Quotes & Sayings About Violent Music

I'm interested in the cultural thing - music, then eventually cinema. I think it's part of my struggle as a cultural worker. I'm not into the armed thing. I cannot be violent. — Lav Diaz

Children, awkward, isolate, their bodies crammed to bursting with caffein and sugar and pop music and cologne and perfume and hairgel and pimple cream and growth hormone-treated hamburger meat and premature sex drives and costly, fleeting, violent sublimations. It's all part of the conspiracy ... all of it trying to convince them that they're here to be trained for lives of adventure and glamor and heroism, when in fact they're here only to be trained for more of the same, for lives of plunking in the quarters, paying a premium for the never-ending series of shabby fantasies to come, the whole lifelong laser light show of glamorous degradation and habitual novelty and fun-loving murder and global isolation. — Alex Shakar

White folks have controlled New Orleans with money and guns, black folks have controlled it with magic and music, and although there has been a steady undercurrent of mutual admiration, an intermingling of cultures unheard of in any other American city, South or North; although there has prevailed a most joyous and fascinating interface, black anger and white fear has persisted, providing the ongoing, ostensibly integrated fete champetre with volatile and sometimes violent idiosyncrasies. — Tom Robbins

After a while I understood that, talking this way, everything dissolves: justice, pine, hair, woman, you and I. There was a woman I made love to and I remembered how, holding her small shoulders in my hands sometimes, I felt a violent wonder at her presence like a thirst for salt, for my childhood river with its island willows, silly music from the pleasure boat, muddy places where we caught the little orange-silver fish called pumpkinseed. It hardly had to do with her. Longing, we say, because desire is full of endless distances. — Robert Hass

Yet the laboriously sought musical epiphany rarely compares to the unsought, even unwanted tune whose ambush is violent and sudden: the song the cab driver was tuned to, the song rumbling from the speaker wedged against the fire-escape railing, the song tingling from the transistor on the beach blanket. To locate those songs again can become, with age, something like a religious quest, as suggested by the frequent use of the phrase "Holy Grail" to describe hard-to-find tracks. The collector is haunted by the knowledge that somewhere on the planet an intact chunk of his past still exists, uncorrupted by time or circumstance. — Geoffrey O'Brien

When you're dealing with TV and with movies, people dont take it as serious as they do with music. If a rapper does a song about shooting people on the block, and goes into a restaurant or grocery store, people grab their purses because they're afraid the person is violent. With TV and movies, people know it's okay, it's just a script. — Suge Knight

You want to know the truth about the poor in this country? They're not cool. They're not soulful. They're not honest. They're not the salt of the fucking earth. They're thick. They're myopic. They're violent. They're drunk most of the time. They like shit music. They wear shit clothes. They tell shit jokes. They're racist, most of them, and homophobic, the lot of them. They have tiny parameters of possibility and a minuscule spirit of enquiry or investigation. They would be better off staying in their little holes and fucking each other. And killing each other. — Simon Stephens

I was listening to a lot of Norwegian black metal and death metal. There's a great history to Norwegian black metal. That music is very dark and violent, but it's also beautiful. — Brie Larson

Nevertheless the passions, whether violent or not, should never be so expressed as to reach the point of disgust; and music, even in situations of the greatest horror, should never be painful to the ear but should flatter and charm it, and thereby always remain music. — Wolfgang Amadeus Mozart

Is it wrong, wanting to be at home with your record collection? It's not like collecting records is like collecting stamps, or beermats, or antique thimbles. There's a whole world in here, a nicer, dirtier, more violent, more peaceful, more colorful, sleazier, more dangerous, more loving world than the world I live in; there is history, and geography, and poetry, and countless other things I should have studied at school, including music. — Nick Hornby

There was Ffloyd, the Human Money Tree: the music would suddenly stop and Ffloyd would run through the room, naked, with a hundred one-dollar bills taped to his body. He ran in one door and out the other. A free-for-all ensued and whatever you grabbed was yours to keep.
That idea proved so popular, it morphed into the $1,000 Drop. Michael would stand on a table and toss a thousand dollar bills to an often violent mob. Of course, he usually pocketed $990 and passed the remaining ten on to tip-challenged friends. But two hundred blue-faced freaks still screamed and cried and clawed and climbed to get to Michael; why, you would have thought the New Kids on the Block were masturbating on stage, the way everybody carried on. — James St. James

People worry about kids playing with guns, and teenagers watching violent videos; we are scared that some sort of culture of violence will take them over. Nobody worries about kids listening to thousands - literally thousands - of songs about broken hearts and rejection and pain and misery and loss. — Nick Hornby

I do think certain kinds of music can make you violent. Like, when I listen to Nickelback, it makes me want to kill Nickelback. — Brian Posehn

When everything broken is broken,
and everything dead is dead,
and the hero has looked into the mirror with complete contempt,
and the heroine has studied her face and its defects
remorselessly, and the pain they thought might,
as a token of their earnestness, release them from themselves
has lost its novelty and not released them,
and they have begun to think, kindly and distantly,
watching the others go about their days
likes and dislikes, reasons, habits, fears
that self-love is the one weedy stalk
of every human blossoming, and understood,
therefore, why they had been, all their lives,
in such a fury to defend it, and that no one
except some almost inconceivable saint in his pool
of poverty and silence - can escape this violent, automatic
life's companion ever, maybe then, ordinary light,
faint music under things, a hovering like grace appears. — Robert Hass

