Visual Language Quotes & Sayings

One advantage of photography is that it's visual and can transcend language. — Lisa Kristine

There was a beauty in the trash of the alleys which I had never noticed before; my vision seemed sharpened, rather than impaired. As I walked along it seemed to me that the flattened beer cans and papers and weeds and junk mail had been arranged by the wind into patterns; these patterns, when I scrutinized them, lay distributed so as to comprise a visual language. — Philip K. Dick

The lenses of telescopes and cameras can no more cover the breadth and scale of the visual array than language can cover the breadth and simultaneity of internal experience. — Annie Dillard

We have a bad habit of seeing books as sort of cheaply made movies where the words do nothing but create visual narratives in our heads.
So too often what passes for literary criticism is "I couldn't picture that guy", or "I liked that part", or "this part shouldn't have happened." That is, we've left language so far behind that sometimes we judge quality solely based on a story's actions.
So we can appreciate a novel that constructs its conflicts primarily through plot - the layered ambiguity of a fatal car accident caused by a vehicle owned by Gatsby but driven by someone else, for instance. But in this image-drenched world, sometimes we struggle to appreciate and celebrate books where the quality arises not exclusively from plot but also from the language itself. — John Green

The world of visual perspective is one of unified and homogeneous space. Such a world is alien to the resonating diversity of spoken words. So language was the last art to accept the visual logic of Gutenberg technology, and the first to rebound in the electric age. — Marshall McLuhan

Many experiments have shown that readers understand and remember material far better when it is expressed in concrete language that allows them to form visual images, — Steven Pinker

No one questions the fact that verbal language has to be learned, but the commonplaceness of visual experience betrays art; people tend to assume that, because they can see, they can see art. — Anne Truitt

Graphic design is a visual language uniting harmony and balance, color and light, scale and tension, form and content. But it is also an idiomatic language, a language of cues and puns and symbols and allusions, of cultural references and perceptual inferences that challenge both the intellect and the eye. — Jessica Helfand

I am fascinated by language in daily life: the way it can evoke an emotion, a visual image, a complex idea, or a simple truth. — Amy Tan

David Fincher is probably the best comprehensive director in terms of being a manger of a process that must drive forward. He has such confident command of cinema language and visual language and script and performance. He knows more about f-stops than any cameraman, he knows more about lighting than any gaffer, he is a wonderful writer, and he can give you a good line reading. Under pressure, he is the kind of guy who you will just dive in with and trust and follow because his vision is so intense. — Edward Norton

One of the striking aspects of the lines is the way they make us see a tree, with its pattern of twigs, leaves and branches, as a visual image of the invisible roots of language. — Terry Eagleton

It is striking how our language reveals the visual nature of our thoughts about the future state of affairs. When we invent the future, we try to get a mental picture of what things will be like long before we have begun the journey. Visions are our windows on the world of tomorrow. — James M. Kouzes

Conversations between people can move like tennis games, swift and unpredictable. There are constant subtle visual and verbal cues, there's innuendo, sarcasm, body language, tone. Everyone occasionally fumbles an encounter, a victim of social clumsiness. It's part of being human. — Michael Finkel

One's visual language is not something that manifests overnight. It develops organically over a life-time. The shifts can be so subtle as to be virtually imperceptible and, at times, will come to fruition so rapidly, and with such force, that the profundity is all-consuming. That is life's work. — Dan Winters

Good design, at least part of the time, includes the criterion of being direct in relation to the problem at hand - not obscure, trendy, or stylish. A new language, visual or verbal, must be couched in a language that is already understood. — Ivan Chermayeff

The only way I know as a director is to figure out what the film is about. And out of the theme and the sense of what the film is about, all those decisions start to make sense. But to find that truth within it, you have to limit your possibilities and limit your choices. That's where this visual language grows out of. — Darren Aronofsky

Art is humanity's most essential, most universal language. It is not a frill, but a necessary part of communication. The quality of civilization can be measured through its music, dance, drama, architecture, visual art and literature. We must give our children knowledge and understanding of civilization's most profound works. — Ernest L. Boyer

The ultimate role of photography as a contemporary language of visual communication consists of its capacity to slow down our fast and chaotic way of reading images. — Luigi Ghirri

