Two Sentence Quotes & Sayings

A prudent silence will frequently be taken for wisdom and a sentence or two cautiously thrown in will sometimes gain the palm of knowledge, while a man well informed but indiscreet and unreserved will not uncommonly talk himself out of all consideration and weight. (Alexander Hamilton's 'thesis on discretion' written to his son James shortly before his fatal duel with Burr.) — Ron Chernow

You are a Seminole alligator wrestler. Half naked, with your two bare hands, you hold and fight a sentence's head while its tail tries to knock you over. — Annie Dillard

The first two sentences are hard to understand, but make some kind of sense. The last sentence is merely rearranged but makes no natural sense at all. (This is all assuming it makes some sort of sense for an old lady to be swallowing cats in the first place, which is patently absurd, but it turns out she swallowed a goat too, not to mention a horse, so we'll let the cat pass without additional comment.) — Tom Stafford

I think the reason why I don't read so much, is because as I have observed, whole books all boil down to a drop of essence. You can read a book full of ten thousand words and at the end, sum it up in one sentence; I am more for the one sentence. I am more for the essence. It's like how you need a truckload of roses to extract one drop of rose oil; I don't want to bother with the truckload of roses because I would rather walk away with the drop of rose oil. So in my mind, I have written two hundred books. Why? Because I have with me two hundred vials with one drop of essence in each! — C. JoyBell C.

I've been working hard on [Ulysses] all day," said Joyce.
Does that mean that you have written a great deal?" I said.
Two sentences," said Joyce.
I looked sideways but Joyce was not smiling. I thought of [French novelist Gustave] Flaubert. "You've been seeking the mot juste?" I said.
No," said Joyce. "I have the words already. What I am seeking is the perfect order of words in the sentence. — James Joyce

Principal Totty was one of those people who frown while they're speaking, and then smile at the end of each sentence. It was weird. It was like there were two different people inside her brain. — Ferguson Fartworthy

One of the things that should go into the writer's notebook is a set of experiments with the sentence. A convenient and challenging place to begin is with the long sentence, one that runs to at least two pages. — John Gardner

The quill swirled and lunged over the page, in a slow but relentless three steps forward, two steps back sort of process and finally came to a full stop in a tiny pool of its own ink. Then, Louis Phelypeaux, First Compte de Pontchartrain, raised the nib, let it hover for an instant, as if gathering his forces, and hurled it backwards along the sentence, tiptoeing over "i's" and slashing through "t's" and "x's" nearly tripping over an umlaut, building speed and confidence while veering through a slalom course of acute and grave accents, pirouetting through cedillas and carving vicious snap-turns through circumflexes. It was like watching the world's greatest fencing master dispatch twenty opponents with a single continuous series of maneuvers. — Neal Stephenson

I believe that 'love' and 'wrong' are two deeply unrelated words that should never be thrown into the same sentence together. Like 'dessert' and 'broccoli. — Cat Winters

On Sunday morning, April 12th, my wife woke from what was really a deep, profound sleep and as she was waking a voice distinctly spoke to her; and the voice spoke to her; and the voice spoke with great authority and it said to her: "You must stop spending your thoughts, your time and your money; everything in life must be an investment." So she quickly wrote it down and went straight to the dictionary to look up the two important words in the sentence, 'spending' and 'investing': the dictionary defines 'spending' as "to waste, to squander, to layout without return." To 'invest' is to "layout for a purpose, for which a profit is expected". — Neville Goddard

But gifts can be victories, can't they. It's what you said. The garden could have been your gift, a dowry of talent, skill, and vision. I know it's too late now, but I just wanted to say, it would have been a victory most worthy of our House. Yours to command, Miles Vorkosigan. Ekaterin rested her forehead in her hand and closed her eyes. She regained control of her breathing again in a few gulps. She sat up again, and reread the letter in the fading light. Twice. It neither demanded nor requested nor seemed to anticipate reply. Good, because she doubted she could string two coherent clauses together just now. What did he expect her to make of this? Every sentence that didn't start with I seemed to begin with But. It wasn't just honest, it was naked. With — Lois McMaster Bujold

What's so hard about that first sentence is that you're stuck with it. Everything else is going to flow out of that sentence. And by the time you've laid down the first two sentences, your options are all gone. — Joan Didion

Words accrue and lose meaning through a semantic mobility dependent on the community in which they thrive, and these meanings cannot be divorced from bodily sensation and emotion. Slang emerges among a circle of speakers. Irony requires double consciousness, reading one meaning and understanding another. Elegant prose involves a feeling for the rhythms and the music of sentences, a product of the sensual pleasure a writer takes in the sounds of words and the varying metric beats of sentences. Creative translation must take all this into account. If a meaning is lost in one sentence, it might be gained or added to the next one. Such considerations are not strictly logical. They do not involve a step-by-step plan but come from the translator's felt understanding of the two languages involved. Rodney — Siri Hustvedt

SPIKE: Settling down is only good for one kind of man.

