Voice And Speech Quotes & Sayings

Be the voice of night and Florida in my ear.
Use dusky words and dusky images.
Darken your speech.
Speak, even, as if I did not hear you speaking,
But spoke for you perfectly in my thoughts,
Conceiving words,
As the night conceives the sea-sounds in silence,
And out of their droning sibilants makes
A serenade. — Wallace Stevens

She smiled, lifted her arm, and tugged on a couple of his pain-in-the-ass curls, her expression tender enough to bring him back to cold reality. He was an ex-cop. She was the president's daughter. He was scrap metal. She was pure gold. Beyond all that, he had a dead zone a mile wide inside him, while she bubbled with life. "Lucy ... "
"Oh lord ... " She rolled her eyes and flopped to her back. "Here we go. The speech." She deepened her voice in exaggerated imitation of him. "Before this goes any further, Lucy, I need to make sure you don't get the wrong idea. I'm a cowboy, wild and free. No little filly can ever tame a man like me." She sneered. "As if I'd want to. — Susan Elizabeth Phillips

Our normal tendency is to feel dissatisfied and to criticize our body, speech, and mind - My body is out of shape; my voice is unpleasant; my mind is confused. - We are so caught up in this pointless, neurotic habit of criticism that we disparage others as well as ourselves. This is extremely damaging. — Thubten Yeshe

Now I am alone.
Oh, what a rogue and peasant slave am I!
Is it not monstrous that this player here,
But in a fiction, in a dream of passion,
Could force his soul so to his own conceit
That from her working all his visage wanned,
Tears in his eyes, distraction in his aspect,
A broken voice, and his whole function suiting
With forms to his conceit? And all for nothing
For Hecuba!
What's Hecuba to him or he to Hecuba
That he should weep for her? What would he do
Had he the motive and the cue for passion
That I have? He would drown the stage with tears
And cleave the general ear with horrid speech,
Make mad the guilty and appall the free ... Hamlet Act II, Scene II — William Shakespeare

But the trouble with sainthood these days is the robe-and-halo imagery that gets stuck onto it." Carl got that brooding look again. "People forget that robes were street clothes once ... and still are, in a lot of places. And halos are to that fierce air of innocence what speech balloons in comics are to the sound of the voice itself. Shorthand. But most people just see an old symbol and don't bother looking behind it for the meaning. Sainthood starts to look old-fashioned, unattainable ... even repellent. Actually, you can see it all around, once you learn to spot it. — Diane Duane

A voice is a human gift; it should be cherished and used, to utter fully human speech as possible. Powerlessness and silence go together. — Margaret Atwood

A heckler once interrupted Nikita Khrushchev in the middle of a speech in which he was denouncing the crimes of Stalin. "You were a colleague of Stalin's," the heckler yelled, "why didn't you stop him then?" Khrushschev apparently could not see the heckler and barked out, "Who said that?" No hand went up. No one moved a muscle. After a few seconds of tense silence, Khrushchev finally said in a quiet voice, "Now you know why I didn't stop him." Instead of just arguing that anyone facing Stalin was afraid, knowing that the slightest sign of rebellion would mean certain death, he had made them feel what it was like to face Stalin - had made them feel the paranoia, the fear of speaking up, the terror of confronting the leader, in this case Khrushchev. The demonstration was visceral and no more argument was necessary. — Robert Greene

Every writer's difficult journey is a movement from silence to speech. We must be intensely private and interior in order to find a voice and a vision - and we must bring our work to an outside world where the market, or public outrage, or even government censorship can destroy our voice. — Sara Paretsky

I became simply a pair of eyes, staring through my mask at Char. I needed no ears because I was too far off to hear his voice, no words because I was too distant for speech, and no thoughts - those I saved for later. He bent his head. I loved the hairs on the nape of his neck. He moved his lips. I admired their changing shape. He clasped his hand. I blessed his fingers. Once, the power of my gaze drew his eyes ... — Gail Carson Levine

It was a mere matter of seeing common things together and exchanging common speech concerning them, but each was so strongly conscious of the other that no sentence could seem wholly impersonal. There are times when the whole world is personal to a mood whose intensity seems a reason for all things. Words are of small moment when the mere sound of a voice makes an unreasonable joy. — Frances Hodgson Burnett

Is this the girl?" Kieran's voice was very different: It sounded like waves sliding up the shore. Like warm water under pale light. It was seductive, with an edge of cold. He looked at Emma as if she were a new kind of flower, one he wasn't sure he liked. "She's pretty," he said. "I didn't think she'd be pretty. You didn't mention it."
Iarlath shrugged. "You've always been partial to blondes," he said.
"Okay, seriously?" Emma snapped her fingers. "I am right here. And I was not aware I was being invited to a game of 'Who's the Hottest?'"
I wasn't aware you were invited at all," said Kieran. His speech had a casual edge, as if he was used to talking to humans.
"Rude," said Emma. — Cassandra Clare

