Two Face The Dark Quotes & Sayings

It was Miss Murdstone who was arrived, and a gloomy-looking lady she was; dark, like her brother, whom she greatly resembled in face and voice; and with very heavy eyebrows, nearly meeting over her large nose, as if, being disabled by the wrongs of her sex from wearing whiskers, she had carried them to that account. She brought with her two uncompromising hard black boxes, with her initials on the lids in hard brass nails. When she paid the coachman she took her money out of a hard steel purse, and she kept the purse in a very jail of a bag which hung upon her arm by a heavy chain, and shut up like a bite. I had never, at that time, seen such a metallic lady altogether as Miss Murdstone was. — Charles Dickens

When he came in sight of the prisoner he stopped short. The man sat with his hands bound behind him, securely strapped into a seat and guarded by two Yellow Squad troopers, a big fellow and a thin woman who made Mark think of a snake, all sinuous muscle and unblinking beady eyes. The prisoner looked a striking forty or so years of age, and wore a torn brown silk tunic and trousers. Loose strands of dark hair escaped from a gold ring on the back of his head and fell about his face. He did not struggle, but sat calmly, waiting, with a cold patience that quite matched the snake-woman's. Bharaputra. The Bharaputra, Baron Bharaputra, Vasa Luigi himself. The man hadn't changed a hair in the eight years since Mark had last glimpsed him. Vasa — Lois McMaster Bujold

I bite my lip as I begin reading: She needs some sun! Her eyes are hard to see - they're too dark; her nose is thin; no cheek bones!; I think her lips are uneven; her chin is really square, and my favorite: is that a mole or a zit? Awesome. Twenty pages of these cryptic remarks sure do make a girl feel good about herself. The last page changes my sour mood completely. On it there is a sketch of my face - no, sketch is the wrong word. It's too common a word. This is more than a sketch. This is a portrait of my face. The image of the girl staring back at me is so stunning, that I actually gasp. The handwriting on the bottom of the page, which is small and elegant, holds only two words: You're perfect. — Danielle Bannister

She was beautiful, only hers was the dark beauty of night, just as Sherry's was the bright beauty of daytime. Her hair was raven-black, ending in a sort of widow's peak low on her forehead, and her face and arms were alabaster- white. Her gown was a clinging thing of swirling black, almost like smoke, and two peculiar shoulder-draperies she wore, hanging down loosely and caught at the wrists, almost suggested great triangular wings when her arms were in motion.
Her lips were a red gash in the pallor of her face, and they glistened as though she had daubed them with fresh blood instead of rouge.
"What's your name?" I asked.
"Call me Faustine," she said low. I saw her staring fixedly at me, with a sort of half-smile on her face, but her gaze rested a little lower than my own face. I fingered my neck uneasily. "Is there something on my collar?"
("Vampire's Honeymoon") — Cornell Woolrich

I felt myself begin to slide down into that recognizable abyss, down and down, where I knew it would be cold and dark, but which had become more familiar to me than my face in the mirror. I knew I should instead be grateful for this time with my two best friends, for having laughed, but I let myself slide anyway. And hoped someone would pull me back up. — Tracy H. Tucker

Glad you like my first tableau. Come and see number two. Hope it isn't spoilt; it was very pretty just now. This is 'Othello telling his adventures to Desdemona'."
The second window framed a very picturesque group of three. Mr March in an armchair, with Bess on a cushion at his feed, was listening to Dan, who, leaning against a pillow, was talking with unusual animation. The old man was in shadow, but little Desdemona was looking up with the moonlight full upon her face, quite absorbed in the story he was telling so well. The gay drapery over Dan's shoulder, his dark colouring and the gesture of his arm made the picture very striking and both very striking, and both spectators enjoyed it with silent pleasure, till Mrs Jo said in a quick whisper:
"I'm glad he's going away. He's too picturesque to have among so many romantic girls. Afraid his 'grand, gloomy and peculiar' style will be too much for our simple maids. — Louisa May Alcott