JESSE: The p*ssy kind?

SPIKE: Nah, the strong sort. You're a strong man, and you're honest. Never thought I'd think about those two words and you in the same sentence.

JESSE: I couldn't be a big d*ck all my life. — Sam Crescent

These two were busy explaining to the harassed man that the phrase "too much Mozart" was, given any reasonable definition of those three words, an inherently self-contradictory expression, and that any sentence which contained such a phrase would be thereby rendered meaningless and could not, consequently, be advanced as part of an argument in favor of any given program-scheduling strategy. — Douglas Adams

After another minute Reuben brought forth the following sentence:
"I ha' scranleted two hundred furrows come five o'clock down i' the bute."
It was a difficult remark, Flora felt, to which to reply. — Stella Gibbons

It would be something that another person had written down without understanding its significance; just a sentence or two that would be like a flash of light. — Jeanne DuPrau

Though you may have never attended a funeral, two of the world's humans die every second. Eight in the time it took you to read that sentence. Now we're at fourteen. If this is too abstract, consider this number: 2.5 million. The 2.5 million people who die in the United States every year. — Caitlin Doughty

Jeremy Bentham opened his Introduction to the Principles of Morals and Legislation with the famous sentence Nature has placed mankind under the governance of two sovereign masters, pain and pleasure. It is for them alone to point out what we ought to do, as well as to determine what we shall do. — Daniel Kahneman

An author entices the readers with their words, and it is painful for them to even lose a sentence. But films and books are two different mediums and should be dealt differently. What works in a book might not work for a film. When I saw 'Anna Karenina' on screen, I didn't like it at all, whereas 'The Godfather' was legendary. — Ashwin Sanghi

Pretty much every issue that we've put out, there have been at least one or two things that really surprised me. It sounds like bullshit, but most of the stories that we've run had that effect on me. We get thousands and thousands of submissions and I don't think we've published a story yet - very few, anyway - where there wasn't something like what Mona Simpson described, where a first sentence or a first page didn't just really command attention. — Lorin Stein

There's no law against a sentence existing in two places at once, unlike humans, who are no longer allowed to bilocate because it confuses the cops too much. — Patricia Lockwood

There are only two kinds of math books: Those you cannot read beyond the first sentence, and those you cannot read beyond the first page. — Chen-Ning Yang

Asian children can perform basic functions, such as addition, far more easily. Ask an English-speaking seven-year-old to add thirty-seven plus twenty-two in her head, and she has to convert the words to numbers (37 + 22). Only then can she do the math: 2 plus 7 is 9 and 30 and 20 is 50, which makes 59. Ask an Asian child to add three-tens-seven and two-tens-two, and then the necessary equation is right there, embedded in the sentence. No number translation is necessary: It's five-tens-nine. — Malcolm Gladwell

A copy of Thoreau's Walden ... which Chris has never heard and which can be read a hundred times without exhaustion. I try always to pick a book far over his head and read it as a basis for questions and answers, rather than without interruption. I read a sentence or two, wait for him to come up with his usual barrage of questions, answer them, then read another sentence or two. Classics read well this way. They must be written this way. Sometimes we have spent a whole evening reading and talking and discovered we have only covered two or three pages. It's a form of reading done a century ago ... when Chautauquas were popular. Unless you've tried it you can't imagine how pleasant it is to do it this way. I — Robert M. Pirsig

And once, a sophomore English teacher, Mr. Watts, found out that one of his students had spent the past eight class periods carving an elaborate design into his desk. The "artwork" read: "Mr. Watts and Dickens sucks dick." Mr. Watts confronted the carver, telling him, "That's wrong!" Then Mr. Watts took the knife and crossed out the last s in sucks. "This sentence has two objects," he explained. "You need to conjugate the verb differently." And he handed the knife back. — Flynn Meaney