If we could only make our hands move as actively as our tongues, what wonders we could accomplish! Almost everyone loves to hear his own voice. It is so easy, too! Yet if we could say less and do more for each other's good, not alone would every home be happier, but communities would be enriched thereby. Instead of criticism by speech, to show someone a better way to do a thing would be of much greater value. — John Wanamaker

Apologizing to me again, thought Miles miserably. For me. He keeps telling me I'm all right - and then apologizing. Inconsistent, Father.He shuffled back and forth across the room again, and his pain burst into speech. He flung his words against the deaf door, "I'll make you take back that apology! I am all right, damn it! I'll make you see it. I'll stuff you so full of pride in me there'll be no room left for your precious guilt! I swear by my word as Vorkosigan. I swear it, Father," his voice fell to a whisper, "Grandfather. Somehow, I don't know how . . . — Lois McMaster Bujold

The voice I use is a very old hardware speech synthesizer made in 1986. I keep it because I have not heard a voice I like better and because I have identified with it. — Stephen Hawking

This morning I woke up, how blessed I am
Eyes to see, a voice to speak
Words to read and love to feel?
If this isn't something to be thankful for, I'm not sure what is. — Nikki Rowe

Now it is impossible that the infinite should be a thing which is itself infinite, separable from sensible objects. If the infinite is neither a magnitude nor an aggregate, but is itself a substance and not an attribute, it will be indivisible; for the divisible must be either a magnitude or an aggregate. But if indivisible, then not infinite, except in the sense (1) in which the voice is 'invisible'. But this is not the sense in which it is used by those who say that the infinite exists, nor that in which we are investigating it, namely as (2) 'that which cannot be gone through'. But if the infinite exists as an attribute, it would not be, qua infinite an element in substances, any more than the invisible would be an element of speech, though the voice is invisible.
Physics, III, 5, 206a — Aristotle.

I try to make the voice in my head come out onto the page. I try to make it much more conversational than other writing. I speak everything, so if something sounds right I write it. It's more about sound and the rhythm of speech than written language. — James Frey

The six great gifts of an Irish girl are beauty, soft voice, sweet speech, wisdom, needlework, and chastity. — Theodore Roosevelt

Oh, I think so. Yeah. Oh, well, sure. A 'type-token' ratio, I suppose, would be as good a way as any to work that out, and with samples of a thousand words or more, you could just check the frequency of occurrence of the various parts of speech." "And would you call that conclusive?" "Pretty much. You see, that sort of test would discount any change in the basic vocabulary. It's not the words but the expression of the words; the style. We call it 'index of diversity.' Very baffling to the layman, which, of course, is what we want." The director smiled wryly. Then he nodded at the tape in Karras's hands. "And so this other person's voice is on that one?" "Not exactly." "Not exactly? — William Peter Blatty

For her beauty, as we are told, was in itself not altogether incomparable, nor such as to strike those who saw her; but converse with her had an irresistible charm, and her presence, combined with the persuasiveness of her discourse and the character which was somehow diffused about her behaviour towards others, had something stimulating about it. 3 There was sweetness also in the tones of her voice; and her tongue, like an instrument of many strings, she could readily turn to whatever language she pleased, so that in her interviews with Barbarians she very seldom had need of an interpreter, but made her replies to most of them herself and unassisted, whether they were Ethiopians, Troglodytes, Hebrews, Arabians, Syrians, Medes or Parthians. 4 Nay, it is said that she knew the speech of many other peoples also, although the kings of Egypt before her had not even made an effort to learn the native language, and some actually gave up their Macedonian dialect. — Plutarch

Listen to a woman speak at a public gathering (if she hasn't painfully lost her wind). She doesn't "speak," she throws her trembling body forward; she lets go of herself, she flies; all of her passes into her voice, and it's with her body that she vitally sup- ports the "logic" of her speech. Her flesh speaks true. She lays herself bare. In fact, she physically materializes what she's thinking; she signifies it with her body. In a certain way she inscribes what she's saying, because she doesn't deny her drives the intractable and impassioned part they have in speaking. Her speech, even when "theoretical" or political, is never simple or linear or "objectified," generalized: she draws her story into history. — Helene Cixous

There will be no more protest. No more dissension. No more violence. There will be only one voice. The voice of Ravinia. The voice of Halla. Your voice." "There goes freedom of speech." I said
Alexnder Naymeer and Bobby Pendragon, Raven Rise, Page 458 — D.J. MacHale

It was the kind of voice that the ear follows up and down, as if each speech is an arrangement of notes that will never be played again. — F Scott Fitzgerald

Self-understanding is crucial for understanding another person; self-love is crucial for loving others. When you've understood your suffering, you suffer less, and you are capable of understanding another person's suffering much more easily. When you can recognize the suffering in the other person and see how that suffering came about, compassion arises. You no longer have the desire to punish or blame the other person. You can listen deeply, and when you speak there is compassion and understanding in your speech. The person with whom you're speaking will feel much more comfortable, because there is understanding and love in your voice. — Thich Nhat Hanh

