Turnaround Strategy Quotes & Sayings

I would like to win the Pulitzer Prize. I would like to win the Nobel Prize. I would like to win a Tony award for the Broadway musical I'm now working on. Aside from these, my aspirations are modest ones. — Evan Hunter

To put it still more plainly: the desire for security and the feeling of insecurity are the same thing. To hold your breath is to lose your breath.

We worry because we feel unsafe, and want to be safe. Yet it is perfectly useless to say that we should not want to be safe. Calling a desire bad names doesn't get rid of it. What we have to discover is that there is no safety, that seeking it is painful, and that when we imagine that we have found it, we don't like it. In other words, if we can really understand what we are looking for - that safety is isolation, and what we do to ourselves when we look for it - we shall see that we do not want it at all. No one has to tell you that you should not hold your breath for ten minutes. You know that you can't do it, and that the attempt is most uncomfortable. — Alan W. Watts

She's smiling that smile they smile before they grow bosoms. — Rebecca Wells

Finally, in our progress toward a resumption of work we require two safeguards against a return of the evils of the old order: there must be a strict supervision of all banking and credits and investments; there must be an end to speculation with other people's money, and there must be provision for an adequate but sound currency. — Franklin D. Roosevelt

The life and vigor of poetry consists of the fact that it steps out of itself, tears out a section of religion, then withdraws into itself to assimilate it. The same is true of philosophy. — Karl Wilhelm Friedrich Schlegel

How light the touches are that kiss the music from the chords of life! — Coventry Patmore

A man who writes for a living does not have to go anywhere in particular, and he could rarely afford to if he wanted. — C.S. Forester

Liberation as an intellectual mission, born in the resistance and opposition to the confinements and ravages of imperialism, has now shifted from the settled, established, and domesticated dynamics of culture to its unhoused, decentred, and exilic energies, energies whose incarnation today is the migrant, and whose conciousness is that of the intellectual and artist in exile, the political figure between domains, between forms, between homes, and between languages. From this perspective then all things are indeed counter, original, spare, strange. From this perspective also, one can see 'the complete consort dancing together' contrapuntally. — Edward Said