Voice In Writing Quotes & Sayings

Its clear friendliness seemed to ring out audibly amid this appalling hush of the harmonies of life. "I wish you might know a day's friendliness or a day's freedom, yours without question, without condition, and till death." Here was the voice of nature, of appointed protection; the sound of it aroused her early sense of native nearness to her cousin; had he been at hand she would have sought a wholesome refuge in his arms. She sat down at her writing-table, with her brow in her hands, light-headed with her passionate purpose, steadying herself to think. A day's freedom had come at last; a lifetime's freedom confronted her. For, — Henry James

I do think that the abiding mystery of my origins has definitely had a profound effect upon my writing. There is that thing in the back of my mind where I think I don't really know who I am. And it may make it a little easier to shift around in my narrative voice. — Gillian Welch

Writing and reading are the only ways to find your voice. It won't magically burst forth in your poems the next time you sit down to write, or the next; but little by little, as you become aware of more choices and begin to make them
consciously and unconsciously
your style will develop. — Dorianne Laux

I started writing more with my voice in mind. — Lucinda Williams

You will not read voice on the page; you will hear it in your head. — Philip Gerard

Don't waste your tremendous voice writing messages in the sand. — Lorin Morgan-Richards

Avoid stock expressions (like the plague, as William Safire used to say) and repetitions. Don't say that as a boy your grandmother used to read to you, unless at that stage of her life she really was a boy, in which case you have probably thrown away a better intro. If something is worth hearing or listening to, it's very probably worth reading. So, this above all: Find your own voice. — Christopher Hitchens

Order to find them at the bottom of the box, Rodolphe disturbed all the others, and mechanically began rummaging amidst this mass of papers and things, finding pell-mell bouquets, garters, a black mask, pins, and hair - hair! dark and fair, some even, catching in the hinges of the box, broke when it was opened. Thus dallying with his souvenirs, he examined the writing and the style of the letters, as varied as their orthography. They were tender or jovial, facetious, melancholy; there were some that asked for love, others that asked for money. A word recalled faces to him, certain gestures, the sound of a voice; sometimes, however, he remembered nothing at all. — Gustave Flaubert

Art, though, is never the voice of a country; it is an even more precious thing, the voice of the individual, doing its best to speak, not comfort of any sort, but truth. And the art that speaks it most unmistakably, most directly, most variously, most fully, is fiction; in particular, the novel. — Eudora Welty

Book authors are in high demand for speaking engagements and appearances; they are the new 'celebrity' and celebrities gain access. Authors not only make money from royalties or book advances but from their keynotes, presentations and strategically branded product lines. This includes entrepreneurial ideas for you to extend yourself beyond just writing and prepares you to add speaking and consulting to your revenue stream. You have to begin to look outside book sales and towards the speaking market. There are radio, interviews, news, television, small channel television keynotes, lectures, seminars and workshops. These types of events have the possibility to be much more lucrative than just selling books. In essence, the book builds and brands you in the public eye. It gives you credibility and the opportunity to be more than you are. It enables you to now be a voice, a teacher, a leader, an expert - after all, you wrote the book on it! — Kytka Hilmar-Jezek

What really makes for readability is not clarity but attitude: the attitude of your prose toward out elusive friend the Reader and the role you invent for that invented being in your invented world. — Stephen Koch

To be a poet in today's technological age means to be underrated and at times, ignored. In a world where the noise of industry reigns supreme, the poet's voice is being drowned out, but it is a voice that is desperately needed. Our words ring out into the atmosphere and calls the masses back to their senses. We must seize this opportunity and remain true to our purpose in society. Ours is a most noble duty, here to represent the misunderstood and underrepresented, and one day, one person will heed the call of our words and the world will be set ablaze! — Dara Reidyr

I really like the interplay between thinking of text as ephemeral and thinking of it as a concrete, physical thing. With almost anything that I write, I'll stay completely immersed in the electronic text of it for a period of time and in another period, I'll stay immersed in it as a physical thing that can cut your skin. So with the apocalypses, I had them taped all over the wall and they had codes on them. Sometimes I would color code them in terms of thematic elements, sometimes in terms of voice, sometimes visual forms or images. — Lucy Corin

The Prophets Isaiah and Ezekiel dined with me, and I asked them how they dared so roundly to assert, that God spoke to them; and whether they did not think at the time, that they would be misunderstood, & so be the cause of imposition.
Isaiah answer'd, I saw no God, nor heard any, in a finite organical perception; but my senses discover'd the infinite in every thing, and as I was then persuaded, & remain confirm'd; that the voice of honest indignation is the voice of God, I cared not for consequences but wrote. — William Blake