Avada Kedavra!" "Expelliarmus!" The bang was like a cannon blast, and the golden flames that erupted between them, at the dead center of the circle they had been treading, marked the point where the spells collided. Harry saw Voldemort's green jet meet his own spell, saw the Elder Wand fly high, dark against the sunrise, spinning across the enchanted ceiling like the head of Nagini, spinning through the air toward the master it would not kill, who had come to take full possession of it at last. And Harry, with the unerring skill of the Seeker, caught the wand in his free hand as Voldemort fell backward, arms splayed, the slit pupils of the scarlet eyes rolling upward. Tom Riddle hit the floor with a mundane finality, his body feeble and shrunken, the white hands empty, the snakelike face vacant and unknowing. Voldemort was dead, killed by his own rebounding curse, and Harry stood with two wands in his hand, staring down at his enemy's shell. — J.K. Rowling

I saw something moving round the foot of the bed, which at first I could not accurately distinguish. But I soon saw that it was a sooty-black animal that resembled a monstrous cat. It appeared to me about four or five feet long for it measured fully the length of the hearthrug as it passed over it; and it continued to-ing and fro-ing with the lithe, sinister restlessness of a beast in a cage. I could not cry out, although as you may suppose, I was terrified. Its pace was growing faster, and the room rapidly darker and darker, and at length so dark that I could no longer see anything of it but its eyes. I felt it spring lightly on the bed. The two broad eyes approached my face, and suddenly I felt a stinging pain as if two large needles darted, an inch or two apart, deep into my breast. I waked with a scream. — J. Sheridan Le Fanu

The woman, one of those usually known as a good-time girl, was famous for the premature portliness which had earned her the nickname Boule de Suif. Small, round as a barrel, fat as butter and with fingers tightly jointed like strings of small sausages, her glowing skin and the enormous bosom which strained under the constraints of her dress - as well as her freshness, which was a delight to the eye - made her hugely desirable and much sought after. She had a rosy apple of a face, a peony bud about to burst into bloom. Out of it looked two magnificent dark eyes shaded by thick black lashes. Further down was a charming little mouth complete with invitingly moist lips and tiny, gleaming pearly-white teeth. She was said to possess a variety of other inestimable qualities. — Guy De Maupassant

Resting beside her, he seemed to Ildiko a living statue, carved from dark granite into a form of supple elegance and power. He was beautiful, and the tremor change in her perception of him robbed her lungs of air.
He opened both eyes suddenly, making her jump. Two shimmering gold coins stared at her unblinking. "Good evening, wife," he said in a voice raspy with the remnants of sleep. A closed-lip smile curved his mouth upward and deepened the tiny lines that fanned from the corners of his eyes. "You're staring. Do I have a fly on my nose?"
Fighting down a blush at being caught gawking at her own husband, Ildiko lightly tapped the tip of his nose with one finger. "I was trying to find a way to kill it without punching you in the face. Lucky for you, it flew away. — Grace Draven

Deep down here by the dark water lived old Gollum, a small slimy creature. I don't know where he came from, nor who or what he was. He was Gollum - as dark as darkness, except for two big round pale eyes in his thin face. — J.R.R. Tolkien

Give me your hands," I said.
I studied his palms. "Yes, she'll forgive you. She'll realize you saved her."
"You're a palm reader now?"
"Yes."
"When did you learn how to do that?"
"While you were sleeping."
"I waste so much time sleeping. What else do you see?"
"I see food. Max is going to bring food."
"Do you see cake?"
"No, no cake."
"Let me see your hands," he said.
I raised an eyebrow.
"I learned while you were talking." He studied my palms. "Your scars cross over the lines in your hands, like you have two lives... One to mess up and one to get right."
"That's convenient. What else do you see?"
"I see you happy," he said.
"Yeah?" I asked.
He nodded. "And I see you."
My fingers itched to reach out and touch his face, to make sure I'd still know him in the dark.
"I see you, too," I said. — Shalanda Stanley

For long the two enemies looked at one another, Hook shuddering slightly, and Peter with the strange smile upon his face.
"So, Pan," said Hook at last, "this is all your doing."
"Ay, James Hook," came the stern answer, "it is all my doing."
"Proud and insolent youth," said Hook, "prepare to meet thy doom."
"Dark and sinister man,"For long the two enemies looked at one another, Hook shuddering slightly, and Peter with the strange smile upon his face.
"Dark and sinister man," Peter answered, "have at thee. — J.M. Barrie

