, the art of wandering storytellers known for their knowledge of local settings and their superior vocal skills. — Carlos Wallace

The Joke...Audience as reflexive cast; 35 mm. X2 cameras;variable length; black and white, silent. Parody of Hollis Frampton's 'audience-specific events,' two Ikegami EC-35 video cameras in theater record the film's audience and project the resultant raster onto screen - the theater audience watching itself watch itself get the obvious 'joke' and become increasingly self-conscious and uncomfortable and hostile supposedly comprises the film's involuted 'antinarrative' flow. Incandenza's first truly controversial project, Film & Kartridge Kulcher's Sperber credited it with 'unwittingly sounding the death-knell of post-postsctructural film in terms of sheer annoyance. — David Foster Wallace

But what of Lenore, of Lenore's hair? Here is hair that is clearly within and of itself every color - blond and red and jet-black-blue and honeynut - but which effects an outward optical compromise with possibility that consists of appearing simply dull brown, save for brief teasing glimpses out of the corner of one's eye. — David Foster Wallace

Uniform Convergence & Associated Aracana item (d) for exceptional points, which again please recall can also be called 'discontinuities'. (N.B.: Some math classes also use singularity to mean exceptional point, which is both confusing and intriguing since the term also refers to Black Holes, which in a sense is what discontinuities are.) — David Foster Wallace

Another Weeping Woman
Pour the unhappiness out
From your too bitter heart,
Which grieving will not sweeten.
Poison grows in this dark.
It is in the water of tears
Its black blooms rise.
The magnificent cause of being,
The imagination, the one reality
In this imagined world
Leaves you
With him for whom no phantasy moves,
And you are pierced by a death. — Wallace Stevens

For the middle majority of us all, knowledge of Negroes firsthand is probably limited - limited to the colored cleaning woman, who comes twice a week, limited to the colored baseball player who saves or loses a home game, limited to the garage mechanic, or dime-store clerk, or blues singer seen and heard on a Saturday night. To this white majority, the black man is as unknown as once was the heart of the Dark Continent of Africa. — Irving Wallace

Is killing a known terrorist wrong? I ask this, did the terrorist allow any of his victims quarter? No, then allow him no quarter, and hoist the black flag. — T.R. Wallace

Sure, I look like a white man. But my heart is as black as anyone's here. — George C. Wallace

The boot, which was dull black and square-heeled, the motorcycle boot of persons who did not own motorcycles but wore the boots of those who did. — David Foster Wallace

Some people just seemed born to fail. — Andersen Prunty

We listen to rap lyrics, but few study the history. One of the most significant contributions of hip hop. It offers a profound social commentary on the black experience. This is an aspect of the music that is overlooked because most people choose to pay more attention to "the hook" (the catchy repetitive phrase) than the complete body of work. In doing so, the listener misses the message: the essence of the music, the breakdown of the bars. That's tantamount to someone who is able to quote scripture, but has never read the bible. — Carlos Wallace

They said downstairs the Parnate made me black out. It did a blood pressure thing. My mother heard noises upstairs and found me she said down on my side chewing the rug in my room. My room's shag-carpeted. She said I was on the floor flushed red and all wet like when I was a newborn; she said she thought at first she hallucinated me as a newborn again. On my side all red and wet.'
'A hypertensive crisis will do that. It means your blood pressure was high enough to have killed you. Sertraline in combination with an MAOI2828 will kill you, in enough quantities. And with the toxicity of that much lithium besides, I'd say you're pretty lucky to be here right now.'
'My mother sometimes thinks she's hallucinating.'
'Sertraline, by the way, is the Zoloft you kept instead of discarding as instructed when changing medications.'
'She says I chewed a big hole out of the carpet. But who can say. — David Foster Wallace

Rena?" I looked up as a figure emerged from the white void of snowfall. The snow dusted his broad shoulders as he took long, measured strides toward me, his black coat flapping in the wind.
As he neared, I made out his startled features. "Wallace?"
His gaze burned with indiscernible emotion. "Are you hugging the lamp post? — Carrie Butler

Help, the working Account Representative called, feeling the stir of a tinily remembered humid wind and pausing, again, to look behind him, past the Brougham's black hood and the carelessly dropped safety helmet beside the white cycle, at the Ramp that spiraled up and out of sight toward a street, empty and bright, before the Building, empty and bright, dispossessed, autonomous and autonomic. Bent to what two lives required, below everything, he called for help again and again. — David Foster Wallace

Her mind raced through the dark, throwing open doors, knocking over cabinets, searching for anything it ever remembered seeing. Then the lightning flashed again. Carolina captured it before it even struck land, a jagged scar of silver light suspended over the black chimneys of a sleeping city. She narrowed her eyes at the incomplete bolt until it shimmered and broke. With one sweeping glance, she cast the bits of light across the eastern sky as stars. Thunder roared in her ears and lightning cut the sky again. Her stars held steady over a ghostly desert. Another bolt charged down the night, but she caught it before it could turn the sand to glass, broke it into pieces, and lit the west. — Carey Wallace

A nurse's aid threw the contents of a patient's water glass out a window, the mass of water hitting the ground dislodging a pebble which rolled across the angled pavement and fell with a click on a stone culvert in the ditch below, startling a squirrel having at some sort of nut right there on the concrete pipe, causing the squirrel to run up the nearest tree, in doing which it disturbed a slender brittle branch and surprised a few nervous morning birds, of of which, preparatory to flight released a black-and-white glob of droppings, which glob fell neatly on the windshield of the tiny car of one Lenore Beadsman, just as she pulled into a parking space. Lenore got out of the car while birds flew away, making sounds. — David Foster Wallace

At some point in our lifetime, gay marriage won't be an issue, and everyone who stood against this civil right will look as outdated as George Wallace standing on the school steps keeping James Hood from entering the University of Alabama because he was black. — George Clooney

If I had to sum up my philosophy of fuckness in a few words so I could cram it on a bumper sticker or t-shirt, those were the words I would have chosen: "Fuck it. — Andersen Prunty

How do you know when it's me?"
"Your footsteps are apologetic?"
"What does that mean?"
She turned, smiling wiping her hands on her long, black skirt. "It doesn't mean anything," she said. "Everybody else here just does what they want to do and doesn't think twice about it. But you're never sure. — Daniel Wallace