One exercise I always do when I'm getting to know a character is ask her to tell me her secrets. Sit down with a pen and paper, and start with, 'I never told anybody ... ' and go from there, writing in the voice of your character. — Jennifer McMahon

A voice is a product of the writer's own Pandora Box of insight, insecurities, bravado, modesty, humility, affection, understanding, and confidence. In short, a voice reflects the writers' sangfroid. The tenor of the writer's voice also reflects their insecurities, self-doubt, egotism, testiness, and the ability to identify with their mental and physical infirmities. The inflection that distinguishes a writer's pitch from other wordsmiths' tone reflects their collective lifetime of mundane, tranquil, disturbing, and passionate experiences. — Kilroy J. Oldster

Don't write what you think people want to read. Find your voice and write about what's in your heart. — Quentin Tarantino

Your writing voice is the deepest possible reflection of who you are. The job of your voice is not to seduce or flatter or make well-shaped sentences. In your voice, your readers should be able to hear the contents of your mind, your heart, your soul. — Meg Rosoff

In writing poetry, all of one's attention is focused on some inner voice. — Li-Young Lee

The nature of poems
Is a matter of words and deeds
An intimate encounter of voice
In the ache of the heart
In the labor of breathing
A hesitant casting of eyes
Away from the mundane to see
That delicate and shiny thing
In the oddly prosaic rock pile
An extravagance of conceit
An abundance of grace
A prayer for words to speak — Kendall Dana Lockerman

I usually base my characters on composites of people I know. One trumpet player in SIDE MAN is really a mix of four different guys I knew growing up. Patsy , the waitress, is a mix of about three different people. I like doing it that way. I start with the characters, as opposed to plot, location, or some visual element. I write more by ear than by eye. I always work on the different sound of each character, trying to make sure each has a specific voice and speech pattern, which some writers could care less about. — Warren Leight

Sally Barris has a voice like sparkling crystal. You could have knocked me over with a feather the first time I heard her. Her writing is from a deep, yet innocent, place and her point of view is just a bit off center. I am excited for her, she is standing at the beginning of her journey in this town, with all of it ahead of her. It reminds me of the first time I heard Beth Nielson-Chapman or Nanci Griffith. It's going to be fun to watch. — Kathy Mattea

It's usually easier for me to begin writing in a character's voice if that person is different from me in some significant way. — Nell Freudenberger

I write five, six days a week. The thing is capturing the voice. I feel like I've been perfecting one voice - in different iterations, sure, but the Russian-ness has always been the undercurrent. — Gary Shteyngart

I've also learned to only write songs and melodies that really work for my voice and that I won't have issues doing live. Because you can get really, really comfortable in the comping process: out of five takes, maybe one of those high notes that you struggled to do, nailed it, and then live you're having that challenge of really having to recreate that. — Solange Knowles

I started out in silence, writing as quietly as I had read, and then eventually people read some of what I had written, and some of the readers entered my world or drew me into theirs. I started out in silence and traveled until I arrived at a voice that was heard far away
first the silent voice that can only be read, and then I was asked to speak aloud and to read aloud. When I began to read aloud, another voice, one I hardly recognized, emerged from my mouth. Maybe it was more relaxed, because writing is speaking to no one, and even when you're reading to a crowd, you're still in that conversation with the absent, the faraway, the not yet born, the unknown, and the long gone for whom writers write, the crowd of the absent who hover all around the desk. — Rebecca Solnit

Remember that you own what happened to you. If your childhood was less than ideal, you may have been raised thinking that if you told the truth about what really went on in your family, a long bony white finger would emerge from a cloud and point to you, while a chilling voice thundered, "We *told* you not to tell." But that was then. Just put down on paper everything you can remember now about your parents and siblings and relatives and neighbors, and we will deal with libel later on. — Anne Lamott

Once you have learned to trust your own voice and allowed that creative force inside you to come out, you can direct it to write short stories, novels, and poetry, do revisions, and so on. You have the basic tool to fulfill your writing dreams. But beware. This type of writing will uncover other dreams you have, too-going to Tibet, being the first woman president of the United States, building a solar studio in New Mexico-and they will be in black and white. It will be harder to avoid them. — Natalie Goldberg