There is a struggle inside you between these two parts. It's as if at times your heart becomes a battlefield! The secret part, full of light, seems so small and weak in the face of the discouraging and morbid part, which seems enormous and overwhelming. However, if you light a small candle in a dark room, everything is lit up. It is a matter of trusting in this little light in the deepest part of your being which can gradually chase away the darkness. — Jean Vanier

Martin thought of the iron El trestles winding and stretching across the city, of department store windows and hotel lobbies, of electric elevators and street-car ads, of the city pressing its way north on both sides of the great park, of dynamos and electric lights, of ten-story hotels, of the old iron tower near the depot at West Brighton with its two steam-driven elevators rising and falling in the sky
and in his blood he felt a surge of restlessness, as if he were a steam train spewing fiery coal smoke into the black night sky as he roared along a trembling El track, high above the dark storefronts, the gaslit saloons, the red-lit doorways, the cheap beer dives, the dance halls, the gambling joints, the face in the doorway, the sudden cry in the night. — Steven Millhauser

Five members of the heretical sect of Quakers have been arrested," he says, smiling blandly, "and more arrests are anticipated." Two of the Quakers appear onscreen, a man and a woman. They look terrified, but they're trying to preserve some dignity in front of the camera. The man has a large dark mark on his forehead; the woman's veil has been torn off, and her hair falls in strands over her face. Both of them are about fifty. — Margaret Atwood

The old guy behind the counter looked like he was doing about sixty, and it didn't look easy. Face was dark and chewed-up from something in his past. Hair was long and gray, and mostly behind him. He stared at me through two dark slits. — Richard Krauss

Loneliness made or ruined a man. It frightened him so that he must either sing and build in the face of the dark, like a bird or a beaver, or hide from it like a beast in his den. There were perhaps always only the two ways to go, God or the jungle. — Elizabeth Goudge

And just as he had tried, on the southern beach, to find again that unique rounded black pebble with the regular little white belt, which she had happened to show him on the eve of their last ramble, so now he did his best to look up all the roadside items that retained her exclamation mark: the special profile of a cliff, a hut roofed with a layer of silvery-gray scales, a black fir tree and a footbridge over a white torrent, and something which one might be inclined to regard as a kind of fatidic prefiguration: the radial span of a spider's web between two telegraph wires that were beaded with droplets of mist. She accompanied him: her little boots stepped rapidly, and her hands never stopped moving, moving - to pluck a leaf from a bush or stroke a rock wall in passing - light, laughing hands that knew no repose. He saw her small face with its dense dark freckles, and her wide eyes, whose pale greenish hue was that of the shards of glass licked smooth by the sea waves. — Vladimir Nabokov

Judd returned during the last hour of my Friday shift. Without seeing him coming as I wiped a table, I knew something was up because two large burly men flinched.
Turning, I found Judd moving fast towards me. Before I could speak, his hands cupped my face and his lips were on mine.
Murmuring at the deepening kiss, I tossed aside the wash towel and wrapped my arms around his waist. He felt like perfection.
Judd pulled away and stated to speak then his gaze focused on the two men watching us and smiling. His dark stare killed their enthusiasm and they returned to eating.
"Back less than a minute and you're already losing me tips," I teased, causing Judd to smile grudging. "You taste like peppermint."
"I slept for shit and chewing gum keeps me alert."
Caressing his lips, I couldn't stop grinning. "You're so fucking beautiful and you're mine. How did that happen?"
Judd finally gave me a great smile. "I laid eyed on you and was done for. — Bijou Hunter

Seemingly innocuous language like 'Oh, I'm flexible' or 'What do you want to do tonight?' has a dark computational underbelly that should make you think twice. It has the veneer of kindness about it, but it does two deeply alarming things. First, it passes the cognitive buck: 'Here's a problem, you handle it.' Second, by not stating your preferences, it invites the others to simulate or imagine them. And as we have seen, the simulation of the minds of others is one of the biggest computational challenges a mind (or machine) can ever face. — Brian Christian