My biography of Frank Sinatra is not paean to his music but rather an illumination of the man behind the music, who once described himself as 'an 18-karat manic-depressive who lived a life of violent emotional contradictions with an over-acute capacity for sadness as well as happiness.' — Kitty Kelley

Chicago. It's insane and violent and corrupt and vital and artistic and noble and cruel and wonderful. It's full of greed and hope and hate and desire and excitement and pain and happiness. The air sings with screams and laughter, with sirens, with angry shouts, with gunshots, with music. It's an impossible city, at war with itself, every horrible and wonderful thing blending together to create something terrifying and lovely and utterly unique. I — Jim Butcher

So here we are. The two of us. Me and this geezer I gotta kill. Sittin here in a car showroom office, lookin at each other, lettin Shostakovich's Fifth Symphony take us to places too beautiful and too fuckin sad for words. — Ian Ayris

I was at ease in everything, to be sure, but at the same time satisfied with nothing. Each joy made me desire another. I went from festivity to festivity. On occasion I danced for nights on end, ever madder about people and life. At times, late on those nights when the dancing, the slight intoxication, my wild enthusiasm, everyone's violent unrestraint would fill me with a tired and overwhelmed rapture, it would seem to me - at the breaking point of fatigue and for a second's flash - that at last I understood the secret; I would rush forth anew. I ran on like that, always heaped with favors, never satiated, without knowing where to stop, until the day - until the evening rather when the music stopped and the lights went out. — Albert Camus

Sure, Kill Bill is a violent movie. But it's a Tarantino movie. You don't go to see Metallica and ask the fu*kers to turn the music down. — Quentin Tarantino

Violence is a part of America. I don't want to single out rap music. Let's be honest. America's the most violent country in the history of the world, that's just the way it is. We're all affected by it. — Spike Lee

There is always a piano in an hotel drawing-room, on which, of course, some one of the forlorn ladies is generally employed. I do not suppose that these pianos are, in fact, as a rule, louder and harsher, more violent and less musical, than other instruments of the kind. They seem to be so, but that, I take it, arises from the exceptional mental depression of those who have to listen to them. — Anthony Trollope

You can say battle or war or whatever, but in the end, it's music. It's not really violent in intent at all, it's really just about expression and celebrating that in itself. — Eric San

He calls me his Queen of the Night. He shows me the wonders in this incredible city. He encourages me to find my own way, and to choose what I think is right or wrong.
And the sex, God, the sex! I never knew what sex was until him! It's not soft music and candlelight, a choice, a deliberate action.
It's as involuntary as breathing, and as impossible not to do. It's slammed up against a wall in a dark alley, or flat on my back on cold concrete because I can't stand one more second without him. It's on my hands and knees, dry-mouthed, heart-in-my-throat, waiting for the moment he touches me, and I'm alive again. It's punishing and purifying, velvet and violent, and it makes everything else melt away, until nothing matters but getting him inside me and I wouldn't just die for him - I'd kill for him, too.
Like I did tonight. — Karen Marie Moning

It throbbed and pulsed, channeled by elemental forces of fear, love, hope, and sadness. The bow stabbed and flitted across the strings in a violent whorl of creation; its hairs tore and split until it seemed the last strands would sever in a scrape of dissonance. Those who saw the last fragile remnants held their breath against the breaking. The music rippled across the ship like a spirit, like a thing alive and eldritch and pregnant with mystery. The song held. More than held, it deepened. It groaned. It resounded in the hollows of those who heard. Then it softened into tones long, slow, and patient and reminded men of the faintest stars trembling dimly in defiance of a ravening dark. At the last, when the golden hairs of the bow had given all the sound they knew, the music fled in a whisper. Fin was both emptied and filled, and the song sighed away on the wind. — A.S. Peterson

I was raised in Washington, DC, very violent place. I grew up with violence. My introduction to music was violent. The years I've spent on tours, some of that was extremely violent. — Henry Rollins

The point of recapitulation in the first movement of Beethoven's Ninth Symphony unleashes one of the most horrifyingly violent episodes in the history of music ... The point is not to hold up Beethoven as exceptionally monstrous. The Ninth Symphony is probably our most compelling articulation in music of the contradictory impulses that have organized patriarchal culture since the Enlightenment. Moreover, within the parameters of his own musical compositions, he may be heard as enacting a critique of narrative obligations that is ... devestating. — Susan McClary

My teacher, Ben Johnston, was convinced that our tuning is responsible for much of our cultural psychology, the fact that we are so geared toward progress and action and violence and so little attuned to introspection, contentment, and acquiescence. Equal temperament could be described as the musical equivalent to eating a lot of red meat and processed sugars and watching violent action films. The music doesn't turn your attention inward, it makes you want to go out and work off your nervous energy on something. — Kyle Gann

We have allowed our youths to buy into a culture (hip hop) that has been perverted, corrupted and overtaken by prison culture. The music, attitude and behavior expressed in this culture is anti-black, anti-education, demeaning, self-destructive, pro-drug dealing and violent. — Jason Whitlock