As she spoke, Isabel found herself thinking of the power of words. A single word, a phrase, a sentence or two could have such extraordinary power; could end a world, break a heart or, as in this case, consign another to moral purdah. — Alexander McCall Smith

What the hell? He needs to get over his damn issue with cussing. They're sentence enhancers. In fact, when I think about it, his issue with me cussing makes me want to cuss more. I rarely ever cuss. It's him."
Holden turned to Julia, "The word "hell" technically counts in my book. You?"
Julia nodded. "Oh yeah. That was two and three."
"Then your current total is now three Miss Dawkins. — Jennifer Vester

The stops point out, with truth, the time of pause
A sentence doth require at ev'ry clause.
t ev'ry comma, stop while one you count;
At semicolon, two is the amount;
A colon doth require the time of three;
The period four, as learned men agree. — Cecil B. Hartley

Isn't one of the first lessons of good elocution that there's nothing one can say in any rambling, sprawling rant that can't, through some effort, be said shorter and better with a little careful editing? Or that, in writing, there's nothing you can describe in any page-filling paragraph that can't be captured better in just a sentence or two? Perhaps even nothing in any sentence which cannot better be refined in a single, spot-on word? Does it not follow, then, that there's likely nothing one can say in any word - in saying anything at all - that, ultimately, isn't better left unsaid?
(attrib: F.L. Vanderson) — Mort W. Lumsden

At its heart, a genuine food culture is an affinity between people and the land that feeds them. Step one, probably, is to live on the land that feeds them, or at least on the same continent, ideally the same region. Step two is to be able to countenance the ideas of "food" and "dirt" in the same sentence, and three is to start poking into one's supply chain to learn where things are coming from. — Barbara Kingsolver

I'm open to reading almost anything - fiction, nonfiction - as long as I know from the first sentence or two that this is a voice I want to listen to for a good long while. It has much to do with imagery and language, a particular perspective, the assured knowledge of the particular universe the writer has created. — Amy Tan

Some men escape the grip. Maybe their wives have no social ambitions; maybe they've hit a sentence or two in a 'dangerous book' that pleased them; maybe they started on the treadmill as I did and were knocked off. Anyway, they're the congressmen you can't bribe, the Presidents who aren't politicians, the writers, speakers, scientists, statesmen who aren't just populate grab-bags for a half-dozen women and children. — F Scott Fitzgerald

Two dots an inch apart, as small and tidy as punctuation marks at the end of a sentence none of us could read. The sentence would have started somewhere just above her heart. — Barbara Kingsolver

I read a sentence or two, wait for him to come up with his usual barrage of questions, answer them, then read another sentence or two. Classics read well this way. — Robert M. Pirsig

Every sentence must do one of two things: reveal character or advance the action. — Kurt Vonnegut

If I have to reduce all of the laws of war into a single sentence, it is this. You divide the world into two, combatants and noncombatants. You can attack deliberately combatants, but not deliberately noncombatants. Israel acts that way. It attacks combatants and accidentally kills noncombatants. But in the case of the terrorists, it's the exact opposite. They deliberately attack combatants - noncombatants, civilians, deliberately. — Benjamin Netanyahu

Most authors have one idea per book. Shakespeare had two per sentence. — Lauren Hutton

What I have learned from about twenty years of serious reading is this: It is sentences that change my life, not books. What changes my life is some new glimpse of truth, some powerful challenge, some resolution to a long-standing dilemma, and these usually come concentrated in a sentence or two. I do not remember 99% of what I read, but if the 1% of each book or article I do remember is a life-changing insight, then I don't begrudge the 99%.
From Quantitative Hopelessness and the Immeasurable Moment — John Piper

Early this morning, 1 January 2021, three minutes after midnight, the last human being to be born on earth was killed in a pub brawl in a suburb of Buenos Aires, aged twenty-five years, two months and twelve days. — P.D. James

But this is not difficult, O Athenians! to escape death; but it is much more difficult to avoid depravity, for it runs swifter than death. And now I, being slow and aged, am overtaken by the slower of the two; but my accusers, being strong and active, have been overtaken by the swifter, wickedness. And now I depart, condemned by you to death; but they condemned by truth, as guilty of iniquity and injustice: and I abide my sentence, and so do they. These things, perhaps, ought so to be, and I think that they are for the best. — Plato

