Violence In Literature Quotes & Sayings

Just as legendary rivers were used to represent the flow of life, so Mount Athos is a handy image to show human vulnerability. Its minerals themselves reminding us that ours is a planet constituted around Nature's awesome violence! Struggling to survive then, is integral to our existence. Literature on these issues, transforming rock and boulder into a subjective mountain, where fleshly mountaineers set forth, in the blinding brilliance of an alpine dawn, to ascend their own transgressions, remains telling. Breathing in, when nearing the top, to smell the pure air of spiritual comprehension: of heady intrinsic freedom, only to descend, once more, into the obscure and the pedestrian; albeit existentially transformed! In this way, indeed, Mount Athos transfigures many a man. — David William Parry

Her constant orders for beheading are shocking to those modern critics of children's literature who feel that juvenile fiction should be free of all violence and especially violence with Freudian undertones. Even the Oz books of L. Frank Baum, so singularly free of the horrors to be found in Grimm and Andersen, contain many scenes of decapitation. As far as I know, there have been no empirical studies of how children react to such scenes and what harm if any is done to their psyche. My guess is that the normal child finds it all very amusing and is not damaged in the least, but that books like Alice's Adventures in Wonderland and The Wizard of Oz should not be allowed to circulate indiscriminately among adults who are undergoing analysis. — Martin Gardner

I'm kind of like a samurai. They say if you want to be a samurai, you can't be afraid of dying, and as soon as you flinch, you get your head cut off. I'm not afraid of losing this business. — Yvon Chouinard

Homicide is not a sin. It is sometimes a necessary violence on resistant and ossified forms of existence which have ceased to be amusing. In the interests of an important and fascinating experiment, it can even become meritorious. Here is the starting point of a new apologia for sadism. — Bruno Schulz

Our nation was born in genocide when it embraced the doctrine that the original American, the Indian, was an inferior race. Even before there were large numbers of Negroes on our shore, the scar of racial hatred had already disfigured colonial society. From the sixteenth century forward, blood flowed in battles over racial supremacy. We are perhaps the only nation which tried as a matter of national policy to wipe out its indigenous population. Moreover, we elevated that tragic experience into a noble crusade. Indeed, even today we have not permitted ourselves to reject or feel remorse for this shameful episode. Our literature, our films, our drama, our folklore all exalt it. Our children are still taught to respect the violence which reduced a red-skinned people of an earlier culture into a few fragmented groups herded into impoverished reservations. — Martin Luther King Jr.

How does Chekhov's artistic "programme" comment on the message of The Duel, and vice versa? I should like to be a free artist and nothing more, and I regret that God has not given me the power to be one. I hate lying and violence in all their forms ... Pharisaism, stupidity and despotism reign not in merchants' houses and prisons alone. I see them in science, in literature, in the younger generation ... That is why I have no preference either for gendarmes, or for butchers, or for scientists, or for writers, or for the younger generation. I regard trade-marks and labels as a superstition. My holy of holies is the human body, health, intelligence, talent, inspiration, love, and the most absolute freedom - freedom from violence and lying, whatever forms they may take. This is the programme I would follow if I were a great artist.* — Anton Chekhov

The Protocol. Silence. A choice made generations ago to wipe out violence, but that had also succeeded in wiping out joy, laughter, and love. It had made the Psy an emotionless, robotic race that excelled in business and technology but produced no forms of art, no great music, no works of literature. — Nalini Singh

In some literature, I've read, weather is used as a metaphor. The darker and stormier the weather outside the more diabolical the deeds done. When the clouds roll away, however, the rain has washed away all the blood in the streets and the world is clean and new again, as if all the violence and destruction of the storm served a divine purpose. — Benjamin R. Smith

I love the walking contradiction of the body. I want to make corporeal characters, corporeal writing, I want to bring the intensities and contradictions and beauty and violence and stench and desire and astonishing physicality of the body back into literature. — Lidia Yuknavitch

If you are earning your money through violence, all this money is unethical, because violence and ethics cannot be together! — Mehmet Murat Ildan

We used to flock to watch gladiators, public torture and executions. In more recent times, our appetite for mortal violence has been sublimated in sports, photorealistic video games, film and literature. — Kenneth Oppel

You know, 20 years ... the films of television when it started, the literature, radio in communist countries, they're clean as a whistle; there was no violence, no sex, no drugs, nothing. — Milos Forman

The book tour has been really interesting and very gratifying. I have not book toured before. I've never had quite as much pleasure, as much satisfaction. — Leonard Nimoy

This ferry was taken over by the Yumas and operated for them by a man named Callaghan, but within days it was burned and Callaghan's headless body floated anonymously downriver, a vulture standing between the shoulderblades in clerical black, silent rider to the sea. — Cormac McCarthy

Violence commands both literature and life, and violence is always crude and distorted. — Ellen Glasgow

Even in the most peaceful communities, an appetite for violence shows up in dreams, fantasies, sports, play, literature, movies and television. And, so long as we don't transform into angels, violence and the threat of violence - as in punishment and deterrence - is needed to rein in our worst instincts. — Paul Bloom