It was nigh impossible to understand Howard's speech under normal circumstances. He favored a pidgin of his lost African tongue and slave talk. In the old days, her mother had told her, that half language was the voice of the plantation. They had been stolen from villages all over Africa and spoke a multitude of tongues. The words from across the ocean were beaten out of them over time. For simplicity, to erase their identities, to smother uprisings. All the words except for the ones locked away by those who still remembered who they had been before. "They keep 'em hid like precious gold," Mabel said. — Colson Whitehead

It is amazing how soon one becomes accustomed to the sound of ones voice, when forced to repeat a speech five or six times a day. As election day approaches, the size of the crowds grows; they are more responsive and more interested; and one derives a certain exhilaration from that which, only a few weeks before, was intensely painful. This is one possible explanation of unlimited debate in the Senate. — J. William Fulbright

He had a voice you couldn't miss: strong and penetrating with strange vowels that sounded different from the accents of other English speakers even to me. I later discovered that he was Canadian. — Arnold Schwarzenegger

I usually base my characters on composites of people I know. One trumpet player in SIDE MAN is really a mix of four different guys I knew growing up. Patsy , the waitress, is a mix of about three different people. I like doing it that way. I start with the characters, as opposed to plot, location, or some visual element. I write more by ear than by eye. I always work on the different sound of each character, trying to make sure each has a specific voice and speech pattern, which some writers could care less about. — Warren Leight

She still hadn't caught on. Alec sighed. "Change your gown, Jamie, if that's your inclination. I prefer white. Now go and do my bidding. The hour grows late and we must be on our way."
He'd deliberately lengthened his speech, giving her time to react to his announcement. He thought he was being most considerate.
She thought he was demented.
Jamie was, at first, too stunned to do more than stare in horror at the warlord. When she finally gained her voice, she shouted, "It will be a frigid day in heaven before I marry you, milord, a frigid day indeed."
"You've just described the Highlands in winter, lass. And you will marry me."
"Never."
Exactly one hour later, Lady Jamison was wed to Alec Kincaid. — Julie Garwood

I often think that at the center of me is a voice that at last did split, a house in my heart so invaded with other people and their speech, friends I believed I was devoted to, people whose lives I can simply guess at now, that it gives me the impression I am simply a collection of them, that they all existed for themselves, but had inadvertently formed me, then vanished. But, what: Should I have been expected to create my own self, out of nothing, out of thin, thin air and alone? — Lorrie Moore

Professor Lyall looked modestly proud. "I am considered a bit of an expert on the procreative practices of Ovis orientalis aries."
"Sheep?"
"Sheep."
"Sheep!" Madame Lefoux's voice came over suddenly high, as though she were suppressing an inclination to giggle.
"Yes, as in baaaa." Professor Lyall frowned. Sheep were a serious business, and he failed to see the source of Madame Lefoux's amusement.
"Let me understand this correctly. You are a werewolf with a keen interest in sheep breeding?" A little bit of French accent trickled into Madame Lefoux's speech in her glee.
Professor Lyall continued bravely on, ignoring her flippancy. "I preserve the nonviable embryo in formaldehyde for future study. Lord Maccon has been drinking my samples. When confronted, he admitted to enjoying both the refreshing beverage and the 'crunchy picked snack' as well. I was not pleased. — Gail Carriger

Cinema captures the sound of speech close up and makes us hear in their materiality, their sensuality, the breath, the gutturals, the fleshiness of the lips, a whole presence of the human muzzle (that the voice, that writing, be as fresh, supple, lubricated, delicately granular and vibrant as an animal's muzzle), to succeed in shifting the signified a great distance and in throwing, so to speak, the anonymous body of the actor into my ear: it granulates, it crackles, it caresses, it grates, it cuts, it comes: that is bliss. — Roland Barthes

A poet is wounded into speech, and he examines these wounds, meticulously, to discover how to heal them. The bad poet harangues at the pain and yowls at the weapons that lacerate him; the great poet explores the inflamed lips of ruined flesh with ice-caked fingers, glittering and precise; but ultimately his poem is the echoing, dual voice reporting the damages. — Samuel R. Delany

Demetrius was wont to say that there was no difference between the words and speech of the unskilled and ignorant and the sounds and rumblings caused by the stomach being full of superfluous wind. This he said, not without reason, for, as he held, it did not in the least matter from what part of them the voice emanated, whether from the lower parts or the mouth, since the one and the other were of equal worth and importance. — Leonardo Da Vinci

Emily's world fascinates and disturbs: in it you can touch thick Yorkshire speech, and moorland rain slants across your mind with a smell of mossy limestone and yet you are not at home, you might almost be in Gondal or Angria except the towers and the dungeons are of the spirit, the dungeons especially; and sometimes when Emily reads out in her low, almost guttural voice Charlotte wants to run but can't think why or where she would run to. — Jude Morgan

Once a government is committed to the principle of silencing the voice of opposition, it has only one way to go, and that is down the path of increasingly repressive measures, until it becomes a source of terror to all its citizens and creates a country where everyone lives in fear.
[Special Message to the Congress on the Internal Security of the United States, August 8, 1950] — Harry Truman