Wherever he found his speech growing too modern
which was about every sentence or two
he ladled in a few such Scriptural phrases as "exceeding sore," "and it came to pass," etc., and made things satisfactory again. "And it came to pass" was his pet. If he had left that out, his Bible would have been only a pamphlet. — Mark Twain

And we're just chatting and then I'm in the middle of a sentence about analogies or something and like a hawk he reaches down and he honks my boob. HONK. A much-too-firm, two- to three-second HONK. And the first thing I thought was Okay, how do I extricate this claw from my boob before it leaves permanent marks? and the second thing I thought was God, I can't wait to tell Takumi and the Colonel. — John Green

All the same, we should excuse ourselves," Vergil said. "Although I am wondering if the meeting was already well concluded when we intruded." He gave Nathaniel a deep look on the last sentence that made Charlotte's caution prickle. She saw the big brother in him, thinking that a private chat with this man was in order.
Bianca still had not picked up the cue. "You are making plans regarding the petitions?"
"I trust that a petition came up at some point in the visit," Vergil said dryly. "Correct, Knightridge?"
Charlotte wanted to die. "Indeed one did," she said. "Mr. Knightridge is proving to be a great help in the cause."
Bianca beamed. "I always knew that the two of you would find common ground in something."
"Yes, we have discovered that we think alike in one small area," Nathaniel agreed.
Charlotte wanted to hit him.
"Indeed," Vergil muttered. — Madeline Hunter

To wrap up the idea of 'Parade's End' in a sentence or two, I would say it's a love story in which we see a man with two women, and we know what's attractive about them. And we know why and what they feel about him. — Tom Stoppard

This has just came in from high command. There will be no loitering on the beachhead. Anyone found skinny dipping or fishing with grenades will be put on a charge. Two marines have already been disciplined for this offence.' A few men laughed and he smiled. 'Also there will be no fraternisation with the local female populace. This will not be tolerated. High command believe they may well carry some exotic disease our doctors may not be able to treat.' That brought a little more laughter. 'Again two marines have already been disciplined,' the rest of his sentence was drowned out by the laughter. He waited until it died down again. 'In their defence the marines stated that the females plied them with a local beverage made from coconuts. As there doesn't seem to be any coconut trees in space the high command disbelieved their story. So don't try it, you won't get away with it. — J.W. Murison

I picked up a book on wilderness survival by Laurence Gonzalez and found in it this telling sentence: "The plan, a memory of the future, tries on reality to see if it fits." His point is that when the two seem incompatible, we often hang onto the plan, ignore the warnings reality offers us and plunge into trouble. Afraid of the darkness of the unknown, the spaces in which we see only dimly, we often choose the darkness of closed eyes, of obliviousness. (Woolf's Darkness) — Rebecca Solnit

I started writing the one-sentence stories when I was translating 'Swann's Way.' There were two reasons. I had almost no time to do my own writing, but didn't want to stop. And it was a reaction to Proust's very long sentences. — Lydia Davis

I was twenty-two, the same age she was when she'd been pregnant with me. She was going to leave my life at the same moment that I came into hers, I thought. For some reason that sentence came fully formed into my head just then, temporarily blotting out the Fuck them prayer. I almost howled in agony. I almost choked to death on what I knew before I knew. I was going to live the rest of my life without my mother. — Cheryl Strayed

You will do yourself a disservice if you confine your reading to the rising star whose six-figure, two-book contract might seem to indicate where your own work should be heading. I'm not saying you shouldn't read such writers, some of whom are excellent and deserving of celebrity. I'm only pointing out that they represent the dot at the end of the long, glorious, complex sentence in which literature has been written. — Francine Prose

[The Head of Radio Three] had been ensnared by the Music Director of the college and a Professor of Philosophy. These two were busy explaining to the harassed man that the phrase "too much Mozart" was, given any reasonable definition of those three words, an inherently self-contradictory expression, and that any sentence which contained such a phrase would be thereby rendered meaningless and could not, consequently, be advanced as part of an argument in favour of any given programme-scheduling strategy. — Douglas Adams

And that's the last oath I shall ever be able to swear," she thought; "once I set foot on English soil. And I shall never be able to crack a man over the head, or tell him he lies in his teeth, or draw my sword and run him through the body, or sit among my peers, or wear a coronet, or walk in procession, or sentence a man to death, or lead an army, or prance down Whitehall on a charger, or wear seventy-two different medals on my breast. All I can do, once I set foot on English soil, is to pour out tea and ask my lords how they like it. D'you take sugar? D'you take cream?" And mincing out the words, she was horrified to perceive how low an opinion she was forming of the other sex, the manly, to which it had once been her pride to belong. — Virginia Woolf

