Voice In Literature Quotes & Sayings

But Anja. I hear Anja's voice. Maybe I am insane. I hear her crying. I see her alone in the trees. I remember being alone and humiliated. I remember, too, the fat little boy hiding in the bathroom. And I see this man, Ariane. I see this evil man, Ariane. He laughs everyday still. He has had years of laughter. He has triumphed over the screams of others, he has triumphed with blood on his hands. And he laughs still. God has cursed us! He has either cursed us or He was never here to begin with. We've pretended God was here for our own sanity! That's the truth! We've pretended evil is punished and good is rewarded. A perfect scheme! — Sergio Troncoso

These are not books, lumps of lifeless paper, but minds alive on the shelves. From each of them goes out its own voice ... and just as the touch of a button on our set will fill the room with music, so by taking down one of these volumes and opening it, one can call into range the voice of a man far distant in time and space, and hear him speaking to us, mind to mind, heart to heart. — Gilbert Highet

Fantastic literature has been especially prominent in times of unrest, when the older values have been overthrown to make way for the new; it has often accompanied or predicted change, and served to shake up rational Complacency, challenging reason and reminding man of his darker nature. Its popularity has had its ups and downs, and it has always been the preserve of a small literary minority. As a natural challenger of classical values, it is rarely part of a culture's literary mainstream, expressing the spirit of the age; but it is an important dissenting voice, a reminder of the vast mysteries of existence, sometimes truly metaphysical in scope, but more often merely riddling. — Franz Rottensteiner

Literature, after all, from Homer onwards, is littered with the recounting of deaths and with the fascination for death, and in this it only expresses what we all repeatedly dwell on but do not necessarily or readily voice. So far as death goes, I don't claim any oddity. There is only one sea: I'm in the same boat as everyone else. And that seems, more generally, to be the position that every novelist, unless they are possessed of a peculiar arrogance, should take: I am mortal too, I am human too. I too, like you, share life's joys, pains, confusions. We're all in the same boat. — Graham Swift

This Beloved of ours is merciful and good. Besides, he so deeply longs for our love that he keeps calling us to come closer. This voice of his is so sweet that the poor soul falls apart in the face of her own inability to instantly do whatever he asks of her. And so you can see, hearing him hurts much more than not being able to hear him ... For now, his voice reaches us through words spoken by good people, through listening to spiritual talks, and reading sacred literature. God calls to us in countless little ways all the time. Through illnesses and suffering and through sorrow he calls to us. Through a truth glimpsed fleetingly in a state of prayer he calls to us. No matter how halfhearted such insights may be, God rejoices whenever we learn what he is trying to teach us. — Teresa Of Avila

Faced with the numbering logic of neoliberal regimes, literature offers an intervention in order to consider identity and voice, to consider representation in both the political and artistic sense of the term... [Literature and art] cultivate tension between an unresolved past and present, between invisibility and exposure, showing the dualities of face and mask that leave their trace on identitarian struggles today. — Francine Masiello

Like the voice of a number of homosexuals, this is an insinuating blend of eagerness and caution in which even such words as "hello" and "goodbye" seem not so much uttered as divulged. — Quentin Crisp

I can't speak for other writers, but I write to create something that is better than myself, I think that's the deepest motivation, and it is so because I'm full of self-loathing and shame. Writing doesn't make me a better person, nor a wiser and happier one, but the writing, the text, the novel, is a creation of something outside of the self, an object, kind of neutralized by the objectivity of literature and form; the temper, the voice, the style; all in it is carefully constructed and controlled. This is writing for me: a cold hand on a warm forehead. — Karl Ove Knausgard

Little mouse," a voice said through the keyhole. "Don't you know the more you wriggle, the greater the cat's delight? — Holly Black

When we read, we decide when, where, how long, and about what. One of the few places on earth that it is still possible to experience an instant sense of freedom and privacy is anywhere you open up a good book and begin to read. When we read silently, we are alone with our own thoughts and one other voice. We can take our time, consider, evaluate, and digest what we read - with no commercial interruptions, no emotional music or special effects manipulation. And in spite of the advances in electronic information exchange, the book is still the most important medium for presenting ideas of substance and value, still the only real home of literature. — Andrew Clements

Great Literature is help for humans. It is medicine of the highest order. In a more aware culture, writers would be considered priests. And, in fact, I have approached writing in a distinctly priestess frame of mind. I know what The Color Purple can mean to people, women and men, who have no voice. Who believe they have few choices in life. It can open to them, to their view, the full abundance of this amazing journey we are all on. It can lift them into a new realization of their own power, beauty, love, courage. It is a book that unites the present with the past, therefore giving people a sense of history and of timelessness they might never achieve otherwise. And even were it not 'great' literature, it has the best interests of all of us humans at heart. That we grow, change, challenge, encourage, love fiercely in the awareness that real love can never be incorrect. — Alice Walker