He looks a bit like Robert Pattinson - if you genetically spliced him with Buzz Lightyear. He has dark, quiffy hair and wide-spaced eyes, though his skin is tanned as opposed to diamond sparkly white. He has a very square jaw with a dimple in the center of his chin but alas no jet
65
THE SOUND
SARAH ALDERSON
pack. I note that his eyebrow is cocked and the smile on his face is half sneer, half smirk as if he's laughing at Eliza but she doesn't seem to realize.
I shake my head. I'm making a lot of assumptions here and the only two that I can safely claim are true are the ones about him being neither a vampire nor a space ranger. — Sarah Alderson

There are two kinds of visual memory: one when you skillfully recreate an image in the laboratory of your mind, [ ... ]; and the other when you instantly evoke, with shut eyes, on the dark innerside of your eyelids, the objective, absolutely optical replica of a beloved face, a little ghost in natural colors. — Vladimir Nabokov

Khalid?" It was dark now, and she couldn't see his face, but she knew he was right there, an inch or two from their last kiss. "What was that look? Earlier, after we'd finished?"
There was a long silence in the dark before Khalid finally spoke.
"It is only that it has been a long time since I have made love." There was another long quiet. She waited for him. "Of course, I love Galen. But you know already, we are only tender when we are not f****ing. And you and I, we were tender, before, but we did not feel then as we feel now."
"No."
"I had forgotten how big that feeling is."
Vanka pulled Khalid to her, cradling his naked body against hers. — Varian Krylov

A strange cold fear gripped him as he looked down at that angelic face resting against his shoulder. Her thick dark lashes lay heavy against her perfect olive skin like two perfect dark crescent moons concealing those glorious starry green eyes burdened with anguish much too raw and intense for a teenager to bear. She was frail and tiny and much too beautiful, light as a feather in his arms, like a pure white dove. Things were only going to get worse before they were going to get better but that was okay because Logan was determined to be there for Sienna every step of the way. — Ali Harper

I am not in the habit of forgiving."
"Perhaps you might make an exception this time."
"I don't know why I should."
"Consider my injuries." The dent deepened anew. "Perhaps I am already sufficiently punished."
She tried not to smile. "I won't apologize for that."
"I never expected you to. Now may we put this unfortunate episode behind us and instead pretend to be two people who happened to become acquainted over spilled champagne?" "Why should we pretend that?"
"It's either that or the pitchfork." His dark eyes glimmered.
"All right. But don't do it again."
"Kiss you in the stable or defend you from tabbies?"
The heat was back in her face. "Either."
"I believe I can promise that." He bowed again. "Good night, madam." He walked away.

-Ravenna & Vitor — Katharine Ashe

During the whole of the fucking Middle Ages, the place where they had it off most of all was the cemeteries! ... people don't face up these odd little sides of things, leave a lot of naughty little facts in the dark out of human decency! A mistake! wrong! ... human decency never holds up! ... with me it's my enemas! the toilet! after two weeks without an enema I have nothing against dying ... and they give it to me so hot that I scream ...
And in Claunau? [i.e. Dachau]
You're right, you're right! I whimper, but I'm spoiled! but were you there, in Claunau? ... My ass you were! doesn't stop you from screeching your fucking lungs out as if you were the first one in and the last one out! — Louis-Ferdinand Celine

He pursed his lips and gazed at me reproachfully for throwing our seventh-grade history in his face,times two. back then he'd brought our tween-love Armageddon on himself by letting our whole class in on a secret while he kept me in the dark.
Not that i was bitter. — Jennifer Echols

A breeze stirred Dovewing's pelt, as is someone had walked past. She lifted her head an saw two figures standing just beyond her Clanmates. One was a badger with a narrow, striped face, the other a grotesque, hairless cat who's blind, bulging eyes saw nothing but everything. They met her gaze and nodded, just once. "Thank you." Dovewing heard, quieter then a sigh.
"There will be three, kin of your kin, who will hold the power of the stars in their paws. They will find a fourth, and the battle between light and dark will be won. A new leader will rise fro the shadows. This s how it always has been, and always will be."
-Rock and Midnight, The Last Hope — Erin Hunter

A TWIST OF LIGHT-prologue
Reissue date; 6-16-14

The new mother mover the sacking away from the tiny red face, marveling at the perfect mouth and the arc of dark eyebrows of the child she cradled. "Did you ever see anything so pretty?" She spoke to no one in particular, but addressed her question to the group of women huddled inside the hut. Fashioned from cardboard and corrugated iron, the hut wasn't much bigger than the flatbed of the truck that had brought her here.

