Very Good Visual Quotes & Sayings

I have a good memory for early life. My visual memory is good about childhood and adolescence, and less good in the last 10 years. I could probably tell you less what happened in the last 10 years. I remember what houses looked like, sometimes they just pop into my head. — Jeffrey Eugenides

A scary movie puts a lot of people, a mob, in one place. There are advantages to that because the panic runs through the audience. If it's a good movie, the fear jumps from one person to the next. You can find yourself screaming just because everybody around you is screaming. There's a real atmosphere of terror. It's also visual, which means that you can't look away from this thing - it's happening. You're in the dark. It's like a nightmare. It's like a dream. It's very, very visual. It works on all those levels. — Stephen King

I am a great lover of art, in many forms: paintings, objets, textiles. I don't have the talent for painting, but I have a very good sense of colour, a love of visual beauty. — Jacqueline Bisset

A lot of musicians are good cooks, and a lot of cooks are musicians, but I think that may just be a result of the creative impulse finding several means of expression. Probably an equivalent number are visual artists, woodworkers or compulsive liars. — Steve Albini

It is in the face of all this visual chaos, so opposed to order and simplicity, that I suddenly, perhaps a little guiltily, recall my vow to simplify my life. When I made that promise I had in mind the image of the ancient Greek subsisting on a fragment of pungent cheese, coarse bread, a handful of sun-warmed olives, a little watered wine; a man who discussed the Good, the True, the Beautiful with grave delight, and piped clear music in a sylvan glade. But I feel the absence of hills clothed in myrtle and thyme; of the Great Mother, Homer's wine-dark sea. Good resolutions, it seems, require good scenery. — Guy Vanderhaeghe

David Fincher is probably the best comprehensive director in terms of being a manger of a process that must drive forward. He has such confident command of cinema language and visual language and script and performance. He knows more about f-stops than any cameraman, he knows more about lighting than any gaffer, he is a wonderful writer, and he can give you a good line reading. Under pressure, he is the kind of guy who you will just dive in with and trust and follow because his vision is so intense. — Edward Norton

I went to an arts school as a kid. We had to take dance every other day, along with drama, music and visual arts. However, wearing black tights was something I dreaded ... and still have nightmares about it to this day. I think I was a pretty good dancer. I suppose that training helped me land parts in musicals ... or has just given me nightmares! — Jake Epstein

I think it's good to have switched to a much more visual world and that people are not all that interested in words. — Jerry Della Femina

Men are more visual creatures and rate women based on looks. We like to laugh and be shown a good time. I've never rated anyone on looks. — Alice Eve

I went to NYU for acting, for six years. I thought acting was the easy way out or in because I didn't put in enough effort in school, being a crazy kid in college. But, I was good at it, so that was the other side of it. I would love to direct. What I've learned from being on set is more how to deal with actors than even the visual part of it all. — Drea De Matteo

Floating in the tank after a busy day's work brings a great relief. Suddenly all of the stimulation of holding one upright against gravity disappears. One realizes that a good deal of the fatigue accumulated during the day is caused by keeping one's body upright in a gravitational field. From a neurophysiological standpoint, one has immediately freed up very large masses of neurons from the necessity of constant computations (as to the direction of gravity, the programming by visual and acoustic inputs, by temperature changes, etcetera). For example, one's cerebellum is now freed for uses other than balancing the body. In summary, then, — John C. Lilly

Whenever I listen to an artist or an art historian I'm struck by how much they see and how much they know--and how much I don't.