Your voice is a very powerful weapon. When you are in tune with the cosmic breath of heaven and earth, your voice produces true sounds. Unify body, mind, and speech, and real techniques will emerge. — Morihei Ueshiba

And I want you to know that I heard what you said in that speech,' Rider said, his voice scratchy. 'I might've saved you all those years ago, but now you've saved me,'
My heart stuttered and then sped up. I reacted without thought. Placing the book on the bed, I launched myself at Rider just as he came off the window seat. We collided. I folded my arms around him as we went down onto the floor, me partially in his lap and his arms tight around my waist, his face burrowed against my neck. I felt a tremor run through his body and then he shook in my arms. I held him tighter as he broke into pieces, and years of holding it together shattered. I held him through it all.
Then it was me who put Rider back together. — Jennifer L. Armentrout

Should I say it again?" He looked confused for a beat, but then it turned to wariness. "I've never said that to anyone before. Am I supposed to give a longer speech or something?" A laugh flew out. Oh God. This man was priceless. Sofia finally found her voice. "You love me?" "Yeah, I do. I probably should have led with that, but the state of your fucking house really pisses me off and I got sidetracked. — Elle Kennedy

The language in which we are speaking is his before it is mine. How different are the words HOME, CHRIST, ALE, MASTER, on his lips and on mine! I cannot speak or write these words without unrest of spirit. His language, so familiar and so foreign, will always be for me an acquired speech. I have not made or accepted its words. My voice holds them at bay. My soul frets in the shadow of his language. — James Joyce

For many reasons, Dear," Delia said in a soothing voice. "We are tired of running , tired of traveling. It is time for us to be together in a world where your kind of evil does not exist." Lucan growled at her, but she continued, "And I could not let my daughter or my son feel responsible for the lives you planned to take today. They are good and strong, and they will rule this kingdom after they destroy you. They will restore our immortality; they will bring peace and life again. You may take my life today, I will grant you this, but soon, very soon they will take yours and my sacrifice will be for the greater good of my people. — Rachel Higginson

But here Nature fulfilled her want of speech and spoke for her. The murmur of the brook, the voice of the village folk, the songs of the boatmen, the crying of the birds and rustle of trees mingled and were one with the trembling of her heart. They became one vast wave of sound which beat upon her restless soul. — Rabindranath Tagore

Writing will never be perfect in a poet's eye that is why we need people's criticism good or bad, whether or not it gives a positive or negative frame to our work. We are first at hand to fight against the real and the normal in our writing as our outspoken, brimming voice bring truths to light so vividly and intensely for mass consumption that we so long for in our hearts. When the poet, not jubilant, neither spirited, allows his mind to quiet, allows the survival of and realises that all figures of speech matters; when God has witnessed the culmination of his progress; when the writer is almost in a hypnotic stance. Then the poet cannot stop himself when he is in the right place, then he can guess at the intensity, the prowess of his pen, his prolific writing and the intelligence behind his words becomes a self portrait kind of like what Vincent van Gogh used to do when he was depressed and lonely, fighting against the feelings of isolation and rejection by the establishment. — Abigail George

Suddenly the dressing-room of La Sorelli, one of the principal dancers, was invaded by half-a-dozen young ladies of the ballet, who had come up from the stage after "dancing" Polyeucte. They rushed in amid great confusion, some giving vent to forced and unnatural laughter, others to cries of terror. Sorelli, who wished to be alone for a moment to "run through" the speech which she was to make to the resigning managers, looked around angrily at the mad and tumultuous crowd. It was little Jammes - the girl with the tip-tilted nose, the forget-me-not eyes, the rose-red cheeks and the lily-white neck and shoulders - who gave the explanation in a trembling voice:

"It's the ghost!" And she locked the door.

- Chapter 1: Is it the Ghost? — Gaston Leroux

Like Trush, Sheriff Gorunov is a born Alpha, a handsome, fire-breathing dragon of a man who smokes with an alarming vigor: cigarette clamped between his canines at the point where filter and tobacco meet, the act of inhaling fully integrated into breath and speech such that there is no discernible pause, only billowing smoke that seems to be a natural by-product of a voice that booms even in the confines of his quiet kitchen. — John Vaillant

The heavens are telling the glory of God; and the firmament proclaims his handiwork. Day to day pours forth speech, and night to night declares knowledge. There is no speech, nor are there words; their voice is not heard; yet their voice goes out through all the earth, and their words to the end of the world. In them he has set a tent for the sun, which comes forth like a bridegroom leaving his chamber, and like a strong man runs its course with joy. Its rising is from the end of the heavens, and its circuit to the end of them; and there is nothing hid from its heat. (Ps 19:1-6) — J. Budziszewski

Genuine bravery for a writer ... It is about calmly speaking the truth when everyone else is silenced, when the truth cannot be expressed. It is about speaking out with a different voice, risking the wrath of the state and offending everyone, for the sake of the truth, and the writer's conscience. — Murong Xuecun

