Visual Form Quotes & Sayings

Towards a Neurobiological Theory of Consciousness, one of the first synoptic articles to come out of his collaboration with Christof Koch at Caltech. I felt very privileged to see this manuscript, in particular their carefully laid-out argument that an ideal way of entering this seemingly inaccessible subject would be through exploring disorders of visual perception. Crick and Koch's paper was aimed at neuroscientists and covered a vast range in a few pages; it was sometimes dense and highly technical. But I knew that Crick could also write in a very accessible and witty and personable way; this was especially evident in his two earlier books, Life Itself and Of Molecules and Men. So I now entertained hopes that he might give a more popular and accessible form to his neurobiological theory of consciousness, enriched with clinical and everyday examples. — Oliver Sacks

I had drawings that were the first time that mathematics was put into visual form. — Agnes Denes

Many experiments have shown that readers understand and remember material far better when it is expressed in concrete language that allows them to form visual images, — Steven Pinker

There is something evocative about the idea of destruction. This act of destruction is the expression of an idea ... that what we call reality is not real at all. When I draw a head, for example, I immediately feel an urge to destroy it, to erase it, because the drawing only captures an outward appearance, and for me the vital issue is what lies behind the visual form of the head. — Antoni Tapies

Graphic design is a visual language uniting harmony and balance, color and light, scale and tension, form and content. But it is also an idiomatic language, a language of cues and puns and symbols and allusions, of cultural references and perceptual inferences that challenge both the intellect and the eye. — Jessica Helfand

Nature's purpose in relation to the visual arts is to provide stimulus not imitation ... From its ceaseless urge to create springs all Life all movement and rhythm time and light, color and mood in short, all reality in Form and Thought. — Hans Hofmann

Writing, in its physical, graphic form, is an inseparable suturing of the visual and the verbal, the "imagetext" incarnate — W. J. T. Mitchell

Some people ... cling to the idea that the photograph is an inherently real or honest image and as such is always on a different plane from an obviously subjective form of visual communication such as painting. — Tibor Kalman

With all of the visual distraction constantly inundating us in the form of our devices and screens, I really derive a great deal of pleasure from watching the sun rise and set, admiring clouds as they change shape across the sky, watching tree leaves and blossoms undulate in the breeze ... these treats foment an ocular-cleansing refreshment to my way of thinking. — Nick Offerman

Fort somehow turned the symbol of nerdiness into a visual aphrodisiac - Spanish fly in the form of solid black frames. — Shirin Dubbin

Sometimes I come to hate people because they can't see where I am. I've gone empty, completely empty and all they see is the visual form: my arms and legs, my face, my height and posture, the sounds that come from my throat. But I'm fucking empty. The person I was just one year ago no longer exists, drifts spinning slowly into the ether somewhere way back there. — David Wojnarowicz

What's required of me in the field is to feel,' Stirton says with emphasis. 'And trying to take that feeling and put it in a form that communicates a particular set of emotions or circumstances - whether that involves depicting masculine pride, or a particular kind of suffering, or love, or closeness - my primary job is to feel and to try to put that feeling into some kind of visual form. My goal is to get to the heart of each story, you know? I'm trying to evolve in my work. — Antonella Gambotto-Burke

What I so like about Poussin and Cezanne is their sense of organization. Ilike the way in which they develop space and shape in architecturalcontinuity - the rhythm across their paintings. When I paint a landscape, Iget the greatest pleasure out of composing it. As I paint, I try to work outa visual sonata form or a fugue, with realistic images. — Ian Hornak

Film is probably the medium best suited to reach the most people - the visual, the aural, the limbic, the intellectual: it captures all these parts of our mind and soul. No other art form comes close. — Peter Landesman

If I were twenty or thirty years younger, I would start afresh in this field with the certainty of accomplishing much. But I should have to learn from the bottom up, forgetting the theatre entirely and concentrating on the special medium of this new art. My mistake, and that of many others, lay in employing "theatrical" techniques despite every effort to avoid them. Here is something quite, quite fresh, a penetrating form of visual poetry, an untried exponent of the human soul. Alas, I am too old for it! — Eleanora Duse

