View With Books Quotes & Sayings

With my earlier books, I got quite bored being with one protagonist all the way through. With the Alex Morrow books, I wanted to do something a bit more holistic, so there were lots of different points of view, and I wanted to look at aspects of crime that you don't tend to look at. — Denise Mina

He had built up within himself a kind of sanctuary in which she throned among his secret thoughts and longings. Little by little it became the scene of his real life, of his only rational activities; thither he brought the books he read, the ideas and feelings which nourished him, his judgments and his visions. Outside it, in the scene of his actual life, he moved with a growing sense of unreality and insufficiency, blundering against familiar prejudices and traditional points of view as an absent-minded man goes on bumping into the furniture of his own room. — Edith Wharton

This room had long served as a retreat from the disharmony and sadness of the first floor, and it was here I had fallen in love with these books and authors in a way that only lifelong readers know and understand. A good movie had never once affected me in the same life-changing way a good book could. Books had the power to alter my view of the world forever. A good movie could change my perceptions for a day. — Pat Conroy

When you read a book and its words agree with what you think, your view of the world or your feelings at the time, you discover that there are people out there that think like you. That takes away a feeling of loneliness. — Innocent Mwatsikesimbe

By the time I got to school, I had already read a couple hundred books. I knew in the first grade that they were lying to me because I had already been exposed to other points of view. School is basically about one point of view
the one the teacher has or the textbooks have. They don't like the idea of having different points of view, so it was a battle. Of course I would pipe up with my five-year-old voice. — Alan Kay

It wasn't the best view of the landscape around their buried bunker, but it wasn't the worst, either. In the distance, low rolling hills stood, a pretty shade of brown, like coffee mash with just the right amount of pig's milk in it. The sky above the hills was the same dull gray of his childhood and his father's childhood and his grandfather's childhood. The only moving feature on the landscape was the clouds. They hung full and dark over the hills. They roamed free like the herded beasts from the picture books. — Hugh Howey

I don't set out to transmit a message. I don't write with a political point of view. There are no religious overtones. Looking back at my books, I can say, 'Oh, yes, it is there.' But it's not in my mind when I write. — Lois Lowry

The ability to retain a child's view of the world with at the same time a mature understanding of what it means to retain it, is extremely rare - and a person who has these qualities is likely to be able to contribute something really important to our thinking. — Mortimer J. Adler

Here is interesting thought to play with,

World is based on information you go in social media... what in reality you are doing is sharing data, books when you are reading, what you are doing is diving in deeper level of topic most cases pointvof view from one person, to write a book is about to share experience. — Deyth Banger

How does one develop compassion for someone with a completely different set of values without reading something from their point of view? Books are one of the ways in which we can truly get into the heads of people we would never meet in our ordinary lives and travel to countries we would otherwise never visit. — Jennifer Steil

Some read books only with a view to find fault, while others read only to be taught; the former are like venomous spiders, extracting a poisonous quality, where the latter, like the bees, sip out a sweet and profitable juice. — Roger L'Estrange

There was, in my view, an unwritten contract with the reader that the writer must honour. No single element of an imagined world or any of its characters should be allowed to dissolve on an authorial whim. The invented had to be as solid and as self-consistent as the actual. This was a contract founded on mutual trust. — Ian McEwan

Something in her was changing as she read the books. Life after life flashed before her eyes, yet she stayed safe from misery. And the urge to act things out onstage could be satisfied cheaply, and at home, and without the annoyance of other members of an acting company. Her ambition to leave faded and a kind of contentment set in. She hadn't exactly feared the word contentment, but had always associated it with a vague sense of failure. To be discontented had always seemed much richer a thing. To be restless, striving. That view was romantic. In truth, she was finding out, life was better lived in a tranquil pattern. As long as she could read, she never tired of the design of her days. — Louise Erdrich

From this view, she could see how his light brown hair curled below his hat and over his collar. With a smile, she remembered the swashbuckling heroes in the forbidden novels she and Pamela used to read in secret. How they had swooned over those stories, their hearts beating rapidly in their not-yet-blossoming chests. Did Pamela ever remember those books when she looked at Nick? — Debra Holland