[A]s soon as you try and take a song from your mind into piano and voice and into the real world, something gets lost and it's like a moment where, in that moment you forget how it was and it's this new way. And then when you make a record, even those ideas that you had, then those get all turned and changed. So in the end, I think, it just becomes it's own thing and really I think a song could be recorded a million different ways and so what my records are, it just happened like that, but it's not like, this is how I planned it from the very beginning because I have no idea, I can't remember. — Regina Spektor

The professions of novelist and journalist are very separate. As a novelist, you are ultimately working for yourself. Yes, you need the approval of a publisher and an audience, but what is valued in fiction writing - style, individual voice, insight - is scorned by the editor who is combing through your newspaper article. — Jon Weisman

It is the voice of everyday people, rather than of a self-conscious 'artist', that we hear in Caedmon's Hymn, and in such texts as Deor's Lament (also known simply as Deor) or The Seafarer. These reflect ordinary human experience and are told in the first person. They make the reader or hearer relate directly with the narratorial 'I', and frequently contain intertextual references to religious texts. Although they express a faith in God, only Caedmon's Hymn is an overtly religious piece. Already we can notice one or two conventions creeping in; ways of writing which will be found again and again in later works. One of these is the use of the first-person speaker who narrates his experience, inviting the reader or listener to identify with him and sympathise with his feelings. — Ronald Carter

Some of the worst writing around suffers from inert verbs and the unintended use of the passive voice. Yet the passive voice remains an important arrow in the rhetorical quiver. After all, it exists for a reason. — Constance Hale

Dialogue saves me. I love writing the conversations between my paper people. For some reason, that is the easiest thing for me. It's like I am a transcriptionist for the voices in my head. I can hear them talking (mentally) and have a gift for getting it on the page. — Kim Smith

You are going to feel like hell if you never write the stuff that is tugging on the sleeves in your heart
your stories, visions, memories, songs: your truth, your version of things, in your voice. That is really all you have to offer us, and it's why you were born. — Anne Lamott

One should write not unskillfully in the running hand, be able to sing in a pleasing voice and keep good time to music; and, lastly, a man should not refuse a little wine when it is pressed upon him. — Yoshida Kenko

Art is a conversation we are all invited to and are all worthy to participate in. Yes, great works can be intimidating, but no one else in the world has what you have - your voice, your eyes, your feeling and perspective. Other people have written great books, but no one else will ever write YOUR book. It's worth writing. That is the belief that carries me through. — Rachel Hartman

Adam Ezra writes with the heart of a troubadour and sings like a rock star. He is truely a fresh voice in singer/songwriter scene. — Catie Curtis

I think of a person I haven't seen or thought of for years, and ten minutes later I see her crossing the street. I turn on the radio to hear a voice reading the biblical story of Jael, which is the story that I have spent the morning writing about. A car passes me on the road, and its license plate consists of my wife's and my initials side by side. When you tell people stories like that, their usual reaction is to laugh. One wonders why.
I believe that people laugh at coincidence as a way of relegating it to the realm of the absurd and of therefore not having to take seriously the possibility that there is a lot more going on in our lives than we either know or care to know. Who can say what it is that's going on? But I suspect that part of it, anyway, is that every once and so often we hear a whisper from the wings that goes something like this: You've turned up in the right place at the right time. You're doing fine. Don't ever think that you've been forgotten. — Frederick Buechner

I had been writing for the 'Late Show' for about four years when I started writing short stories. I had a blast writing the stories because I was writing in a voice more my own, as opposed to a man's. HBO ended up buying four of them. I think that had a direct impact on my decision to write a book. — Jill Davis

Does talking to yourself in the voice of your fictional character count as being social? — Michelle M. Pillow

The work of Jana Harris is unique in American writing. She has always had a voice of true grit - sometimes harsh, sometimes funny, always close to the bone, tart, and indomitable. — Alicia Ostriker

There's no doubt in my mind that I have found out how to begin (at 40) to say something in my own voice; & that interests me so that I feel I can go ahead without praise.' (26 July 1922) — Virginia Woolf

I'm afraid my closely guarded solitude causes some hurt feelings now and then. But how to explain, without wounding someone, that you want to be wholly in the world you are writing about, that it would take two days to get the visitor's voice out of the house so that you could listen to your own characters again? — Margaret Bourke-White