There is a voice in my head that is only silenced by the scratching of my pen — Jessica-Lynn Barbour

Writing has always been a serious business for me. I felt it was a moral obligation. A major concern of the time was the absence of the African voice. Being part of that dialogue meant not only sitting at the table but effectively telling the African story from an African perspective - in full earshot of the world. — Chinua Achebe

She was stretched on her back beneath the pear tree soaking in the alto chant of the visiting bees, the gold of the sun and the panting breath of the breeze when the inaudible voice of it all came to her. She saw a dust-bearing bee sink into the sanctum of a bloom; the thousand sister-calyxes arch to meet the love embrace and the ecstatic shiver of the tree from root to tiniest branch creaming in every blossom and frothing with delight. — Zora Neale Hurston

My heart was burning for home. For a moment I felt like crying out, but at the moment of greater pain my mother's voice came back to me. It was as if she was here and talking, Stay and take an education, boy. Take it in, That's the main thing. — Michael Anthony

Touch the stone,' said Beliah, 'and you will touch "reality", or what the ignorant of all ages think "reality" is. That kind of truth will kill you, man. You won't see morning! I have kept you all your life from such things as remorse, terror, pity. Touch the stone, and those same angels will change you into an old poor pathetic deluded dying creature. Hubert, a nurse has to shave you, your hand shakes so much. You know that don't you? You dribble at every orifice, Hubert. You've begun to smell this past year or two...' He suddenly howled as if I had actually touched the stone,'YOU WILL BE RAVAGED IN FIRES OF GRACE!'
I heard Nurse McGregor in the next ward. 'Good evening,' came her cheerful voice to the looney who had strangled his sweetheart and then buried her in his garden. 'Is it cocoa tonight, or tea, or milk?"
Beliah was weeping. Outside the eaves dripped. The whole earth was drenched with the grief of Beliah. He wept inside me. I felt his marvellous tears on my face. — George Mackay Brown

His voice had a faint trace of an accent she couldn't place - one that made her pretty sure he was no local kid infected the night before. — Holly Black

Bible debunkers and Bible defenders are kindred spirits. They agree that the Bible is on trial. They agree on the terms of the debate, and what's at stake, namely its credibility as God's infallible book. They agree that Christianity stands or falls, triumphs or fails, depending on whether the Bible is found to be inconsistent, to contradict itself. The question for both sides is whether it fails to answer questions, from the most trivial to the ultimate, consistently and reliably. But you can't fail at something you're not trying to do. To ask whether the Bible fails to give consistent answers or be of one voice with itself presumes that it was built to do so. That's a false presumption, rooted no doubt in thinking of it as the book that God wrote. As we have seen, biblical literature is constantly interpreting, interrogating, and disagreeing with itself. Virtually nothing is asserted someplace that is not called into question or undermined elsewhere. — Timothy Beal

There were two very distinct voices going on in my head and I moved easily between them. One had to do with sports, street life and establishing myself as a male ... The other voice, the one I had from my street friends and teammates, was increasingly dealing with the vocabulary of literature. — Walter Dean Myers

Read good writing, and don't live in the present. Live in the deep past, with the language of the Koran or the Mabinogion or Mother Goose or Dickens or Dickinson or Baldwin or whatever speaks to you deeply. Literature is not high school and it's not actually necessary to know what everyone around you is wearing, in terms of style, and being influenced by people who are being published in this very moment is going to make you look just like them, which is probably not a good long-term goal for being yourself or making a meaningful contribution. At any point in history there is a great tide of writers of similar tone, they wash in, they wash out, the strange starfish stay behind, and the conches. — Rebecca Solnit

Responding to Wright's critique, Hurston claimed that she had wanted at long last to write a black novel, and "not a treatise on sociology." It is this urge that resonates in Toni Morrison's Song of Solomon and Beloved, and in Walker's depiction of Hurston as our prime symbol of "racial health - a sense of black people as complete, complex, undiminished human beings, a sense that is lacking in so much black writing and literature." In a tradition in which male authors have ardently denied black literary paternity, this is a major development, one that heralds the refinement of our notion of tradition: Zora and her daughters are a tradition-within-the-tradition, a black woman's voice. — Zora Neale Hurston