Good art writing should therefore do at least two things. It should teach us how to look: at art, architecture, sculpture, photography and all the other visual components of our daily landscape. And it should give us the information we need to understand what we're looking at. — William Zinsser

What do I know about God and the purpose of life?
I know that this world exists.
That I am placed in it like my eye in its visual field.
That something about it is problematic, which we call its meaning.
This meaning does not lie in it but outside of it.
That life is the world.
That my will penetrates the world.
That my will is good or evil.
Therefore that good and evil are somehow connected with the meaning of the world.The meaning of life, i.e. the meaning of the world, we can call God.
And connect with this the comparison of God to a father. — Ludwig Wittgenstein

Good design is a lot like clear thinking made visual. — Edward Tufte

With movies, you are always in search is a good story, one that everyone will relate to and love. I love finding those stories and creating a visual world to tell the story. — Don Bluth

I really believe that the movie will never be as good as the book, both because the book goes on longer - a movie is basically an abridgment of a book - and because books are internal. But they are incredibly powerful. The visual format is, you know, amazing. — Scott Turow

I was tied down in that chair for 10 minutes and experienced what it was like to be completely powerless while someone else has complete dominance. It's sadistic, even though I find Richard to be a really lovely human being. That's what the whole film [Tickled] is about. It's not a film about tickling, but I think tickling offers a really good visual metaphor for the much bigger ideas that we were trying to get at about power and control - by people who have a lot of money - over people without money and who have no power in the relationship. — David Farrier

Visual design is always a collaborative process between the director and the cinematographer. According to the best-case scenario, the director and cinematographer challenge each other as equals, and ultimately synthesize their differing approaches into a superior collective decision. But for this to be the case, the director must be as good a shot maker as the DP. If he is the weaker partner, then the look of the finished film will not be his — Gil Bettman

I foresee online gaming changing when there are good audio-visual links connecting the participants, thus approximating play in a face-to-face group. — Gary Gygax

We visual communicators have so much good to share: rather than sharing our chemical and style addictions, we could be using our professional skills to help communicate health information, conflict resolution, democracy, technology. — David Berman

An echo is a good way to describe the photogram, which is a visual echo of the real object. That's why I like to work with the photogram, because the contact with what is represented is actual. It's as if the border between the world and the print is osmotic. — Adam Fuss

The first thing I encountered on entering the museum was the earliest steam engine built in England. As I walked on, marveling at each successive mechanical wonder, I realized that I was witnessing the history of machinery, as if on parade, from its primitive beginnings to the present day, in all its complex and astounding elaborations.
Henry Ford's so-called "pile of scrap iron" was organized not only with scientific clarity but with impeccable, unpretentious good taste. Relics of the times associated with each machine were displayed beside it. To me, Greenfield Village, inside and out, was a visual feast. — Diego Rivera

Good visual layout shows the logical structure of a program. — Steve McConnell

I did a good bit of episodic television directing, but directing a movie is so much more complicated. And there's so much more responsibility because the medium is very much a director's medium. Television is much more of a producer's writer's medium so a lot of the time when you're directing a television show they have a color palette on set or a visual style and dynamic that's already been predetermined and you just kind of have to follow the rules. — Jason Bateman

As the cinematographer is usually more visual than the director is and full cooperation is really the answer and to make a great film, you need a good director and you need a good cinematographer. — Vilmos Zsigmond

Good design today requires more vision (a larger point of view versus the single brilliant idea), more consistency (a deeper underlying structure of language and form versus the simple, uniform application of visual elements) and more patience (persistence over time versus creative authoritarianism). — William Drenttel

Words aren't very good at describing complicated, strange visual things. You can try, and the reader will have some sort of image in their mind, but words aren't good at that. — Yann Martel

I wanted to be a visual artist because I grew up around a lot of painters and photographers and had a very artistic upbringing. And I fantasized about being a drug-dealer when I was a kid. I thought it would be a good opportunity; I knew that the market would be strong. Is that bizarre? — Jared Leto

I'm never going to be one of those people who is good at organization. But I'm very visual. I have a catalog in my head of things I already own, so it's easy to shop and I always know exactly what I'm looking for. — Alexa Chung