Hildebrand, too, challenged the ideals of scientific naturalism by an appeal to the psychology of perception: if we attempt to analyze our mental images to discover their primary constituents, we will find them composed of sense data derived from vision and from memories of touch and movement. A sphere, for instance, appears to the eye as a flat disk; it is touch which informs us of the properties of space and form. Any attempt on the part of the artist to eliminate this knowledge is futile, for without it he would not perceive the world at all. His task is, on the contrary, to compensate for the absence of movement in his work by clarifying his image and thus conveying not only visual sensations but also those memories of touch which enable us to reconstitute the three-dimensional form in our minds. — E.H. Gombrich

Before music videos first came out, you'd listen to a song with headphones on, sitting in a beanbag chair with your eyes closed, and you'd come up with your own visions, these things that came from within. Then all of a sudden, sometimes even the very first time you heard a song, it was with these visual images attached, and it robbed you of any form of self-expression. — Eddie Vedder

Art can be thought of as a form of visual foreplay before the climax. — V.S. Ramachandran

What sets you apart from the rest of humanity is your ability to give visual form to an idea - the skill to transform it into something more than merely the insight or perception alone. — Richard Schmid

When judging a product, we rarely have exhaustive scientific data to go by. As a result, if we are to form a complete picture, we must fill in the blanks, just as we must in our visual perception. — Leonard Mlodinow

There is no mystery in this association of woods and otherworlds, for as anyone who has walked the woods knows, they are places of correspondence, of call and answer. Visual affinities of color, relief and texture abound. A fallen branch echoes the deltoid form of a streambed into which it has come to rest. Chrome yellow autumn elm leaves find their color rhyme in the eye-ring of the blackbird. Different aspects of the forest link unexpectedly with each other, and so it is that within the stories, different times and worlds can be joined. — Robert Macfarlane

Here the focus is narrow, almost obsessive. Everything that is not absolutely necessary to your happiness has been removed from the visual horizon. The dream is not only of happiness, but of happiness conceived in perfect isolation. Find your beach in the middle of the city. Find your beach no matter what else is happening. Do not be distracted from finding your beach. Find your beach even if - as in the case of this wall painting - it is not actually there. Create this beach inside yourself. Carry it with you wherever you go. The pursuit of happiness has always seemed to me a somewhat heavy American burden, but in Manhattan it is conceived as a peculiar form of duty. — Zadie Smith

My true function within a society which embraces all of us is to continue an age-old tradition. This tradition is to create images from the depths of the imagination and to give them form, whether visual, intellectual or musical. — Michael Tippett

In each medium - popular music, literature, and visual art, respectively - the woman has broken form, shed a skin, with each phase of her career, whereas the man has returned to ever-deepening iterations of the sound or sentence or imagery with which he began. — Stacey D'Erasmo

When I would present my work as a student, often I would hear, "Your project is too formal" - it's too form-based; it's too form-driven. Which is kind of shocking for a visual practice, for someone to say something discouraging about a focus on an exploration of aesthetics. — Jimenez Lai

You have to have an eye and a feeling for where things go. Writing visually, writing textually, writing sonically. Text is visual for me and images are textual. There is power in the way ideas are arranged, not just developed rhetorically. Form is everything. — Masha Tupitsyn

Evolving Culture, Reality, as we perceive it, is largely shaped by the artifacts, both material and symbolic, of thought, thought that leads to creative manifestation in form and color. With that in mind, it might be suggested that the visual artist, - from commercial designer to fine art painter - has much to do with most things that enter your everyday visuals, and thus form a major portion of one's reality and, certainly, how this culture manifests and evolves. — Robert Venosa

So to me it's very similar in terms of trying to distill within the image, those elements that are gonna form, hopefully, a compelling visual statement. — John Sexton

Animation remove you from a visual reality - if it was live action, you wouldn't be able to see through the person's mind. But animation takes a step away. It creates a very stylized landscape, but at the same time it is the form that is best able to address the reality of being alive and being in pain. — Signe Baumane

Visual media is the dominant art form in our present day culture, whereas poetry is, at best, a proxy. Yet poetry and film are both "dream factories." — Denise Duhamel