"Nothing's quite as pretty as a healthy baby." the flat vowels marked the midwife's origins in Oklahoma as surely as her faded sunbonnet and her residence in the labor camp. Set up less than two months ago, it already bulged with over five hundred people who'd been blown out of their homes along with the rich topsoil.(less) — Joyce Mandeville

To pull the metal splinter from my palm my father recited a story in a low voice. I watched his lovely face and not the blade. Before the story ended, he'd removed the iron sliver I thought I'd die from. I can't remember the tale, but hear his voice still, a well of dark water, a prayer. And I recall his hands, two measures of tenderness he laid against my face. — Li-Young Lee

The two of them made a striking combo, one dark and one golden, both utterly fearless in the face of this danger. They were beautiful in their deadliness. — Richelle Mead

Call him!" echoed Barnaby, sitting upright upon the floor, and staring vacantly at Gabriel, as he thrust his hair back from his face. "But who can make him come! He calls me, and makes me go where he will. He goes on before, and I follow. He's the master, and I'm the man. Is that the truth, Grip?" The raven gave a short, comfortable, confidential kind of croak; - a most expressive croak, which seemed to say, "You needn't let these fellows into our secrets. We understand each other. It's all right." "I make him come!" cried Barnaby, pointing to the bird. "Him, who never goes to sleep, or so much as winks! - Why, any time of night, you may see his eyes in my dark room, shining like two sparks. And every night, and all night too, he's broad awake, talking to himself, thinking what he shall do to-morrow, where we shall go, and what he shall steal, and hide, and bury. I make him come! Ha, ha, ha! — Charles Dickens

Jesse."
My head springs up with a deep breath of panic. Alex's face appears in my blurry vision. I guess I managed to fall asleep in this old chair after all. Now I feel worse than when I sat down.
"Come." She takes my hand and tugs me until I get out of the chair, leading me to the bed. It's still dark out, but the fire casts enough glow.
"Wait, let me get the-"
"No, this is perfect. Really." She's still whispering. the girl who drives a BMW Z8, and she wears probably two years' worth my salary on her finger, curls up on an unmade bed with an old wool blanket and says it's perfect. — K.A. Tucker

She still had her bad days, no question, when the black dog of depression sniffed her out and settled its crushing weight on her chest and breathed its pungent dog breath in her face. On those days she called in sick to the IT shop where, most days, she untangled tangled networks for a song. On those days she pulled down the shades and ran dark for twelve or twenty-four or seventy-two hours, however long it took for the black dog to go on home to its dark master. — Lev Grossman

I wish I could say when Michael's dark eyes met mind, I was completely cool and collected about seeing him again after all this time, and that I laughed airily and said all the right things. I wish I could say after having pretty much single-handedly brought democracy to a country I happen to be a princess of, and written a four-hundred-page romance novel, and gotten into every college to which I applied (even if it's just because I'm a princess), that I handled meeting Michael for the first time again after throwing my snowflake necklace in his face almost two years ago with total grace and aplomb.
But I totally didn't. — Meg Cabot

Working on the Dark Side of the Moon" is meant to lift the curtain on secret places where smart, dedicated people work to protect the US and our allies from those who would do us harm. The NSA is easy to vilify because it works in secret, and it is powerful enough to bear watching. But it also deserves to be appreciated. This book shows the human face of two parts of the US Intelligence Community. — Thomas Reed Willemain

To add to the effect, he hadn't shaved in a day or two, and a shadow of dark blond fuzz covered the bottom half of his face like a smile. — Kiera Cass

The woman, who belonged to the courtesan class, was celebrated for an embonpoint unusual for her age, which had earned for her the sobriquet of "Boule de Suif" (Tallow Ball). Short and round, fat as a pig, with puffy fingers constricted at the joints, looking like rows of short sausages; with a shiny, tightly-stretched skin and an enormous bust filling out the bodice of her dress, she was yet attractive and much sought after, owing to her fresh and pleasing appearance. Her face was like a crimson apple, a peony-bud just bursting into bloom; she had two magnificent dark eyes, fringed with thick, heavy lashes, which cast a shadow into their depths; her mouth was small, ripe, kissable, and was furnished with the tiniest of white teeth. — Guy De Maupassant