'The X-Files' from the beginning was a very visual show, and with Bob Mandel directing the pilot and Dan Sackheim being involved in the production of the pilot and directing the first episode, they brought a visual style to it that was elaborated on by so many good directors. — Chris Carter

On the first day of class, the Visual Arts building reclined before me like an old brick whore, egging me to show her one, last, good time. I doubted I was up to the task, but regardless, I entered from the rear, just to give myself the slightest mental edge. — Chip Kidd

There's a sadness to the human condition that I think music is good for. It gives a counterpoint to the visual beauty, and adds depth to pictures that they wouldn't have if the music wasn't there. — Mike Figgis

I write in order to understand the images. Being what my agent ... somewhat ruefully calls a language playwright, is problematic because in production, you have to make the language lift off the page. But a good actor can turn it into human speech. I err sometimes toward having such a compound of images that if an actor lands heavily on each one, you never pull through to a larger idea. That's a problem for the audience. But I come to playwriting from the visual world - I used to be a painter. I also really love novels and that use of language. But it's tricky to ask that of the theatre. — Ellen McLaughlin

Boxing is my real passion. I can go to ballet, theatre, movies, or other sporting events ... and nothing is like the fights to me. I'm excited by the visual beauty of it. A boxer can look so spectacular by doing a good job. — LeRoy Neiman

Let's face facts, this is visual medium, there's a very high premium put on people who are good-looking. But the minute you rely on that you get yourself in trouble. You certainly don't make a career out of that anymore as an actor. — Alec Baldwin

Richard Felder is co-developer of the Index of Learning Styles. He suggests that there are eight different learning styles. Active learners absorb material best by applying it in some fashion or explaining it to others. Reflective learners prefer to consider the material before doing anything with it. Sensing learners like learning facts and tend to be good with details. Intuitive learners like to identify the relationships between things and are comfortable with abstract concepts. Visual learners remember best what they see, while verbal learners do better with written and spoken explanations. Sequential learners like to learn by following a process from one logical step to the next, while global learners tend to make cognitive leaps, continuously taking in information until they get it. — Ken Robinson

Carl Rinsch has a good balance between the visual and the drama and action, so I thought if he's going to direct, we can make a new, epic film. My fear was gone when I met him. — Hiroyuki Sanada

In my opinion, visual effects are great when it compliments a good story, and action is great when it compliments a good story, but just to have them for the sake of having them, it gets a little boring, especially if you're talking a TV series. At least with a movie that's an hour and a half to two hours, you see it and you're impressed, and then you're out. With a series, if it's only that, week after week after week, there's nothing there to bring you back. You have to get invested in the characters and care about them and want to follow them. — Drew Roy

A good affirmation has five basic ingredients: it's personal, it's positive, it's present tense, it's visual, and it's emotional. — Stephen Covey

The best visual effects are when you shoot as much of what you can in camera. And it's really good for the actor's performance to have something real. — Rob Letterman

I think film is about images. Cinema needs good images. I think that if you don't have good images, it's not going to be a good film. I think all films should be really visual. — Vilmos Zsigmond

Corridor. Cress screamed and collapsed onto the ground. "Jacin, we are about to have company," said Sybil, ignoring Cress's sobs. "Separate yourself from this satellite, but stay close enough to have good visual without drawing suspicion. When an Earthen ship draws close, they will likely release one podship - wait until the pilot has boarded this satellite and then rejoin us using the opposite — Marissa Meyer

Is the beauty myth good to men? It hurts them by teaching them how to avoid loving women. It prevents men from actually seeing women. It does not, contrary to its own professed ideology, stimulate and gratify sexual longing. In suggesting a vision in place of a woman, it has a numbing effect, reducing all senses but the visual, and impairing even that. — Naomi Wolf

Abstract understanding doesn't mean arbitrary sloshing and messing. Abstract art is controlled visual magic based on laws and methodology. Abstraction generally involves implication, suggestion and mystery rather that obvious description. Like a good poem, a good abstraction attacks your feelings before your understanding. Abstraction within realism adds zest and excitement to otherwise dull subject matter. Abstract understanding takes time and patience. — Robert Genn

