Voice One Studio Quotes & Sayings

There are a few pretty fundamental differences. In voice acting, if you are doing game recording, for the most part you are going to be by yourself in a studio. With game voice acting you are constructing everything for yourself pretty much. You're thinking about what the other characters could be doing, trying to imagine the scene, you're constructing the entire environment for yourself. — Ashly Burch

In the summer of 2007, I was sitting in a studio in Dublin, debating with a lay spokesman of the Roman Catholic Church who turned out to be the only believing Christian on a discussion panel of five people. He was a perfectly nice and rather modest logic-chopping polemicist, happy enough to go for a glass of refreshment after the program, and I suddenly felt a piercing stab of pity for him. A generation ago in Ireland, the Church did not have to lower itself in this way. It raised its voice only slightly, and was instantly obeyed by the Parliament, the schools, and the media. It could and did forbid divorce, contraception, the publication of certain books, and the utterance of certain opinions. Now it is discredited and in decline. Its once-absolute doctrines appear ridiculous: — Christopher Hitchens

I just don't like my voice in the studio, and I just don't like the studio, I'm not a studio-head. And that's why you don't get so much material from me; — Ginuwine

Spending plenty of time on something can be the most sophisticated form of revenge. — Haruki Murakami

If you're going to lick the icing off somebody else's cake you won't be nourished and it won't do you any good,
or you might find the cake had caraway seeds and you hate them. — Emily Carr

The funny thing is that the studio that we recorded in was the same studio that Frank Sinatra and Bing Crosby and Nat King Cole used to warm up their voices in before they went across the street to CBS Radio. The owner has preserved it exactly the way it was in 1925. It was such a perfect coincidence that we were doing music inspired by that stuff in that room. It was incredible. — Hamilton Leithauser

For me becoming a filmmaker was about taking back my voice - crafting stories that would move away from the problematic narratives that the studio system would put out about Latinos. I think this is why people like my films. They're refreshing. They feel more real. — Aurora Guerrero

For some young artists, it can take a bit of time to discover which tools (which medium, or genre, or career pathway) will truly suit them best. For me, although many different art forms attract me, the tools that I find most natural and comfortable are language and oil paint; I've also learned that as someone with a limited number of spoons it's best to keep my toolbox clean and simple. My husband, by contrast, thrives with a toolbox absolutely crowded to bursting, working with language, voice, musical instruments, puppets, masks animated on a theater stage, computer and video imagery, and half a dozen other things besides, no one of these tools more important than the others, and all somehow working together. For other artists, the tools at hand might be needles and thread; or a jeweller's torch; or a rack of cooking spices; or the time to shape a young child's day ...
To me, it's all art, inside the studio and out. At least it is if we approach our lives that way. — Terri Windling

I love the feeling of letting fly, of pushing as far as I could go with my voice. The only way you can really graduate how you do it is by doing it regularly to people who don't have to be super impressed. You can do it in the studio all day long but you don't get the flashback that you get onstage. — Robert Plant

The first person that I ever heard sing a song I wrote was Jason Derulo. I was in the studio when he was doing it, and I mean, I've heard that guy's voice my whole life. When he was singing words I wrote, I started kind of choking up, but I tried to be all manly and puff my chest up and be all, 'Yeah, it's not a big deal.' — Charlie Puth

I think the more emotional you are, the better. I'm sort of writing [songs] as I go and I can never tell how it's going to be or how it's going to feel until I get into the studio. But I definitely think it will. I probably can't help but have the emotions in my voice. — Miranda Lambert

T Bone and I grew up together in Fort Worth, Texas. He had his own recording studio by the time he was seventeen years old. When we were both nineteen he made the first archival recording of my voice. — Betty Buckley

There wasn't an episode of 'Will & Grace' that didn't begin with my voice saying, 'Will & Grace' is taped before a live studio audience. — Eric McCormack

In 'Finding Nemo,' all of the voices were recorded separate - so I would be in a sound booth in a studio by myself reading the lines with just the director. Basically, you can just come in, and it doesn't matter what you are wearing or what you look like; it is all about how your voice sounds. — Alexander Gould

Nikki : I think he makes women question their position in life through their association with the dichotomy of his physical power and his whole feminine mystique. That's the part of Travis I'm always trying to capture. The tension. You must have felt it in the studio.
She was serious. He could tell by the tone of her voice. And again, unbelievably, she was waiting for an answer.
Kid : Uh ... no.
Nikki : You didn't feel the tension ?
Kid : Yeah, there was tension. I just didn't realize it was the dichotomy of Travis' physical powers and his,uh,feminine mystique creating it. I thought it was the paint and the hellish death motif, not to mention the,uh,sheer demonic luridness of the eternity-sucking vortex. — Tara Janzen

