Under Paint Quotes & Sayings

Overgrown, crumbling, tilted, full of cracks, returning to the soil. Paint fell from boards, plaster from walls. Unsupervised, matter was collapsing under its own weight. — Andrzej Stasiuk

Why then did she do it? She looked at the canvas, lightly scored with running lines. It would be hung in the servants' bedrooms. It would be rolled up and stuffed under a sofa. What was the good of doing it then, and she heard some voice saying she couldn't paint, saying she couldn't create, as if she were caught up in one of those habitual currents in which after a certain time experience forms in the mind, so that one repeats words without being aware any longer who originally spoke them. — Virginia Woolf

The overwhelming consensus is that the traditions contained within the epistle can confidently be traced to James the Just. That would make James's epistle arguably one of the most important books in the New Testament. Because one sure way of uncovering what Jesus may have believed is to determine what his brother James believed. The first thing to note about James's epistle is its passionate concern with the plight of the poor. This, in itself, is not surprising. The traditions all paint James as the champion of the destitute and dispossessed; it is how he earned his nickname, "the Just." The Jerusalem assembly was founded by James upon the principle of service to the poor. There is even evidence to suggest that the first followers of Jesus who gathered under James's leadership referred to themselves collectively as "the poor. — Reza Aslan

I have read books that are so cliched and lazy, my eyes have bled. But I also have read books marketed under the chick-lit umbrella that are so honest, clever and gritty that I've wanted to give up writing and paint walls instead. — Jojo Moyes

We drove under a giant gray wing and headed out over open blacktop straight for a small white airplane standing alone. A corporate thing. A business jet. A Lear, or a Gulfstream, or whatever rich people buy these days. The paint winked in the sun. There was no writing on it, apart from a tail number. No name, no logo. Just white paint. Its engines were turning slowly, and its stairs were down. — Lee Child

Our group pressed west on what was left of Highway 93, toward the pass leading to Las Vegas. Sand covered the road in loose drifts so deep the horses' hooves sank into them. The metal highway signs were bent low by the strong wind, and above us, billboards that once screamed ads for the casinos were now stripped of their promises of penny slots and large jackpots. The raw boards underneath were exposed, like showgirls without their makeup. Some signs had been blown over completely and lay half-buried under mounds of sand, like sleeping animals.
Cars dotted the highway, their paint scoured off and dead tumbleweeds caught underneath them. Their windows were fogged with death, and despite my effort not to look, my eyes were drawn to the blurred images of the still forms inside. I tried to concentrate on the dark road ahead of us instead. — Kirby Howell

I begin painting and as I paint the picture begins to assert itself, or suggest itself, under my brush. The form becomes a sign for a woman or a bird as I work ... The first stage is free, unconscious ... the second stage is carefully calculated. — Joan Miro

Spread on your bravery, line the eyes and the lips," I say under my breath as I write on the paper, "glue up the cracks and paint over the rips." I — Penelope Douglas

Education is all paint - it does not alter the nature of the wood that lies under it, it only improves its appearance a little. Why I dislike education so much is, that it makes all people alike, until you have examined into them; and it sometimes is so long before you get to see under the varnish! — Lady Hester Stanhope

One picks one's way about through the glass and aluminum doors, the receptionists' smiles, the lunches with too much alcohol, the openings with more, the mobs of people desperately trying to define good taste in such loud voices one can hardly hear oneself giggle, while the shebang is lit by flashes and flares through the paint-stained window, glimmers under the police-locked door, or, if one is taking a rare walk outside that day, by a light suffusing the whole sky, complex as the northern aurora. — Samuel R. Delany

For example, lead paint in old houses can be a greater threat to children's health than lead that may be under some industrial site where there are no children. — Fred Thompson

I hear people talking about the feeling they get when they pain stuff in illegal places. Leo says he gets this fast-moving fear swinging through him, running from his heart to everyplace under his skin. I pain to get the thoughts in me out. I paint so it gets quiet under my skin. — Cath Crowley

I'll lay a bet," said Sancho, "that before long there won't be a tavern, roadside inn, hostelry, or barber's shop where the story of our doings won't be painted up; but I'd like it painted by the hand of a better painter than painted these." "Thou art right, Sancho," said Don Quixote, "for this painter is like Orbaneja, a painter there was at Ubeda, who when they asked him what he was painting, used to say, 'Whatever it may turn out'; and if he chanced to paint a cock he would write under it, 'This is a cock,' for fear they might think it was a fox." - Miguel de Cervantes, Don Quixote — Michael Gruber

So I could say we had our first real conversation in the sea, and the feeling I had then, the conviction that I wouldn't make it back to shore, the intimation of death by drowning under a matte blue sky, a sky that looked like a lung in a tub of blue paint, persisted throughout all of our subsequent conversations. — Roberto Bolano