Regardless of how successful the Fifth Generation and New Taiwan cinemas have been in the international film milieu, this (limited) recognition usually is based on two aspects: the formal or the exotic. Their works are praised as highly formally innovative (in other words, how well the have mastered the new-wave visual language of the West -- thus, our modernist language) or exotic (as revealing the mystery of an inscrutable Other). This may explain why in the United States, mainland, Hong Kong, and Taiwan cinemas are still perceived as a homogeneous entity called Chinese cinema, though they are products of the vastly different cultures of three geopolitically segregated regions. — Tonglin Lu

The words of the language, as they are written or spoken, do not seem to play any role in my mechanism of thought. The psychical entities which seem to serve as elements in thought are certain signs and more or less clear images which can be "voluntarily" reproduced and combined ... From a psychological viewpoint this combinatory play seems to be the essential feature in productive thought ... The ... elements are, in my case, of visual and some of muscular type. Conventional words or other signs have to be sought for laboriously only in a secondary stage, when the mentioned associative play is sufficiently established and can be reproduced at will. — Albert Einstein

In the circle where I was raised, I knew of no one knowledgeable in the visual arts, no one who regularly attended musical performances, and only two adults other than my teachers who spoke without embarrassment of poetry and literature - both of these being women. As far as I can recall, I never heard a man refer to a good or a great book. I knew no one who had mastered, or even studied, another language from choice. And our articulate, conscious life proceeded without acknowledgement of the preceding civilisations which had produced it. — Shirley Hazzard

Language could be used as an instrument of control, a way of establishing hierarchies that suggest one set of people is better or more special than another. Through language, one automatically identifies one's place within a social and cultural hierarchy and we all carry with us illogical attitudes about the bearers of particular language, based on our own cultural background and continued exposure to local political ideals. — David Crow

To write is to forget. Literature is the most agreeable way of ignoring life. Music soothes, the visual arts exhilarates, the performing arts (such as acting and dance) entertain. Literature, however, retreats from life by turning in into slumber. The other arts make no such retreat - some because they use visible and hence vital formulas, others because they live from human life itself.
This isn't the case with literature. Literature stimulates life. A novel is a story of what never was, a play is a novel without narration. A poem is the expression of ideas or feelings a language no one uses, because no one talks in verse. — Fernando Pessoa

I got really interested in the language used in blogs written by young girls - a young person's aggression, which is always lacking from the visual world. — Jenny Hval

Language operates between literal and metaphorical signification. The power of a word lies in the very inadequacy of the context it is placed, in the unresolved or partially resolved tension of disparates. A word fixed or a statement isolated without any decorative or 'cubist' visual format, becomes a perception of similarity in dissimilars - in short a paradox. — Robert Smithson

We are entering into an age in which visual language is defined by a dialogue between photographers and audiences. This means not just the democratic posting of images but the democratic interpretation of images. — Gilles Peress

Most screenplays, most motion pictures, owe much more to the screenplay. Ingmar Bergman has such an economy of language, so little language in his piece, it is so visual, his moods are introduced and buttressed by camera rather than by word or character. But again, that's unique. — Rod Serling

The ease with which we can connect the psychological world with the outer, visual and sensory one seeds our language with metaphors. — Alain De Botton

Good design today requires more vision (a larger point of view versus the single brilliant idea), more consistency (a deeper underlying structure of language and form versus the simple, uniform application of visual elements) and more patience (persistence over time versus creative authoritarianism). — William Drenttel

Because it's visual art, a lot of it comes from childhood experience but then a lot comes from the visual language - in advertising and stuff like that - which is around us. — Damien Hirst

When I was a kid, it was thought I would do something in the visual arts because I was always drawing, but when we emigrated to Australia from Holland when I was seven, I learnt the English language, and I fell in love with it. — Michel Faber

Right before 'American Dreams,' I started to pursue these avenues, like short films and getting into a couple night courses to really study photography and cinematography, and the language of visual storytelling. — Tom Verica

It's amazing to be able to work with people right at the top of whatever they do ... inspiring photographers and stylists with very interesting visual language. The more I do it, the more I enjoy it. — Edie Campbell

I need not repeat familiar arguments about the waste of teachers' time, and the difficulties thrown in the way of English children trying to learn their own language; or the fact that nobody without a visual memory for words ever succeeds in spelling conventionally, however highly educated he or she may be. — George Bernard Shaw

Animation is everywhere - it is the omnipresent visual language of the 21st century. — Paul Wells