By attempting to surgically erase or "correct" visual traits that connect women of colour to their ancestry, these shows perpetrate a symbolic form of ethnic cleansing. That this is justified via the language of individuality and appropriateness - under the guise of helping women "retain her distinctive ethnic appearance" - make it all the more insidious. — Jennifer L. Pozner

I regard texture similar to the function of taste buds in our mouths. But in a visual form. Texture does create a specific flavour which affects our senses. — Adamo Macri

Habitual texters may not only cheat their existing relationships, they can also limit their ability to form future ones since they don't get to practice the art of interpreting nonverbal visual cues. — Jeffrey Kluger

Children should be introduced right from the start to the potentialities of their environment, to the physical and psychological laws that govern the visual world, and to the supreme enjoyment that comes from participating in the creative process of giving form to one's living space. — Walter Gropius

Myths, whether in written or visual form, serve a vital role of asking unanswerable questions and providing unquestionable answers. Most of us, most of the time, have a low tolerance for ambiguity and uncertainty. We want to reduce the cognitive dissonance of not knowing by filling the gaps with answers. Traditionally, religious myths have served that role, but today - the age of science - science fiction is our mythology. — Michael Shermer

To my knowledge, no one in or out of the field has ever been able to cite a game worthy of comparison with the great dramatists, poets, filmmakers, novelists and composers. That a game can aspire to artistic importance as a visual experience, I accept. But for most gamers, video games represent a loss of those precious hours we have available to make ourselves more cultured, civilized and empathetic. — Roger Ebert

I started connecting things to my body during my childhood. I approached the computer as a mediating element, as a form of visual art. — Steve Mann

Painting is the making of an analogy for something non-visual and incomprehensible - giving it form and bringing it within reach. And that is why good paintings are incomprehensible. Creating the incomprehensible has absolutely nothing to do with turning out any old bunkum, because bunkum is always comprehensible. — Gerhard Richter

Lucifer is the patron saint of the visual arts. Color, form-all these are the work of Lucifer. — Kenneth Anger

Teaching is a dialogue, and it is through the process of engaging students that we see ideas taken from the abstract and played out in concrete visual form. Students teach us about creativity through their personal responses to the limits we set, thus proving that reason and intuition are not antithetical. Their works give aesthetic visibility to mathematical ideas. — Martha Boles

I've always thought of the book as a visual art form, and it should represent a single artistic idea, which it does if you write your own material. — Chris Van Allsburg

I don't think of form as a kind of architecture. The architecture is the result of the forming. It is the kinesthetic and visual sense of position and wholeness that puts the thing into the realm of art. — Roy Lichtenstein

That it doesn't strike us at all when we look around us, move about in space, feel our own bodies, etc. etc., shows how natural these things are to us. We do not notice that we see space perspectivally or that our visual field is in some sense blurred towards the edges. It doesn't strike us and never can strike us because it is the way we perceive. We never give it a thought and it's impossible we should, since there is nothing that contrasts with the form of our world.What I wanted to say is it's strange that those who ascribe reality only to things and not to our ideas move about so unquestioningly in the world as idea and never long to escape from it. — Ludwig Wittgenstein

Among the many things that I showed Sir John [Herschel] while at Hammerfield, was a piece of white calico on which I had got printed one million spots. This was for the purpose of exhibiting one million in visible form. In astronomical subjects a million is a sort of unit, and it occurred to me to show what a million really is. Sir John was delighted and astonished at the sight. He went carefully over the outstretched piece with his rule, measured its length and breadth, and verified its correctness. — James Nasmyth

Beauty has undergone a similar process, thanks to advertisers. Evolution gave us a circuit that responds to good looks - call it the pleasure receptor for our visual cortex - and in our natural environment, it was useful to have. But take a person with one-in-a-million skin and bone structure, add professional makeup and retouching, and you're no longer looking at beauty in its natural form. You've got pharmaceutical-grade beauty, — Ted Chiang

The power of elegy, even in the face of an unbounded grief, to provide a containing form is vividly embodied by Anne Carson's 'Nox,' a nocturne with carefully controlled visual and tactile properties. — Susan Stewart

