Quotes & Sayings About Two Strokes

But I am I now; and so many other millions are so irretrievably their own special variety of 'I' that I can hardly bear to think of it. I: how firm a letter; how reassuring the three strokes: one vertical, proud and assertive, and then the two short horizontal lines in quick, smug succession. The pen scratching on the paper ... I ... I ... I ... I ... I ... I. — Sylvia Plath

He stalked through the narrow streets and wound his way down an alley between two buildings to an old, rotting wooden door. He paused to knock at it, three measured strokes followed by two quick ones, and it opened at once. Her batman, Sark, stood on the other side of it. The fellow reminded Espira of a hunting spider - he was warriorborn, tall, gaunt, with long, slender limbs and hands that seemed a little too large for the rest of him. His hair was black and short, and covered his face, head, neck, and what showed of his hands in a sparse, spidery fuzz. Sark had the feline eyes of his kind, one of them set at a slight angle to the other, so that Espira could never be sure precisely where the man was looking. — Jim Butcher

Whilst the wolflets bayed,
A grave was made,
And then with the strokes of a silver spade,
It was filled to make a mound.
And for two cold days and three long nights,
The father tended that holy plot;
And stayed by where his wife was laid, In the grave within the ground. — Roman Payne

The Chinese use two brush strokes to write the word crisis. One brush stroke stands for danger; the other for opportunity. In a crisis, be aware of the danger - but recognize the opportunity. — Richard M. Nixon

I was robbed, Errin." He strokes my face with his thumb before turning it back to him. "Of my life. Of my inheritance. Snuffed out at barely twenty-two years old. I have spent five hundred years asleep. I woke to nothing. The legacy my family spent generations building is ash, scattered to the wind. I was promised a kingdom," he snarls. "I was promised the greatest kingdom the world had ever known. And I will have one. If it means cobbling one together from the ruins of Lormere and Tregellan. — Melinda Salisbury

Bragging that you finished in two strokes. Just like a man."--Sloane Barrett, Killer Curves — Naima Simone

Putting isn't golf, greens should be treated almost the same as water hazards: you land on them, then add two strokes to your score. — Chi Chi Rodriguez

When I was a swimmer and I would lose a heat in something I was doing whether it backstroke or breaststroke, were two of my most strongest strokes, I would look at how whoever it was that won and beat me and think, "What did they do? What were ... What were the qualities that they had that I can incorporate into my swimming to make me better?" — Hilary Swank

George: [On the 'Two Virgins' cover]
'What I thought of the sleeve then was the same as I think now: it's just two not-very-nice-looking bodies, two flabby bodies naked. It's harmless, really - different strokes for different folks. — George Harrison

The tattooed face of a cat, blue and grinning, covered his right hand; on one shoulder a blue rose blossomed. More markings, self-designed and self-executed, ornamented his arms and torso: the head of a dragon with a human skull between its open jaws; bosomy nudes; a gremlin brandishing a pitchfork; the word PEACE accompanied by a cross radiating, in the form of crude strokes, rays of holy light; and two sentimental concoctions - one a bouquet of flowers dedicated to MOTHER-DAD, the other a heart that celebrated the romance of DICK and CAROL, the girl whom he had married when he was nineteen, and from whom he had separated six years later in order to "do the right thing" by another young lady, the mother of his youngest child. ("I have three boys who — Truman Capote

Mirren pulled the knife blade across the vampire's throat before he could answer. Two more strokes and it was done. Sometimes, one didn't need a sword to take a head. Rage and a good, sharp knife worked just fine. — Susannah Sandlin

The two greatest strokes of luck that can happen to a painter are (1) to be Spanish, (2) to be called Dali — Salvador Dali

Nick knew the moment she realized her robe had dropped. Knew when the knowledge she was naked hit her full force. Watched her lips purse a small circle of horror right before sanity hit to make her reach for the robe.
Nick used his two-second time span to make a decision.
Her fingers started to yank up the material when he blocked her motion, lowered his head, and stamped his mouth over hers. Shock held her immobile and he used the time to his advantage. One quick thrust parted her plump lips and allowed him entry - entry to every slick, feminine heated corner of her mouth. Drugged on the taste of her, he circled her tongue with quick, urgent strokes, begging her to give it all back to him.
And she did.
Full power. — Jennifer Probst

Handicap: an allocation of strokes on one or more holes that permits two golfers of very different ability to do equally poorly on the same course. — Henry Beard

The casting of the brash United States Army Air Force officer Colonel Robert E. Hogan and the pompous German Luftwaffe officer Colonel Wilhelm Klink was inspired. For this series - a comedy with the serious backdrop of war - to succeed, the lead players had to be the perfect fit. The dynamic portrayal of this military odd couple had to be articulate, accurate, and precise. For the show to work, for the concept to be accepted, for one of the most outlandish premises in television history to be believed, the actors signed to play the two leading characters not only had to bring these extreme individuals to life with broad, fictional strokes, they had to make them real in the details. — Carol M. Ford

And at each hour it would seem to me only a few moments since the preceding hour had rung; the most recent would come and inscribe itself close to the other in the sky, and I would not be able to believe that sixty minutes were held in that little blue arc comprised between their two marks of gold. Sometimes, even, this premature hour would ring two strokes more than the last; there was therefore one that I had not heard, something had taken place that had not taken place for me. — Marcel Proust