And everything that comes out of my mouth is gonna be repeated in two-sentence-long bites for the next years of my life. Certain words travel far and wide. — Cory Monteith

She'd passed sentence on God two years ago, and she fed her doubts of Him daily, taking care they didn't shrivel and die. — Karin Kaufman

I find I can write for two lines, and then I have nothing else to say. For me, the only way to find something comes through the sentence level and sticking with the sentences that give a subtle feeling that there's something more to say. — Aimee Bender

Though you may never have attended a funeral, two of the world's humans die every second. Eight in the time it took you to read that sentence. Now we're at fourteen. The dead space this process out nicely so that the living hardly even notice they're undergoing the transformation. Unless — Caitlin Doughty

We're in a world of truncated sentences, soundbites and Twitter ... [Language] is being eroded
it's changing. Our expressiveness and our ease with some words is being diluted so that the sentence with more than one clause is a problem for us, and the word of more than two syllables is a problem for us. — Ralph Fiennes

The most we can hope for when we write anything is dazzling imperfection. The least we can hope for is accolades from one or two people who don't know us. Spending all afternoon on "the right word" is probably foolish (though I've done it many times), but then again, it may not be. There may be people out there who'll read that nearly-perfect sentence (or paragraph), with its "right word," and they'll nod and smile and say to themselves, "Hey, that's not too bad. — T.M. Wright

The way Smith sees it, this kind of approach denotes a certain category of writer: the Micro Manager. Authors fall into one of two primary camps, she explained in her 2009 book of essays, Changing My Mind.691 Macro Planners work out the structure of their novels and then write within that structure. Micro Managers, on the other hand, don't rely on an overarching configuration (don't even conceive of one), but rather home in on each sentence, one by one, and each sentence, as they come to it, becomes the only thing that exists. If there is a spectrum starting with Macro Planners on one end and Micro Managers on the other, Smith would be somewhere to the right of the page. Smith's writing is entirely incremental and cumulative. The grand plan is that there is no grand plan; working things out ahead of time ruins everything, "feels disastrous."She prefers the writing of a novel as a process of discovery. "The thinking goes on on the page," not beforehand. — Sarah Stodola

I mean, if you're asking a fellow to come out of a room so that you can dismember him with a carving knife, it's absurd to tack a 'sir' on to every sentence. The two things don't go together. — P.G. Wodehouse

Scientists at first were skeptical that a kitten-type being could exist in the rare Martian atmosphere. As a test, two Earth kittens were put in a chamber that simulated the Martian air. The diary of this experiment is fascinating:
6:00 A.M.: Kittens appear to sleep.
7:02 A.M.: Kitten wakes, darts from one end of cage to another for no apparent reason.
7:14 A.M.: Kitten runs up wall of cage, leaps onto other kitten for no apparent reason.
7:22 A.M.: Kitten lies on back and punches other kitten for no apparent reason.
7:30 A.M.: Kitten leaps, stops, darts left, abruptly stops, climbs wall, clings for two seconds, falls on head, darts right for no apparent reason.
7:51 A.M.: Kitten parses first sentence of daily newspaper that is at bottom of chamber.
With the exception of the parsing, all behavior is typical of Earth kitten behavior. The parsing activity, which was done with a small ball-point pen, was an anomaly. — Steve Martin

They left. Among the many dumb rules of paragraphing foisted on students in composition courses is the one that says that a paragraph may not consist of a single sentence. Wilkerson ends a richly descriptive introductory chapter with a paragraph composed of exactly two syllables. The abrupt ending and the expanse of blankness at the bottom of the page mirror the finality of the decision to move and the uncertainty of the life that lay ahead. Good writing finishes strong. — Steven Pinker

No doubt you are as alarmed as I by the tragic decline in America's language skills. If 10 people read the following sentence: Two tanker trucks has just overturned in Alaska, spilling a totel of 10,000 gallons of beer onto a highway. two would find an error in subject-verb agreement, two would find an error in spelling, and six would find a sponge and drive north. — Mike Nichols

