Viewers Like You Quotes & Sayings

The kidney was removed with great skill. We have an image of the kidney taken from that broadcast. Viewers are advised that the following image is quite graphic, and-"
"I am getting so sick of looking at this kidney," I said.
"It's a farce," Jazza replied. "They act like they're shocked and horrified, and then they show it off twenty times a day."
"Have you seen the singing kidney video?" I asked.
"Ugh. No."
"It's really funny. You should watch it. — Maureen Johnson

That's why I love doing television because it's something that fans and viewers can sit down each week and get to know your character and get to know the show and get to know what's going on and fall in love with you all over again, like they did in previous shows. — Tahj Mowry

It frustrates me that Britain can't make something like 'CSI' or 'The Sopranos'. Instead, British TV puts soap in primetime while every other civilized nation leaves it in daytime. Viewers should be more demanding. — Jamie Bamber

I realized [using my own voice] is what creates the performance in the performance art and that's what helps creates the distance for the viewers, like the distance that I get when I step back. — Kalup Linzy

Nine per cent of my viewers are men, of which the majority is, I think, 45 to 50. I like to tell myself it's just my dad watching. — Zoe Sugg

I want viewers to see that everything is connected, even the little guys like pollinators and flowers. — Louie Schwartzberg

Viewers make online requests to their favorite video-making whisperers to do the things that trigger their head tingles. Everyone's needs are different. It's like an interactive choose-your-own-adventure. — Andrea Seigel

You hear about bombings in other countries, or numbers like "10,000 people died" - you hear that number and you think, "Well, I saw that yesterday in a film, and that didn't look so bad." Younger viewers, in particular, lose perspective on reality. — Alejandro Gonzalez Inarritu

When I'm in the process of making a movie I'm not thinking about the finished result, and whether people have to see it once or more than once, and what the reaction to it will be. I just make it, and then I live with the consequences, some of which may not be as pleasant as I'd like! I know one thing, however. Many viewers may come out of the theater not satisfied, but they won't be able to forget the movie. I know they'll be talking about it during their next dinner. I want them to be a little restless about my movies, and keep trying to find something in them. — Abbas Kiarostami

At Universal Studios, Marston had a hand in films like Show Boat, in 1929. He also helped get films past the censors, including All Quiet on the Western Front, in 1930. When Carl Laemmle's son, Junior Laemmle, took over Universal, he turned it into a specialty shop for horror films: Marston's theory of emotions lies behind the particular brand of psychological terror in Laemmle's Frankenstein (1931), Dracula (1931), and The Invisible Man (1933). Before Marston left Hollywood, he also worked for Paramount. For Dr. Jekyll and Mr. Hyde (1931), he tested audience reaction by strapping viewers to blood pressure cuffs while they watched the rushes.30 — Jill Lepore

A lot of young viewers, but I also have a lot of older viewers. This chapter is for my older fans - those of you who are slightly more mature. If any kids are reading this book, turn the page now. This chapter is not appropriate for children. It's for adults who experience adult situations, such as eating dinner before 6:00 and struggling to read menus in dim lighting conditions. Many adults, myself included, have trouble reading menus when they go out to eat at restaurants because the font is way too small. I know there are products to help with this problem, like reading and magnifying glasses, but I have a better idea. Make the font size larger. There should be a worldwide standard for menu font size. I've included a sample menu below with a suitable font size. You'll notice — Ellen DeGeneres

News networks giving a greater voice to viewers because the social web is so popular are like a chef on the Titanic who, seeing the looming iceberg and fleeing customers, figures ice is the future and starts making snow cones. — Randall Munroe

It has become hard to stand still, wrapped in the glory of a single image, as the original viewers of old paintings used to do. The flood of images has increased our access to wonders and at the same time lessened our sense of wonder. We live in inescapable surfeit. A number of artists are using this abundance as their starting point, setting their own cameras aside and turning to the horde - collecting and arranging photographs that they have found online. These artist-collectors, in placing one thing next to another, create a third thing - and this third thing, like a subatomic particle produced by a collision of two other particles, carries a charge. A — Teju Cole

'The Sopranos' gets praised as novelistic, but it follows the most banal of life patterns, showing the sheer tedium of being a mobster. It has dead spots, boring plotlines, weak episodes. Characters develop slowly, or don't. Like viewers, a gangster might get bored, fade out of the action, then come back to find none of his debts forgotten. — Rob Sheffield