'I scrape under a nail and I pull out dirt. I pull off an overlay and I smell urine. It's the rot of their lives seeping into their nailbeds, you see? They can fix their hair and paint their nails and run on a treadmill until they're anorexia's poster child, but they can't fix their lives ... lives of rotting perfection.' — Vicki Pettersson

Moses?" I said softly.
"Yeah?" His eyes lifted from the canvas briefly.
"There's a new law in Georgia."
"Does it directly contradict one of the laws of Moses?"
"Yes. Yes it does," I confessed.
"Hmm. Let's hear it." He set his brush down, wiped his hands on a cloth and approached the bed where I was positioned, draped in a sheet like a Rubenesque Madonna. I learned the term from him, and he seemed to think it was a good thing.
"Thou shall not paint," I commanded sternly. He leaned over me, one knee on the bed, his strong arms bracketing my head, and I turned slightly, looking up at him.
"Ever?" He smiled. I watched his head descend and his lips brushed mine. But his golden-green eyes stayed open, watching me as he kissed me. My toes curled and my eyes fluttered, the sensation of lips tasting lips pulling me under.
"No. Not ever, just sometimes," I sighed.
"Just when I'm in Georgia? — Amy Harmon

My mountain is dead. As soon as she has dried, I'll bury her under a decent layer of white paint. But I haven't done with the old lady; far from it! — Emily Carr

Antoinette had squinty eyes she could barely open under the six pounds of mascara and teal eye shadow she must've applied with a paint roller, and lips that were puckered on a permanent basis as if she were storing lemons in the deep recesses of her jowls. She smelled like a bull that got loose in a perfume shop, and had pointy high heeled shoes that threatened to burst out the sides at any moment from the pressure of being three sizes too small. — Nicole Castle

I cannot live under pressures from patrons, let alone paint. — Michelangelo

I paint and I draw and I write and I do other things too, and recently some people at school were asking if I'd ever publish any of my work. But I almost feel like I would have to publish it under another name because there's a definition of me out there that feels kind of stuck in the moment when it was formed. — Emma Watson

Idolatry isn't just one of many sins; rather it's the one great sin that all others come from. So if you start scratching at whatever struggle you're dealing with, eventually you'll find that underneath it is a false god. Until that god is dethroned, and the Lord God takes his rightful place, you will not have victory. Idolatry isn't an issue; it is the issue. All roads lead to the dusty, overlooked concept of false gods. Deal with life on the glossy outer layers, and you might never see it; scratch a little beneath the surface, and you begin to see that it's always there, under some other coat of paint. There are a hundred million different symptoms, but the issue is always idolatry. — Kyle Idleman

You simply have to eventually fall under suspicion from somebody even by a wrong call. And then they can use this system to go back in time and scrutinize every decision you've ever made, every friend you've ever discussed something with. And attack you on that basis to sort to derive suspicion from an innocent life and paint anyone in the context of a wrongdoer. — Edward Snowden

There's nothing new under the sun - you just get a can of paint out. — Robert Plant

I began to paint again, even though I could barely hold the brush, but knowing exactly what I wanted to paint, I began three more large canvases ... of large wheat fields under cloudy skies, and it did not take a great deal to express sadness and loneliness ... I believe these paintings say what words cannot. — Vincent Van Gogh

O sin, how you paint your face! how you flatter us poor mortals on to death! You never appear to the sinner in your true character; you make fair promises, but you never fulfil one; your tongue is smoother than oil, but the poison of asps is under your lip! — Hosea Ballou

How rarely boyhood loves to paint in glowing tints his future bright, a picture where no line is faint
whose very clouds are touch'd with light. And girlhood hails a world unknown and reads it in her own glad dreams, as lilies see themselves alone reflected in their azure streams. But rosy clouds that morning brings, ere noon may deepen into thunder
and life's dark stream has sterner things than silver lilies growing under. — Cecil Frances Alexander

My mouth blooms like a cut.
I've been wronged all year, tedious
nights, nothing but rough elbows in them
and delicate boxes of Kleenex calling crybaby
crybaby, you fool!
Before today my body was useless.
Now it's tearing at its square corners.
It's tearing old Mary's garments off, knot by knot
and see - Now it's shot full of these electric bolts.
Zing! A resurrection!
Once it was a boat, quite wooden
and with no business, no salt water under it
and in need of some paint. It was no more
than a group of boards. But you hoisted her, rigged her.
She's been elected.
My nerves are turned on. I hear them like
musical instruments. Where there was silence
the drums, the strings are incurably playing. You did this.
Pure genius at work. Darling, the composer has stepped
into fire. — Anne Sexton