Music has charms to soothe a savage breast, to soften rocks, or bend a knotted oak. I've read that things inanimate have moved, and, as with living souls, have been inform'd, by magic numbers and persuasive sound. — William Congreve

Writers haven't got any rockets to blast off. We don't even trundle the most insignificant auxiliary vehicle. We haven't got any military might. So what can literature do in the face of the merciless onslaught of open violence? One word of truth outweighs the whole world. — Aleksandr Solzhenitsyn

What kind of messenger are you? — Miguel Ruiz

Our understanding of the world around us is constantly being redefined and expanded, and so therefore, it is wiser to be passionate about seeking for truth than knowing it. — Bryant H. McGill

Most common people oft he market-place much prefer light literature to improving books. The problem is, that so many romances contain slanderous anecdotes about sovereigns and ministers or cast aspersions upon man's wives and daughters so that they are packed with sex and violence. Even worse are those writers of the breeze-and-moonlight school, who corrupt the young with pornography and filth. As for books of the beauty-and-talented-scholar type, a thousand are written to a single pattern and none escapes bordering on indecency. They are filled with allusions to handsome, talented young men and beautiful, refined girls in history; but in order to insert a couple of his own love poems, the author invents stereotyped heroes and heroines with the inevitable low character to make trouble between them like a clown in a play, and makes even the slave girls talk pedantic nonsense. So all these novels are full of contradictions and absurdly unnatural. — Cao Xueqin

If the present tries to sit in judgment of the past, it will lose the future. — Winston Churchill

Russia will make new allegiances. Siberia, unfreezing, will become a land grab. — Lidia Yuknavitch

Her eyes widen and she shoves me back and then there's a space between us, enough to paralyze me with all of the things I could do to her next. I could raise my hand and hit her in the face or bring my knee into her stomach, take a fistful of her hair and rip it out of her skull. You don't get to do this when you're a girl, so when the opportunity for violence finally presents itself, I want all of it at once. — Courtney Summers

The Grimm collections were never intended for children. Not because kids were excluded, but because the division we make today of children's literature didn't exist then. The idea of protecting children from tales with violence didn't occur until the earlier part of the 19th century. — Jack Zipes

Everybody knows that the dumbest people in any American university are in the education department, and English after that. — Kurt Vonnegut

At this point, a few words on this term 'horror' are perhaps called for. Some amateurs of this kind of literature engage in endless hairsplitting disputes, centered around this word and its close companion 'terror', as to which' stories may so be categorized and which may not, and whether or not descriptions such as weird or fantasy or macabre are preferable. The designation 'horror', with its connotations of revulsion, satisfies me no more than it does the purists but I believe that it is the only term which embraces all the stories in this collection and which succinctly suggests to the majority of readers what is in store for them. Horror then, in this instance, covers tales of the Supernatural and of physical terror, of ghosts and necromancy and of inhuman violence and all the dark corners and crevices of human belief and behavior that lie in between. ("An Age In Horror" - introduction) — Michel Parry

Where there is no human connection, there is no compassion. Without compassion, then community, commitment, loving-kindness, human understanding, and peace all shrivel. Individuals become isolated, the isolated turn cruel, and the tragic hovers in the forms of domestic and civil violence. Art and literature are antidotes to that. — Susan Vreeland

The fact is that in any open society people constantly say things that other people don't like. It's completely normal that should happen. And in any confident, free society you just shrug it off and you proceed. There is no way of creating a free society where nobody says anything that others don't like. If offendness is the point at which you have to limit your thoughts then nothing can be said. There might be people who might be offended by various kinds of literature. I myself, I am not very fond of, let me not mention Chetan Bhagat, I wasn't going to say that, so I have not. And yet, I believe such writer have a right to publish, and of course to live. The point is behind these ideas of offendness and respect there is always the threat of violence. Always the threat is if you do that which disrespect or offends me I will be violent to you and so the real subject is not religion, its violence. — Salman Rushdie

He was at that period of life when the mind of men who think is composed, in nearly equal parts, of depth and ingenuousness. A grave situation being given, he had all that is required to be stupid: one more turn of the key, and he might be sublime. — Victor Hugo

The same authorities who insist upon beginnings, middles, and ends, declare that Great Literature (by which they mean the stories they have been taught to admire) is about love and death, while mere popular fiction like this is about sex and violence. One reader's sex, alas, is another's love; and one's violence, another's death. — Gene Wolfe

Preliminary research-most of it published outside the medical literature-indicates that a significant number of our patients have experienced some form of violence and abuse during their lifetime, including elder abuse, child abuse, gang-related violence, sexual abuse, and domestic violence. — David Schneider

If our friends' idealizations of us need the corrective of our own experience, it may be true also that our own sordid view of our lives needs the corrective of our friends' idealizations. — Oscar W. Firkins

My memory is not as good as it used to be and it probably never was. — M. Ray Holloway Jr.

I wasn't used to children and they were getting on my nerves. Worse, it appeared that I was a child, too. I hadn't known that before; I thought I was just short. — Florence King

And sometimes when I feel that much emotion, something inside of me just snaps. — Colleen Hoover