Abby must have been the one who found the safe house, because Townsend didn't like it.
"The building across the street is under construction," he snarled as soon as we'd carried our bags inside.
"The elevator has key card access, and I've hacked into the surveillance cameras from every system on the block," Abby argued. "We have a three-hundred-sixty-degree visual."
"Excellent." Townsend dropped his bag. "Now the circle can see us from every angle."
"Don't mind Agent Townsend, girls," Abby told us. "He's a glass-half-empty kind of spy."
"Also known as the good kind," he countered.
Abby huffed. — Ally Carter

This all seemed quaint and amusing, but as the book moved through to the modern day, nothing changed. People still fell to the influence of persuasion techniques, especially when they broadcast information about themselves that allowed identification of their personality type
their true name, basically
and the attack vectors for these techniques were primarily aural and visual. But no one thought of this as magic. It was just falling for a good line or being distracted or clever marketing. Even the words were the same. People still got fascinated and charmed, spellbound and amazed, they forgot themselves, and were carried away. They just didn't think there was anything magical about that anymore. — Max Barry

Taste tends to develop very unevenly. It's rare that the same person has good visual taste and good taste in people and taste in ideas. — Susan Sontag

Design is a form of competitive advantage. People tend to think of design as good art, good visual language, which it absolutely has to be. But it's also about the ability to do systems thinking. — James P Hackett

Usually, when I've met the people who are meant to be in a position of power, I've always made sure to give them a damn good soul stare - y'know, look right in their eyes, through the blackness of the pupils and into whatever conscious field exists within. Then lock the eyes on, but let them gently defocus so that the defined parameters of the visual physical go blurry and you can feel the energy behind it, the unseeable energy that isn't made of photons. Then, if your mind is quiet, you will be informed of the quality of their essence, or at least of the manifest persona that they believe themselves to be. — Russell Brand

This is the explanation I used to have on the site before my page got turned into an author's page.

Don't get butt hurt if I give you a 2 or 3 star rating. That means your book was good. I give very few 4 star ratings cause that means your book is gonna be a reread for me. I don't reread a lot of books. I think I gave less than a handful of 5 stars. 5 stars means that I think the book is a GREAT GREAT. Like a classic that will still be read in a 100 years, at least if I were alive it would be.

As you can see I don't buy into the hoopla that everybody is great. It's not true. Most are average. Some suck. Some are great. If you want a visual go google bell curve.

Life has winners and losers. Not everyone deserves a gold star. Suck it up. — D.R. Slaten

Children who are visual thinkers will often be good at drawing, other arts, and building things with building toys such as Legos. — Temple Grandin

Beauty has undergone a similar process, thanks to advertisers. Evolution gave us a circuit that responds to good looks - call it the pleasure receptor for our visual cortex - and in our natural environment, it was useful to have. But take a person with one-in-a-million skin and bone structure, add professional makeup and retouching, and you're no longer looking at beauty in its natural form. You've got pharmaceutical-grade beauty, — Ted Chiang

I learned capacity for self-reflection very early, finding it through interior monologues that books are so good at and that visual media is so bad at because it's so boring - nothing's happening. In a book, you can be inside the narrator's head for 50 pages, and nothing needs to happen. Then you learn to be inside your own head without something needing to happen. It's a very good antidote to a crazy, restless, "what's next?" culture - that you can just be in your own head and nothing is happening except that this is a rich place. I love that. — Jeanette Winterson

Now, the big box office successes are superhero stories. It seems there's a lowest common denominator mentality, in terms of movies that are almost purely visual, that anyone can understand anywhere in the world. Good robot, bad robot: they fight. You don't need to know anything apart from that. And then we can make toys that look like that robot - and sell those toys or video games. — Terence Winter