Writing when perched along a ledge of conscious awareness while simultaneously giving voice to the unconscious voice tumbling within allows a writer to tap into the external world of the known while also exploring the unconscious world of the unknown and the unknowable. For as long as I can stand the mounting pressure, I dance along this tremulous thin line separating sanity and insanity, mediating the conflicts between a lucid intellect and an impulsive, instinctual nature. Captivated in this submerged psyche space, disengaged from conscious tether of personal identity, and free from the jaundiced constraints and dictatorial commands of rational logic, I operate unencumbered by preconceived limitations. — Kilroy J. Oldster

When I'm writing, I'm writing for a particular actor. When a lot of writers are writing, they're writing an idea. So they're not really writing in a specific voice. — Todd Phillips

A folklore study differs from most writing, in that the tale is told in the voice of the individual telling the story, not by the collector. — Karen Jones Gowen

There was about a two-year period at the end of the '60s, when I realized I was in the wrong place and entertaining the wrong people with the wrong material and that I was not being true to myself. I went through a metamorphosis into something more authentic for me, a more authentic stage voice and writing voice. — George Carlin

I think I was probably able to flip characters in my head as if I was playing different roles in order to write the different people because you kind of have to be one person, and inhabit him and write from his voice and be her and write her voice. So I think that helped. — Angelina Jolie

If I'm writing about my life, I'm already thinking of anyone in my life who might be reading it, and I'm keeping that as a kind of censorship voice in my head. And then, commenters - I'm keeping that in my head, too. — Mandy Stadtmiller

When I first began writing In the Country of Men all I had was the voice of the protagonist. He intrigued me and my desire to want to know him and his world became almost compulsive. — Hisham Matar

There's not a whole lot to do in Athens. When I was 13, I just started entertaining myself by writing songs. I'd sit in my room for 10 hours playing the same song, stacking vocals, trying out different drum beats, realizing no one would ever hear this but having so much fun. I guess I got my voice from just doing that so often. — Brittany Howard

Prose should have a flow, the forward momentum of a certain energized weight; it should feel like a voice tumbling in your ear. — John Updike

When you're speaking in the truest, most intimate voice about your life, you are speaking with the universal voice. — Cheryl Strayed

This writing thing, it ain't like that hip hop shit, City. For li'l niggas like you," he told me, "this writing thing is like a gotdamn porta potty. It's one li'l nigga at a time, shitting in the toilet, funking up the little space he get. And you shit a regular shit or a classic shit. Either way," he said. "City, you gotta shit classic, then get your black ass on off the pot." He actually grabbed my hand. "You probably think I'm hyping you just for the money. It ain't just about the money. It's really not. It's about doing whatever it takes for you to have your voice heard. So I don't know what you're writing in that book you always carrying around, but it better be classic because you ain't gonna get no two times to get it right, you hear me? — Kiese Laymon

Stop looking for that person you were in the past. She has changed. Look for the person she has grown into. She is wiser and stronger than than ever before. Don't go back to who you were. Cherish who you are." --Without a Voice by Chris Pepple — Chris Pepple

When you wrote it didn't matter if hysteria sometimes came up in your face and voice (unless, of course, you let it find its way into your "literary voice") because writing was done in merciful privacy and silence. Even if you were partly out of your mind it might turn out to be all right: you could try for control even harder than Blanche Dubois was said to have tried, and with luck you could still bring off a sense of order and sanity on the page for the reader. Reading, after all, was a thing done in privacy and silence too. — Richard Yates

And Castle nodded sagely. 'So this is a picture of the meaninglessness of it all! I couldn't agree more.'
'Do you really agree?' I asked. 'A minute ago you said something about Jesus.'
'Who?' said Castle.
'Jesus Christ?'
'Oh,' said Castle. 'Him.' He shrugged. 'People have to talk about something just to keep their voice boxes in working order, so they'll have good voice boxes in case there's ever anything really meaningful to say.'
'I see.' I knew I wasn't going to have an easy time writing a popular article about him. I was going to have to concentrate on his saintly deeds and ignore entirely the satanic things he thought and said. — Kurt Vonnegut

Writing is the dragon that lives underneath my floorboards. The one I incessantly feed for fear it may turn and devour my ass. Writing is the friend who doesn't return my phone calls; the itch I'm unable to scratch; a dinner invitation from a cannibal; elevator music for a narcoleptic. Writing is the hope of lifting all boats by pissing in the ocean. Writing isn't something that makes me happy like a good cup of coffee. It's just something I do because not writing, as I've found, is so much worse. — Quentin R. Bufogle