There's some instinctive attraction that draws you, as a writer, to your subject. And the attraction usually has to do with some primal personal thing that, of course, you have no idea about. In the end, the piece always comes down to the one or two sentences you struggle over. The sentences where you try to say explicitly what it is that the two of you, subject and writer, have in common. Those are the sentences that you just bang your head against the wall over until you get them right. It's very hard to make that distillation but that is actually what your job is. Without trying to pin the person like a butterfly to the wall, to sum it up. If I can do that, then I feel satisfied. To give the subject a reality in the form of a sentence that is like a piece of rock crystal or a prism. — Judith Thurman

I could never work out whether we were to view religion as a life-insurance policy or a life sentence. I can understand a wrathful God who'd just as soon dangle us all from a hook. And I can understand a tender, unprejudiced Jesus. But I could never quite feature the two of them living in the same house. You wind up walking on eggshells, never knowing which ... is at home at the moment. — Barbara Kingsolver

Music and literature, the two temporal arts, contrive their pattern of sounds in time; or, in other words, of sounds and pauses. Communication may be made in broken words, the business of life be carried on with substantives alone; but that is not what we call literature; and the true business of the literary artist is to plait or weave his meaning, involving it around itself; so that each sentence, by successive phrases, shall first come into a kind of knot, and then, after a moment of suspended meaning, solve and clear itself.
-ON SOME TECHNICAL ELEMENTS OF STYLE IN LITERATURE — Robert Louis Stevenson

A preposition is a word that shows a relationship between its object and another word in the sentence. Examples: By grace are ye saved through faith. (Ephesians 2:8a) These two prepositions introduce phrases that tell us how individuals are saved: By grace and through faith. Both prepositional phrases are used as adverbs because they modify the verb are saved. — Shirley M. Forsen

A man's life is his whole life, not the last glimmering snuff of the candle; and this, I say, is considerable, and not a little matter, whether we regard its pleasures or its pains. To draw a peevish conclusion to the contrary from our own superannuated desires or forgetful indifference is about as reasonable as to say, a man never was young because he has grown old, or never lived because he is now dead. The length or agreeableness of a journey does not depend on the few last steps of it, nor is the size of a building to be judged of from the last stone that is added to it. It is neither the first nor last hour of our existence, but the space that parts these two - not our exit nor our entrance upon the stage, but what we do, feel, and think while there - that we are to attend to in pronouncing sentence upon it. — William Hazlitt

(Take a deep breath for this next run-on sentence) I believe that two people can fall madly in love and sift that fairy-tale feeling up through the raging sands of reality to settle on top as a polished stone of true joy, where the "happily ever after" will be something two mortals are working towards and not a finished product. — Zack Oates

In the context of the English language, there were many more important words than "in." There were fancy words, historic words, words that meant life or death. There were multi-syllabic tongue-twisters that required a sort out before speaking, and mission-critical pivotals that started wars or ended wars ... and even poetic nonsensicals that were like a symphony as they left the lips. Generally speaking, "in" did not play with the big boys. In fact, it barely had much of a definition at all, and, in the course of its working life, was usually nothing but a bridge, a conduit for the heavy lifters in any given sentence. There was, however, one context in which that humble little two-letter, one-syllable jobbie was a BFD. Love. The difference between someone "loving" somebody versus being "in love" was a curb to the Grand Canyon. The head of a pin to the entire Midwest. An exhale to a hurricane. — J.R. Ward

Rad had written a two-sentence response for his comparison/contrast between Moby Dick and The Old Man and the Sea:

"The fishermen lost their fish, and that was IT. Nothing to write books about, and the 'literary devices' you want listed are nothing but made-up complications for a useless major. — Emm Oh

A hundred million crystallized polio viruses could cover the period at the end of this sentence. There could be two hundred and fifty Woodstock Festivals of viruses sitting on that period-the combined populations of Great Britain and France-and you would never know it. — Anonymous

Have some nice hot chocolate, something to eat, cuddle up under a blanket ... "
Under any other circumstances, I would have assumed that that last sentence meant, "Cuddle up under two separate blankets, spaced several feet apart, possibly with a lightly chained wolf between you," because that's what parents always mean. — Maureen Johnson

Who isn't crazy sometimes? Who hasn't driven around a block hoping a certain person will come out; who hasn't haunted a certain coffee shop, or stared obsessively at an old picture; who hasn't toiled over every word in a letter, taken four hours to write a two-sentence email, watched the phone praying it will ring; who doesn't lay awake at night sick with the image of her sleeping with someone else? — Jess Walter