Because he said it as if he was the first human being who'd ever noticed. Maybe that's why so many people trusted him, because he had something in his voice, because he was well-spoken and had learned to modulate his speech-just so-and somehow, with that calm and controlled voice, he managed to rearrange the chaos of the world in such a way as to make it appear as if there really were a plan. — Benjamin Alire Saenz

While a battle still entirely political was preparing in this same place which had already seen so many revolutionary events, while the youth, the secret associations, the schools in the name of principles, and the middle class in the name of interests, were moving in to dash against each other, to grapple and overthrow each other, while each was hurrying and calling the final and decisive hour of the crisis, far off and outside that fatal sector, in the deepest of the unfathomable caverns of that miserable old Paris, the gloomy voice of the people was heard deeply growling.
A fearful, sacred voice, composed of the roaring brute and the speech of God, which terrifies the feeble and warns the wise, which comes at the same time from below like the voice of a lion and from above like the voice of thunder. Page 1123 Saint-Denis Chapter 13 part II — Victor Hugo

Enforcing silence is easy. All you have to do is make it feel like the safest option. You can, for example, make speaking as unpleasant as possible, by creating an anonymous social media account to flood women with virulent personal criticism, sexual harassment, and threats. You can talk over women, or talk down to them, until they begin to doubt that they have anything worthwhile to say. You can encourage men's speech, and ignore women's, so that women will get the message that they are taking up too much room, and contributing too little value. You can nitpick a woman's actual voice - the way she writes, her grammar, her tone, her register, her accent - until she honestly believes she's bad at talking, and spends more time trying to sound 'better' than thinking about what she wants to say.

And if a woman somehow makes it past all this, you can humiliate her anyway. — Sady Doyle

First and foremost, the monk should own nothing in this world, but he should have as his possessions solitude of the body, modesty of bearing, a modulated tone of voice, and a well-ordered manner of speech. He should be without anxiety as to his food and drink, and should eat in silence. — Saint Basil

The insistence in Darcy's voice is a symptom of his passion for Elizabeth; it emerges even in their most mundane interactions. We can trace the development of Darcy's feelings for Elizabeth in the tone of his voice. This reaches its climax in the scene in which he proposes to her. His negative persistence, beginning his speech with 'In vain have I struggled. It will not do,' becomes almost violent, in part because the novel itself is so restrained and Darcy is the most restrained of all the characters.
Now, please listen carefully to that 'you.' Darcy seldom if ever addresses Elizabeth by her name, but he has a special way of saying 'you' when he addresses her a few times that makes the impersonal pronoun a term of ultimate intimacy. One should appreciate such nuances in a culture such as ours, where everyone is encouraged to demonstrate in the most exaggerated manner his love for the Imam and yet forbidden from any public articulation of private feelings, especially love. — Azar Nafisi

At first I followed her deliberately soft voice, which had the timber of a zurna,* and listened to her speech, which resembled embroidery or a string of pearls, words and phrases completely different from those of the townspeople, somewhat withered yet ornate, with the aura of those old chambers and something enduring. — Mesa Selimovic

President Obama gave voice to exactly this sentiment in the speech he delivered as the first American president to visit Hiroshima, on May 27, 2016: "Science allows us to communicate across the seas and fly above the clouds, to cure disease and understand the cosmos, but those same discoveries can be turned into ever more efficient killing machines," said Obama. "The wars of the modern age teach us this truth. Hiroshima teaches this truth. Technological progress without an equivalent progress in human institutions can doom us. The scientific revolution that led to the splitting of an atom requires a moral revolution as well." Our — Thomas L. Friedman

Jack Crawford heard the rhythm and syntax of his own speech in Graham's voice. He had heard Graham do that before, with other people. Often in intense conversation Graham took on the other person's speech patterns. At first, Crawford had thought he was doing it deliberately, that it was a gimmick to get the back-and-forth rhythm going.
Later Crawford realized that Graham did it involuntarily, that sometimes he tried to stop and couldn't. — Thomas Harris

Today the earth speaks with resonance and clearness and every ear in every civilized country of the world is attuned to its wonderful message of the creative evolution of man, except the ear of William Jennings Bryan; he alone remains stone-deaf, he alone by his own resounding voice drowns the eternal speech of nature. — Henry Fairfield Osborn

You've got it wrong." His voice was harsh.

"Jackson - "

He cut her off. "No, it's my turn to talk. You've given your speech. And I get it, Mollie, I do. Madison is your sister, and she made you PB&J as a kid when your parents checked out, and that's fine. But open your eyes. You don't owe her anything anymore. You are your own woman, and you are a woman, Mollie. You're not a kid. You're not a girl. And if I've been a complete asshole lately, it's because I'm having a hell of a time coming to grips with the fact that I want you. And fuck, Mollie, I want you. I want you so bad, I'm dying."

Mollie had never made the first move on a man in her life. She was old-fashioned like that. But she made the first move now.