I've never been in the studio where it felt like I didn't have a voice. Whether I was co-producing or producing by myself, this community is the one place where I really see democracy at its purest. — Vince Gill

With Voodoo Child somebody was filming when we started doing that. We did that about three times because they wanted to film us in the studio, to make us (imitates a pompous voice) 'make it look like you're recording boys' - one of them scenes, you know, so okey, let's play this and then we went into Voodoo Child — Jimi Hendrix

Do the Pentecostals look back with shame as they remember when they dwelt across the theological tracks, but with the glory of the Lord in their midst? When they had a normal church life, which meant nights of prayers, followed by signs and wonders, and diverse miracles, and genuine gifts of the Holy Ghost? When they were not clock watchers, and their meetings lasted for hours, saturated with holy power? Have we no tears for these memories, or shame that our children know nothing of such power? — Leonard Ravenhill

The thrill of hearing your own voice recorded is still there, I still love it, going into the studio and thinking how can I sing this song and between the producers and the musicians you find a way of doing it. — Cliff Richard

I was certainly a better actor after my five years in Hollywood. I had learned to be natural - never to exaggerate. I found I could act on the stage in just the same way as I had acted in a studio: using my ordinary voice, eliminating gestures, keeping everything extremely simple. — Walter Huston

The more money you spend, the more you need to make back, and the more pressure there is to appeal to everyone - which to the studio means that the specificity and uniqueness must be watered down. But I think mass audiences like things that are more specific and tend to have a voice, like 'Napoleon Dynamite' or 'Superbad.' — Casey Wilson

When I was in the recording studio, I needed to concentrate on what my voice was doing, which is rather difficult if you can't actually see what you are supposed to be singing. — Bonnie Tyler

When I perform on stage I do achieve quite a variety of ways of singing. I was interested in trying to replicate that in the studio environment. I think it is an interesting alternative position, just to stretch people's imagination, myself included, as to who is actually singing the song. It's not to create alter-egos or characters - it always feels like me, even when the voice is extremely manipulated. — Planningtorock

The first time I went to Abbey Road and put those headphones on, I discovered I had two voices. I no longer had to shout in the studio, but I can't knock the Cavern or the other clubs because they gave me my strong voice. — Cilla Black

When I got home, I seemed in a dream. My windows looked upon hers; I remained all the day looking at them, and all the day they were closed and dark. I forgot everything for this woman; I slept not, I eat nothing. That evening I fell into a fever, the next morning I was delirious, and the next evening I was DEAD!'
'Dead!' cried his hearers.
'Dead!' answered the narrator, with a conviction in his voice which words alone cannot give; 'dead as Fabian, the
cast of whose dead face hangs from that wall!'
'Go on,' whispered the others, holding their breath.
The hail still rattled against the windows, and the fire had so nearly died out, that they threw more wood on the feeble flame which penetrated the darkness of the studio and cast a faint light upon the pale face of him who told the story. (The Dead Man's Story — James Hain Friswell

My partner sometimes liked to go into the studio and improvise voice things just for fun. When I returned from England I transcribed one of her melodies, and had some of the hospice participants sing it, because they said they liked to sing. Their singing is very raw, but I'm going to use it for the final work. — Meredith Monk

Once you have learned to trust your own voice and allowed that creative force inside you to come out, you can direct it to write short stories, novels, and poetry, do revisions, and so on. You have the basic tool to fulfill your writing dreams. But beware. This type of writing will uncover other dreams you have, too-going to Tibet, being the first woman president of the United States, building a solar studio in New Mexico-and they will be in black and white. It will be harder to avoid them. — Natalie Goldberg

While it may seem a bit antithetical to use quite so many "naughty words" in an etiquette book, I can assure you that I would never use curse words for shock value alone or to prop up a needy joke. We live in a world in which one Real Housewife of New Jersey seriously admonished another to "show some fuckin' class!" Enough said. — Celia Rivenbark

The beauty of having a studio is I can go in and record any time I want to, so you can always put down your ideas or whatever. You use your voice recorder and, you know, take your voice notes down and just preserve all the little jewels and gems when you're in there, putting that song together. — Big Boi

Eun Gi. Let's run away. I will go wherever you want. To where no one can find. Run away with me. Seo Eun Gi. — Ma-Roo