Words that add no new information or aren't repeated for emphasis are just padding. A sentence may carry three or five or eight of them, each one as unnoticeable as an extra two ounces on your hips but collectively adding up to a large burden of fat. — Nancy Kress

Putin likes to quote a sentence from Czar Alexander III, who said that Russian has only two allies - the army and the navy. As a citizen, this makes me sit up and take notice. This is a concept of self-imposed isolation, a defense strategy that sees Russia surrounded by enemies. — Vladimir Sorokin

He had only just made the Elysian deadline; hanging onto the typescript until the last moment in case there was something still to be done; two sentences turned into one, one sentence broken into two, the substitution of a slightly resistant adjective to engender a moment's reflection, in short, the joys of editing, all carried out without forgetting the art that disguises art. — Edward St. Aubyn

Each story, good and bad, short or long
from that trip to the mall when you saw Santa, to a long, bad illness
they are all a line or a paragraph in our own life manuscript. Two thirds of the way through, even, and it all won't necessarily make sense, but at the end there'll be a beautiful whole, where every sentence of every chapter fits. — Deb Caletti

He gave a small nod, and I smiled back, and that was it. He understood that I'd understood that he'd understood. It took us one sentence, two looks, and a nod - with another woman it would have been at least five minutes of out-loud talking. Lucky for me I spoke fluent guy. — Laurell K. Hamilton

In order to translate a sentence from English into French two things are necessary. First, we must understand thoroughly the English sentence. Second, we must be familiar with the forms of expression peculiar to the French language. The situation is very similar when we attempt to express in mathematical symbols a condition proposed in words. First, we must understand thoroughly the condition. Second, we must be familiar with the forms of mathematical expression. — George Polya

On a sticky August evening two weeks before her due date, Ashima Ganguli stands in the kitchen of a Central Square apartment, combining Rice Krispies and Planters peanuts and chopped red onion in bowl. — Jhumpa Lahiri

At that, every boy on that side of the hall let out a big cheer for the two of them. This went on for about three or four hours before the cold had got the better of the two of them. Without breaking any rooftop siege records, the bedraggled and wet pair came down into the arms of the awaiting riot screws. And surprisingly, for a change, they never suffered any beatings; they got taken to the digger and put on a rule, pending police investigation. Some nine months later, the two kings of the roof stood trial and received eighteen months apiece on top of their sentence ... oh, and the roofing contractor was ecstatically happy. — Stephen Richards

A knife!" I yelled, still brandishing my pillow. "Jim, I command you to get me a gelding knife. If this guy
wants to be a stallion - "
He dissolved in a flurry of white smoke even before I could finish the sentence.
Ha! Victorious again!"
Yeah," Jim drawled while I remade the bed and fluffed up my pillows. "Aisling, two; sexy, naked men
who just want to give her the pleasure of a lifetime with no commitment, zero. — Katie MacAlister

Andrew Carnegie, the poverty-stricken Scotch lad who started to work at two cents an hour and finally gave away $365 million, learned early in life that the only way to influence people is to talk in terms of what the other person wants. He attended school only four years; yet he learned how to handle people. To illustrate: His sister-in-law was worried sick over her two boys. They were at Yale, and they were so busy with their own affairs that they neglected to write home and paid no attention whatever to their mother's frantic letters. Then Carnegie offered to wager a hundred dollars that he could get an answer by return mail, without even asking for it. Someone called his bet; so he wrote his nephews a chatty letter, mentioning casually in a postscript that he was sending each one a five-dollar bill. He neglected, however, to enclose the money. Back came replies by return mail thanking "Dear Uncle Andrew" for his kind note and - you can finish the sentence yourself. — Dale Carnegie

The seven wise men of Greece, so famous for their wisdom all the world over, acquired all that fame, each of them, by a single sentence consisting of two or three words. — Robert South

It's about women. It's about power and it's about women and you just hate those two words in the same sentence, don't you? — Joss Whedon

Every person's map of the world is as unique as their thumbprint.There are no two people alike. No two people who understand the same sentence the same way ... So in dealing with people, you try not to fit them to your concept of what they should be. — Milton H. Erickson