Just as the education of nerve and sinew is vital to the excellent athlete and education of the mind is vital to the scholar, education of the conscience is vital to the truly proactive, highly effective person. Training and educating the conscience, however, requires even greater concentration, more balanced discipline, more consistently honest living. It requires regular feasting on inspiring literature, thinking noble thoughts and, above all, living in harmony with its still small voice. — Stephen Covey

Sangeeta Bandyopadhyay is a stylistically daring writer in love with surrealism, credited with being 'the woman who reintroduced hardcore sexuality to Bengali literature'. But though the (male) establishment used this label of erotica to dismiss her work, the sex scenes have exactly the same transgressive function as her use of chronology and narrative voice. — Deborah Smith

Of all the art forms, poetry is the most economical. It is the one which is the most secret, which requires the least physical labor, the least material, and the one which can be done between shifts, in the hospital pantry, on the subway, and on scraps of surplus paper. Over the last few years, writing a novel on tight finances, I came to appreciate the enormous differences in the material demands between poetry and prose. As we reclaim our literature, poetry has been the major voice of poor, working class, and Colored women. A room of one's own may be a necessity for writing prose, but so are reams of paper, a typewriter, and plenty of time. — Audre Lorde

What had brought me to New York in the autumn of 1972 was a letter of recommendation written by Norman Mailer, the author of 'The Naked and the Dead' and American literature's leading heavyweight contender, to Dan Wolf, the delphic editor of 'The Village Voice.' — James Wolcott

Some may want to shout on the street, but we should tolerate those who hide in their rooms and use literature to voice their opinions. — Mo Yan

Tell me something boss. What do you think is the highest form of art?
'Literature, he answered without hesitation. 'Painters and sculptors require elaborate supplies and tools. Dancers must have music. Musicians must have instruments. Literature needs nothing but a voice to speak it or sand to scrawl it in. — Tiffany Reisz

A book is more than a verbal structure or series of verbal structures; it is the dialogue it establishes with its reader and the intonation it imposes upon his voice and the changing and durable images it leaves in his memory. A book is not an isolated being: it is a relationship, an axis of innumerable relationships. — Jorge Luis Borges

Literature is the voice of the age and the state; the character, energy, and resources of the country are reflected and imaged forth in the conceptions of its great minds; they are organs of the time; they speak not their own language, they scarce think their own thoughts; but under an impulse like the prophetic enthusiasm of old, they must feel and utter the sentiments which society inspires. — Edward Everett

Irma, she said. But I had started to walk away. I heard her say some more things but by then I had yanked my skirt up and was running down the road away from her and begging the wind to obliterate her voice. She wanted to live with me. She missed me. She wanted me to come back home. She wanted to run away. She was yelling all this stuff and I wanted so badly for her to shut up. She was quiet for a second and I stopped running and turned around once to look at her. She was a thimble-sized girl on the road, a speck of a living thing. Her white-blond hair flew around her head like a small fire and it was all I could see because everything else about her blended in with the countryside.
He offered you a what? she yelled.
An espresso! I yelled back. It was like yelling at a shorting wire or a burning bush.
What is it? she said.
Coffee! I yelled.
Irma, can I come and live
I turned around again and began to run. — Miriam Toews

I try not to be influenced when it comes to being creative, just in order to sustain my own voice and character. However, I do have many inspirations from the worlds of literature, music, comedy and film. — Doc Brown

The only genres I saw value in, which still conferred meaning, were diaries and essays, the types of literature that did not deal with narrative, that were not about anything, but just consisted of a voice, the voice of your own personality, a life, a face, a gaze you could meet. What is a work of art if not the gaze of another person? Not directed above us, nor beneath us, but at the same height as our own gaze. Art cannot be experienced collectively, nothing can, art is something you are alone with. You meet its gaze alone. — Karl Ove Knausgard

In general, dividing literature into prose and poetry began with the appearance of prose, for only in prose could such a division be expressed. By its nature, by its essence, art is hierarchical, automatically, and in this hierarchy, poetry stands above prose. If only because poetry is older. Poetry really is a very strange thing, because it belongs to a troglodyte as well as to a snob. It can be produced in the Stone Age and in the most modern salon, whereas prose requires a developed society, a developed structure, certain established classes, if you like. Here you could start reasoning like a Marxist without even being wrong. The poet works from the voice, from the sound. For him, content is not as important as is ordinarily believed. For a poet, there is almost no difference between phonetics and semantics. Therefore, only very rarely does the poet give any thought to who in fact comprises his audience. That is, he does so much more rarely than the prose writer. — Joseph Brodsky

Water, wind and birdsong were the echoes in this quiet place of a great chiming symphony that was surging around the world. Knee-deep in grasses and moon daisies, Stella stood and listened, swaying a little as the flowers and trees were swaying, her spirit voice singing loudly, though her lips were still, and every pulse in her body beating its hammer strokes in time to the song. — Elizabeth Goudge