I'm sick of white walls and endings. The only thing that doesn't end in this place is me. I don't end. I just go on, and on, swinging that scythe glued to my hand. There's no rhythm to the strokes. Few see death coming, and even those who do see death don't see me. Because there is no me. Not anymore. Always the reaper, never the reaped. Soon that won't bother me. Soon I won't care. Emotional death follows physical death at a different pace for each reaper. I've put it off for more than two years, but it's inevitable. — Rachel Vincent

As for free will, there is such a narrow crack of it for man to move in, crushed as he is from birth by environment, heredity, time and event and local convention. If I had been born of Italian parents in one of the caves in the hills I would be a prostitute at the age of 12 or so because I had to live (why?) and that was the only way open. If I was born into a wealthy New York family with pseudo-cultural leanings, I would have had my coming-out party along with the rest of them, and be equipped with fur coats, social contacts, and a blase pout. How do I know? I don't; I can only guess. I wouldn't be I. But I am I now; and so many other millions are so irretrievably their own special variety of "I" that I can hardly bear to think of it. I: how firm a letter; how reassuring the three strokes: one vertical, proud and assertive, and then the two short horizontal lines in quick, smug succession. The pen scratches on the paper ... I ... I ... I ... I ... I ... I. — Sylvia Plath

I'd rather be two strokes ahead going into the last day than two strokes behind. Having said that, it's probably easier to win coming from behind. There is no fear in chasing. There is fear in being chased. — Jack Nicklaus

Sometimes it would even happen that this precocious hour would sound two strokes more than the last; there must then have been an hour which I had not heard strike; something which had taken place had not taken place for me; the fascination of my book, a magic as potent as the deepest slumber, had stopped my enchanted ears and had obliterated the sound of that golden bell from the azure surface of the enveloping silence. — Marcel Proust

Strokes cause almost twice as many deaths as all accidents combined, but 80% of respondents judged accidental death to be more likely. Tornadoes were seen as more frequent killers than asthma, although the latter cause 20 times more deaths. Death by lightning was judged less likely than death from botulism even though it is 52 times more frequent. Death by disease is 18 times as likely as accidental death, but the two were judged about equally likely. Death by accidents was judged to be more than 300 times more likely than death by diabetes, but the true ratio is 1:4. The lesson is clear: estimates — Daniel Kahneman

There are certain things - How to say this? OK. Let me give you an example. Can I give you an example? There's a self-portrait by Rembrandt. It's at Kenwood House, very close to where we live. It's one of my favorite paintings. I go to see it quite a lot. I start off on a walk on the Heath, and then I find myself there. It's one of the last self-portraits he did. He painted it sometime between 1665 and when he died four years later, bankrupt and alone. Whole stretches of the canvas are bare. There's a hurried intensity in the strokes - you can see where he scratched into the wet paint with the end of the brush. It's as if he knew there wasn't much time left. And yet, there's a serenity in his face, a sense of something that's survived its own ruin.
Fran couldn't give two shits about that painting. — Nicole Krauss

For me, riding a two-wheeler bike was very risky. Counting the pedal strokes before turning a corner and learning to hear the sounds coming from buildings, grass and the climbing frame made all the difference to basic survival and ensured that I didn't end up head-first in the sandpit. — Andrea Bocelli

How many strokes does it take?"

"One. Two. Three."

"Four. Five..."

"Six."

"Seven. Eight."

"Nine."

"What if Daddy. Ten. Finds out what I did. Eleven. To his innocent little girl?"

"Twelve."

"This is what you do to me. Feel it. Thirteen."

"Fourteen."

"Do What he says, Toni. Fifteen. Come."

His heated lips curved against her ear.

"Fifteen it is."

~Drake — Jennifer Turner

In the name of speed, Morse and Vail had realized that they could save strokes by reserving the shorter sequences of dots and dashes for the most common letters. But which letters would be used most often? Little was known about the alphabet's statistics. In search of data on the letters' relative frequencies, Vail was inspired to visit the local newspaper office in Morristown, New Jersey, and look over the type cases. He found a stock of twelve thousand E's, nine thousand T's, and only two hundred Z's. He and Morse rearranged the alphabet accordingly. They had originally used dash-dash-dot to represent T, the second most common letter; now they promoted T to a single dash, thus saving telegraph operators uncountable billions of key taps in the world to come. Long afterward, information theorists calculated that they had come within 15 percent of an optimal arrangement for telegraphing English text. — James Gleick

So there were two worlds: the perceived world, a dimension of adjectives, equations and brush strokes, a surface dazzling with our efforts to render it, but ultimately bearing only our own reflections; and the impenetrable world, the plumbless dark full of latent particles, the primordial cauldron which, like a mother, gives us our being but is a lifelong riddle. — Bia Lowe

It's like chopping down a huge tree of immense girth. You won't accomplish it with one swing of your axe. If you keep chopping away at it, though, and do not let up, eventually, whether it wants to or not, it will suddenly topple down. When that time comes, you could round up everyone you could find and pay them to hold the tree up, but they wouldn't be able to do it. It would still come crashing to the ground ... . But if the woodcutter stopped after one or two strokes of his axe to ask the third son of Mr. Chang, "Why doesn't this tree fall?" And after three or four more strokes stopped again to ask the fourth son of Mr. Li, "Why doesn't this tree fall?" he would never succeed in felling the tree. It is no different for someone who is practicing the Way. - ZEN MASTER HAKUIN — Robert Greene

You may disagree. Personal history and national history do not always overlap, a point often overlooked in some of the broad strokes applied to the SG50 celebrations. But do consider your choices. In the age of Buzzfeed, we love lists. Make your own. No two lists will be the same, but collectively, they all say the same thing. They are all in search of a soul. — Neil Humphreys