The trouble with today's snarky pipsqueaks who break off a sentence or two, or who write a couple of mean paragraphs, is that they don't go far enough; they don't have a coherent view of life. Spinning around in the media from moment to moment, they don't stand for anything, push for anything; they're mere opportunists without dedication, and they don't win any victories. — David Denby

Such are the distances, in fact, that it isn't possible, in any practical terms, to draw the solar system to scale. Even if you added lots of fold-out pages to your textbooks or used a really long sheet of poster paper, you wouldn't come close. On a diagram of the solar system to scale, with the Earth reduced to about the diameter of a pea, Jupiter would be over 300 metres away and Pluto would be two and a half kilometres distant (and about the size of a bacterium, so you wouldn't be able to see it anyway). On the same scale, Proxima Centauri, our nearest star, would be 16,000 kilometres away. Even if you shrank down everything so that Jupiter was as small as the full stop at the end of this sentence, and Pluto was no bigger than a molecule, Pluto would still be over 10 metres away. So — Bill Bryson

Buonaparte is certainly writing, or rather dictating, his memoirs. He walks backwards and forwards with his hands behind him, and dictates so fast that two or three of his suite are obliged to be in attendance, that the one may take down one-half of a sentence, and another the rest; they then literally compare notes, and put the disjointed legs and wings and heads of periods together. This is writing a book as he fought a battle. — Mary Russell Mitford

...If only Dad hadn't cheated. If only Mom had found a way to be happier. If only Nina hadn't run away. If only I could deal with it better. 'If' and 'only' are the two most useless words in the human vocabulary, Dr. Hakim had made a habit of saying. They should never be used together in a sentence, because they speak of something that's beyond your ability to change. A waste of energy. — Harper Bliss

If my brain were surgically divided by callosotomy tomorrow, this would create at least two independent conscious minds, both of which would be psychologically continuous with the person who is now writing this paragraph. If my linguistic abilities happened to be distributed across both hemispheres, each of these minds might remember having written this sentence. The question of whether I would land in the left hemisphere or the right doesn't make sense - being based, as it is, on the illusion that there is a self bobbing on the stream of consciousness — Sam Harris

The short and obscene sentence of Poseidonius about the rubbing together of two small pieces of flesh, which I have seen you copy in your exercise books with the application of a good schoolboy, does no more to define the phenomenon of love than the cord touched by the finger accounts for the infinite miracle of sounds. Such a dictum is less an insult to pleasure than to the flesh itself, that amazing instrument of muscles, blood, and skin, that red-tinged cloud whose lightning is the soul. — Marguerite Yourcenar

I'm the one who started spreading that particular factoid, about Bendis, Azz and me all being bald Brian's from Cleveland, just to get my name mentioned in the same sentence as two much-better writers, and it's worked like a goddamn charm. Next up, I'm going to grow a big, disgusting beard, just so people will start talking about Alan Moore and me in the same breath. — Brian K. Vaughan

The longest sentence you can form with two words is: I do. — H.L. Mencken

On the morning the last Lisbon daughter took her turn at suicide - it was Mary this time, and sleeping pills, like Therese - the two paramedics arrived at the house knowing exactly where the knife drawer was, and the gas oven, and the beam in the basement from which it was possible to tie a rope. — Jeffrey Eugenides

It's a world full of terror and beauty (here her writing became so small Meggie could hardly make it out) and I could always understand why Dustfinger felt homesick for it.
The last sentence worried Meggie, but when she looked anxiously at her mother, Teresa smiled and reached for her hand. I was far, far more homesick for you two, she wrote on the palm of it, and Meggie closed her fingers over the words as if to hold them fast. She read them again and again on the long drive back to Elinor's house, and it was many days before they faded. — Cornelia Funke

You're unbearably conceited," was one of the two sentences she heard throughout her childhood, even though she never spoke of her own ability. The other sentence was: "You're selfish." She asked what was meant, but never received an answer. She looked at the adults, wondering how they could imagine that she would feel guilt from an undefined accusation. — Ayn Rand

On the same day, two murders. — Jean Zimmerman

One viewer - a Mr. Dionne from California... fired off an angry, rambling letter, complaining haughtily that "the most disciplined attention I could give [The Cube] was a belch from the grave of Marcus Aurelius, occasioned, I might add, by the dead weight of its own dust caving in on itself." Two weeks later came Jim's one-sentence response:

Dear Mr. Dionne:
What the fuck are you talking about?
Yours truly,
JIM HENSON — Brian Jay Jones