Vertov We Quotes & Sayings

The right sort of lie, I found, could serve better than the truth. — Adam McOmber

You just threatened them with a gun. I think I just threatened them with a gun. We got the money back. They actually returned it.' She took another shaky step. 'I feel so ... vibrant.'
His eyes were cynical. 'Delayed emotion. Don't do anything stupid because of it. — Anne Mallory

I earned my first steady paycheck watering rose bushes at a nursery for a dollar an hour. — John Grisham

We cannot improve the making of our eyes, but we can endlessly perfect the camera. — Dziga Vertov

But know this: as far as a music culture goes, EDM is the one who will accept the kids on the outliers, the ones who get bullied, the ones who feel like they may not quite fit in. This community is exceptional in its ability to bond all types together, and I am not exaggerating when I say it saves lives. Our audience is intelligent and kind, discriminating only in regards to which sound they like best. Our audience is unprecedented in their drive to proactively support each other. — Kaskade

I am the camera's eye. I am the machine that shows you the world as I alone see it. Starting from today I am forever free of human immobility. I am in perpetual movement. I approach and draw away from things-I crawl under them-I climb on them-I am on the head of a galloping horse. — Dziga Vertov

I am an eye. I am a mechanical eye. I, a machine, I am showing you a world, the likes of which only I can see — Dziga Vertov

It is far from simple to show the truth, yet the truth is simple. — Dziga Vertov

Kino-Eye uses every possible means in montage, comparing and linking all points of the universe in any temporal order, breaking, when necessary, all the laws and conventions of film construction. — Dziga Vertov

My road is towards the creation of a fresh perception of the world. Thus I decipher in a new way the world unknown to you. — Dziga Vertov

Everybody who cares for his art seeks the essence of his own technique. — Dziga Vertov

A canopy of sticky young leaves clung to the branches above him. There were startling yellow clouds of forsythia, trails of purple aubrietia; a young willow shook in a fountain of silver. — Rachel Joyce

It is clear that thought is not free if the profession of certain opinions makes it impossible to earn a living. It is clear also that thought is not free if all the arguments on one side of a controversy are perpetually presented as attractively as possible, while the arguments on the other side can only be discovered by diligent search. — Bertrand Russell

I'm an eye. A mechanical eye. I, the machine, show you a world the way only I can see it. I free myself for today and forever from human immobility. I'm in constant movement. I approach and pull away from objects. I creep under them. I move alongside a running horse's mouth. I fall and rise with the falling and rising bodies. This is I, the machine, manoeuvring in the chaotic movements, recording one movement after another in the most complex combinations.
Freed from the boundaries of time and space, I co-ordinate any and all points of the universe, wherever I want them to be. My way leads towards the creation of a fresh perception of the world. Thus I explain in a new way the world unknown to you. — Dziga Vertov

The internet has created a transnational audience. If you publish something in the New York Times, it's read all over the world. Who knows how big this audience is or how long it will last. — Pankaj Mishra

Chris Marker has a brilliant mind and heart and appetite for life, and it's a privilege to travel with him to whatever he chooses to remember and to evoke. He is one of cinema's all time greats - the most important reflective or non-narrative filmmaker after Dziga Vertov. — Susan Sontag

The film drama is the opium of the people ... down with bourgeois fairy-tale scenarios ... long live life as it is! — Dziga Vertov

I am an eye. A mechanical eye. I, the machine, show you a world the way only I can see it. I free myself for today and forever from human immobility. I'm in constant movement. I approach and pull away from objects. I creep under them. I move alongside a running horse's mouth. I fall and rise with the falling and rising bodies. This is I, the machine, manoeuvring in the chaotic movements, recording one moment after another in the most complex combinations.
Freed from the boundaries of time and space. I co-ordinate any and all points of the universe, wherever I want them to be. My way leads towards the creation of a fresh perception of the world. Thus I explain in a new way the world unknown to you. - Dziga Vertov 1923 — John Berger