Understanding Via Drawing Quotes & Sayings

I want to be buried with a Zippo, a roll of dimes & a bottle of Jack! — Frank Sinatra

Mars knew that love wasn't all red-paper valentines and candy hearts. Love wasn't always joy. Love could be hot-blooded pain down to the bone. Sometimes love was despair. And sometimes love was wrong. — Randy Russell

Perhaps we know only by comparing, by drawing distinctions from and similarities to what we already know. But when we use our terms of comparison to shut off any understanding of our connections with one another as human beings, we risk becoming something less than human ourselves. (7) — Martha Minow

Drawing is a form of probing. And the first generic impulse to draw derives from the human need to search, to plot points, to place things and to place oneself. — John Berger

Atheism, true 'existential' atheism burning with hatred of a seemingly unjust or unmerciful God, is a spiritual state; it is a real attempt to grapple with the true God. ... Nietzsche, in calling himself Antichrist, proved thereby his intense hunger for Christ. — Seraphim Rose

All that you need in the way of technique for drawing is bound up in the
technique of seeing - that is, of understanding, which after all is mainly
dependent on feeling. If you attempt to see in the way prescribed by any
mechanical system of drawing, old or new, you will lose the understanding of
the fundamental impulse. Your drawing becomes a meaningless diagram
and the time so spent is wasted. — Kimon Nicolaides

Los Angeles is a sophisticated city; it has no eccentricities and no heart. — Stella Benson

I believe it lures people on to acts of terrible evil by whispering to them that they will do good. That they'll make things not just a little better but all better. — Stephen King

To honor and celebrate; or to balance and rectify, drawing what you want or need into your life. A third mode is less personal, involving a desire to know more deeply, involving a desire to know more deeply, to grow in knowledge and understanding of the cards
breathing in the wisdom of the tarot for its own sake and to learn more about life and the human condition. — Cait Johnson

It really is more natural to believe a preternatural story, that deals with things we don't understand, than a natural story that contradicts things we do understand. Tell me that the great Mr Gladstone, in his last hours, was haunted by the ghost of Parnell, and I will be agnostic about it. But tell me that Mr Gladstone, when first presented to Queen Victoria, wore his hat in her drawing-room and slapped her on the back and offered her a cigar, and I am not agnostic at all. That is not impossible; it's only incredible. But I'm much more certain it didn't happen than that Parnell's ghost didn't appear; because it violates the laws of the world I do understand. — G.K. Chesterton

A romantic understanding sees it primarily in terms of immediate appearance. If you were to show an engine or a mechanical drawing or electronic schematic to a romantic it is unlikely he would see much of interest in it. It has no appeal because the reality he sees is its surface. Dull, complex lists of names, lines and numbers. Nothing interesting. But if you were to show the same blueprint or schematic or give the same description to a classical person he might look at it and then become fascinated by it because he sees that within the lines and shapes and symbols is a tremendous richness of underlying form. — Anonymous

No matter how well he worked. It was a little discouraging: the harder he tried to please the Captain, the less the Captain seemed to be pleased. — Larry McMurtry

An inflated consciousness is always egocentric and conscious of nothing but its own existence. It is incapable of learning from the past, incapable of understanding contemporary events, and incapable of drawing right conclusions about the future. It is hypnotized by itself and therefore cannot be argued with. It inevitably dooms itself to calamities that must strike it dead. — Carl Jung

We are all different. God made us that way. Drawing a line in the sand due to that is indeed unfortunate. — Jill Telford

The place Joanne is building inside [herself] has rooms for all of this. Not just rooms. Beautiful ones. For Karl and Jerry and Karen and Nate in his cowboy hat and the hot-tub guy and movie directors and old-lady healers and people trying to love their asses and people who think they're stupid for it. In these rooms, each thing that looks crazy or stupid will be like a drawing you give your mother, regarded with complete acceptance and put on the wall. Not because it is good but because it is trying to understand something. In these rooms, there will be understanding. In these rooms, each madness and stupidity will be unfolded from its knot and smoothed with loving hands until the true thing inside lies revealed. — Mary Gaitskill

