Voice Recording Quotes & Sayings

America was a land of machines, and it was through machines, the miraculous handmaidens of mob culture, that the muses of illiteracy brought America her voice and vision during the years of the immigrants' waves. Centuries ago, movable type had given literacy to the common man. Now, through these wondrous newer machines, he would give it back. — Nick Tosches

I'm constantly recording and playing down in the basement, and my voice is starting to sound really good. There's cracks and scratches in my voice that have been there since I was 19. It hasn't changed that much. — Paul Westerberg

There are a few pretty fundamental differences. In voice acting, if you are doing game recording, for the most part you are going to be by yourself in a studio. With game voice acting you are constructing everything for yourself pretty much. You're thinking about what the other characters could be doing, trying to imagine the scene, you're constructing the entire environment for yourself. — Ashly Burch

A woman's voice answered, "Hello?"
Walter cried back at her, "Hello, oh Lord, hello!"
"This is a recording," recited the woman's voice. "Miss Helen Arasumian is not home. Will you leave a message on the wire spool so she may call you when she returns? Hello? This is a recording. Miss Helen Arasumian is not home. Will you leave a message -"
He hung up.
He sat with his mouth twitching.
On second thought he redialed that number.
"When Miss Helen Arasumian comes home," he said, "tell her to go to hell. — Ray Bradbury

Actually, recording the Suite Chic album was so much fun and while working on this new album, people that I've worked with from Suite Chic has lend their voice. — Namie Amuro

Link is a quiet man to meet- easy and courteous. His music, though, betrays that deep inside he gets very very mean very often. I remember being made very uneasy the first time I heard Rumble , and yet very excited by the guitar sound. And his voice! He sounds like a cross between Jagger and Van Morrison, even sometimes like Robbie Robertson. We met him in New York in 1970 while recording Who's Next ... this later inspired the b-side Wasp Man, a tune we dedicated to Link Wray. — Pete Townshend

It was Eric's voice not Simon's, on the recorded message. "Ladies, ladies " he said. Though it was the millionth time she'd heard the recording, Clary couldn't help rolling her eyes. "If you've reached this message that means our boy Simon is out partying. But please don't fight among yourselves. There's always enough Simon to go around." There was a muffled yell, some laughter, and then the long sound of the beep. — Cassandra Clare

I don't particularly enjoy standing alone and recording my own voice or my own stuff. It's sometimes fun to do for demos and stuff, but I really enjoy the social act of recording records, because writing it is so lonely. And it has to be. — Sondre Lerche

I think it's essential for writers to be involved in the recording process as things can often go wrong in this area. Voice actors are all too often presented with a wad of XL sheets, no proper character notes, context or reference and are just expected to perform. — Rhianna Pratchett

I think when you're just counting on your voice, you actually need double the energy. I find myself acting out the scenes and being very physical while I'm recording because I think you can tell when someone is just sitting on a stool. — Judy Greer

I never feel like I am "using" a voice, rather I am listening to a voice and recording it as faithfully as it comes to me and as I can. I think that the female sex is much maligned, even in our supposedly sexually "open" society. It is the site of a woman's pleasure, and the source of (most) children's entry into the world, and an ancient symbol of power and fecundity, and we are directly or indirectly told in modern times that it's dirty, shameful, ugly, odorous, and to be hidden away. — Micheline Aharonian Marcom

All those "getting hit/losing rings" sounds tend to be recorded toward the end of a recording session. Depending on the type of game, those efforts and screams can be pretty rough on the voice, so they usually like to record them at the end. You might do hundreds of versions of vocal sounds for a game and you can come out a little hoarse afterward. — Roger Craig Smith

In Notes of a Jazz Survivor, a documentary about his drug- and jail-ravaged life, Art Pepper and his wife, Laurie, listen to his recording of "Our Song." The entry of the saxophone, Pepper explains, is "like the most subtle hello." Ramamani's voice is the response to this call; it is Laurie's hand reaching for her husband's as they listen. Ramamani tells us not only what it is like to love, but also what it is like to be loved. When I hear her voice, darling, I feel your hand in mine. — Geoff Dyer

I am often asked what I would be doing if I hadn't become a writer. I have long said I would probably be a chef or a garden designer or a decorator, but since recording my own books, there is no doubt in my mind that if the writing doesn't work out, voice work is what I would choose. — Jane Green

It's tricky when you're doing a recording, because the only weapon you have is your voice and the delivery of that voice. You don't have a gesture or a facial expression, there are no costumes or set pieces. Everything needs to be present in the voice. — Joyce DiDonato

The very first Walnut Whales recording was recorded just a few weeks after I had started singing, out of the blue, started singing. And the voice, you can hear how uncomfortable I am with it, and how terrified I am with it. — Joanna Newsom

I had to get the voice back, the precise pitch of Sid's voice and I'd forgotten that I'd pitched him higher than my regular voice, so that was a little difficult to begin with. It was especially hard because we started recording in the morning so I had to warm up a lot and my usual voice is a little more gravelly. — John Leguizamo

Dead voices, lost sounds, forgotten noises, vibrations lockstepping into the abyss and now too distant ever to be recaptured! ... What sort of arrows would be able to transfix such birds? — Villiers De L'Isle-Adam