I believe in a visual language that should be as strong as the written word. — David LaChapelle

There is nothing mysterious about space-time. Every speck of matter, every idea, is a space-time event. We cannot experience anything or conceive of anything that exists outside of space-time. Just as experience precedes all awareness and creative expression, the visual language of our photographs should ever more strongly express the fourth dimensional structure of the real world. — Wynn Bullock

In the absence of any written analogue to speech, the sensible, natural environment remains the primary visual counterpart of spoken utterance, the palpable site, or matrix wherein meaning occurs and proliferates. In the absence of writing, we find ourselves situated in the field of discourse as we are embedded in the natural landscape; indeed, the two matrices are not separable. We can no more stabilize the language and render its meanings determinate than we can freeze all motion and metamorphosis within the land. — David Abram

By attempting to surgically erase or "correct" visual traits that connect women of colour to their ancestry, these shows perpetrate a symbolic form of ethnic cleansing. That this is justified via the language of individuality and appropriateness - under the guise of helping women "retain her distinctive ethnic appearance" - make it all the more insidious. — Jennifer L. Pozner

For Berkeley (normal) vision is a language whereby God tells us about the tangible world. But prior to having experience of the tangible world, the visual language would be as meaningless as an utterly alien language. It would convey no meaning to the sighted mind. — David Berman

I love making up visual works of art in language. I get to be an artist without actually being an artist in that sense. — Siri Hustvedt

A lot of people in the art world hate to use the word Photoshop like it's cheating or easy or something. I say bollocks to that. For me, it's my tool, my paintbrush if you like, and lets me create my own visual language. — Idris Khan

The major accomplishment of analyzing illiteracy so far has been the listing of symptoms: the decrease in functional literacy; a general degradation of writing skills and reading comprehension; an alarming increase of packaged language (cliches used in speeches, canned messages); and a general tendency to substitute visual media (especially television and video) for written language. — Mihai Nadin

Embrace Cursive Schools are downplaying - and even eliminating - the need to learn to write cursive, despite its necessity to engage highly complex cognitive processes and achieve mastery of a precise motor coordination. (It takes children years to master handwriting and some stroke victims relearn language by tracing letters with their fingers.) Writing in cursive also increases a sense of harmony and balance, and writing on paper provides creative options: to manipulate the medium in multidimensional, innovative, or expressive ways (such as cutting, folding, pasting, ripping, or coloring the paper). Also, when you write in longhand on paper and then edit, there'll be a visual and tactile record of your creative process for you and others to study. Learning to write (and writing) in cursive, on paper, fosters creativity and should not be surrendered. — Susan Reynolds

We can write the new chapters in a visual language whose prose and poetry will need no translation. — Ernst Haas

What I take from writers I like is their economy - the ability to use language to very effective ends. The ability to have somebody read something and see it, or for somebody to paint an entire landscape of visual imagery with just sheets of words - that's magical. — Mos Def

Art works because it appeals to certain faculties of the mind. Music depends on details of the auditory system, painting and sculpture on the visual system. Poetry and literature depend on language. — Steven Pinker

We are obliged to steal pieces of language, both visual and textual. — Barbara Kruger

I cried, sitting by her bed, and I told her the story of us. "It's about the feed," I said. "It's about this meg normal guy, who doesn't think about anything until one wacky day, when he meets a dissident with a heart of gold." I said, "Set against the backdrop of America in its final days, it's the high-spirited story of their love together, it's laugh-out-loud funny, really heartwarming, and a visual feast." I picked up her hand and held it to my lips. I whispered to her fingers. "Together, the two crazy kids grow, have madcap escapades, and learn an important lesson about love. They learn to resist the feed. Rated PG-13. For language," I whispered, "and mild sexual situations. — M T Anderson

In a world rife with unsolicited messages, typography must often draw attention to itself before it will be read. Yet in order to be read, it must relinquish the attention it has drawn. Typography with anything to say therefore aspires to a kind of statuesque transparency. It's other traditional goal is durability: not immunity to change, but a clear superiority to fashion. Typography at its best is a visual form of language linking timelessness and time. — Robert Bringhurst