The dead man's face was pale and bloodless. The fierce white lights in the morgue showed up every detail mercilessly and every last pore and pock-mark was revealed, the history of a life, now reduced to a mere handful of scars.
'Always nice to see you Mark, but what brings you in so late on Friday afternoon?' Lambert said nothing, staring at Petrie's corpse, before turning to the coroner. John Humby was older and getting close to retirement and the two had been friends for a very long time. Humby resembled a large blood-hound, the more so the older he got and he was smiling over at Lambert, who was still thinking about the murder. — Stevie O'Connor

It's easier to see the places where things end. Endings are clear, endings are dramatic, endings are obvious events. A pair of panties, not yours, found, a slap of a hand across a face, a ring returned. Something that was, and isn't now.

Beginnings are hidden in the shadows of time, are gradual, are two half-glances in a dark bar. Tiny things that no one even notices, but that hold everything. — Kat Howard

Jonah's breath came fast and shallow. I reached for his hand. He turned his face to me, his eyes wide with panic. Two frozen ponds. A boy screamed and pounded on the surface, trapped under the ice. Panicking. Trying to break through. But his screams faded, his fists flailed, and he slipped away into the dark. The boy was gone. Nothing left but the ice, clear and smooth enough to skate on. — Natalie Standiford

I see the President almost every day. I see very plainly Abraham Lincoln's dark brown face with its deep-cut lines, the eyes always to me with a deep latent sadness in the expression. None of the artists or pictures has caught the deep, though subtle and indirect expression of this man's face. There is something else there. One of the great portrait painters of two or three centuries ago is needed. — Walt Whitman

Her hair was matted to her head, glistening dark red, like wine through a murky bottle. Her torn shirt hung loose, a breast carelessly exposed, and her breeches were taut against the lean muscles of her legs. She treaded through the waves, never swaying in the current, until she stood before him, face concealed in shadow. "You swim faster with one arm than I with two," she said.
Nathan laughed. "You frightened me. — Matt Tomerlin

It's all about the light. Always face it, because that's how you give your face good angles. If you're outside when the sun is overhead, you're going to have dark circles from the sun creating shadows on your face. So no outdoor pictures between 12 and two! — Gisele Bundchen

Connor asked that I make you like me," Ashton casually says, easing his tight grip on my hips so that I'm not pressed directly against his erection, allowing me to breathe again. His mouth twists as if from something sour. "Since he really likes you." Then he sighs, looking over my head, as he adds, "And I'm his best friend." As if he's reminding himself of that. Right, Connor. I swallow. The mention of Connor and his feelings for me while my hands are still flattened against his best friend's chest, the one that I pawed repeatedly not even two weeks ago, fills me with guilt. "So?" Serious dark eyes lock on my face. "How do I do that, Irish? How do I make you like me? — K.A. Tucker

She was dark-haired, fierce; she wore two drop earrings made of crystal; her face was a pure oval tickled with dimples; her skin was golden; and her laugh was like a fire in the night. But on her face you could also read the concentration of a soul whose life is entirely inward, and a mischievous gravity which acquires a silver patina with age. — Muriel Barbery

wheat-complexioned face. Average sized, dark eyes flanked a straight nose. He wore his hair long like most Meluhan men and women. The head bore a majestic crown with the sun symbol of the Suryavanshis manifested in the centre through sparkling gem stones. His clothes consisted of an elegantly draped dhoti and an angvastram placed over his right shoulder. A large amount of functional jewellery, including two amulets on his right arm, complemented Daksha's average appearance. His only distinguishing feature was his smile - which spread its innocent conviction all the way to his eyes. Emperor Daksha looked like a man who wore his royalty lightly. 'Yes — Amish Tripathi

I've seen ye so many times," he said, his voice whispering warm in my ear. "You've come to me so often. When I dreamed sometimes.When I lay in fever. When I was so afraid and so lonely I knew I must die. When I needed you, I would always see ye, smiling, with your hair curling up about your face. But ye never spoke. And ye never touched me."
"I can touch you now." I reached up and drew my hand gently down his temple, his ear, the cheek and jaw that I could see. My hand went to the nape of his neck, under the clubbed bronze hair, and he raised his head at last, and cupped his face between my hands, love glowing strong in the dark blue eyes.
"Dinna be afraid," he said softly, "There's the two of us now. — Diana Gabaldon

