Unhitched Trailer Quotes & Sayings
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Top Unhitched Trailer Quotes

It's absolutely fatal to your writing to think about how your work will be received. It's a betrayal of whatever talent you have. — Nadine Gordimer

Elijah blinked in dazzling sunlight and took a deep breath. The sweet-pepper scent of meadow grass told him immediately where he was. Winded, he skidded to a halt as the portal spat him out. Above him stretched skies of cornflower blue, dotted with threadbare white clouds sailing over like cotton galleons on the summer breeze. — Sharon Sant

A poem, being an instance of language, hence essentially dialogue, may be a letter in a bottle thrown out to the sea with the-surely not always strong-hope that it may somehow wash up somewhere, perhaps on the shoreline of the heart. In this way, too, poems are en route: they are headed towards. Toward what? Toward something open, inhabitable, an approachable you, perhaps, an approachable reality. Such realities are, I think, at stake in a poem. — Paul Celan

In his secretiveness he didn't merely resemble Newton, but actively exceeded him. — Bill Bryson

Vegetarians are cool. All I eat are vegetarians - except for the occasional mountain lion steak. — Ted Nugent

Don't lose faith in the good things, even when life is tough. The good things come in waves, along with the bad. — Julianne MacLean

Instead, he'd been so desperate to prove to her that he did indeed fulfill that final requirement of hers - that of being a heroic officer - that he'd been thoughtless. He'd been so eager to show her that he was indeed no deserter, no pirate, but an actual knight, indeed, that he'd sat here sweating in his finest dress uniform waiting for her to regain her senses. He had wanted to impress her. Surprise her. Instead, he had shocked her into oblivion. — Danelle Harmon

If a liberal were to attack Justice Clarence Thomas on the grounds that he's black, we would all go crazy. — Newt Gingrich

I have always depended on the kindness of strangers. — Tennessee Williams

Essentially, the scripts are not that different. Let's say, in literary terms, it's the difference between writing horizontally and writing vertically. In live television, you wrote much more vertically. You had to probe people because you didn't have money or sets or any of the physical dimensions that film will allow you. So you generally probed people a little bit more. Film writing is much more horizontal. You can insert anything you want: meadows, battlefields, the Taj Mahal, a cast of thousands. But essentially, writing a story is writing a story. — Rod Serling