All things considered, I've learned more from talking to painters than talking to writers. Not that painters are smarter than writers, such is seldom the case, but in conversation writers are inclined to waste an inordinate amount of time either bragging or bellyaching about reviews and royalties, complaining about their publishers, or dissing other authors. Painters, being equally insecure, can likewise come across as boring and bitchy
it's tough being creative in a materialistic society
but since they labor not in vineyards of verbiage but upon ice floes of visual images, they tend to function with fewer inhibitions than the wordsmiths when it comes to vocally exploring and expressing ideas. Since no one judges their speech, comparing it to their written work, they don't feel so acutely the weight of language. — Tom Robbins

Most people report dreaming principally in visual images. Freud, however, assumes that dreams start from a dream-thought that is best expressed in words and translate it into a picture-language which is intellectually inferior because it cannot convey logical connections; the analyst restores to the dream its verbal character. — Sigmund Freud

Visual journaling allows us to access our inner language of imagery and express it both verbally and visually, while exploring the connection between image and word. — Michael Bell

The musician of disordered sound, the poet of decomposed language, the painter and sculptor of the fragmented visual and tactile world: they all portray the break up of the self and, through the rearrangement and reassemble of the fragments, try to create new structures that possess wholeness, perfection, new meaning. — Heinz Kohut

Marcel Duchamp, one of this century's pioneers, moved his work through the retinal boundaries which had been established with Impressionism into a field where language, thought and vision act upon one another. There it changed form through a complex interplay of new mental and physical materials, heralding many of the technical, mental and visual details to be found in more recent art ... He declared that he wanted to kill art ("for myself") but his persistent attempts to destroy frames of reference altered our thinking, established new units of thought, a "new thought for that object". — Jasper Johns

For usage-based theorists, acquisition of language, while impressive, is not the only remarkable feat accomplished by the child. They compare it to other cognitive and perceptual learning, including learning to 'see'. That is, the visual abilities that we take for granted, for example, focusing on and interpreting objects in our visual field, are actually learned through experience. — Patsy M. Lightbown

Flashbacks rarely involve language. Mine certainly didn't. They were visual, motor, and sensory, and they took place in a relentless, horrifying present. — Siri Hustvedt

Clothing, hair, shoes, accessories: these were props, visual cues, that people used to filter information and make instant assessments out of random connections, to categorize and assign value to those who populated their world. And layered beneath the props for sight came those for smell, and hearing, and more, that sense of intangibility that allowed people to read nuance and body language and interpret what the other senses didn't grasp directly; cues that together formed a picture that matched perceptions based on expectations and that, when adjusted one way or the other, filtered past the gatekeepers of the mind, allowing Munroe to become whatever she needed to be. — Taylor Stevens

Well, visual language is another boring discussion about the nature of film. — Alan Rudolph

I hope my visual language inspires others to tell their stories and challenges people's thinking. — Aurora Guerrero

I write on a visual canvas, 'seeing' a scene in my thoughts before translating it into language, so I'm a visual junkie. — Marianne Wiggins

I write in order to understand the images. Being what my agent ... somewhat ruefully calls a language playwright, is problematic because in production, you have to make the language lift off the page. But a good actor can turn it into human speech. I err sometimes toward having such a compound of images that if an actor lands heavily on each one, you never pull through to a larger idea. That's a problem for the audience. But I come to playwriting from the visual world - I used to be a painter. I also really love novels and that use of language. But it's tricky to ask that of the theatre. — Ellen McLaughlin

The explanation of this perennial quality of Arabic is to be found simply in the conserving role of nomadism. It is in towns that languages decay, by becoming worn out, the things and institutions they designate. Nomads, who live to some extent outside time, conserve their language better; it is, moreover, the only treasure they can carry around with them in their pastoral existence; the nomad is a jealous guardian of his linguistic heritage, his poetry and his rhetorical art. On the other hand, his inheritance in the way of visual art cannot be rich; architecture presupposes stability, and the same is broadly true of sculpture and painting. — Titus Burckhardt

Visual art is a foreign language I'm fluent at, but my native language is language. — Julia Glass

Erwin Schrodinger has explained how he and his fellow physicists had agreed that they would report their new discoveries and experiments in quantum physics in the language of Newtonian physics. That is, they agreed to discuss and report the non-visual, electronic world in the language of the visual world of Newton. — Marshall McLuhan

In France, they call the people who come to the theatre 'les spectateurs'; in Britain and Ireland, they are the audience, the people who listen. This does not mean the French are not interested in language. On the contrary. It actually says more about the undeveloped visual sense over here. — Simon McBurney