Maybe we should go by tube', he said.
A taxi'll come', she said. 'I'm in no hurry'.
She remembered something a woman in Paris had told her once. A woman in her forties, much married, elegant, a little world-weary. There is nothing easier in this world, this woman had claimed, than getting a man to kiss you. Oh really? Eva had said, so how do you do that? Just stand close to a man, the woman has said, very close, as close as you can without touching - he will kiss you in one minute or two. It's inevitable. For them it's like an instinct - they can't resist. Infaillible.
So Eva stood close to Romer in the doorway of the shop on Frith Street as he shooted and waved at the passing cars moving down the dark street, hoping one of them might be a taxi.
We're out of luck', he said, turning, to find Eva standing very close to him, her face lifted.
I'm in no hurry', she said.
He reached for her and kissed her. — William Boyd

The sled runners had been replaced by wheels and they traveled on a rutted, muddy road that formed a dark line between two fields of snow that occasionally showed a patch of matted, tangled weeds. Seeing them got her thinking. She wiped her face with the blanket and, digging her brush out of a nearby pack, began the arduous process of clearing the snarls from her hair.

She pulled, grunted, and then sighed. Modina looked over with a questioning expression, and Arista explained by letting go of the brush and leaving it to hang.

Modina smiled and crawled over to her. "Turn around," she said, and taking the brush, the empress began working the back of Arista's head. "You have quite the rat's nest here."

"Be careful one doesn't bite you," Arista replied. — Michael J. Sullivan

The time of minor poets is coming. Good-by Whitman, Dickinson, Frost. Welcome you whose fame will never reach beyond your closest family, and perhaps one or two good friends gathered after dinner over a jug of fierce red wine ... While the children are falling asleep and complaining about the noise you're making as you rummage through the closets for your old poems, afraid your wife might've thrown them out with last spring's cleaning.
It's snowing, says someone who has peeked into the dark night, and then he, too, turns toward you as you prepare yourself to read, in a manner somewhat theatrical and with a face turning red, the long rambling love poem whose final stanza (unknown to you) is hopelessly missing. — Charles Simic

This is the Death's-head Moth," he said. "That's nightshade she's sitting on - we're hoping she'll lay." The moth was wonderful and terrible to see, its large brown-black wings tented like a cloak, and on its wide furry back, the signature device that has struck fear in men for as long as men have come upon it suddenly in their happy gardens. The domed skull, a skull that is both skull and face, watching from its dark eyes, the cheekbones, the zygomatic arch traced exquisitely beside the eyes. "Acherontia styx," Pilcher said. "It's named for two rivers in Hell. Your man, he drops the bodies in a river every time - did I read that?" "Yes," Starling said. "Is it rare?" "In this part of the world it is. There aren't any at all in nature. — Thomas Harris

May walked slowly around the body, studying it. Putrefaction had been halted in its advance, but the corpse's skin had turned green and black, producing an acrid odour. He found it hard to imagine that this man had recently been walking around, eating in restaurants, watching TV. He was someone's lover, someone's son, but there was almost nothing human left. Without a head his trunk bore an unsettling similarity to something you would find in a meat locker. How would his loved ones feel if they could see him like this? 'Get anything else?' 'It's tricky because the usual decay process has been interrupted by the relatively sterile storage of the body. Usually, after two to three days you get staining on the abdomen. The discolouration spreads, veins grow dark, the skin blisters after a week, tissue starts softening and nails fall off at around the three-week stage, and finally the face becomes unrecognisable as the skin liquefies - — Christopher Fowler

What have I kept of Rae Evans from the moment when she half stood behind her desk and held out her hand to shake mine? I think it is the impression of white--white face, white shirt between two halves of a power dark suit. Hers were night colors, and though it was early in the morning, and she was my new boss, it seemed as though the business day had not quite caught up to us, and maybe never would. — Dorothy Johnston