I have learned the lesson the hard way and I hope it serves as a lesson to lots of other young people. I would also like to apologise to all loyal Blue Peter viewers. — Richard Bacon

Personally, I don't give a toss about French viewers. I make films for foreigners - it's a bit like Ken Loach, who's not very popular in England but has had a lot of success in France. Cinema is always an experience in a foreign body. — Bruno Dumont

Beginning, perhaps, from the reasonable perspective that absolute objectivity is unattainable, Fox News and MSNBC no longer even attempt it. They show us the world not as it is, but as partisans (and loyal viewers) at either end of the political spectrum would like it to be. This is to journalism what Bernie Madoff was to investment: He told his customers what they wanted to hear, and by the time they learned the truth, their money was gone. — Ted Koppel

It's an entire industry focusing on young male viewers that want action and violence. They sell us something that isn't valid. They're selling films like a product. — Norman Jewison

One thing Fringe has is no shortage of ideas. There are so many jumping off points that we could use and have thought about. I just wouldn't want to pull a trick like that on the viewers. I really want to reward them. I honestly and sincerely feel that it's the most miraculous fan base I've ever seen, so I just want to make sure I use every fiber of my body to deliver for them what I think is going to be satisfying for their loyalty. — J.H. Wyman

I believe you shouldn't force the audience's interpretation of a character or a story. The more you explain things, the less intriguing and imaginable they are for viewers ... Film to me, in its essence, in its ultimate nature, is silent. Music and dialogue are there to fill what is lacking in the image. But you should be able to tell the story with moving pictures alone. For my next project, though, I'd like to make the kind of film where the characters blabber all the time. — Takeshi Kitano

Like viewers of Andy Warhol's films, the producers discovered that watching footage shot in real time was strangely unlike real life. — Jeffrey Ruoff

electrical wires dragged down by the weight of the ice and flickering balefully, a row of sleet-covered planes stranded in an airport, a huge truck that's jackknifed and tipped over and is lying on its side with smoke coming out. An ambulance is on the scene, a fire truck, a huddle of raingear-clad operatives: someone's been injured, always a sight to make the heart beat faster. A policeman appears, crystals of ice whitening his moustache; he pleads sternly with people to stay inside. It's no joke, he tells the viewers. Don't think you can brave the elements! His frowning, frosted eyebrows are noble, like those on the wartime bond-drive posters from the 1940s. Constance remembers those, or believes she does. But she may just be remembering history books or museum displays or documentary films: so hard, sometimes, to tag those memories accurately. Finally, a minor touch of pathos: a stray dog is displayed, semi-frozen, wrapped in a child's pink nap blanket. A gelid baby — Margaret Atwood

I think 'Teenage Wasteland' was one of those cult hits like 'My So-Called Life', something that came along and got a lot of viewers and then somehow fell into a bad timeslot that nobody ever watched, and then the network pulled the plug prematurely. — Jewel Staite

I guess what inspires me most is the desire to draw out feelings that feel best expressed on the written page by really good authors, and I'm not a really good author. I feel like my job as a filmmaker is to eff the ineffable, to take feelings that only poets could describe with words and try to project them on the screen for viewers to feel. I don't think I've succeeded once but in the act of trying I've come up with all these other results which sometimes intrigue me. — Guy Maddin

With each project, I'm going for something that makes viewers think, 'Wow, I've never seen a film like this before,' and later think, 'Wow, I've only seen a film like this once before. I saw it in theaters and am watching it now on Netflix or a similar streaming service.' — Kathryn Bigelow

As actors, we try to just do the character justice and try to make the writer's intentions come to life. If you do that to the best of your ability, that's really all you can do. All that other stuff, like a warm reception from fans and viewers, is just icing. — Tim Kang

I have had viewers that come up to me, and they're, like, You know, we used to watch ('Breaking Bad') as a family, and once the melted body came falling through the ceiling, my mom was just, like, 'I can't watch this show anymore. This is just way too disturbing for me.' So it's not for everybody. — Aaron Paul

I want to remind the viewers that people like Nancy Pelosi and Barack Obama endorsed the Occupy Wall Street movement which is actually full of anarchists. — Katie Pavlich