I'm very interested in the materiality of language. I wonder if, perhaps, this comes from my background in the visual arts. I was a potter for a number of years and earned a BFA in art before going to graduate school for creative writing. — Anna Journey

Visual journals are created in a secret language of symbols. Intentional or not, they are private maps only their makers can follow. — Jennifer New

Photographers learn to interpret photographs in that technical way because they want to understand and use that 'language' themselves just as musicians learn a more technical musical language than the layman needs. Social scientists who want to work with visual materials will have to learn to approach them in this more studious and time-consuming way. — Howard S. Becker

Sign is a live, contemporaneous, visual-gestural language and consists of hand shapes, hand positioning, facial expressions, and body movements. Simply put, it is for me the most beautiful, immediate, and expressive of languages, because it incorporates the entire human body. — Myron Uhlberg

I'm a visual thinker, not a language-based thinker. My brain is like Google Images. — Temple Grandin

There are objects made up of two sense elements, one visual, the other auditory - the colour of a sunrise and the distant call of a bird. Other objects are made up of many elements - the sun, the water against the swimmer's chest, the vague quivering pink which one sees when the eyes are closed, the feeling of being swept away by a river or by sleep. These second degree objects can be combined with others; using certain abbreviations, the process is practically an infinite one. There are famous poems made up of one enormous word, a word which in truth forms a poetic object, the creation of the writer. The fact that no one believes that nouns refer to an actual reality means, paradoxically enough, that there is no limit to the numbers of them. — Jorge Luis Borges

There are certain things that I will do viscerally to affect people emotionally, with speed changes and sound, and various other things. Sure there are links; the same kind of sensibilities went into it and I worked on writing that script as well so there was an emphasis on a minimalisation of dialogue as far as possible, to focus on the visual and to put it in another language, of course. — Mel Gibson

I'm a big fan of fiction film where you have a story and you have to transform that into a visual language, basically working with actors and also transforming that into how you pronounce that in the visual language of the shots, the construction of the shots and the lighting. All of that appealed to me from the beginning of my career at the university. When I graduated from the university, I wanted to deal mainly with that, with the visual aspect of the movie. — Dror Moreh

The work that I feel is most authentically mine is the one that is my first reaction, the first thing that feels like the truth. In aggregate, those choices, those series of decisions, create your point of view, your visual language. — Andrew Zuckerman

Cinema is a visual language, and you're always looking for visual metaphors for things. You know, if I was writing a play about Howard Hughes, I could have him give a monologue about how he's terrified to touch a doorknob. But on screen, you know, working with Marty Scorsese in 'The Aviator,' that became the series of images that told a story. — John Logan

The visual is sorely undervalued in modern scholarship. Art history has attained only a fraction of the conceptual sophistication of literary criticism. Drunk with self-love, criticism has hugely overestimated the centrality of language to western culture. It has failed to see the electrifying sign language of images. — Camille Paglia

Photojournalist? With a few exceptions, those of us working as photojournalists might now more appropriately call ourselves illustrators. For, unlike real reporters, whose job it is to document what's going down, most of us go out in the world expecting to give form to the magazine, or to newspaper editor's ideas, using what's become over the years a pretty standardized visual language. So we search for what is instantly recognizable, supportive of the text, easiest to digest, or most marketable - more mundane realities be damned. — Eugene Richards

Design is a form of competitive advantage. People tend to think of design as good art, good visual language, which it absolutely has to be. But it's also about the ability to do systems thinking. — James P Hackett

After meeting the family, they really felt like a sitcom family, ... I thought it would be cool if we did a reality show, but told it with the visual language of a sitcom format. — Tony DiSanto

Typography is the craft of endowing human language with a durable visual form. — Robert Bringhurst

The whole visual language of the movie is developed way before we get to set. Especially when you're doing visual effects and you don't have a lot of money to mess around, which we didn't, you have to really preplan everything. Pretty much every shot in the film was figured out months before we got to set. — Darren Aronofsky

I see them in the primitive silkscreen the brain is able to produce, maybe eight inches in front of my closed eyes, miniaturised by time and distance, riddled by visual static, each figure a dancing red ribbon. These are among the people I've tried to know twice, the second time in memory and language. Through them, myself. They are what I've become, in ways I don't understand but which I believe will accrue to a rounded truth, a second life for me as well as for them. — Don DeLillo