Bosnia's war had its visual hallmarks. Parks that were turned into cemeteries, refugee families piled onto horse-drawn carts, stop-or-die checkpoints with mines across the road. The most hideous hallmark of all was the blackened patch of ground in the center of town. It always meant the same thing, a destroyed mosque. The goal of ethnic cleansing was not simply to get rid of Muslims; it was to destroy all traces that they had ever lived in Bosnia. The goal was to kill history. If you want to do that, then you must rip out history's heart, which in the case of Bosnia's Muslim community meant the destruction of its mosques. Once that was done, you could reinvent the past in whatever distorted form you wanted, like Frankenstein.

p. 85 — Peter Maass

The task of writing a novel is to imagine a world
a world that first exists as a picture before it eventually takes the form of words. Only later do we express through words the picture we imagine, so that readers can share this product of the imagination. — Orhan Pamuk

I see what's going on," I said. "You're confusing beauty with this society's current idea of perfection of visual form. — A.M. Jenkins

If you were blind you would hardly have fallen in love in the first place. But now, do you truly wish to see the beloved in the cold clarity of the visual apparatus? It may be in your better interest to throw a veil over the gaze, so as to keep her alive in her archetypal, goddesslike form. — J.M. Coetzee

In a world rife with unsolicited messages, typography must often draw attention to itself before it will be read. Yet in order to be read, it must relinquish the attention it has drawn. Typography with anything to say therefore aspires to a kind of statuesque transparency. It's other traditional goal is durability: not immunity to change, but a clear superiority to fashion. Typography at its best is a visual form of language linking timelessness and time. — Robert Bringhurst

It's always a challenge bringing a great story classic to the screen. Giving visual form to the characters and places that have only existed in the imagination. But it's the kind of challenge we enjoy. — Walt Disney

A modeled form is less striking than one which is not. Modeling prevents shock and limits movement to the visual depth. Without modeling or chiaroscuro depth is limitless: movement can stretch to infinity. — Joan Miro

To get from the tangible to the intangible (which mature artists in any medium claim as part of their task) a paradox of some kind has frequently been helpful. For the photographer to free himself of the tyranny of the visual facts upon which he is utterly dependent, a paradox is the only possible tool. And the talisman paradox for unique photography is to work "the mirror with a memory" as if it were a mirage, and the camera is a metamorphosing machine, and the photograph as if it were a metaphor ... . Once freed of the tyranny of surfaces and textures, substance and form [the photographer] can use the same to pursue poetic truth" (Minor White, Newhall, 281). — Minor White

Typography is the craft of endowing human language with a durable visual form. — Robert Bringhurst

Design is a form of competitive advantage. People tend to think of design as good art, good visual language, which it absolutely has to be. But it's also about the ability to do systems thinking. — James P Hackett

Photojournalist? With a few exceptions, those of us working as photojournalists might now more appropriately call ourselves illustrators. For, unlike real reporters, whose job it is to document what's going down, most of us go out in the world expecting to give form to the magazine, or to newspaper editor's ideas, using what's become over the years a pretty standardized visual language. So we search for what is instantly recognizable, supportive of the text, easiest to digest, or most marketable - more mundane realities be damned. — Eugene Richards

Our knowledge of shape and form remains, in general, a mixture of visual and of tactile experiences ... A child learns about roundness from handling a ball far more than from looking at it. — Henry Moore

All great art is a visual form of prayer. — Wendy Beckett

I've always loved painting, although I never show anyone what I've done. Mainly because I don't do it well. But it's like a form of visual diary for me. A way of fixing things in my mind. — Judi Dench

Communicate with visual literacy - Make good use of all the non-verbal ways of communication - color, shape, form, texture. — Marty Sklar

Our visual field, the entire view of what we can see when we look out into the world, is divided into billions of tiny spots or pixels. Each pixel is filled with atoms and molecules that are in vibration. The retinal cells in the back of our eyes detect the movement of those atomic particles. Atoms vibrating at different frequencies emit different wavelengths of energy, and this information is eventually coded as different colors by the visual cortex in the occipital region of our brain. A visual image is built by our brain's ability to package groups of pixels together in the form of edges. Different edges with different orientations - vertical, horizontal and oblique, combine to form complex images. Different groups of cells in our brain add depth, color and motion to what we see. — Jill Bolte Taylor

