Two Contrasting Quotes & Sayings
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Top Two Contrasting Quotes

The Bible teaches that the human struggle happens within a single entity - the human heart. The main human struggle is not between the heart and something else, but between forces that tear it in different directions. The great battle is deciding to what your heart's greatest love, hope, and trust will be directed — Timothy Keller

These two archetypal principles lie at the foundation of the contrasting system of East and West. The masses and their leaders do not realize, however, that there is no substantial difference between calling the world principle male and a father (spirit), as the West does, or female and a mother (matter), as the Communists do. Essentially, we know as little of the one as of the other. In earlier times, these principles were worshiped in all sorts of rituals, which at least showed the psychic significance they held for man. But now they have become mere abstract concepts. — C. G. Jung

We all operate in two contrasting modes, which might be called open and closed. The open mode is more relaxed, more receptive, more exploratory, more democratic, more playful and more humorous. The closed mode is the tighter, more rigid, more hierarchical, more tunnel-visioned. Most people, unfortunately spend most of their time in the closed mode. — John Cleese

Nature, when undisturbed, is never monotonous, you know. Even when using green, the most frequent color on her palette, she throws in contrasting tints by way of expression, and you will seldom see two sides of a leaf of the same hue, and the leaf stem frequently gives a good dash of bronze or purple. — Mabel Osgood Wright

You can see the meaning of the statement that "Literature is a living art" most easily and clearly, perhaps, by contrasting Science and Art at their two extremes - say Pure Mathematics and Acting. Science as a rule deals with things, Art with man's thought and emotion about things. — Arthur Quiller-Couch

It is also worth noting that it was only through my urgent instigation that he printed a short poem of his own. This was in accordance with his essential unassumingness. Though not clearly conscious of it at the time, I now realize that in a young man of twnty-four his selflessness was extraordinary. The clue to his poetic genius was sympathy, not only in his detached outlook upon humanity but in all his actions and responses towards individuals. I can remember nothing in my observations of his character which showed any sign of egotism or desire for self-advancement. When contrasting the two of us, I find that - highly strung and emotional though he was - his whole personality was far more compact and coherent than mine. He readily recognized and appreciated this contrast, and I remember with affection his amused acceptance of my exclamatory enthusiasms and intolerances. Most unfairly to himself, he even likened us to Don Quixote and Sancho Panza! — Siegfried Sassoon

We are made up of two contrasting ideals: Love And Fear. Pick One and Live. — Axl Rose

So which guideline should a writer follow, "Avoid elegant variation" or "Don't use a word twice on one page"? Traditional style guides don't resolve the contradiction, but psycholinguistics can help. Wording should not be varied capriciously, because in general people assume that if someone uses two different words they're referring to two different things. And as we shall soon see, wording should never be varied when a writer is comparing or contrasting two things. But wording should be varied when an entity is referred to multiple times in quick succession and repeating the name would sound monotonous or would misleadingly suggest that a new actor had entered the scene. — Steven Pinker

As scientists the two men were contrasting types - Einstein all calculation, Rutherford all experiment ... There was no doubt that as an experimenter Rutherford was a genius, one of the greatest. He worked by intuition and everything he touched turned to gold. He had a sixth sense. — Chaim Weizmann

I thought about the cast of The Wizard of Oz on the yellow brick road and wondered which character I was. Perhaps the Tin Man, in search of a red, pulsating heart. Or at least someone to give it to. — Kate Rockland

Jesus is who saved me. He's what keeps me full and whole. — Miley Cyrus

But I do believe that a woman's truest place is in a home, with a husband and with children, and with large freedom, pecuniary freedom, personal freedom, and the right to vote. — Lucy Stone

Where the blue water began, I could not guess. It stretched out far enough to reach and touch the sky. The contrasting blues of the two vast expanses did not meld together, kept apart by a line that rimmed the world, a horizon line that perhaps prevented the water from rising into the heavens and the sky from draining into the sea. — Michael Puttonen

Contrasting British servicemen and women with the appeasers, it is hard not to laugh. Are these two sides even the same species, let alone the same nationality? On one hand the selflessness and internationalism of the soldiers; on the other the Whites-First isolationism of the protesters. Excuse me, who are the idealists here? — Julie Burchill

Two contrasting attitudes: non-math person: "Math is so abstract." i.e. "hard to understand" math person: We abstract *in order to understand.* Part of our job is to teach people this latter mentality. — James Key

I went to the University/Resident Theatre Association auditions. Deans come and watch you in this theater. You have three minutes, and you have to do two contrasting monologues - at that time, this is 2003 - one classical and one contemporary. — Kunal Nayyar

The pursuit of personal happiness and the production of healthy children are two radically contrasting projects, which love maliciously confuses us into thinking of as one for a requisite number of years. We should not be surprised by marriages between people who would never have been friends — Alain De Botton

But, in the ocean of faces where every fierce and furious expression was in vivid life, there were two groups of faces - each seven in number - so fixedly contrasting with the rest, that never did sea roll which bore more memorable wrecks with it. Seven faces of prisoners, suddenly released by the storm that had burst their tomb, were carried high overhead: all scared, all lost, all wondering and amazed, as if the Last Day were come, and those who rejoiced around them were lost spirits. Other seven faces there were, carried higher, seven dead faces, whose drooping eyelids and half-seen eyes awaited the Last Day. Impassive faces, yet with a suspended - not an abolished - expression on them; faces, rather, in a fearful pause, as having yet to raise the dropped lids of the eyes, and bear witness with the bloodless lips, "THOU DIDST IT!" Seven — Charles Dickens

Muriel seeks happiness and beauty. Dan informs her that life is a balance between the two, between suffering and laughter, beauty and ugliness. 'There is no such thing as happiness. Life bends joy and pain, beauty and ugliness, in such a way that no one may isolate them. No one should want to. Perfect joy, or perfect pain, with no contrasting element to define them, would mean a monotony of consciousness, would mean death. Not happy, Muriel. Say that you have tried to make them CREATE. — Jean Toomer