Turning things over and over in isolation had led me to a certain point, but I knew that to get any further I'd have to voice some ideas aloud, just to see how they sounded. But I certainly didn't go to Ellie expecting any kind of constructive input on her part. It was more that I'd hit a wall and needed someone to talk around the subject with - like when you come up against a problem that's just immune to normal logic. — Gavin Extence

Years after the war, after marriages, children, divorces, books, he came to Paris with his wife. He phoned her. It's me. She recognized him at once from the voice. He said, I just wanted to hear your voice. She said, it's me, hello. He was nervous, afraid, as before. His voice suddenly trembled. And with the trembling, suddenly, she heard again the voice of China. He knew she'd begun writing books, he'd heard about it through her mother whom he'd met again in Saigon. And about her younger brother, and he'd been grieved for her. Then he didn't know what to say. And then he told her. Told her that it was as before, that he still loved her, he could never stop loving her, that he'd love her until death. — Marguerite Duras

Writing was in its origin, the voice of an absent person. — Sigmund Freud

Advice to a new writer: There are no rules in this profession. Do what is good for you. Read books and watch films that stimulate your writing. In your writing, go where the pain is; go where the pleasure is; go where the excitement is. Believe in your own original approach, voice, characters, story. Ignore critics. Have nerve. Be stubborn. — Anne Rice

The written word has its limits and its challenges, for the primal sound in the whole world is that made by the human voice, and the likeness of this human voice must be rendered in dots and strokes ... Yet I never forget that the voice, too, is important ... Don't mumble or hesitate. Speak ... in a loud voice, clearly, and without fear. — Jonathan D. Spence

It doesn't matter to me whether I write in a man's voice or a woman's, or first or third person for that matter. Those choices come down to the story and I just go with it. — Nicholas Sparks

Like Sylvia Plath, Natalie Jeanne Champagne invites you so close to the pain and agony of her life of mental illness and addiction, which leaves you gasping from shock and laughing moments later: this is both the beauty and unique nature of her storytelling. With brilliance and courage, the author's brave and candid chronicle travels where no other memoir about mental illness and addiction has gone before. The Third Sunrise is an incredible triumph and Natalie Jeanne Champagne is without a doubt the most important new voice in this genre. — Andy Behrman

There are some different things I'm writing and developing, but I don't know where they'll go. They're fun stuff that I would be in and are written in my voice, for me. — Abby Elliott

Speak in your own voice about the things that matter to you. — Marty Rubin

I think US/UK genre has become more open to "diverse" writers and writing; there's a genuine interest in reading work from countries outside the US/UK and hearing voices that have been historically shut out, but at the same time, people are quite lazy. That sounds harsh, but I include myself in it - your tastes are shaped by what you've read and watched before, and it takes a little effort to understand stories that use a different voice, that follow different storytelling conventions, that are trying to subvert the dominant paradigm. There's a quite large group of people who are "yay diversity" in theory, but I think the number of people who have then said to themselves, "OK, if I'm committed to this, I need to start reading outside my comfort zone and making an effort" is maybe a little smaller. — Zen Cho

I'll make Goyle do lines, it'll kill him, he hates writing," said Ron happily. He lowered his voice to Goyle's low grunt and, screwing up his face in a look of pained concentration, mimed writing in midair. "I ... must ... not ... look ... like ... a ... baboon's ... backside. — J.K. Rowling

Encouraging young people to believe in themselves and find their own voice whether it's through writing, drama or art is so important in giving young people a sense of self-worth. — Michael Morpurgo

My reality is that God speaks to you every day. There's an inner voice, and when you hear it, you get a little tingle in your medulla oblongata at the back of your neck, a little shiver, and at two o'clock in the morning, everything's really quiet and you meditate and you got the candles, you got the incense and you've been chanting, and all of a sudden you hear this voice: Write this down. It is just an inner voice, and you trust it. That voice will never take you to the desert. — Carlos Santana

I'm glad you liked the journal,' he said.
'It was lovely,' she said in soft, faraway kind of voice. 'Very lovely, and ... ' She looked away, blushing. 'You're going to think I'm silly.'
'Never,' he promised.
'Well, I think one of the reasons I enjoyed it so much is that I could somehow feel that *you'd* enjoyed writing it. — Julia Quinn