She took a step forward, placed a hand at the back of his head, and pulled his mouth to hers. — Lauren Layne

It's not that we're supposed to enjoy it; it's that we're supposed to allow it and then respond in a more persuasive voice. That's the bedrock of the First Amendment - the answer to speech you do not like is not less speech, it's more speech. In — Megyn Kelly

Saint Antoine slept, the Defarges slept: even The Vengeance slept with her starved grocer, and the drum was at rest. The drum's was the only voice in Saint Antoine that blood and hurry had not changed. The Vengeance, as custodian of the drum, could have wakened him up and had the same speech out of him as before the Bastille fell, or old Foulon was seized; not so with the hoarse tones of the men and women in Saint Antoine's bosom. — Charles Dickens

When facing society, the man most concerned, the man who is to do the most and contribute the most, has the least to say. It's taken for granted that he has no voice and his reasons he could offer are rejected in advance as prejudiced
since no speech is ever considered, but only the speaker. It's so much easier to pass judgment on a man than an idea. — Ayn Rand

I despise flowery speech since those who use it are usually guilty of the worst betrayals later. That and the type of life I've lived have made me incapable of saying the pretty words you deserve to hear, yet if I made you a vampire, you'd feel my emotions as clearly as I hear your thoughts now."
Then he drew my hand to his chest, placing it over his heart.
"I never turned any of my previous lovers because I didn't want them to feel how little I cared. You I loved, yet you left me because I wouldn't verbalize my emotions. That will probably happen again, but if you could feel what you mean to me, Leila" - his voice deepened - "words wouldn't matter. — Jeaniene Frost

But natural to expect that the deeds of the great messenger should be just the works of the Father done in little. If he came to reveal his Father in miniature, as it were (for in these unspeakable things we can but use figures, and the homeliest may be the holiest), to tone down his great voice, which, too loud for men to hear it aright, could but sound to them as an inarticulate thundering, into such a still small voice as might enter their human ears in welcome human speech, — George MacDonald

Don't pretend, Cambridge," he said. "You know my beautiful speech has made you see me in a whole new and even more attractive light. You totally think I'm secretly deep now. And you are right. It is true. I have deeps." He slid even lower on the sofa, his eyes falling almost completely closed. "Maybe," he added, his voice almost too casual, "this revelation will lead you to make the sensible decision, and go for me."
"And wouldn't that be a magical thirty-six hours," Kami said. "Before you died of exhaustion. — Sarah Rees Brennan

I went to Julliard where they use a lot of voice and speech exercises. — Lynn Collins

One voice was raised in dissent. A Springfield lawyer, a former member of Congress and longtime Whig named Abraham Lincoln, took up Douglas's defense of Kansas-Nebraska at the Illinois statehouse in Springfield the day after Douglas spoke at the state fair. In the course of a three-hour speech, Lincoln proceeded to tear Kansas-Nebraska and popular sovereignty to shreds. — Allen C. Guelzo

I have a voice, too, and for good or evil mine is the speech that cannot be silenced — Joseph Conrad

I spent nine hard, exasperating, concentrated months on the first chapter of Liars' Club alone, which was essentially time developing that voice - a watchmaker's minuscule efforts, noodling with syntax and diction. Were I to add on the time I spent trying to recount that book's events in poetry and a novel, I could argue that concocting that mode of speech actually occupied some thirteen years (seventeen, if you count the requisite years in therapy getting the nerve up). What was I doing during those nine months? Mostly I just shoved words around the page. I'd get up at four or five when my son was asleep, then work. I'd try telling something one way, then another. If a paragraph seemed half decent, I'd cut it out and tape it to the wall. — Mary Karr

What I learned about stammering was that, when as a young child you lose the confidence of anyone who wants to listen to you, you lose confidence in your voice and the right to speech. And a lot of the therapy was saying, 'You have a right to be heard.' — Tom Hooper

He thought he kept the universe alone;
For all the voice in answer he could wake
Was but the mocking echo of his own
From some tree-hidden cliff across the lake.
Some morning from the boulder-broken beach
He would cry out on life, that what it wants
Is not its own love back in copy speech,
But counter-love, original response.
And nothing ever came of what he cried
Unless it was the embodiment that crashed
In the cliff's talus on the other side,
And then in the far-distant water splashed,
But after a time allowed for it to swim,
Instead of proving human when it neared
And someone else additional to him,
As a great buck it powerfully appeared,
Pushing the crumpled water up ahead,
And landed pouring like a waterfall,
And stumbled through the rocks with horny tread,
And forced the underbrush--and that was all. — Robert Frost

Later, dictating the tale into his comlog, the Consul remembered it as a seamless whole, minus the pauses, hoarse voice, false starts, and small redundancies which were the timeless failings of human speech — Dan Simmons

Maybe the difference between speech and music isn't all that great. We infer a lot from the tone of someone's voice, so imagine that aspect of speech pushed just a little further. The weird cadences of a Valley girl, for instance, might be viewed as a species of singing. The malls of Sherman Oaks are a setting for a kind of massed choir. — David Byrne

