Voice Workshop Quotes & Sayings
Enjoy reading and share 7 famous quotes about Voice Workshop with everyone.
Top Voice Workshop Quotes

And it's a case in point of the fact that these traditions - the mythology, the lore - are not being gone to as some kind of fixed, given entity that one then has to have a subservient relationship to. They are active and unfinished; they are subject to change; they are themselves in the process of transformation and transition. They speak to an open and open-ended possibility that the poetics that I've been involved in very much speaks to as well. To see cracks and incompleteness as not only inevitable but opportune. — Nathaniel Mackey

You can find inspiration in everything. If you can't, then you're not looking properly. — Paul Smith

I draw in my sleep (dream of drawing) a lot. I don't think I have ever drawn anything in real life while I was sleeping, though. I do keep a pad near my bed, just in case. — Jason Polan

Dream the dream onward. — Carl Jung

Anywhere there is life, there are eyes. And things, too, speak to those who have ears to hear. — Eiji Yoshikawa

As bright examples of great qualities are but too uncommon among Christians, so are they singular and solitary with the Indians; though, for the honor of our common nature, neither are incapable of producing them. Let us then hope that this Mohican may not disappoint our wishes, but prove, what his looks assert him to be, a brave and constant friend.
The last of the Mohicans by: James Fenimore Cooper — James Fenimore Cooper

WORKSHOP 1. Read your writing aloud to a friend. Ask, "Does this sound like me?" Discuss the response. 2. After rereading your work, make a list of adjectives that define your voice, such as heavy or aggressive, ludicrous or tentative. Now try to identify the evidence in your writing that led you to these conclusions. 3. Read a draft of a story aloud. Can you hear problems in the story that you could not see? 4. Save the work of writers whose voices appeal to you. Consider why you admire the voice of a particular writer. How is it like your voice? How is it different? In a piece of freewriting, imitate that voice. — Roy Peter Clark