Phoenix sank to the desk chair and stared at her computer screen. "I don't know. I've lived like this for so long, it's who I am. Everything seems so stupid. Like, look at this girl,writing to Sasha. She's all" - he spoke in a falsetto voice - "'OMG!' and 'LOL!' and 'WTF?' and 'Girl, you should totes go out with Tyler in Telluride!'" He looked up at her."You're seventeen years old, and this is how seventeenyear-olds talk to each other. I'm a thousand years old, and this stuff is like alien-speak to me. If I found another Anabo,she'd be writing OMG and I'd be thinking, You're f'ing
kidding me. — Trinity Faegen

I've gotten a little superstitious about listening to music when I write. Once a story is going somewhere, I keep listening to the same music whenever I work on that story. It seems to help me keep in voice, and alternatively, if I need to make some kind of dramatic shift, I'll go and put on something different to shake myself awake. — Kelly Link

Read your work aloud, if you can, if you aren't too embarrassed by the sound of your voice ringing out when you are alone in a room. Chances are that the sentence you can hardly pronounce without stumbling is a sentence that needs to be reworked to make it smoother and more fluent. A poet once told me that he was reading a draft of a new poem aloud to himself when a thief broke into his Manhattan loft. Instantly surmising that he had entered the dwelling of a madman, the thief turned and ran without taking anything, and without harming the poet. So it maybe that reading your work aloud will not only improve its quality but save your life in the process. — Francine Prose

I didn't want to write unless I could say, and think for myself. I looked to peers that I not only respected but those that supported that. I finished becoming who I am today by sticking up for myself as a voice, but that is in part thanks to the huge role the good guys I chose to work with played in my professional development. Some really terrific human beings who loved horror welcomed me with open arms. — Karen Walton

Awful first drafts are fine - Agree with this.
If you don't finish something, you'll never get in the game. Just quell the voice in your head that says "Are you kidding? No one is going to want to read this drivel" and keep on going. You're going to revise and revise and then revise again anyway. — Jamie Freveletti

I write in different styles because I hear different voices in my head. It would be boring to have always the same voice, point of view. — Gore Vidal

Doth not all nature around me praise God? If I were silent, I should be an exception to the universe. Doth not the thunder praise Him as it rolls like drums in the march of the God of armies? Do not the mountains praise Him when the woods upon their summits wave in adoration? Doth not the lightning write His name in letters of fire? Hath not the whole earth a voice? And shall I, can I, silent be? — Charles Spurgeon

Without writing, what would I have become? Nothing. In China the individual used to be treated as a screw or a small cog in the revolutionary machine. I wanted to be a human being with a voice. — Ha Jin

In American Romances, her new book of essays, Rebecca Brown has a voice that is full of pop references, family stories, and the fruits of a lifetime of
in her perfect phrase - extreme reading. The voice is a hoot, and it is dead serious. This is writing with exquisite control, fully up to the task Brown takes on of playing a fierce game of beach ball with deep problems of American (and personal) history and identity. — Susan Stinson

Galway Kinnell came out with that wonderful big, breathy, hollow voice of his and read, for the first time in public, "The Bear." That poem impressed me so much that I memorized it. I used it for years when I taught in prisons. It's a powerful extended metaphor for what the writing life is really all about. It's a uniquely powerful poem about self-transformation, and that's what we're asking, really, beyond even our objection to the war. We're asking people to look at themselves and think about what might be possible with a little self-transformation. — Sam Hamill

Bramble had taken another pencil from Delphinium, and Azalea's napkin, and wrote something new.
You're afraid of the King. Admit it.
Azalea grimaced at her untouched food, burning in humiliation as Lord Bradford took the napkin and read it. This time, he looked to be discreetly writing something back beneath the table.
Fairweller blinked at the King for a moment, in which Lord Bradford handed Bramble her napkin. She opened it and turned a rosy pink.
My lady, it read,who isn't?
Bramble pursed her lips and kicked Lord Bradford beneath the table-hard. His face twitched befre regaining its solemn expression.Azalea buried her face in her hands.
"All we ask is for you to consider it. That is all," said Fairweller.
"Oh." Lord Bradford's voice was slightly strangled. "Yes. Thank you."
Bramble threw the pencil-smudged napkin onto her plate. "I'm done," she said. "May we go to our room now? — Heather Dixon

Listen to your instinct. It is your greatest treasure. Your beauty in the outside reflects your inner beauty. — Lailah Gifty Akita