Sojourner Truth, who squelched the heckler with an oft-quoted speech. In the first place, she said, Jesus came from "God and a woman - man had nothing to do with it."66 Secondly, Truth asserted that women were not inherently weak and helpless. Raising herself to her full height of six feet, flexing a muscled arm, and bellowing with a voice one observer likened to the apocalyptic thunders, Truth informed the audience that she could outwork, outeat, and outlast any man. Then she challenged: "Ain't I a woman?"67 — Paula J. Giddings

Very well." In a voice as cool and detached as if he were critiquing a work of art, he said, "Starting at the top: your brow is marked with intelligence, your gaze is direct, your features are delicate, your skin is fair, your voice is refined, your speech reflects education ... " He paused. "Even the way you hold your head is elegant." I was suddenly, excruciatingly self-conscious. I dropped my gaze, my face on fire. "Ah, yes," he said softly. "And then there is your modesty. No milkmaid could have blushed like that." To my mortification, I felt my blush deepen until the tips of my ears were tingling with the heat. "Shall I continue?" he asked with a hint of a laugh in his voice. "No, that is quite enough, thank you. — Julianne Donaldson

Forgive our gawking," said a man with a vicious scar running down his face. "Galen is usually eating so much he has no time for speech."
Laughter filled the hall, and Reaghan glanced over to find Galen shaking his head as he smiled.
"Eating?" she asked.
"Doona pay Malcolm a bit of attention," Galen said, his gaze indifferent and his voice heavy with nonchalance. "He lies. — Donna Grant

It never frightened a Puritan when you bade him stand still and listen to the speech of God. His closet and his church were full of the reverberations of the awful, gracious, beautiful voice for which he listened. — Phillips Brooks

I now understand what Nelle Morton meant when she said that one of the great tasks in our time is to "hear people to speech." Behind their fearful silence, our students want to find their voices, speak their voices, have their voices heard. A good teacher is one who can listen to those voices even before they are spoken-so that someday they can speak with truth and confidence. — Parker J. Palmer

If there is no love, what is there?" she cried, almost jeering.
"There is," he said, in a voice of pure abstraction, "a final me which is stark and impersonal and beyond responsibility. So there is a final you. And it is there I would want to meet you-not in the emotional loving plane-but there beyond, where there is no speech and no terms of agreement. There we are two stark, unknown beings, two utterly strange creatures, I would want to approach you, and you me. And there could be no obligation, because there is no standard for action there, because no understanding has been reaped from that plane. It is quite inhuman-so there can be no calling to book, in any form whatsoever-because one is outside the pale of all that is accepted, and nothing known applies. On can only follow the impulse, taking that which lies in front, and responsible for nothing, asked for nothing, giving nothing, only each taking according to the primal desire. — D.H. Lawrence

Until i die there will be these moments, moments seeming to rise up out of the ground like Macbeth's witches, when his face will come before me, that face in all its changes, when the exact timbre of his voice and tricks of his speech will nearly burst my ears, when his smell will overpower my nostrils. Sometimes, in the days which are coming
God grant me the grace to live them
in the glare of the grey morning, sour-mouthed, eyelids raw and red, hair tangled and damp from my stormy sleep, facing, over coffee and cigarette smoke, last night's impenetrable, meaningless boy who will shortly rise and vanish like the smoke, I will see Giovanni again, as he was that night, so vivid, so winning, all of the
light of that gloomy tunnel trapped around his head. — James Baldwin

Each of us has a tongue and a voice. These instruments of speech can be used destructively or employed constructively. — Billy Graham

Damn, you're good,' he said and rolled onto his back. The man wasn't much for flowery speech, Alesandra thought with a smile. It didn't matter. She was arrogantly proud of herself because she'd pleased him. Perhaps she should give him a little praise too. She rolled onto her side to face him, put her hand on his chest directly over his pounded heart, and whispered. 'You're good, too. 'Tis the truth, you're the best I've ever had.'
He opened his eyes to look at her. 'I'm the only one you've ever had, remember?' His voice was gruff with affection.
'I remember,' she said.
'No other man is ever going to touch you, Alesandra. You're mine. — Julie Garwood

Goebbels was known for his wit; Martha, for a time, considered him charming. "Infectious and delightful, eyes sparkling, voice soft, his speech witty and light, it is difficult to remember his cruelty, his cunning destructive talents." Her mother, Mattie, always enjoyed being seated next to Goebbels at banquets; Dodd considered him "one of the few men with a sense of humor in Germany — Erik Larson

This is a young country," Kennedy went on, his voice getting louder, "founded by young men ... and still young in heart ... The world is changing, the old ways will not do ... It is time for a new generation of leadership to cope with new problems and new opportunities." Even Kennedy's enemies agreed that his speech that day was stirring. He turned Truman's challenge around: the issue was not his inexperience but the older generation's monopoly on power. — Robert Greene

Writing with voice is writing into which someone has breathed. It has that fluency, rhythm, and liveliness that exist naturally in the speech of most people when they are enjoying a conversation ... Writing with real voice has the power to make you pay attention and understand
the words go deep. — Peter Elbow