We are trapped here up on this wall by an evil beyond comprehension. It is here that we are damned to remain for all eternity, under the grime of centuries, beyond time. When even the paint falls off and these prison-canvases are bare again ... well, then we are in limbo, the poor man opened his eyes wide giving them a ghostly look. — Nathalie M. Leblanc

He studied the threshold to the bedroom hallway. "Azriel, Mor, Amren, and Cassian," he said, marking the eyes I'd painted. "You do know that one of them is going to paint a moustache under the eyes of whoever pisses them off that day."
I clamped my lips to keep the smile in. "Oh, Mor already promised to do that. — Sarah J. Maas

He was really, Lily Briscoe thought, in spite of his eyes, but then look at his nose, look at his hands, the most uncharming human being she had ever met. Then why did she mind what he said? Women can't write, women can't paint - what did that matter coming from him, since clearly it was not true to him but for some reason helpful to him, and that was why he said it? Why did her whole being bow, like corn under a wind, and erect itself again from this abasement only with a great and rather painful effort? She must make it once more. There's the sprig on the table-cloth; there's my painting; I must move the tree to the middle; that matters - nothing else. Could she not hold fast to that, she asked herself, and not lose her temper, and not argue; and if she wanted revenge take it by laughing at him? — Virginia Woolf

Do you know that moment when you paint a landscape as a child and, when you're maybe under seven or something, the sky is just a blue stripe across the top of the paper? And then there's that somewhat disappointing moment when the teacher tells you that the sky actually comes down in amongst all the branches. And it's like life changes at that moment and becomes much more complicated and a little bit more boring, as it's rather tedious to fill in the branches ... — Alan Rickman

Thanks to our artists, we pretend well, living under canopies of painted clouds and painted gods, in halls of marble floors across which the sung Masses paint hope in deep impatsi of echo. We make of the hollow world a fuller, messier, prettier place, but all our inventions can't create the one thing we require: to deserve any fond attention we might accidentally receive, to receive any fond attention we don't in the course of things deserve. We are never enough to ourselves because we can never be enough to another. Any one of us walks into any room and reminds its occupant that we are not the one they most want to see. We are never the one. We are never enough. — Gregory Maguire

But Jace", Clary said. "Valentine taught him more than just fighting. He taught him languages, and how to play the piano"
"That was Jocelyn's influence." Sebastian said her name unwillingly, as if he hated the sound of it. "She thought Valentine ought to be able to talk about books, art, music ... not just killing things. He passed that on to Jace."
A wrought iron blue gate rose to their left. Sebastian ducked under it and beckoned Clary to follow him. She didn't have to duck but went after him, her hands stuffed into her pockets. "What about you?" she asked.
He held up his hands. They were unmistakably her mother's hands - dexterous, long-fingered, meant for holding a brush or a pen. "I learned to play the instruments of war, " he said, "and paint in blood. I am not like Jace. — Cassandra Clare

Our lips now conjoin like the glittery coils of a wet snake dancing in the amazon. Kissing Nadia sends me into a savoring affair for that which is most delectable, always tasting the delicate layers that exist in her myriad of emotion. Always, Nadia's opulent lips gratify and subdue by easing my sensitivity as she drags her fingers down my stomach like a tree scattering its roots. I now brush my lips over Nadia's, dipping into her mouth like a brush that falls into a bucket of paint, osculating under this euphoric form of affection. — Luccini Shurod

A comfortable mattress matters to me. A fresh coat of paint matters to me. Under-cabinet lighting matters to me. I do not want them to matter to me. But — Erin Loechner

People ask me why I don't paint oils. It takes too long. Cleaning brushes in linseed oil, and it takes six months to really dry, and all this. I don't have that kind of time. I work with acrylic. It's water based. You can clean it under water. If you spill it on yourself, you just throw it in the washing machine. — Grace Slick

Right. I am here because I want to spend whatever time I can around Genevieve Windham, even if it's only a few weeks amid paint fumes and under her parents' watchful eyes. I am here to share with her whatever support and insight I might render regarding her art before she leaves for damned France. I am here" - he brushed his nose along the top of the cat's head - "because I could not resist the opportunity to see her, to kiss her, even once more." The cat appeared to consider this, then bopped Elijah's chin. "I am here because I am a fool." A — Grace Burrowes

Ehlena was naturally lovely, with fine small features and that strawberry blond hair and those long, lean limbs.
Her lips were pink because they were pink - not from some eighteen-hour, glossy, frosted grease coat.
And her toffee-colored eyes were luminescent because they were yellow and red and gold all mixed together - not from a whole lot of paint-by-numbers shimmery shadow and slathered-on mascara.
And her cheeks were flushed because he was getting under her skin.

-Rehv's thoughts — J.R. Ward