The mind working alone produces thought; the heart produces feeling; the tongue makes speech and the hand in isolation makes scribble: all four together create voice. — Geoff Hewitt

I had dinner with Marlene Dietrich in the early 1970s. I went to pick her up and she had someone with her, a dreadful man. He was writing a book about her, and he said to her, 'You're so cold when you perform,' and she said, 'You didn't listen to the voice.' She said the difficulty was to place the voice with the face. — Robert Wilson

My own words, when I am at work on a story, I hear too as they go, in the same voice that I hear when I read in books. When I write and the sound of it comes back to my ears, then I act to make changes. I have always trusted this voice. — Eudora Welty

I'm not very happy idle. There's always this voice in my head that says, 'I should be writing.' — Harlan Coben

Learn to write by doing it. Read widely and wisely. Increase your word power. Find your own individual voice though practicing constantly. Go through the world with your eyes and ears open and learn to express that experience in words. — P.D. James

Imagine a day when all plants and trees go on a strike, a bandh just for a day. All of us will die for want of oxygen." Reading this, I was instantly reminded of Bolivia's recent legislation (in December 2010) to grant all nature equal rights as humans. Justice William O. Douglas, writing against a 1972 decision by the United States Supreme Court, wrote, "Inanimate objects are sometimes parties in litigation ... So it should be as respects valleys, alpine meadows, rivers, lakes, estuaries, beaches, ridges, groves of trees, swampland, or even air that feels the destructive pressures of modern technology and modern life ... The voice of the inanimate object, therefore, should not be stilled. — Anonymous

The more you write, the more you find your voice. I think with my earlier stuff, when I was dabbling, it definitely wasn't there. I was writing like other people I admired. It wasn't until I had a story I had to tell that I could step into my own words. And maybe that's what it'll take for you. Maybe you just haven't had to tell those stories in your head. But the more practice on the stories you'd like to tell, the closer you get to the one you need. — Chessela Helm

Well, you're in a theater and it's 24 shots a second, your face, your body, your voice, and it's your craft, the way you earn your living, and it's indelible. It's not like writing a script - I write as well - I can't do another draft, it's done. — William Mapother

I love this book! Cathy Malkasian's Percy Gloom swirls with echoes of cartoon landscapes from the past and present. You can almost hear Percy Gloom's meek, docile little voice. Her writing is so full of wit and charm that we, like the title character, walk dutifully to the edge and fall in. And like Percy, we are rewarded equally with night terrors and secret treasures. — Jeff Smith

I could always hold a melody, but I was never like, I'm going to be a singer. So I'm able to use that when I write. I'm actually playing the beat with my voice. Instead of thinking about coming up with melodies, it's like filling in the instruments. So sometimes it's better to have beats with less melodies in them, because then I can play more with my vocals. — Kid Ink

I made my personal discovery of Emily Carr while visiting Victoria in 1981 to write a travel article. Immediately, her strong colors attracted me; her spunk fascinated me. Her down-to-earth voice in her writing appealed to me as authentic and original. — Susan Vreeland

There's lots of bands where somebody will write lyrics and somebody else will sing them. It works for a lot of people, but that feels weird to me. I don't mean this in a bad way at all but it just feels fake.. I guess in my heart of hearts, whether the person has a good voice or not I want [the songs] to come from them. I don't know why. — Frank Iero

I try to transmit emotion and soul in my voice, but my true passion has always been writing. I feel more like a writer than anything else. — Romeo Santos

Read good writing, and don't live in the present. Live in the deep past, with the language of the Koran or the Mabinogion or Mother Goose or Dickens or Dickinson or Baldwin or whatever speaks to you deeply. Literature is not high school and it's not actually necessary to know what everyone around you is wearing, in terms of style, and being influenced by people who are being published in this very moment is going to make you look just like them, which is probably not a good long-term goal for being yourself or making a meaningful contribution. At any point in history there is a great tide of writers of similar tone, they wash in, they wash out, the strange starfish stay behind, and the conches. — Rebecca Solnit

I have a voice that's obviously untrained - and I think untrainable - so I kind of secreted it away for a long time. Actually, I would write songs with lyrics when I was younger, but I would just sing in my head. — Joanna Newsom

You know how sometimes you hear a chord played on an organ and you can feel it vibrating in your bones? Sometimes when I'm writing, I can feel my bones vibrating because I'll have a thought or I'll have a character's voice in my head, and that's when I know I'm on the right track. — Laurie Halse Anderson