Two were dark, and had high aquiline noses, like the Count, and great dark, piercing eyes, that seemed to be almost red when contrasted with the pale yellow moon. The other was fair, as fair as can be, with great masses of golden hair and eyes like pale sapphires. I seemed somehow to know her face, and to know it in connection with some dreamy fear, but I could not recollect at the moment how or where. All three had brilliant white teeth that shone like pearls against the ruby of their voluptuous lips. There — Bram Stoker

Your momma wanted to save you
save you from your fate. If she hadn't, you'd be nothing but a memory and a fear long forgotten. Just like all you who mix the breeds. What they want you two for, what they have planned." She shook her head again and when she looking at me, sorrow etched across her face. "They fear you, fear what comes from you. I told you child. I told you that your path was filled with dark things tat must be done. — Jennifer L. Armentrout

Safe," she said with a hollow smile. "That is a pretty word." "Come on," snapped Kate beside the door. "But--" "Don't worry, August. I'm not afraid of the dark." Our sister has two sides. He took Ilsa's face in his hands. "Please be careful." They do not meet. "Go," she said. "Before the cracks catch up. — Victoria Schwab

Emerson lifts his head. His eyes are two dark pools of desire, a clouded night's sky. He catches his breath a moment, unsteady, and then drops a kiss on my lips. Sweet. Almost tender. I barely have time to take it in before he grabs my shoulder and spins me around, pushing me so my bare chest is slammed up into the wall, my cheek pressed against the cold concrete.
I gasp, my heart skipping with the thrill. I can feel him up against me, a solid wall of muscle trapping me in place, the hard ridge of him pressed against the small of my back. I can't move, or see the expression on his face, only hear the hoarse groan Emerson sounds as he twists a handful of my hair and yanks it to one side, kissing a searing trail along the curve of my neck.
I whimper, bound and powerless against him, and oh God, loving every minute of it. — Melody Grace

Annabel was, like the writer, of mixed parentage: half-English, half-Dutch, in her case. I remember her features far less distinctly today than I did a few years ago, before I knew Lolita. There are two kinds of visual memory: one when you skillfully recreate an image in the laboratory of your mind, with your eyes open (and then I see Annabel in such general terms as: "honey-colored skin," "thin arms," "brown bobbed hair," "long lashes," "big bright mouth"); and the other when you instantly evoke, with shut eyes, on the dark innerside of your eyelids, the objective, absolutely optical replica of a beloved face, a little ghost in natural colors (and this is how I see Lolita). — Vladimir Nabokov

There are seven windows in the Queen's bedroom in the Citadel that is the center of the City that is on the lake island called the Hub in the middle of the world.
Two of the seven windows face the tower stones and are dark; two overlook inner courtyards; two face the complex lanes that wind between the high, blank-faced mansions of the Protectorate; and the seventh, facing the steep Street of the Birdsellers and, beyond, a crack in the ring of the mountains across the lake, is always filled at night with stars. When wind speaks in the mountains, it whispers in this window, and makes the fine brown bed hangings dance. — John Crowley

I turned in my seat. Will's face was in shadow and I couldn't quite make it out.
'Just hold on. Just for a minute.'
'Are you all right?' I found my gaze dropping towards his chair, afraid some part of him was pinched, or trapped, that I had got something wrong.
'I'm fine. I just . . . '
I could see his pale collar, his dark suit jacket a contrast against it.
'I don't want to go in just yet. I just want to sit and not have to think about . . . ' He swallowed.
Even in the half-dark it seemed effortful.
'I just . . . want to be a man who has been to a concert with a girl in a red dress. Just for a few minutes more.'
I released the door handle.
'Sure.'
I closed my eyes and lay my head against the headrest, and we sat there together for a while longer, two people lost in remembered music, half hidden in the shadow of a castle on a moonlit hill. — Jojo Moyes

And me all the while having to pee - coughing into the mike when my throat was tired and raw - eyes stinging and lips and chin crumpling in grief at his anger. The sweet tinkle of Electra on the bass and Iphy on the treble with Mama's voice counting, "One and two and ... " as the twins had their piano lesson inside the trailer. The gurgle and hum of the pumps that filtered my brother Arty's "Aqua Boy" tank. And the dim round moon of baby Fortunato's face peering at me from the dark of the risers above Papa. — Katherine Dunn