Books serve us simply by opening a window on all we wanted to say and feel and think about. We may not even notice that they have not said it themselves till we go back to them years later and do not find what we loved in them. You cannot keep the view by taking the window with you. — James Richardson

The Eating Guidelines
1. Eat when you are hungry.
2. Eat sitting down in a calm environment. This does not include the car.
3. Eat without distractions. Distractions include radio, television, newspapers, books, intense or anxiety-producing conversations or music.
4. Eat what your body wants.
5. Eat until you are satisfied.
6. Eat (with the intention of being) in full view of others.
7. Eat with enjoyment, gusto, and pleasure. — Geneen Roth

I write my books in my head, and not in a specific study with a view. The view is from my inner eyes. — Wilbur Smith

Life, Jersey Girl, sometimes pauses. It stops. Sometimes we don't even realize how everything around us is moving so quickly while we're standing in the middle of it, allowing it to pass us by. Most of us, if not all, just lose the why. Some of us never figure it out to begin with. We lose sight of the purpose that wakes us up every morning and pushes our day forward. We lose a sense of hope and the feeling of life in general. We view life as more of a test, one that's trying to beat us down every day. — E.L. Montes

God, what is wrong with me? I've been watching too much Gossip Girl. Reading too many snarky books. Maybe I should listen to a bunch of Christian music or watch some Hannah Montana with Budge. I know, I'll view VeggieTales until the evil is purged out of me, and all the comes out of me is goodness, light, and songs about cucumbers. — Jenny B. Jones

Books, purchasable at low cost, permit us to interrogate the past with high accuracy; to tap the wisdom of our species; to understand the point of view of others, and not just those in power; to contemplate
with the best teachers
the insights, painfully extracted from Nature, of the greatest minds that ever were, drawn from the entire planet and from all of our history. They allow people long dead to talk inside our heads. Books can accompany us everywhere. Books are patient where we are slow to understand, allow us to go over the hard parts as many times as we wish, and are never critical of our lapses. Books are key to understanding the world and participating in a democratic society. — Carl Sagan

Did Jane Austen ruin lives by giving people false expectations about love? Were her heroes just too good to be true? Could a real man of flesh and blood ever hope to live up to such paragons? And were books with happy endings cruel? Did they give their readers a warped view of the world and what they could expect from it? — Victoria Connelly

I neither oblige the belief of other person, nor overhastily subscribe mine own. Nor have I stood with others computing or collating years and chronologies, lest I should be vainly curious about the time and circumstance of things, whereof the substance is so much in doubt. By this time, like one who had set out on his way by night, and travelled through a region of smooth or idle dreams, our history now arrives on the confines, where daylight and truth meet us with a clear dawn, representing to our view, though at a far distance, true colours and shapes. — John Milton

The Historical Point of View, put briefly, means that when a learned man is presented with any statement in an ancient author, the one question he never asks is whether it is true. He asks who influenced the ancient writer, and how far the statement is consistent with what he said in other books, and what phase in the writer's development, or in the general history of thought, it illustrates, and how it affected later writers, and how often it has been misunderstood (specially by the learned man's own colleagues) and what the general course of criticism on it has been for the last ten years, and what is the "present state of the question. — C.S. Lewis

It's perfect. It's awesome. Every day is just filled with just wins. All we do is put wins in the record books. We win so radically in our underwear before our first cup of coffee, it's scary. People say it's lonely at the top, but I sure like the view. — Charlie Sheen

Why are we so confused about what police really do? The obvious reason is that in the popular culture of the last fifty years or so, police have become almost obsessive objects of imaginative identification in popular culture. It has come to the point that it's not at all unusual for a citizen in a contemporary industrialized democracy to spend several hours a day reading books, watching movies, or viewing TV shows that invite them to look at the world from a police point of view, and to vicariously participate in their exploits. And these imaginary police do, indeed, spend almost all of their time fighting violent crime, or dealing with its consequences. — David Graeber

My books have very few villains pretending to be righteous, but they are filled with good people who have pretended to be villains so well that they believe it themselves. This is how I like to view reality. — Kenneth Everett