When a scene is shrouded in mist, it seems greater, nobler, and heightens the viewers' imaginative powers, increasing expectation -
like a veiled girl. Generally the eye and the imagination are more readily drawn by nebulous distance than by what is perfectly plain for all to see — Caspar David Friedrich

I think 'Heroes of Cosplay' will show a lot of the positive things, like how much effort it takes to make a costume. These people on the show aren't taking shortcuts. As long as that effort gets through to the viewers, we will be inspirational. Then there will be people who watch the show that want to get in and hands-on make outfits. — Yaya Han

We don't have formal training, that makes what we're experiencing a little bit more accessible to the viewers. If we actually knew what we were doing ahead of time, it would just be like talking at you, instead of experiencing the situation with you. — Jamie Hyneman

I'm one of the highest-paid television people in the world. I feel like I've made a difference in my viewers' lives, that I've been influential. — Cristina Saralegui

I'd caught what cameras call an updraft: just as the viewers got over the first rush of interest, others smelled the excitement and tuned in. The surprise of the newcomers strengthened the scent, attracting still more people, in a spiral that could make the feedback escalate out of control. Wave upon wave of astonishment crashed through me. I tried to look down, but the curiosity of millions forced my head back up. I stood there staring at the whale like someone forced to look into the sun, unable to turn away, though my mind cringed from the sight and my eyes were burning. It was not just an updraft, but riptide: feedback so strong that it flooded out my own emotions and derailed my thoughts. The audience grew so large and so greedy that it wouldn't even let me blink. — Raphael Carter

I go on Twitter and I ask my viewers, 'What would you like to see next season in my line?' or 'What are things you love to wear?' They're the ones wearing it, so I want to make sure it applies to them. — Bethany Mota

My fear
and what Ive read and heard
is that lesbians feel like [The L Word cast] all have long hair, and everyone is too pretty. Theres so much pressure on this one show, the first of its kind, to represent every dyke or lesbian in the world. But [lesbian viewers] are not going to be disappointed, because by the end of the first season [there are] a lot of diverse characters. — Leisha Hailey

I think viewers quite like it when I'm suffering or eating or drinking something horrible or really up against it in some quicksand or whatever. — Bear Grylls

The gold box ... was a kind of trigger. It gave viewers a reason to look for the ads in TV Guide and Parade. It created a connection between the Columbia message viewers saw on television and the message they read in a magazine. The gold box ... made the reader / viewer part of an interactive advertising system. Viewers were not just an audience but had become participants. It was like playing a game ... — Malcolm Gladwell

To me, it's an assignment, and my job is to tell the story, To me, it's easy. To me, it's what I'm paid to do and what I've dreamt about doing from Day One. Sometimes people don't like the stories, but it is what it is. I absolutely feel like no matter, if I'm calling a game between my brothers or my parents, the facts are the facts. The story dictates itself to me, and I relay the message to the viewers as well as I possibly can. That's going to be my job whether it's the Warriors or anybody else. — Mark Jackson

Evangelion is like a puzzle, you know. Any person can see it and give his/her own answer. In other words, we're offering viewers to think by themselves, so that each person can imagine his/her own world. We will never offer the answers, even in the theatrical version. As for many Evangelion viewers, they may expect us to provide the 'all-about Eva' manuals, but there is no such thing. Don't expect to get answers by someone. Don't expect to be catered to all the time. We all have to find our own answers. — Hideaki Anno

move. For one thing, you're going to start paying more attention. Yes, perhaps you'll sometimes have a crazed, wild-eyed look, but that's a price you're willing to pay to "free your mind." I'd like to be supportive, so let me alert you to the possible pitfalls of this strategy. In the psychological study of attention, one comes across a famous short video clip of three students dressed in white and three dressed in black, with each team passing a basketball back and forth as the members constantly change positions. The goal for viewers is to count how many times the white team passes the ball from one member to another. — Sheena Iyengar

It's the honest point of view of an artist: You have to please.I'd like viewers to come away from my films unsure whether they've understood them. I want to leave them wondering. — Jean-Pierre Melville

Viewers don't care how big media companies are. They care whether they can dump those they don't like, whether because of lousy service or because of crummy shows. — Virginia Postrel