Two Line Best Friends Quotes & Sayings

I've never understood it,' continued Wilfred Carr, yawning. 'It's not in my line at all; I never had enough money for my own wants, let alone for two. Perhaps if I were as rich as you or Croesus I might regard it differently.'
There was just sufficient meaning in the latter part of the remark for his cousin to forbear to reply to it. He continued to gaze out of the window and to smoke slowly.
'Not being as rich as Croesus - or you,' resumed Carr, regarding him from beneath lowered lids, 'I paddle my own canoe down the stream of Time, and, tying it to my friends' doorposts, go in to eat their dinners.' ("The Well") — W.W. Jacobs

Gunner shook his head; he wasn't in the mood. He stared down at his bottle as he spoke. "Yeah, and what if I do go after it and what if I find no one, and I'm alone for the next sixty years? What then? Huh? Friends and family will get married. I'll be stuck buying gifts. Years pass: children, birthday parties. At dinner parties, I'll be odd man out, forcing people to arrange five chairs around a table instead of four or six. Or, okay, let's say maybe twenty years down the line I meet someone nice and I've already given up on ever finding true love. Let's say the girl is a few pounds overweight, has fizzy hair and an annoying laugh, but at this point, I'm also a few pounds overweight and my hair is thinning and my laughter is annoying. Maybe then the two of us get married, and both our groups of friends will say, 'See I told you that you'd find true love. It just took a while.' And we'll smile, but we'll both know it's a lie-- — Michael Anthony

It seemed a place where heroes could fitly feast after victory, where weary harvesters could line up in scores along the table and keep their Harvest Home with mirth and song, or where two or three friends of simple tastes could sit about as they pleased and eat and smoke and talk in comfort and contentment. — Kenneth Grahame

Me having a beautiful wife and great family and friends around me, all the money I've got, all the things that I've got, a Ferrari that I just ripped the top off of and turned into a convertible, the rings I got, the two mansions on the water, a master's in criminal justice, I'm a cop, plus I look good. So me shooting 40 percent at the foul line is just God's way of saying that nobody's perfect. If I shot 90 percent from the line, it just wouldn't be right. — Shaquille O'Neal

Christopher Robin is going.
At least I think he is.
Where?
Nobody knows.
But he is going -
I mean he goes
(To rhyme with "knows")
Do we care?
(To rhyme with "where")
We do
Very much.
(I haven't got a rhyme for that "is" in the second line yet.
Bother).
(Now I haven't got a rhyme for bother. Bother)
Those two bothers will have to rhyme with each other
Buther.
The fact is this is more difficult
than I thought,
I ought -
(Very good indeed)
I ought
to begin again,
But it is easier
To stop.
Christopher Robin, good-bye,
I
(Good)
I
And all your friends
Sends -
I mean all your friend
Send -
(Very awkward this, it keeps going wrong.)
Well, anyhow, we send
Our love
END. — A.A. Milne

face lit up with a glow of gratitude that was prayer, though he did not know it. Then furtively the percussion-cap box came out. He released the tick and put him on the long flat desk. The creature probably glowed with a gratitude that amounted to prayer, too, at this moment, but it was premature: for when he started thankfully to travel off, Tom turned him aside with a pin and made him take a new direction. Tom's bosom friend sat next him, suffering just as Tom had been, and now he was deeply and gratefully interested in this entertainment in an instant. This bosom friend was Joe Harper. The two boys were sworn friends all the week, and embattled enemies on Saturdays. Joe took a pin out of his lapel and began to assist in exercising the prisoner. The sport grew in interest momently. Soon Tom said that they were interfering with each other, and neither getting the fullest benefit of the tick. So he put Joe's slate on the desk and drew a line down the middle of it from top to bottom. — Mark Twain

The difference between writing where you know where to draw the line and writing where you're being way too mean is whether you can tell that the writer is not talking to family or friends anymore. Generally, if you say something bad about somebody on stage, you need to say two bad things about yourself. A lot of times, I think I'm the worst person in the room. — David Sedaris

We talked about Zardari, but he spoke carefully and said little of interest, constantly glancing at my tape recorder like it was radioactive. Eventually, he nodded toward it. "Can you turn that off?" he asked. "Sure," I said, figuring he wanted to tell me something off the record. "So. Do you have a friend, Kim?" Sharif asked. I was unsure what he meant. "I have a lot of friends," I replied. "No. Do you have a friend?" I figured it out. "You mean a boyfriend?" "Yes." I looked at Sharif. I had two options - lie, or tell the truth. And because I wanted to see where this line of questioning was going, I told the truth. — Kim Barker

It [Badger's House] seemed a place where heroes could fitly feast after victory, where weary harvesters could line up in scores along the table and keep their Harvest House with mirth and song, or where two or three friends of simple tastes could sit about as they pleased and eat and smoke and talk in comfort and contentment. The ruddy brick floor smiled up at the smoky ceiling; the oaken settles, shiny with long wear, exchanged cheerful glaces with each other; plates of the dresser grinned at pots on the shelf, and the merry firelight flickered and played over everything without distinction. — Kenneth Grahame