I've had librarians say to me, "People in my school don't agree with homosexuality, so it's difficult to have your book on the shelves." Here's the thing: Being gay is not an issue, it is an identity. It is not something that you can agree or disagree with. It is a fact, and must be defended and represented as a fact.
To use another part of my identity as an example: if someone said to me, "I'm sorry, but we can't carry that book because it's so Jewish and some people in my school don't agree with Jewish culture," I would protest until I reached my last gasp. Prohibiting gay books is just as abhorrent ...
Discrimination is not a legitimate point of view. Silencing books silences the readers who need them most. And silencing these readers can have dire, tragic consequences. Never forget who these readers are. They are just as curious and anxious about life as any other teenager. — David Levithan

1. "Mistress Jamieson" tells Mary when they meet: "My mother likes to say some people choose the path of danger on their own, for it is how the Lord did make them, and they never will be changed." Do you agree? Was it more true in the past than today? Did Mary purposely choose a path of danger? Who else? 2. The author has people in her own life with Asperger's syndrome who helped her with Sara's character. What was it like to be in the point of view of a person with Asperger's syndrome? Did you have any preconceived ideas about Asperger's? Did they change? 3. Journeys (physical and otherwise) are a prevalent theme in many of Susanna Kearsley's books. What journeys can you identify in this book, past and present? How do they differ for female and male characters? 4. Mary takes "Mistress Jamieson" as a role model. "She — Susanna Kearsley

So long as there shall exist, by reason of law and custom, a social condemnation which, in the midst of civilization, artificially creates a hell on earth, and complicates with human fatality a destiny that is divine; so long as the three problems of the century - the degradation of man by the exploitation of his labour, the ruin of women by starvation and the atrophy of childhood by physical and spiritual night are not solved; so long as, in certain regions, social asphyxia shall be possible; in other words and from a still broader point of view, so long as ignorance and misery remain on earth, there should be a need for books such as this. — Victor Hugo

It still would be years before I understood the seriousness of my change of view. Much later, I recognized it in "Revolution," the essay of Polish journalist Ryszard Kapuscinski, who describes the moment when a man on the edge of a crowd looks back defiantly at a policeman - and when that policeman senses a sudden refusal to accept his defining gaze - as the imperceptible moment in which rebellion is born. "All books about all revolutions begin with a chapter that describes the decay of tottering authority or the misery and sufferings of the people," Kapuscinski writes. "They should begin with a psychological chapter - one that shows how a harassed, terrified man suddenly breaks his terror, stops being afraid. This unusual process - sometimes accomplished in an instant, like a shock - demands to be illustrated. Man gets rid of fear and feel free. Without that, there would be no revolution. — Gloria Steinem

All around the walls there are bookcases. They're filled with books. Books and books and books, right out in plain view, no locks, no boxes. No wonder we can't come in here. It's an oasis of the forbidden. — Margaret Atwood

(A point of view of a stupidy of mankind)...
Hey... did you check out the book by Stephen King in 7 June published??
... (I was talking to one friend if I can put him as a friend...)
The teacher says "Stop with this books.."... pff I said once not twice, why to stop? — Deyth Banger

My view of writing "Coldest Girl in Coldtown" was to take every single thing that I loved from every vampire book I had ever read and dump it into one book
everything I like
trying to evoke some of the decadence ... Vampires are a high-class monster: They want to dress up. They want to drink a lot of absinthe, or force their victims to drink a lot of absinthe. They have big parties and have elegant rituals. I think that's a thing we associate with vampires
they are the royalty of our monsters. We expect them to be rich, we expect them to be well-dressed. I wanted to have some of that be true because I like it, and have some of it not be true because it's kind of weird.
I wanted to put in the idea of infection, which I was really interested in and which was a big feature of the vampire books I read growing up. And, the fear and desire for infection
the way in which our urge towards loving vampires is nihilistic. Our fear of them is our survival instincts kicking in. — Holly Black

I have hidden my race for 22 books. I have hidden behind my married name, which is very Caucasian, because I didn't feel safe coming out with it. I didn't feel that the market would really accept me. I think I felt it's time to start bringing in an Asian-American point of view. — Tess Gerritsen