Suddenly Arthur began to feel his apparently nonexistent scalp begin to crawl as he found himself moving slowly but inexorably forward toward the console, but it was only a dramatic zoom on the part of whoever had made the recording, he assumed. "I speak of none but the computer that is to come after me," intoned Deep Thought, his voice regaining its accustomed declamatory tones. "A computer whose merest operational parameters I am not worthy to calculate - and yet I will design it for you. A computer that can calculate the Question to the Ultimate Answer, a computer of such infinite and subtle complexity that organic life itself shall form part of its operational matrix. And you yourselves shall take on new forms and go down into the computer to navigate its ten-million-year program! Yes! I shall design this computer for you. And I shall name it also unto you. And it shall be called ... the Earth. — Douglas Adams

Doing voice work is more like recording music that people are going to listen to. You're creating an oral experience using whatever bells and whistles you have in your voice, and you can shut your eyes and use your imagination and nobody's going to see if the faces you make don't match the voices you make. That's a lot of fun. — Nick Offerman

When I am in a situation where I feel uncomfortable about speaking but it is necessary for me to speak, or if I feel 'put on the spot' my voice sounds strained, really weird, and it feels as if I have no control over how I sound in these situations. Sometimes then my voice is barely audible and I am frequently asked to repeat myself. Attempts at speaking are often embarrassing, shaming experiences for me. I sound quite different when speaking with someone I am more relaxed with, but I don't like the way my voice sounds at the best of times; I was horrified when I heard a recording of myself. Because of this inhibition about speaking, I have never learned to project my voice or to use it effectively. I often feel that I could no more use my vocal cords to break a silence, to get somebody's attention or to initiate an interaction than I could run through fire or do something dangerous in my life. — Carl Sutton

With Voodoo Child somebody was filming when we started doing that. We did that about three times because they wanted to film us in the studio, to make us (imitates a pompous voice) 'make it look like you're recording boys' - one of them scenes, you know, so okey, let's play this and then we went into Voodoo Child — Jimi Hendrix

T Bone and I grew up together in Fort Worth, Texas. He had his own recording studio by the time he was seventeen years old. When we were both nineteen he made the first archival recording of my voice. — Betty Buckley

I've always wanted to be on an original cast recording. I grew up listening to them, and now to know that my voice is heard on three or four of them is just surreal. I never thought I would be that person. — Laura Osnes

I couldn't even have a guitar. But I got a three-track recorder that was so small that I could take it with me. Then I started recording and writing properly. I recorded lots of voices, not just my own. I was interested in people speaking and singing English and trying out words. — Jenny Hval

When I was a kid, I wanted to emulate Mel Blanc, who is arguably one of the most legendary voiceover recording artists of our time. I used to watch all the cartoons where he would voice Daffy, Elmer Fudd and Porky the Pig. I knew one day I wanted to do that. — Jesse McCartney

When I was in the recording studio, I needed to concentrate on what my voice was doing, which is rather difficult if you can't actually see what you are supposed to be singing. — Bonnie Tyler

You have hundreds of artists you're dealing with across the world and the scale of this movie [Kung Fu Panda] was insane - we had a parallel pipeline going on where you had two versions recording Mandarin voice actors, getting it to be funny for Mandarin audiences going beyond a straight translation, and then animating it and lighting it, it's a lot of work. — Jennifer Yuh Nelson

did you realize every time you speak a query into Apple's Siri artificial intelligence agent, your voice recording is analyzed and stored by the company for at least two years? — Marc Goodman

I was successful with mediocre material because of a good recording voice that people really liked at that time. — Nancy Sinatra

I hope to have told you all this myself," Bail Organa's voice said. "I hope we have enjoyed many more happy years as a family, that we have seen the Empire fall, and that we have gone forth together to find General Kenobi and your brother. If so, this recording can serve only one purpose. You must be listening after my death, so let this be my chance to say once again how much I love you. No other daughter could ever have brought me more joy." Tears welled in Leia's eyes, but she fought them back. If she began to sob, she wouldn't be able to hear her father's voice any longer. He concluded, "Please know that my love for you, and your mother's love, endures long past our deaths. We are forever with you, Leia. In your brightest triumphs and your darkest troubles, always know that we are by your side." She — Claudia Gray

They wanted to start recording rock 'n roll, and thought I had the right voice. — Freddy Fender

When I first heard Wallace Stevens' voice, it was by chance: a friend wanted to listen to the recording he had made for the Harvard Vocarium Series. — Helen Vendler

Even before I wrote any songs, I had this idea of a triangle where the voice was at the top, some sort of guitar element on one side, and then some sort of really basic rhythm on the other side. That's where I started from in the recording process. — Panda Bear

Most of the time, with voice-overs, you're recording before they've got the graphics, and you also don't get a whole script. I get my lines, as I show up that day. You don't know what the rest of the story is, so you really rely on the people in the room that you're working with, so they can fill you in on what's going on, right around your particular lines. — Tricia Helfer

She picked up the phone and dialed her partner. Several seconds later, she heard a deep husky voice at the other end. It was a recording.
"Rick Bonito here! Private investigator for the Moore Detective Agency! Leave a message, please."
"Hey, Rick!" said Amelia. "I've got an assignment for you that needs your expertise. Breaking and entering! Give me a call."
Amelia smiled after hanging up the phone. With that kind of message, she should be getting a return call soon. — Linda Weaver Clarke

In Spanish, I record a lot of single-voice tracks, and in English, I 'stack' a lot of voices, so it's very different, and I think I got so used to recording in Spanish for six years that it was really refreshing and challenging to get in and record 'Double Vision' in English. — Prince Royce