Speech is the body part of thinking, the voice of the mind. Writing is the blood and mind mixing to speak through the fingers, through the hands. — Lenora Champagne

Sound has a profound effect on the senses. It can be both herd and felt. It can even be seen with the mind's eye. It can almost be tasted and smelled. Sound can evoke responses of the five senses. Sound can paint a picture, produce a mood, trigger the senses to remember another time and place. From infancy we hear sound with our entire bodies. When I hear my own name, I have as much a sense of it entering my body through my back or my hand or my chest as through my ears. Sound speaks to the sensorium; the entire system of nerves that stimulates sensual responce. — Louis Colaianni

In this, then, lies their power of understanding
understanding, without words, what is authentic or inauthentic. Thus it was the grimaces, the histrionisms, the false gestures and, above all, the false tones and cadences of the voice, which rang false for those wordless but immensely sensitive patients. It was to these (for them) most glaring, even grotesque, incongruities and improprieties that my aphasic patients responded, undeceived and undeceivable by words.
This is why they laughed at the President's speech. — Oliver Sacks

This, then, is the legacy of January 1973. The "me generation" found its voice, religion became a political force, poverty and civil rights became someone else's problem, and the national will for concerted action for the common good of all its citizens was scattered into "a thousand points of light."

At some point, perhaps those scattered lights will re-form and reunite to give birth to a rededicated nation, one that includes a place for everyone, opportunity for all, and help for those who need it. After all, it only takes a moment in time and some simultaneity. As Lyndon Johnson so aptly observed in his greatest speech - the "We Shall Overcome" speech - there are times in America when "history and fate meet at a single time in a single space to shape a turning point in man's unending search for freedom."

Let us hop such a time is nearing. — James Robenalt

The voice is raised, and that is where poetry begins. And even today, in the prolonged aftermath of modernism, in places where 'open form' or free verse is the orthodoxy, you will find a memory of that raising of the voice in the term 'heightened speech.' — James Fenton

As human voice and instrument blend in one harmony, as human soul and body blend in each act of feeling, thought, or speech, so, as far as we can know, divinity and humanity act together in the thought and heart and act of the one Christ. — Archibald Alexander Hodge

Some people are natural beauties, some have great style, but sometimes it comes from talent. Take Kate Winslet: I was listening to her speech at the Golden Globes. That woman has so much intensity. She's amazing to watch and to listen to. With some people, it can even be their voice that makes them attractive. — Mary-Kate Olsen

Now, motivational patterns are going to be similar among all espionage agents. That is to say: there will be certain types of motivation that are similar despite differing schools or opposed aims. You will study first how to separate this element for your analysis - in the beginning, through interrogation patterns that betray the inner orientation of the interrogators; secondly, by close observation of language-thought orientation of those under analysis. You will find it fairly simple to determine the root languages of your subjects, of course, both through voice inflection and speech pattern. — Frank Herbert

eyes full of adultery, they never stop sinning; they seducea the unstable;b they are experts in greedc - an accursed brood!d 15They have left the straight way and wandered off to follow the way of Balaame son of Bezer,6 who loved the wages of wickedness. 16But he was rebuked for his wrongdoing by a donkey - an animal without speech - who spoke with a human voice and restrained the prophet's madness.f — Anonymous

They would have been still more amazed if they had seen what Beth did afterward. If you will believe me, she went and knocked at the study door before she gave herself time to think, and when a gruff voice called out, "come in!" she did go in, right up to Mr. Laurence, who looked quite taken aback, and held out her hand, saying, with only a small quaver in her voice, "I came to thank you, sir, for ... " But she didn't finish, for he looked so friendly that she forgot her speech and, only remembering that he had lost the little girl he loved, she put both arms round his neck and kissed him. — Louisa May Alcott

The mind working alone produces thought; the heart produces feeling; the tongue makes speech and the hand in isolation makes scribble: all four together create voice. — Geoff Hewitt

The hearing aids are very helpful for speech reading. Without the hearing aids, my voice becomes very loud, and I cannot control the quality of my voice. — Marlee Matlin

His forward voice now is to speak well of his friend. His backward voice is to utter foul speeches and to detract. — William Shakespeare

I went to school. I went to Juilliard. You spend 13 hours a day on voice and speech. Now I realize why. — Jennifer Carpenter

Said by whom? Said to whom? Not by a mind to a mind, but by a being who has body and language to a being who has body and language, each drawing the other by invisible threads like those who hold the marionettes-making the other speak, think, and become what he is but never would have been by himself. Thus things are said and are thought by a Speech and by a Thought which we do not have but which has us. There is said to be a wall between us and others, but it is a wall we build together, each putting his stone in the niche left by the other. Even reason's labors presuppose such infinite conversations. All those we have loved, detested, known, or simply glimpsed speak through our voice. — Maurice Merleau Ponty

But he was saying, '
and so I'm not going to make any speech
' In his old voice, his own voice. Or was that his voice? Which was his true voice, which one of all the voices, you would wonder. — Robert Penn Warren