Good drawing is not copying the surface. It has to do with understanding and expression. We don't want to learn to draw just to end up being imprisoned in showing off our knowledge of joints and muscles. We want to get the kind of reality that a camera can't get. We want to accentuate and suppress aspects of the model's character to make it more vivid. — Richard Williams

Recent works on the organization of advertising agencies in Britain and the US show that advertisers' self-understanding, expertise and practices are geared to the agencies' imperative for self-promotion in competitive markets (Cronin 2004; Soar 2000). Drawing on Bourdieu's observations on 'cultural intermediaries', Matthew Soar's (2000) research also shows that the first audience which advertising 'creatives' have in mind is themselves (see also Nixon 2003). — Roberta Sassatelli

You are burnt beyond recognition, he added, looking at his wife as one looks at a valuable piece of personal property which has suffered some damage. She held up her hands, strong, shapely hands, and surveyed them critically, drawing up her fawn sleeves above the wrists. Looking at them reminded her of her rings, which she had given to her husband before leaving for the beach. She silently reached out to him, and he, understanding, took the rings from his vest pocket and dropped them into her open palm. She slipped them upon her fingers; then clasping her knees, she looked across at Robert and began to laugh. The rings sparkled upon her fingers. He sent back an answering smile. — Kate Chopin

There was all this loneliness in my cartoons and people would say, "Gee, these characters are so lonely, disconnected, depressed." And I'd say, 'Yeah well, that's not me. I'm just interested in that because I think it makes a funny drawing.' But later I understood it was me in many respects; my hand was doing it ahead of the head's understanding. — Michael Leunig

Tessa craned her head back to look at Will. "You know that feeling," she said, "when you are reading a book, and you know that it is going to be a tragedy; you can feel the cold and darkness coming, see the net drawing tight around the characters who live and breathe on the pages. But you are tied to the story as if being dragged behind a carriage and you cannot let go or turn the course aside." His blue eyes were dark with understanding - of course Will would understand - and she hurried on. "I feel now as if the same is happening, only not to characters on a page but to my own beloved friends and companions. I do not want to sit by while tragedy comes for us. I would turn it aside, only I struggle to discover how that might be done."
"You fear for Jem," Will said.
"Yes," she said. "And I fear for you, too."
"No," Will said, hoarsely. "Don't waste that on me, Tess. — Cassandra Clare

One day, a new ideal will arise, and there will be an end to all wars. I die convinced of this. It will need much hard work, but it will be achieved... The important thing, until that happens, is to hold one's banner high and to struggle... Without struggle there is no life. — Kathe Kollwitz

The history of Protestantism is very great. It presents like no other of Luther's writings the central thought of Christianity, the justification of the sinner for the sake of Christ's merits alone. — Martin Luther

I miss you more than the sun misses the sky at night. — Taylor Swift

There is not a single dying human being who does not yearn for love, touch, understanding, and whose heart does not break from the withdrawal of those who should be drawing near. — Jennifer Worth

Ruskin's interest in beauty and in its possession led him to five central conclusions. First, beauty was the result of a number of complex factors that affected the mind both psychologically and visually. Second, humans had an innate tendency to respond to beauty and to desire to possess it. Third, there were many lower expressions of this desire for possession (including, as we have seen, buying souvenirs and carpets, carving one's name on a pillar and taking photographs). Fourth, there was only one way to possess beauty properly, and that was by understanding it, by making oneself conscious of the factors (psychological and visual) responsible for it. And last, the most effective means of pursuing this conscious understanding was by attempting to describe beautiful places through art, by writing about or drawing them, irrespective of whether one happened to have any talent for doing so. — Alain De Botton

Drawing is your understanding of form. — Edgar Degas