We should not see print and electronic literature as in competition, but rather in conversation. The more voices that join in, the richer the dialogue is likely to be. — N. Katherine Hayles

So much of life is invisible, inscrutable: layers of thoughts, feelings, outward events entwined with secrecies, ambiguities, ambivalences, obscurities, darknesses strongly present even to the one who's lived it- maybe especially to the one who's lived it. I didn't seek to find her, wandered instead within and among her fragments of language-notebooks, drafts, journals, fictions, letters, essays, and found there whole worlds like spinning planets, lived in their cold light and burning light, wondering where I was, where they might take me. Curious, I heard a monster's voice and followed- — Laurie Sheck

Homer and Shakespeare and Milton and Marvell and Wordsworth are but the rustling of leaves and crackling of twigs in the forest, and there is not yet the sound of any bird. The Muse has never lifted up her voice to sing. — Henry David Thoreau

Is that you, Sergeant Angua?" said a voice in the gloom. A lantern was open, and lit the approaching face of Constable Visit. As he drew near, she could just make out the thick wad of pamphlets under his other arm.
"Hello, Washpot," she said. "What's up?"
" ... looks like a twist of lemon ... " said a damp voice from the shadows.
"Mister Vimes sent me to search the bars of iniquity and low places of sin for you," said Visit.
"And the literature?" said Angua. "By the way, the words "nothing personal" could have so easily been added to that last sentence. — Terry Pratchett

Over recent years I had increasingly lost faith in literature. I read and thought this is something someone has made up. Perhaps it was because we were totally inundated with fiction and stories... All these millions of paperbacks, hardbacks, DVDs and TV series, they were all about made-up people in a made-up, though realistic, world. And news in the press, TV news and radio news had exactly the same format, documentaries had the same format, they were also stories, and it made no difference whether what they told had actually happened or not...

Fictional writing has no value, documentary narrative has no value. The only genres I saw value in, which still conferred meaning, were diaries and essays, the types of literature that did not deal with narrative, that were not about anything, but just consisted of a voice, the voice of your own personality, a life, a face, a gaze you could meet. What is a work of art if not the gaze of another person? — Karl Ove Knausgard

I have been impressed by the realization that a few men have virtually 'decided' what experiences count and even exist in the world. The language of Western science
the reigning construct of male hegemony
precludes the ability to express the experiential realities it talks about. Virtually all the actual experiences of this world, expressed through the manifest and mysterious characteristics of all the different beings, are unrepresented in the stainless steel edicts of experts. Where is the voice of the voiceless in the scientific literature, including the literature of environmental ethics? — Karen Davis

There is a man who exists as one of the most popular objects of leadership, legislation, and quasi-literature in the history of all men ... This man, that object of attention, attack, and vast activity, cannot make himself be heard, let alone understood. He has never been listened to ... That man is Black and alive in white America where the media of communication do not allow the delivery of his own voice, his own desires, his own rage. — June Jordan

"Someone": I understood that this was a character who in her own life her voice hadn't much been heard and in literature her life isn't much heard. For me, it was resisting all the more appealing characters and listening to the voice that hadn't been much heard from. — Alice McDermott

Utter objectivity ... is not only impossible when judging literature, it's not exactly desirable. Fiction involves trace elements of magic; it works for reasons we can explain and also for reasons we can't. If novels or short-story collections could be weighed strictly in terms of their components (fully developed characters, check; original voice, check; solidly crafted structure, check; serious theme, check) they might satisfy, but they would fail to enchant. A great work of fiction involves a certain frisson that occurs when its various components cohere and then ignite.
(Source: "Letter from the Pulitzer Fiction Jury: What Really Happened This Year" in The New Yorker.) — Michael Cunningham

In your novels do you lie deliberately or just out of ignorance?"
Laughter. A murmur of approval. The writer hesitated a few seconds. Then counter-attacked:
"I'm a liar by vocation," he shouted. "I lie with joy! Literature is the only chance for a true liar to attain any sort of social acceptance."
Then more soberly, he added - his voice lowered - that the principal difference between a dictatorship and a democracy is that in the former there exists only one truth, the truth as imposed by power, while in free countries every man has the right to defend his own version of events.
Truth, he said, is a superstition. — Jose Eduardo Agualusa

In an age of global standardization, regional voices also remind both writer and reader that no life is lived generically. If the purpose of literature is truly, as the ancients insisted, to instruct and delight, then what better to understand and enjoy than the here and the now ? — Dana Gioia