Cinema is a mixed form. L'Avventura has characters, it has social context, and these things are not trivial. Its plot is the disappearance of a disappearance. Possibly the most frightening plot imaginable. Forgetting the dead, whom all of history tells us we must remember. But what makes movies themselves, rather than novels or plays, is something else. What is it if not the film medium itself? The purity of the visual, which lies in the silence of the stilled image. The freeze frame. The deeply, deeply silent image. Like death. The image in itself in its silent purity reaches
it reaches!
for the purity of death. — Frank Lentricchia

Time if the inner form of animal sense that animates events-the still frames-of the spatial world. The mind animates the world like the motor and gears of a projector. Each weaves a series of still pictures-a series of spatial states-into an order, into the 'current' of life. Motion is created in our minds by running "film cells" together. Remember that everything you perceive-even this page-is actively, repeatedly, being constructed inside your head. It's happening to you right now. Your eyes cannot see through the wall of the cranium; all experience including visual experience is an organized whirl of information in your brain. If your mind could stop its "motor" for a moment, you'd get a freeze frame, just as the movie projector isolated the arrow in one position with no momentum. In fact, time can be defined as the inner summation of spatial states. — Robert Lanza

I wanted wherever possible to lean into the comic form and do things in the story telling that could only be done in comics and which pay homage to the many strands of comic and visual storytelling tradition. — Arvind Ethan David

I think the power of the short film is incredibly underrated. It is way easier to get someone to watch a 15-minute film then a full-length feature. In those 15 minutes you have the opportunity to express your voice as an artist and hopefully connect with your audience. If you are trying to be a first time feature director then a short film that demonstrates you have a grasp on the themes and concepts of the movie you want to direct is a no-brainer. Whether they are collaborators or potential investors, filmmaking is a visual art form so you obviously need visuals to show them! — Nicholas Ozeki

Artistry is the dance of color & form, whether visual, musical, or sparked in the imagination by the written word. — Cathryn Louis

As far as stimulus from the visual arts specifically, there is today in most of us a visual appetite that is hungry, that is acutely undernourished. One might go so far as to say that Protestants in particular suffer from a form of visual anorexia. It is not that there is a lack of visual stimuli, but rather a lack of wholesomeness of form and content amidst the all-pervasive sensory overload. — John Walford

Drawing is the representation of form - the graphic expression of a visual experience. — Walter J. Phillips

Had stood there silently, watching, without interest or purpose, like a chemical compound on a photographic plate, absorbing visual shapes because they were there to be absorbed, but unable ever to form any estimate of the objects of her vision. — Ayn Rand

Good design today requires more vision (a larger point of view versus the single brilliant idea), more consistency (a deeper underlying structure of language and form versus the simple, uniform application of visual elements) and more patience (persistence over time versus creative authoritarianism). — William Drenttel

My biggest influence growing up was Mad magazine, which is a very text-heavy form of visual satire. I didn't grow up wanting to draw donkeys and elephants with the names of politicians written across them. — Tom Tomorrow

Marcel Duchamp, one of this century's pioneers, moved his work through the retinal boundaries which had been established with Impressionism into a field where language, thought and vision act upon one another. There it changed form through a complex interplay of new mental and physical materials, heralding many of the technical, mental and visual details to be found in more recent art ... He declared that he wanted to kill art ("for myself") but his persistent attempts to destroy frames of reference altered our thinking, established new units of thought, a "new thought for that object". — Jasper Johns

Dreaming is another form of thinking, more concrete, more economical, more visual, and often more emotional than the thoughts of the day, but a thinking through of the day, nevertheless. — Siri Hustvedt

Think of cocaine. In its natural form, as coca leaves, it's appealing, but not to an extent that it usually becomes a problem. But refine it, purify it, and you get a compound that hits your pleasure receptors with an unnatural intensity. That's when it becomes addictive.
Beauty has undergone a similar process, thanks to advertisers.Evolution gave us a circuit that responds to good looks
call it the pleasure receptor for our visual cortex
and in our natural environment, it was useful to have. But take a person with one-in-a-million skin and bone structure, add professional makeup and retouching, and you're no longer looking at beauty in its natural form. You've got pharmaceutical grade beauty, the cocaine of good looks. — Ted Chiang